The prevailing paradigm of resilience in architecture relies on the assumption that a building is a static artifact. But historical models of resilience enable buildings to be in a constant state of flux, able to adapt their physical form in response to societal and environmental changes. The thousands of wooden churches in the Carpathian Mountains of Eastern Europe have physically transmuted over time thanks to the malleability of their constituent materials. Wood has endured as a material of profound social importance and wooden construction has proven to be adaptable for continuing use and longevity. With wood making a comeback through mass-timber technologies, could the wooden churches of Eastern Europe help us improve how we design and build for resilience today?
{"title":"Buildings in a State of Flux: The Wooden Churches of the Carpathians","authors":"Radu R. Macovei","doi":"10.51303/jtbau.vi3.598","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.598","url":null,"abstract":"The prevailing paradigm of resilience in architecture relies on the assumption that a building is a static artifact. But historical models of resilience enable buildings to be in a constant state of flux, able to adapt their physical form in response to societal and environmental changes. The thousands of wooden churches in the Carpathian Mountains of Eastern Europe have physically transmuted over time thanks to the malleability of their constituent materials. Wood has endured as a material of profound social importance and wooden construction has proven to be adaptable for continuing use and longevity. With wood making a comeback through mass-timber technologies, could the wooden churches of Eastern Europe help us improve how we design and build for resilience today?","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82659384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In July 2018 the University of Buckingham School of Architecture and the University of Notre Dame held a joint Architecture and Urban Design Summer Program in Central London: a four-week, full-time series of seminars, lectures, and field studies focusing on the Euston area between King’s Cross Station and Regent’s Park that will be impacted by the proposed HS2 high-speed railway terminus development. The program explored how a modern transport interchange can be accommodated within a historic city such as London in a manner that may enhance urban connectivity and serve the local community.
{"title":"An Alternative Project for the Euston Station Area in London","authors":"Lucien Steil, J. Simpson","doi":"10.51303/jtbau.vi3.601","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.601","url":null,"abstract":"In July 2018 the University of Buckingham School of Architecture and the University of Notre Dame held a joint Architecture and Urban Design Summer Program in Central London: a four-week, full-time series of seminars, lectures, and field studies focusing on the Euston area between King’s Cross Station and Regent’s Park that will be impacted by the proposed HS2 high-speed railway terminus development. The program explored how a modern transport interchange can be accommodated within a historic city such as London in a manner that may enhance urban connectivity and serve the local community.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"76 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90342266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ettore Maria MazzolaUrban RegenerationVertigo Edizioni, 2021
赫克托·玛丽亚·马佐拉城市再生版，2021年版
{"title":"It is high time for Europeans to return to their time-tested models of urbanism","authors":"Stefanos Polyzoides","doi":"10.51303/jtbau.vi3.621","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.621","url":null,"abstract":"Ettore Maria MazzolaUrban RegenerationVertigo Edizioni, 2021","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73472992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En 1994 el gobierno japonés encargó la construcción de réplicas a escala de dos trabajos escultóricos emblemáticos de la ciudad de Salamanca: la fachada de la universidad y el pórtico de la Natividad de la Catedral Nueva. Las reproducciones las realizaron escultores locales con el mismo tipo de piedra caliza utilizada en las esculturas originales y se instalaron en la entrada de una sala de conciertos en la prefectura de Gifu, en la isla de Honsu. Dada la naturaleza de la sala de conciertos, el cliente exigió que las réplicas incluyeran modificaciones respecto a los originales, por lo que los artesanos tuvieron que hacer un estudio analítico de la lógica de la ornamentación plateresca y gótica tardía. Dada la complejidad del Pórtico de la Natividad, esta tarea resultó especialmente difícil, ya que el trabajo no podía hacerse con medios mecánicos. Se creó un equipo formado por escultores y un arquitecto capaces de "pensar como los constructores originales" y de entregar las réplicas según las especificaciones dadas.
{"title":"Talla en piedra para el Sol Naciente: Historia de las réplicas japonesas de la fachada de la Universidad y del pórtico de la Natividad de la Catedral Nueva de Salamanca","authors":"Francisco García Moro","doi":"10.51303/jtbau.vi3.607","DOIUrl":"https://doi.org/10.51303/jtbau.vi3.607","url":null,"abstract":"En 1994 el gobierno japonés encargó la construcción de réplicas a escala de dos trabajos escultóricos emblemáticos de la ciudad de Salamanca: la fachada de la universidad y el pórtico de la Natividad de la Catedral Nueva. Las reproducciones las realizaron escultores locales con el mismo tipo de piedra caliza utilizada en las esculturas originales y se instalaron en la entrada de una sala de conciertos en la prefectura de Gifu, en la isla de Honsu. Dada la naturaleza de la sala de conciertos, el cliente exigió que las réplicas incluyeran modificaciones respecto a los originales, por lo que los artesanos tuvieron que hacer un estudio analítico de la lógica de la ornamentación plateresca y gótica tardía. Dada la complejidad del Pórtico de la Natividad, esta tarea resultó especialmente difícil, ya que el trabajo no podía hacerse con medios mecánicos. Se creó un equipo formado por escultores y un arquitecto capaces de \"pensar como los constructores originales\" y de entregar las réplicas según las especificaciones dadas.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89710414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Central Square: Seaside Lyceum Set-Piece","authors":"M. Dennis","doi":"10.51303/jtbau.vi2.538","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.538","url":null,"abstract":"Dhiru ThadaniReflections on Seaside Rizzoli, 2021","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83701496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Fabien Van Geert y Ferran EstradaConstruint el territori. Arquitectura tradicional i paisatge a Catalunya Departament de Cultura. Generalitat de Catalunya, 2018
{"title":"Sobre geografía, construcción y tradición en Cataluña","authors":"Josep Maria Fortià","doi":"10.51303/jtbau.vi2.532","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.532","url":null,"abstract":"Fabien Van Geert y Ferran EstradaConstruint el territori. Arquitectura tradicional i paisatge a Catalunya Departament de Cultura. Generalitat de Catalunya, 2018","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"142 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73802517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La obra de Armando Brasini es una parte ineludible del paisaje de la ciudad de Roma. A pesar de esto, y del enorme interés plástico de sus obras, este arquitecto italiano ha recibido poca atención por parte de los estudiosos. No obstante, cuando uno se enfrenta a su obra, se encuentra con un clasicismo increíblemente dinámico y atrayente, al mismo tiempo tradicional y moderno, ya que algo en él nos indica que sólo puede tratarse de una obra del siglo XX. El objetivo del presente artículo es tratar de analizar, siquiera superficialmente, los mecanismos a través de los cuales consigue Brasini generar una arquitectura que es, a la vez, convincentemente clásica e irremediablemente moderna. Busca también contribuir a dar a conocer la obra de este arquitecto tan poco estudiado, lo que permitiría además ayudar a abrir el debate sobre si su método, muy particular como veremos, podría ser tomado como punto de partida para generar una arquitectura clásica convincente para el momento actual.
{"title":"El clasicismo moderno de Armando Brasini","authors":"Lucas Martí Guitera","doi":"10.51303/jtbau.vi2.527","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.527","url":null,"abstract":"La obra de Armando Brasini es una parte ineludible del paisaje de la ciudad de Roma. A pesar de esto, y del enorme interés plástico de sus obras, este arquitecto italiano ha recibido poca atención por parte de los estudiosos. No obstante, cuando uno se enfrenta a su obra, se encuentra con un clasicismo increíblemente dinámico y atrayente, al mismo tiempo tradicional y moderno, ya que algo en él nos indica que sólo puede tratarse de una obra del siglo XX. El objetivo del presente artículo es tratar de analizar, siquiera superficialmente, los mecanismos a través de los cuales consigue Brasini generar una arquitectura que es, a la vez, convincentemente clásica e irremediablemente moderna. Busca también contribuir a dar a conocer la obra de este arquitecto tan poco estudiado, lo que permitiría además ayudar a abrir el debate sobre si su método, muy particular como veremos, podría ser tomado como punto de partida para generar una arquitectura clásica convincente para el momento actual.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79461948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marta Colmenares Fernández, Alejandro García Hermida, Carmen Moreno Adán
El presente documento busca dar a conocer el proceso seguido a lo largo del año 2019 para la restauración del morabito de Sidi Abdullah Khalifa. El edificio está situado entre los pueblos de Ouled Yussef y Mhamid El Ghezlane, en la zona occidental del oasis de Mhamid, en la provincia de Zagora, Marruecos. Este morabito es uno de los edificios más singulares y bellos de este oasis, además de un lugar apreciado y respetado por sus habitantes. En él descansan los restos del morabito que le da nombre, Sidi Abdullah Khalifa. La metodología seguida en la intervención fue la habitual de la Asociación Terrachidia: las obras a acometer fueron acordadas con la cabila y las instituciones locales; se desarrolló una fase de documentación técnica del edificio; también en colaboración con la cabila, se seleccionaron tanto los maestros de obra como los jóvenes aprendices locales que participaron en las obras; se acometió la intervención incorporando también participantes voluntarios internacionales y utilizando los materiales, las técnicas y las formas de la tradición local; y, finalmente, se trabajó en la difusión de este patrimonio, proceso del que forma parte este artículo.
本文件旨在宣传2019年为恢复西迪·阿卜杜拉·哈利法的莫拉比托所遵循的进程。该建筑位于摩洛哥扎戈拉省Mhamid绿洲西部地区的Ouled Yussef和Mhamid El Ghezlane村庄之间。这个莫拉比托是这个绿洲中最独特和最美丽的建筑之一，也是一个被其居民欣赏和尊重的地方。它坐落在同名的莫拉比人西迪·阿卜杜拉·哈利法(Sidi Abdullah Khalifa)的遗体上。在干预中遵循的方法是Terrachidia协会的惯例:将要进行的工作是与cabila和当地机构商定的;制定了建筑的技术文件阶段;此外，还与cabila合作，挑选了参与工作的当地教师和青年学徒;通过国际志愿参与者的参与，利用当地传统的材料、技术和形式进行干预;最后，我们致力于传播这一遗产，这一过程是本文的一部分。
{"title":"Restauración del morabito de Sidi Abdullah Khalifa en Ouled Youssef, Oasis de Mhamid, Marruecos","authors":"Marta Colmenares Fernández, Alejandro García Hermida, Carmen Moreno Adán","doi":"10.51303/jtbau.vi2.508","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.508","url":null,"abstract":"El presente documento busca dar a conocer el proceso seguido a lo largo del año 2019 para la restauración del morabito de Sidi Abdullah Khalifa. El edificio está situado entre los pueblos de Ouled Yussef y Mhamid El Ghezlane, en la zona occidental del oasis de Mhamid, en la provincia de Zagora, Marruecos. Este morabito es uno de los edificios más singulares y bellos de este oasis, además de un lugar apreciado y respetado por sus habitantes. En él descansan los restos del morabito que le da nombre, Sidi Abdullah Khalifa. La metodología seguida en la intervención fue la habitual de la Asociación Terrachidia: las obras a acometer fueron acordadas con la cabila y las instituciones locales; se desarrolló una fase de documentación técnica del edificio; también en colaboración con la cabila, se seleccionaron tanto los maestros de obra como los jóvenes aprendices locales que participaron en las obras; se acometió la intervención incorporando también participantes voluntarios internacionales y utilizando los materiales, las técnicas y las formas de la tradición local; y, finalmente, se trabajó en la difusión de este patrimonio, proceso del que forma parte este artículo.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"93 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82394522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
José Tono Martínez (coord.)Hassan Fathy: a contracorrienteEdiciones Asimétricas, 2021
jose Tono martinez (coord.)Hassan Fathy:逆流不对称版本，2021年
{"title":"Al rescate de los principios del maestro Fathy para revertir su incomprensión","authors":"José Luis Baró Zarzo","doi":"10.51303/jtbau.vi2.536","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.536","url":null,"abstract":"José Tono Martínez (coord.)Hassan Fathy: a contracorrienteEdiciones Asimétricas, 2021 \u0000","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88188028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ponnani, a historic port town located at the mouth of the Bharathappuzha River on the Arabian Sea, was a prominent trading center on the Malabar coast of Kerala, India, in the 15th and 16th centuries. It is one of Malabar’s few surviving historic towns, with its heritage sites intact along with its building types, historic streets and alleys, local culture, and traditions. But some of its historic buildings are on the verge of dereliction and need immediate attention. This study attempts to convey an understanding of Ponnani, with an analysis based on field visits and existing literature. The relationship between the region’s architecture and landscape and current threats to its heritage is explored. Its vanishing traditional knowledge systems and vernacular architectural types are also discussed, in what may serve as a reference for adaptive use by future generations.
{"title":"The Architectural Tradition of Ponnani, Kerala: A Historic Malabar Port Town","authors":"Swathy V Subramanian","doi":"10.51303/jtbau.vi2.526","DOIUrl":"https://doi.org/10.51303/jtbau.vi2.526","url":null,"abstract":"Ponnani, a historic port town located at the mouth of the Bharathappuzha River on the Arabian Sea, was a prominent trading center on the Malabar coast of Kerala, India, in the 15th and 16th centuries. It is one of Malabar’s few surviving historic towns, with its heritage sites intact along with its building types, historic streets and alleys, local culture, and traditions. But some of its historic buildings are on the verge of dereliction and need immediate attention. This study attempts to convey an understanding of Ponnani, with an analysis based on field visits and existing literature. The relationship between the region’s architecture and landscape and current threats to its heritage is explored. Its vanishing traditional knowledge systems and vernacular architectural types are also discussed, in what may serve as a reference for adaptive use by future generations.","PeriodicalId":34554,"journal":{"name":"Journal of Traditional Building Architecture and Urbanism","volume":"128 21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74214546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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