Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2022-2-181-196
K. Barsht
The article attempts to establish new links between the philosophical and journalistic works of I. V. Kireevsky and F. M. Dostoevsky’s sociopolitical program of «soil science», which the writer de-veloped in the 1860s and 1870s in his novels and journalistic articles. The following hypothesis is put forward: the ideas of I. V. Kireevsky’s «visible and invisible» Church, the role of dogmas and autho-rities in the church life infl uenced the formation of the ideology of Ivan Karamazov’s poem «The Grand Inquisitor» in terms of the conflict between the authoritarian model of the Inquisitor and the ideal of «apostolic Orthodoxy» that reflects the main idea of the novel The Karamazov Brothers.
{"title":"THE «RUSSIAN SOIL» AND THE «GRAND INQUISITOR». I. V. KIREEVSKY’S CONCEPTS IN THE CREATIVE HERITAGE OF F. M. DOSTOEVSKY","authors":"K. Barsht","doi":"10.31860/0131-6095-2022-2-181-196","DOIUrl":"https://doi.org/10.31860/0131-6095-2022-2-181-196","url":null,"abstract":"The article attempts to establish new links between the philosophical and journalistic works of I. V. Kireevsky and F. M. Dostoevsky’s sociopolitical program of «soil science», which the writer de-veloped in the 1860s and 1870s in his novels and journalistic articles. The following hypothesis is put forward: the ideas of I. V. Kireevsky’s «visible and invisible» Church, the role of dogmas and autho-rities in the church life infl uenced the formation of the ideology of Ivan Karamazov’s poem «The Grand Inquisitor» in terms of the conflict between the authoritarian model of the Inquisitor and the ideal of «apostolic Orthodoxy» that reflects the main idea of the novel The Karamazov Brothers.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129717973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2023-1-56-64
Iakov Dmitrievich Chechnev
The article analyzes the discussions concerning the prospects of publishing the Persian epic "Shahnameh" at the meetings of the Eastern Department of "Vsemirnaya Literatura" Publishing House in 1919. Based on the data from A. M. Gorky Archives, Institute of World Literature of the Russian Academy of Sciences, the chronology of the consideration of proposals for the translation of Fir-dousi’s epos, as well as of the discussions between the two reviewers, two employees of the "Vsemirnaya Literatura" Publishing House, N. S. Gumilyov and F. A. Rosenberg, have been reconstructed. As the result of this debate, N. S. Gumilyov came up with a suggestion to retranslate "Shahnameh".
文章分析了1919年波斯史诗《沙那玛》在“维塞米尔纳亚文学”出版社东部部会议上关于出版前景的讨论。根据俄罗斯科学院世界文学研究所A. M.高尔基档案的资料，重新整理了firdousi诗文翻译建议的审议年表，以及“Vsemirnaya Literature”出版社的两名审稿人N. S. Gumilyov和F. A. Rosenberg之间的讨论。作为这场辩论的结果，N. S. Gumilyov提出了一个重新翻译“Shahnameh”的建议。
{"title":"HOW THEY WANTED TO PUBLISH FIRDOUSI’S SHAHNAMEH AT VSEMIRNAYA LITERATURA PUBLISHING HOUSE","authors":"Iakov Dmitrievich Chechnev","doi":"10.31860/0131-6095-2023-1-56-64","DOIUrl":"https://doi.org/10.31860/0131-6095-2023-1-56-64","url":null,"abstract":"The article analyzes the discussions concerning the prospects of publishing the Persian epic \"Shahnameh\" at the meetings of the Eastern Department of \"Vsemirnaya Literatura\" Publishing House in 1919. Based on the data from A. M. Gorky Archives, Institute of World Literature of the Russian Academy of Sciences, the chronology of the consideration of proposals for the translation of Fir-dousi’s epos, as well as of the discussions between the two reviewers, two employees of the \"Vsemirnaya Literatura\" Publishing House, N. S. Gumilyov and F. A. Rosenberg, have been reconstructed. As the result of this debate, N. S. Gumilyov came up with a suggestion to retranslate \"Shahnameh\".","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128422164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2019-2-207-211
M. Baskina (Malikova)
{"title":"B. S. Kaganovich’s Book on A. A. Smirnov","authors":"M. Baskina (Malikova)","doi":"10.31860/0131-6095-2019-2-207-211","DOIUrl":"https://doi.org/10.31860/0131-6095-2019-2-207-211","url":null,"abstract":"","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128696030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2019-2-206-207
O. Osovsky, V. Kirzhayeva
{"title":"The Innovators as the Archaists","authors":"O. Osovsky, V. Kirzhayeva","doi":"10.31860/0131-6095-2019-2-206-207","DOIUrl":"https://doi.org/10.31860/0131-6095-2019-2-206-207","url":null,"abstract":"","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128799761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2019-3-54-63
N. Savelyeva
{"title":"Unknown Samples of Lexicographical Legacy in \"Tsvetnik\" by Prokhor Kolomnyatin","authors":"N. Savelyeva","doi":"10.31860/0131-6095-2019-3-54-63","DOIUrl":"https://doi.org/10.31860/0131-6095-2019-3-54-63","url":null,"abstract":"","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128239571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2022-1-276-279
V. A. Kotel'nikov
[Review:] Dictionnaire Dostoïevski / Par M. niqueux. Paris: Institut d’études slaves, 2021. 320 p. (CLEFS pour… № 3).
[评论:]陀思妥耶夫斯基词典/ M. niqueux著。巴黎:斯拉夫研究所，2021年。320页(钥匙…第3号)。
{"title":"Dostoevsky’s French Dictionary","authors":"V. A. Kotel'nikov","doi":"10.31860/0131-6095-2022-1-276-279","DOIUrl":"https://doi.org/10.31860/0131-6095-2022-1-276-279","url":null,"abstract":"[Review:] Dictionnaire Dostoïevski / Par M. niqueux. Paris: Institut d’études slaves, 2021. 320 p. (CLEFS pour… № 3).","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130334069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article provides an analysis of the occasional iambs in A. S. Pushkin’s prose, describes their rhythm as related to the verse prosody and language models of verse meter. It is suggested that, in the prosaic verselike fragments, a more or less noticeable regular deviation from the rhythm of the language towards fullfledged verse may point to the influence of the verse prosody on the poet’s prose.
{"title":"PROSODY OF VERSE-LIKE FRAGMENTS IN A. S. PUSHKIN’S PROSE (BASED ON RANDOM IAMBIC TETRAMETERS)","authors":"Evgeny Kazartsev, Ekaterina Timofeevna Nakonechnaya","doi":"10.31860/0131-6095-2022-3-107-120","DOIUrl":"https://doi.org/10.31860/0131-6095-2022-3-107-120","url":null,"abstract":"The article provides an analysis of the occasional iambs in A. S. Pushkin’s prose, describes their rhythm as related to the verse prosody and language models of verse meter. It is suggested that, in the prosaic verselike fragments, a more or less noticeable regular deviation from the rhythm of the language towards fullfledged verse may point to the influence of the verse prosody on the poet’s prose.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123842340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2022-3-162-182
M. Pavlova
Using the archival data, the article traces the path of A. N. Gippius during the years of emigration (1920–1942), her correspondence with Z. N. Gippius concerning the Orthodox Church and the Russian Church Abroad (ROCOR), her involvement in the work of religious and philosophical groups in Constantinople (1921) and Belgrade (1921–1924), as well as in the RSCM (Russian Student Chris-tian Movement). The Appendix contains her speech Intelligentsia, National Sentiments and the Church, delivered at a meeting of the Constantinople Circle.
利用档案资料，本文追溯了A. N. Gippius在移民期间(1920-1942)的道路，她与Z. N. Gippius关于东正教会和俄罗斯海外教会(ROCOR)的通信，她参与了君士坦丁堡(1921)和贝尔格莱德(1921 - 1924)的宗教和哲学团体的工作，以及RSCM(俄罗斯学生基督教运动)。附录包含她在君士坦丁堡圈会议上发表的演讲《知识分子、民族情感与教会》。
{"title":"ADDENDA TO THE BIOGRAPHY OF A. N. GIPPIUS: EARLY YEARS OF EMIGRATION (1920–1924) ARTICLE 1","authors":"M. Pavlova","doi":"10.31860/0131-6095-2022-3-162-182","DOIUrl":"https://doi.org/10.31860/0131-6095-2022-3-162-182","url":null,"abstract":"Using the archival data, the article traces the path of A. N. Gippius during the years of emigration (1920–1942), her correspondence with Z. N. Gippius concerning the Orthodox Church and the Russian Church Abroad (ROCOR), her involvement in the work of religious and philosophical groups in Constantinople (1921) and Belgrade (1921–1924), as well as in the RSCM (Russian Student Chris-tian Movement). The Appendix contains her speech Intelligentsia, National Sentiments and the Church, delivered at a meeting of the Constantinople Circle.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120849880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2022-4-136-143
Alexander Anatolyevich Karpov
The article examines an obscure comedy by O. I. Senkovsky Fansu, or the Cheating Maid, which is a reworking of a play by а Chinese author Zheng Guang-tzu, Tchao-Mei’-Hiang (The Clever Confidante), published in the French translation in 1835. The analysis is focused on the literary and polemical plot of the work, introduced by Senkovsky into the source text. The article offers additional arguments in favor of the assumption made by V. A. Kaverin, that the prototypes of the two characters of the comedy, Phu-Lalin and Mi-Lashun, are F. V. Bulgarin and N. A. Polevoy, and suggests that this additional plot was based on an episode of plagiarism, with Bulgarin using fragments of A. S. Pushkin’s tragedy Boris Godunov in his novel Dimitri The Impostor (1829); the tragedy was written in 1825, but published only in 1830, while Bulgarin got access to the manuscript thanks to his connections at the Third Department.
这篇文章考察了o·i·森科夫斯基的一部不知名的喜剧《奸臣》，这部喜剧改编自中国作家郑光子1835年出版的法文译本《聪明的红颜女》。分析的重点是文学和论战的工作情节，引入森科夫斯基的源文本。本文对卡维林的假设提供了额外的论据，即喜剧中的两个角色普拉林和米拉顺的原型是F. V. Bulgarin和N. A. Polevoy，并指出这一额外的情节是基于抄袭的情节，Bulgarin在他的小说《骗子迪米特里》(Dimitri The Impostor, 1829)中使用了A. S.普希金的悲剧《鲍里斯·戈杜诺夫》的片段;这部悲剧写于1825年，但直到1830年才出版，而宝格林由于他在第三部门的关系才得以接触到手稿。
{"title":"«ANECDOTE ABOUT TWO RUSSIAN WRITERS»","authors":"Alexander Anatolyevich Karpov","doi":"10.31860/0131-6095-2022-4-136-143","DOIUrl":"https://doi.org/10.31860/0131-6095-2022-4-136-143","url":null,"abstract":"The article examines an obscure comedy by O. I. Senkovsky Fansu, or the Cheating Maid, which is a reworking of a play by а Chinese author Zheng Guang-tzu, Tchao-Mei’-Hiang (The Clever Confidante), published in the French translation in 1835. The analysis is focused on the literary and polemical plot of the work, introduced by Senkovsky into the source text. The article offers additional arguments in favor of the assumption made by V. A. Kaverin, that the prototypes of the two characters of the comedy, Phu-Lalin and Mi-Lashun, are F. V. Bulgarin and N. A. Polevoy, and suggests that this additional plot was based on an episode of plagiarism, with Bulgarin using fragments of A. S. Pushkin’s tragedy Boris Godunov in his novel Dimitri The Impostor (1829); the tragedy was written in 1825, but published only in 1830, while Bulgarin got access to the manuscript thanks to his connections at the Third Department.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121344407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31860/0131-6095-2022-3-156-162
Tatiana V. Misnikevich
The article examines the specifics of F. Sologub’s work on his translations of the poems by P. Verlaine in the 1890s, as well as the influence of his translation practices on his original work. Using the translation of the poem Nevermore (collection Poèmes Saturniens) taken for the case study, it is shown how Sologub, while staying more or less true to the rhythm, phonics, vocabulary and imagery of the original, introduces certain changes in line with his aesthetic preferences.
{"title":"WHY ARE YOU TORMENTING ME WITH MEMORIES AGAIN?..: TRANSLATION OF P. VERLAINE’S POEM NEVERMORE IN THE CONTEXT OF F. SOLOGUB’S CREATIVE SEARCH","authors":"Tatiana V. Misnikevich","doi":"10.31860/0131-6095-2022-3-156-162","DOIUrl":"https://doi.org/10.31860/0131-6095-2022-3-156-162","url":null,"abstract":"The article examines the specifics of F. Sologub’s work on his translations of the poems by P. Verlaine in the 1890s, as well as the influence of his translation practices on his original work. Using the translation of the poem Nevermore (collection Poèmes Saturniens) taken for the case study, it is shown how Sologub, while staying more or less true to the rhythm, phonics, vocabulary and imagery of the original, introduces certain changes in line with his aesthetic preferences.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121347763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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