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Taboo zoonyms: What do 'bear', 'lynx' and 'wolf' have in common? 禁忌动物地名:熊"、"猞猁 "和 "狼 "有什么共同点?
Adriana Wacewicz-Chorosz
The aim of this paper is to trace the etymologies of the English words bear, lynx and wolf and their Polish equivalents niedźwiedź, ryś and wilk within the context of Indo-European languages in terms of the mechanisms for creating euphemisms to denote animals subject to the phenomenon of linguistic tabooization. The methodology comprises the following stages: selection of cognates (to determine the scope of attestation); examination of the semantic features of the selected vocabulary; and an attempt to outline the problem of the functional features of euphemisms to denote tabooed vocabulary. The results of these considerations can contribute to concretising our ideas about the linguistic constitution of the surrounding world by past language users and linguistic interrelationships, as well as help reveal the peculiarities of euphemistic vocabulary conditioned by the functioning of linguistic taboos.
本文旨在追溯英语单词 bear、lynx 和 wolf 及其波兰语对应词 niedźwiedź、ryś 和 wilk 在印欧语语境中的词源,从创造委婉语以表示受语言禁忌现象影响的动物的机制角度进行研究。研究方法包括以下几个阶段:选择同源词(以确定考证范围);考察所选词汇的语义特征;尝试概述委婉语表示禁忌词汇的功能特征问题。这些考虑的结果有助于使我们关于过去语言使用者对周围世界的语言构成和语言相互关系的想法具体化,也有助于揭示受语言禁忌功能制约的委婉语词汇的特殊性。
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引用次数: 0
Taboo zoonyms: What do 'bear', 'lynx' and 'wolf' have in common? 禁忌动物地名:熊"、"猞猁 "和 "狼 "有什么共同点?
Adriana Wacewicz-Chorosz
The aim of this paper is to trace the etymologies of the English words bear, lynx and wolf and their Polish equivalents niedźwiedź, ryś and wilk within the context of Indo-European languages in terms of the mechanisms for creating euphemisms to denote animals subject to the phenomenon of linguistic tabooization. The methodology comprises the following stages: selection of cognates (to determine the scope of attestation); examination of the semantic features of the selected vocabulary; and an attempt to outline the problem of the functional features of euphemisms to denote tabooed vocabulary. The results of these considerations can contribute to concretising our ideas about the linguistic constitution of the surrounding world by past language users and linguistic interrelationships, as well as help reveal the peculiarities of euphemistic vocabulary conditioned by the functioning of linguistic taboos.
本文旨在追溯英语单词 bear、lynx 和 wolf 及其波兰语对应词 niedźwiedź、ryś 和 wilk 在印欧语语境中的词源,从创造委婉语以表示受语言禁忌现象影响的动物的机制角度进行研究。研究方法包括以下几个阶段:选择同源词(以确定考证范围);考察所选词汇的语义特征;尝试概述委婉语表示禁忌词汇的功能特征问题。这些考虑的结果有助于使我们关于过去语言使用者对周围世界的语言构成和语言相互关系的想法具体化,也有助于揭示受语言禁忌功能制约的委婉语词汇的特殊性。
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引用次数: 0
Cross-linguistic phonological interaction: Word-stress usage in the English of Polish advanced EFL speakers 跨语言语音互动:波兰高级英语使用者英语中的单词重音使用
Anita Buczek-Zawiła
The paper discusses the emergence of L1-induced word-stress patterns in the spoken production of Polish advanced speakers of English. In Polish, unlike in English, a great deal of word-stress predictability is attested, and the paper investigates whether this affects the actual production. The investigations are couched within the broad area of contact linguistics and are analysed in the usage-based cognitive phonological approach. A possible lack of exemplar connections to standard English forms is postulated here, so that EFL speakers develop patterns where the connections are being made to their native exemplars. The Frequency in a Favourable Context criterion is used here to estimate effects of use pattern that are distinct in the investigated languages. The data were obtained in a series of production tasks in a test-like format, by students in the English Department at PUK in Kraków. The results were analysed to the effect that they demonstrated a high level of L1 influence bordering possibly on innovation and propagation of new pattern of use, with cognate forms demonstrating the more rigid adherence to L1 stress locus.
本文讨论了英语高级波兰语使用者在口语生产中出现的由l1引起的单词重音模式。在波兰语中,与英语不同的是,大量的单词重音可预测性得到了证实,本文调查了这是否影响了实际的生产。这些调查是在接触语言学的广泛领域内进行的,并在基于使用的认知音系方法中进行了分析。这里假设可能缺乏与标准英语形式的范例连接,因此EFL使用者开发了与他们的母语范例建立连接的模式。“有利语境中的频率”标准在这里被用来评估在被调查语言中不同的使用模式的影响。这些数据是由北京大学英语系的学生在Kraków上以类似测试的形式通过一系列生产任务获得的。对结果进行了分析,结果表明,它们显示出高度的L1影响,可能接近于创新和新使用模式的传播,同源形式显示出对L1压力位点的更严格的遵守。
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引用次数: 0
Fostering an autonomous approach as a key to successful remote learning during the covid pandemic 在covid大流行期间,培养自主方法是远程学习成功的关键
Magdalena Toporek
The purpose of this article is to call for greater attention to the expanding problem of fostering autonomous approach, which may prove to be the key to changing the common perception of remote learning and be the source of its success. Drawing on the ability, motivation and opportunity (AMO) framework, this conceptual paper integrates research on learning and teaching approaches in the light of emerging realities to present the potential and benefits of a remote learning model based on autonomous practice and increased awareness. A case is made that fundamental work is necessary to contribute to a positive change in public attitudes towards remote learning and to increase its effectiveness. Current debates on the potential for developing the latest teaching recommendations are also extended, considering the benefits of promoting autonomous approaches with a particular reference to distance learning settings.
本文的目的是呼吁更多地关注培养自主方法的日益扩大的问题,这可能被证明是改变对远程学习的普遍看法的关键,也是远程学习成功的源泉。在能力、动机和机会(AMO)框架的基础上,这篇概念性的论文在新兴现实的基础上整合了学习和教学方法的研究,以展示基于自主实践和提高意识的远程学习模式的潜力和好处。报告指出,为了促进公众对远程学习的态度发生积极变化并提高其有效性,有必要开展基础性工作。目前关于制定最新教学建议的潜力的辩论也得到了扩展,考虑到促进自主方法的好处,特别是在远程学习环境中。
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引用次数: 0
Circumlocutions with the noun guy in Hawai’i Creole English 夏威夷克里奥尔英语中名词guy的迂回用法
Konrad Radomyski
The purpose of this article is to identify and analyse the uses of the word guy in circumlocutions in The Revelation of St. John Divine in Hawai’i Creole English. The identified instances of circumlocutions with guy are contrasted with their parallel expressions found in King James’ Bible. The analysis was conducted with the corpus tools offered by AntConc. In the text, the word guy occurs 385 times and it is found 177 times in various circumlocutions.
本文的目的是识别和分析夏威夷克里奥尔英语中《圣约翰启示录》中盖伊一词的迂回用法。将已确定的与guy相关的迂回用法与詹姆斯国王圣经中的平行表达进行对比。使用AntConc提供的语料库工具进行分析。在文章中,“家伙”这个词出现了385次,在各种迂回用法中出现了177次。
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引用次数: 0
Animality as an excuse for murder: David Grann and Killers of the Flower Moon 以动物为谋杀的借口:大卫·格兰和花月杀手
Izabela Morska
This paper examines the investigative nonfiction book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann, which explores a series of murders of vulnerable members of the Osage tribe that took place in northeastern Oklahoma between 1918 and 1931. Grann’s account reveals how white citizens, ranchers, and townsfolk conspired against their Native American neighbors in a scheme involving poisoning, arson, deception, and falsified death certificates. The direct motivation for these crimes was greed triggered by income from oil deposits discovered in the land where the Osage were relocated after a century of broken treaties and other misfortunes. Furthermore, the paper explores how the supposed animality of the victims was employed to conceal and excuse genocidal tendencies against Native tribes, and how contemporary Native American accounts attest to their sense of unreality, resulting in the unclear status and uncanny subsistence of a living person reduced to the status of a ghost. In a broader perspective this paper discusses the colonization of America and its impact on the indigenous tribes who already inhabited the land. The demeaning metaphor of Indians as beasts yielded to a more palatable representation of the Noble Savage, but the accusations of bestiality returned when the tribes attempted to protect their way of living. The colonizers believed that by not cultivating the land and not building large, permanent communities, the indigenous tribes had forfeited their title to the land; those who resisted were conveniently labeled as pests to justify their inevitable erasure. The paper recalls rarely cited evidence, dating back to the history of the suppression of the 1652 Irish rebellion, to examine the multitudinous ways in which language played an important part in justifying the supposed animality of the indigenous people and eradicating them to make room for governmentauthorized settlers.
本文考察了大卫·格兰的非虚构类调查性书籍《花月杀手:奥塞奇族谋杀案和联邦调查局的诞生》,该书探讨了1918年至1931年间发生在俄克拉荷马州东北部的一系列奥塞奇族弱势成员谋杀案。格兰的叙述揭示了白人公民、农场主和城镇居民是如何密谋反对他们的印第安邻居的,他们策划了一个涉及投毒、纵火、欺骗和伪造死亡证明的阴谋。这些罪行的直接动机是贪婪,因为在奥塞奇族经过一个世纪的破坏条约和其他不幸之后重新安置的土地上发现了石油储备的收入。此外,本文还探讨了受害者的所谓兽性是如何被用来掩盖和原谅针对土著部落的种族灭绝倾向的,以及当代印第安人的叙述如何证明他们的不真实感,导致一个活着的人的不明确地位和不可思议的生存状态被降低到幽灵的地位。从更广泛的角度来看,本文讨论了美洲的殖民化及其对已经居住在这片土地上的土著部落的影响。把印第安人比喻成野兽的贬损行为,让位于对“高贵的野蛮人”更令人愉快的描述,但当部落试图保护自己的生活方式时,对兽交的指责又回来了。殖民者认为,如果不耕种土地,不建立大型的永久社区,土著部落就丧失了对土地的所有权;那些抗拒的人被方便地贴上了有害生物的标签,以证明他们不可避免地会被消灭。论文回顾了很少被引用的证据,可以追溯到1652年镇压爱尔兰叛乱的历史,研究了语言在证明土著居民的所谓兽性和消灭他们为政府授权的定居者腾出空间方面发挥重要作用的多种方式。
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引用次数: 0
Toward an archetypal narrative: A Jungian-inspired archetypal criticism of Propp’s recurring narratemes thesis 走向原型叙事:对普罗普反复出现的叙事命题的荣格式原型批评
Hicham Jakha
In this paper, I attempt to find a middle ground between the formalist critic, Vladimir Propp, and the psychoanalytic critic, Carl Jung. I argue that, instead of regarding Russian formalism and psychoanalysis as irreconcilable adversaries, the theories of the two figures can (and should) be unified; the result of which can be devised to establish a theory of what I call an ‘‘archetypal narrative’’. To be more explicit, Propp’s Morphology and Jung’s archetypal psychoanalysis are reconciled to bring about an archetypal narrative theory, in which the underlying structure of narratives lies in the collective unconscious of humanity.
在本文中,我试图在形式主义批评家弗拉基米尔·普罗普(Vladimir Propp)和精神分析批评家卡尔·荣格(Carl Jung)之间找到一个中间地带。我认为,与其将俄罗斯的形式主义和精神分析视为不可调和的对手,这两个人物的理论可以(也应该)统一起来;其结果可以用来建立一种我称之为“原型叙事”的理论。更明确地说,普罗普的形态学和荣格的原型精神分析相调和,产生了一种原型叙事理论,其中叙事的底层结构在于人类的集体无意识。
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引用次数: 0
Tingles, sparkles, shivers: Language of affect in online discussions on autonomous sensory meridian response 刺痛、闪光、颤抖:自主感觉经络反应在线讨论中的情感语言
J. Łapińska
The audiovisual phenomenon of autonomous sensory meridian response (ASMR), which has been present on the Internet for several years in the form of relaxing videos posted on YouTube, is enjoying growing popularity. One of the interesting elements of this phenomenon is the affectivity visible in the language used by the members of the community. In this article, I focus on the language used by the ASMR community in online spaces, putting forward the thesis that it corresponds with the language of affect present in the affective turn theories that appreciate bodily sensations as a way of experiencing the world. The article suggests that ASMR is a product of the culture of affect and that the success of this phenomenon is associated with a shift toward the importance of the body and its sensations in Western culture as key elements of the individual’s experience of the surrounding reality.
在互联网上以YouTube上的放松视频的形式出现了好几年的“自主感觉经络反应(ASMR)”视听现象,现在越来越受欢迎。这种现象的一个有趣的因素是社区成员使用的语言中可见的情感。在这篇文章中,我关注ASMR社区在网络空间中使用的语言,提出了一个论点,即它与情感转向理论中存在的情感语言相对应,情感转向理论将身体感觉视为体验世界的一种方式。这篇文章认为,ASMR是情感文化的产物,这种现象的成功与西方文化中身体及其感觉的重要性的转变有关,身体和感觉是个体对周围现实体验的关键要素。
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引用次数: 0
The facilitatory role of utterance splitting in text-based CMC 话语分裂在基于文本的CMC中的促进作用
Marek Placiński
This paper focuses on the role of the structure of turns in quasi-synchronous text-based computer mediated-conversation. Prior research has found that interactants in this type of communication submit their messages in two ways: either as a long single message or as a sequence of shorter postings. We hypothesize that the latter strategy – called utterance splitting – facilitates communicating online both in terms of turn-taking (initiation of repairs and holding the floor) and sentence processing (predicting informational content and lowering entropy). To evaluate the hypothesis, an experiment in which naive participants interacted with a confederate writer was conducted. We found that although communicative success did not depend on the condition to which the participants were assigned, the conversations in which the confederate sent split utterances were, on average, shorter and re-quired less words to communicate the same intention.
本文主要研究了回合结构在基于文本的准同步计算机中介对话中的作用。先前的研究发现,在这种类型的交流中,互动者以两种方式提交他们的信息:要么是一条长消息,要么是一系列较短的帖子。我们假设后一种策略——被称为话语分裂——在轮流(开始修理和保持地板)和句子处理(预测信息内容和降低熵)方面促进了在线交流。为了评估这一假设,进行了一项实验,让天真的参与者与一位联盟作家互动。我们发现,虽然交际成功并不取决于参与者被分配到的条件,但平均而言,同谋者发出分裂话语的对话更短,并且需要更少的单词来表达相同的意图。
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引用次数: 0
“Contiguity” as a process of semiotic lenition in Polish socialist realism art (1949–1953) “毗邻”:波兰社会主义现实主义艺术的符号弱化过程(1949-1953)
Małgorzata Haładewicz-Grzelak, Joanna Filipczyk
This paper investigates one aspect of the socialist enterprise that was imposed on Eastern Europe starting from 1945: the reflection of Marx’s communist ideology in the art of the period. Socrealism was but a brief episode on the Polish artistic scene, spanning only several years of the apogee of Stalinism (1949–1953). The raison d’être of this type of creative output can be circumscribed by two main tenets: (i) utter repudiation of formalism in art and stressing the need of constant vigilance for any traces thereof, and (ii) a conviction of the absolute ideological utilitarianism of art. Our project aims to semiotically inquire into the repercussions of refuting formalism in art and to disambiguate the semiotic mechanisms behind ideologically loaded artistic expression of the period, focusing on the dynamic aspect of semiosis. This will be done using the paradigm of the Tartu-Moscow school of semiotics and tropology in art (Chrzanowska-Kluczewska e.g. 2014). In particular, we will concentrate on the Tartu concepts of entropy, vacuous interlocutor, semiotic transparency and the metaphor-versus-metonymy dyad. The emerging category is contiguity: in Peircean as well as in cognitive terms. The study is informed by materials from the collections of Muzeum Śląska Opolskiego (Museum of Opole Silesia), in particular those presented in the exhibition Sztuka musi być zrozumiała dla mas [Art must be comprehensible for the masses] (Opole, Poland 2012, curator: Joanna Filipczyk) in particular paintings and texts, and by material excerpted from selected issues of the art journal of the period, Przegląd Artystyczny [Art Review] from the years 1949–1953. The study shows that the processes underlying this type of output can be classified as semiotic reduction relying on contiguity.
本文考察了1945年以来强加于东欧的社会主义事业的一个方面:马克思的共产主义思想在这一时期艺术中的反映。社会主义只是波兰艺术舞台上的一个短暂插曲,只跨越了斯大林主义鼎盛时期的几年(1949-1953)。这种类型的创造性产出的être的原因可以由两个主要原则来限制:(i)彻底否定艺术中的形式主义,并强调需要对其任何痕迹保持警惕,以及(ii)对艺术的绝对意识形态功利主义的信念。我们的项目旨在符号学上探讨艺术中反对形式主义的影响,并消除那个时期充满意识形态的艺术表达背后的符号学机制的歧义,重点关注符号学的动态方面。这将使用塔尔图-莫斯科艺术符号学和形态学学派的范式(Chrzanowska-Kluczewska,例如2014年)。特别是,我们将集中在熵的塔尔图概念,空洞的对话者,符号透明度和隐喻对转喻的二元关系。新出现的类别是邻近性:在佩尔海和认知方面。这项研究的资料来自博物馆Śląska Opolskiego(奥波莱西里西亚博物馆)的藏品,特别是那些在展览Sztuka musi byki zrozumiała dla mas[艺术必须为大众所理解](波兰奥波莱,2012年,策展人:Joanna Filipczyk)中展出的绘画和文本,以及从1949年至1953年的艺术期刊Przegląd Artystyczny[艺术评论]精选的材料。研究表明,这种类型的输出背后的过程可以归类为依赖于邻近的符号约简。
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引用次数: 0
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Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching
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