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TRANSACTIONAL SEX, EARLY MARRIAGE, AND PARENT– CHILD RELATIONS IN A TANZANIAN SLUM 坦桑尼亚贫民窟中的性交易、早婚和亲子关系
Q1 Social Sciences Pub Date : 2016-01-01 DOI: 10.16995/ee.1178
Laura Stark
Transactional sex has been recognized as a major factor in the persistence of HIV/AIDS in Sub-Saharan Africa, yet it also has implications for the persistence of poverty. Using interview data collected between 2010 and 2015, this article examines how Muslim families in Dar es Salaam are affected by transactional sexual behavior.1 Examined are motives for transactional sex, how poor families view the purpose of marriage, and religious teachings and cultural beliefs about the onset of adulthood. Familial strategies to ensure provision for daughters and to improve the family’s socio-economic situation are impeded by the fact that in a context of high unemploy ment, transactional sex of ten represents the only path to female economic self-sufficiency, which of ten results inthe family being encumbered with the financial burden of unwanted pregnancies
性交易已被认为是撒哈拉以南非洲地区艾滋病毒/艾滋病持续存在的一个主要因素,但它也对贫困的持续存在产生了影响。本文利用2010年至2015年间收集的访谈数据,研究了达累斯萨拉姆的穆斯林家庭如何受到交易性行为的影响研究对象包括性交易的动机、贫穷家庭如何看待婚姻的目的、宗教教义和关于成年开始的文化信仰。在高失业率的情况下,交易性行为往往是妇女实现经济自给自足的唯一途径,这往往导致家庭背负意外怀孕的经济负担,这阻碍了确保抚养女儿和改善家庭社会经济状况的家庭战略
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引用次数: 4
Introducing "Fourth Space" : Young Muslims Negotiating Marriage in Europe 介绍“第四空间”:年轻穆斯林在欧洲谈判婚姻
Q1 Social Sciences Pub Date : 2015-12-31 DOI: 10.16995/EE.1176
Pia Karlsson Minganti
Based on interviews with young persons in two national Muslim youth organizations in Europe, this article examines how young Muslims negotiate between the cultural customs of their societiesof orig ...
本文基于对欧洲两个国家穆斯林青年组织的年轻人的采访,探讨了年轻的穆斯林如何在他们的原籍社会的文化习俗和文化习俗之间进行谈判。
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引用次数: 8
CULTURAL EXPRESSION AND SUPPRESSION OF THE UNDESIRABLE AND UNBEARABLE IN EVERYDAY LIFE 文化表达和压制日常生活中不受欢迎和无法忍受的东西
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/EE.1162
R. Bendix
Contemporaries willing to posit that “rage brings forth good stuff” are rare. Austrian author Peter Handke, considered an enfant terrible by many, finds “wrath even better.” Without spelling it out, Handke evokes the physical dimensions entailed in rage, which generate energies transformable also in creative work embedded in and appreciated as art (Bauer & Reinke 2012). Anger, wrath, and rage are terms with different if in part overlapping semantics, which one does expect to be part of the range of, for instance, good acting. Indeed, one might argue that the stage is one of the few places where embodying and expressing such emotions is socially – and aesthetically – acceptable and even praiseworthy: They are viewed as masterful evocations of actual experiences, opening them up for inspection and reflection while, as William O. Beeman has observed (2007), affording audiences and performers alike an opportunity to experience emotions in a protected frame. Powerful emotions also figure in a great deal of fiction, starting most prominently with sacred, foundational texts. Humans are struck with the fear of gods not for naught (Lehmann 2012).4 Fiction and film also regale us with evocations of frustrated characters, individuals wallowing in their own sorrow and self-pity or lashing out at no one in particular. One of the most potent vehicles for fictional emotional excess of both exuberant and, even more pronounced, negative emotions is the comic: comic drawings, be they of Superman or Asterix, need not describe but simply show how someone explodes from anger, goes through the ceiling with pent-up fury, or is catapulted out of his shoes with the mobilizing forth of wrath. Onomatopoetic sounds rendered in capital letters may underline the visuals of rage, much as does another kind of typeface; coupled with a few strokes around a character’s eye and mouth, they evoke a droopy, displeased or obstreperous emotion. Perhaps particularly appealing for young audiences, comics split apart emotional aspects of an individual into additional figures. Marvel Comics’ placid physicist Bruce Banner, for instance, turns into the incredible Hulk, a green and humanoid superhero, all the stronger the angrier he gets.5 In everyday life, however, the emotional repertoire reaching from rage to frustration is not, generally, condoned, although there is plenty of awareness and even understanding of individually different temperaments and dispositions. A good deal of the work of enculturation today consists of mastering
愿意承认“愤怒带来好东西”的同时代人很少。奥地利作家彼得·汉德克(Peter Handke)被许多人认为是一个可怕的孩子,他觉得“愤怒更好”。Handke在没有详细说明的情况下,唤起了愤怒所包含的物理维度,它产生的能量也可以在嵌入和欣赏艺术的创造性工作中转化(Bauer & Reinke 2012)。愤怒(Anger)、愤怒(wrath)和狂怒(rage)是具有不同(部分重叠)语义的术语,例如,我们确实希望它们属于优秀表演的范围。的确,有人可能会说,舞台是少数几个体现和表达这种情感的地方之一,在社会上和美学上都是可以接受的,甚至是值得称赞的:它们被视为对实际经历的巧妙唤起,打开它们供检查和反思,同时,正如威廉·o·比曼(William O. Beeman)所观察到的(2007),为观众和表演者提供了一个机会,在一个受保护的框架内体验情感。强烈的情感也出现在许多小说中,最突出的是神圣的基础文本。人类对神的恐惧不是无缘无故的(莱曼2012)小说和电影也让我们沉浸在沮丧的角色中,沉浸在自己的悲伤和自怜中,或者对任何人都没有特别的抨击。漫画是虚构的情感过剩的最有力的工具之一,既充满活力,也更加明显,消极的情绪:漫画画,无论是超人还是阿斯特里克斯,都不需要描述,只需要展示一个人如何从愤怒中爆发出来,带着压抑的愤怒穿过天花板,或者带着愤怒的情绪从鞋子里跳了出来。像另一种字体一样,用大写字母呈现的拟声词可能会强调愤怒的视觉效果;再加上角色眼睛和嘴巴周围的几笔,它们唤起了一种下垂、不高兴或吵闹的情绪。也许对年轻观众特别有吸引力的是,漫画将一个人的情感方面分解成额外的人物。例如,漫威漫画中平静的物理学家布鲁斯·班纳变成了令人难以置信的绿巨人,一个绿色的人形超级英雄,他越生气就越强壮然而,在日常生活中,从愤怒到沮丧的情绪通常是不被容忍的,尽管人们对个体不同的气质和性格有充分的认识甚至理解。今天,大量的文化适应工作包括掌握
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引用次数: 1
HATE AS A POLITICAL OUTCAST 作为政治弃儿的仇恨
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/ee.1169
B. Johansen
This article is about hate as an outcast of current European politics. More precisely, it is about the uses of the term “hate” amongst European politicians, policy makers, NGOs and intergovernmental organizations as a mobilizing signifier in the ongoing work against a particular area of crime, namely crimes motivated by various forms of prejudice. The article builds on participant observation in anti-hate crime meetings and conferences in Denmark and at the European level as well as published speeches and policy documents. The current anti-hate crime mobilization is, as I will elaborate below, part of a much broader field of anti-discrimination, anti-racist and pro-human rights work in which a range of attitudes and practices is increasingly subsumed under the term “hate” and portrayed as a fundamental problem for a pluralist democracy (Jenness & Grattet 2001; Brown 2006; also Yanay 2013). In reading reports, campaigns and political statements about hate crimes, one may thus encounter statements such as the following:
这篇文章是关于仇恨作为当前欧洲政治的弃儿。更确切地说,它是关于在欧洲政治家、决策者、非政府组织和政府间组织之间使用“仇恨”一词,作为正在进行的打击某一特定犯罪领域,即由各种形式偏见引起的犯罪的工作中的一个动员符号。这篇文章的基础是参与者对丹麦和欧洲反仇恨犯罪会议的观察,以及发表的演讲和政策文件。正如我将在下面阐述的那样,当前的反仇恨犯罪动员是反歧视、反种族主义和亲人权工作更广泛领域的一部分,其中一系列态度和做法日益被纳入“仇恨”一词,并被描绘为多元化民主的一个基本问题(Jenness & Grattet 2001;布朗2006;也是Yanay 2013)。因此,在阅读关于仇恨犯罪的报告、运动和政治声明时,人们可能会遇到下列陈述:
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引用次数: 3
A STORY TO TRANSFER TRAUMA 一个转移创伤的故事
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/EE.1166
Sam Senji
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引用次数: 0
THE TOPOGRAPHIES OF AFFECT Prisons Perceived as Soundscapes 情感监狱的地形被视为声景
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/ee.1164
G. Swensen
thrown a newspaper parcel and tobacco to convicts when they were out in the exercise yard. This took place today in the morning at 9 o’clock. Three to four days ago he was also seen throwing food to bread-and-water prisoners. When Svendsen (the prison guard) talked to him today, he answered back “Shut up, and kiss my arse!” He repeated this several times in the presence of several convicts. Niels was presented with the information that was recorded about what had taken place, but he denied that it is correct and accused the prison guard of telling lies. It was decided that he would be punished with six days on bread and water combined with three days in a dark cell. (Chapter 29 § 2, pp. 8–9. Recited and signed)
当犯人在操场上时,他向他们扔报纸包裹和烟草。这件事发生在今天上午9点。三四天前还有人看到他向囚犯扔食物。斯文森(监狱看守)今天跟他谈话时,他回答说:“闭嘴,亲亲我的屁股!”他当着几个犯人的面重复了几次。尼尔斯被出示了关于所发生事情的记录资料,但他否认这是正确的,并指责监狱看守说谎。法庭决定,对他的惩罚是六天只吃面包和水,再加上三天关在黑暗的牢房里。(第29章第2节,第8-9页)背诵并签名)
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引用次数: 2
HALF-CUP RAGE 半杯的愤怒
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/ee.1167
K. Lau
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引用次数: 1
CROSSROADS OF ANGER Tensions and Conflicts in Traffic 愤怒的十字路口交通中的紧张和冲突
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/EE.1163
Dan Podjed, S. Babič
This article focuses on drivers involved in various modes of personal transport in Ljubljana, Slovenia, and describes their interactions and conflicts, often resulting in verbal or nonverbal expressions of anger. Using various approaches, ranging from semi-structured interviews to “participant driving,” it describes in great detail a small part of traffic infrastructure, that is, a crossroads in the city centre, which is a daily meeting point for thousands of people and their vehicles. Through an analysis of driving habits and reflections on daily language and media, the article sheds light on some key questions, which have, so far, only briefly been discussed by anthropologists: How do people habituate their driving? How do they comprehend vehicles as an indispensable part of their identity? And how do they express feelings and emotions on the road?
这篇文章主要关注斯洛文尼亚卢布尔雅那各种个人交通工具的司机,并描述了他们的互动和冲突,经常导致语言或非语言的愤怒表达。使用各种方法,从半结构化访谈到“参与者驾驶”,它非常详细地描述了交通基础设施的一小部分,即市中心的十字路口,这是成千上万的人和他们的车辆的日常交汇点。通过对驾驶习惯的分析和对日常语言和媒体的反思,本文揭示了一些迄今为止人类学家只简要讨论过的关键问题:人们是如何习惯驾驶的?他们如何理解交通工具是他们身份中不可或缺的一部分?他们在路上是如何表达自己的感受和情绪的?
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引用次数: 3
RAGE A Psychoanalytical Interpretation 愤怒:精神分析的解释
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/ee.1171
Glenn Bowman
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引用次数: 0
FROM THE SURGEON’S PRACTICE 从外科医生的实践
Q1 Social Sciences Pub Date : 2015-07-01 DOI: 10.16995/EE.1165
R. Flückiger
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引用次数: 0
期刊
Ethnologia Europaea
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