Pub Date : 2019-07-17DOI: 10.32870/CYS.V2019I0.7136
C. Gómez, Claudia Mellado Ruiz
The article analyzes the role of Chilean political-economic journalism during the crisis of trust in 2015 when cases of corruption emerged, affecting important corporate groups and politicians. By analyzing the implementation of different professional roles in a multiplatform context, traits of a dynamic hybrid media system were found in the relationship between the journalistic profession and power.
{"title":"Roles del periodismo político en un contexto multiplataforma y de crisis institucional","authors":"C. Gómez, Claudia Mellado Ruiz","doi":"10.32870/CYS.V2019I0.7136","DOIUrl":"https://doi.org/10.32870/CYS.V2019I0.7136","url":null,"abstract":"The article analyzes the role of Chilean political-economic journalism during the crisis of trust in 2015 when cases of corruption emerged, affecting important corporate groups and politicians. By analyzing the implementation of different professional roles in a multiplatform context, traits of a dynamic hybrid media system were found in the relationship between the journalistic profession and power.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72428001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-05DOI: 10.32870/CYS.V2019I0.7287
A. S. Valcarcel, E. G. Fernández, Andrea Castro Martínez
This research analyzes the practices of cyber-activism of “Las periodistas paramos” as an action to support the feminist strike on March 8th, 2018. The case study describes the strategies in the digital space to make the protest visible. It is obtained, among the results, the construction of a gender identity, the support of women journalists to the strike, and a multiplier effect in other professional groups.
{"title":"Acción colectiva ciberactivista de “Las periodistas paramos” para la huelga feminista del 8M en España","authors":"A. S. Valcarcel, E. G. Fernández, Andrea Castro Martínez","doi":"10.32870/CYS.V2019I0.7287","DOIUrl":"https://doi.org/10.32870/CYS.V2019I0.7287","url":null,"abstract":"This research analyzes the practices of cyber-activism of “Las periodistas paramos” as an action to support the feminist strike on March 8th, 2018. The case study describes the strategies in the digital space to make the protest visible. It is obtained, among the results, the construction of a gender identity, the support of women journalists to the strike, and a multiplier effect in other professional groups.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73006183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"National Screen Productions and Global SVOD Services: The Case of Netflix in UK and Italy","authors":"Stefano Baschiera, Valentina Re","doi":"10.26350/001200_000028","DOIUrl":"https://doi.org/10.26350/001200_000028","url":null,"abstract":"framework discuss","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75173629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-16DOI: 10.32870/cys.v2019i0.6736
Eva Salgado Andrade
At the first anniversary of the disappearance of 43 students in Ayotzinapa, several popular associations called for a series of activities that would culminate with a great protest march in Mexico City on September 26, 2015. This paper presents a comparative analysis of the way in which this event was reported in headlines and main images of nine newspapers with a long history as political actors in their respective countries: Mexico, Argentina, Brazil, Spain, United States, France and Great Britain.
{"title":"Construcción periodística de la marcha por el primer aniversario de Ayotzinapa. Un estudio comparado en titulares y fotografías de la prensa internacional","authors":"Eva Salgado Andrade","doi":"10.32870/cys.v2019i0.6736","DOIUrl":"https://doi.org/10.32870/cys.v2019i0.6736","url":null,"abstract":"At the first anniversary of the disappearance of 43 students in Ayotzinapa, several popular associations called for a series of activities that would culminate with a great protest march in Mexico City on September 26, 2015. This paper presents a comparative analysis of the way in which this event was reported in headlines and main images of nine newspapers with a long history as political actors in their respective countries: Mexico, Argentina, Brazil, Spain, United States, France and Great Britain.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89975517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In his theory of generations Ortega y Gassett suggested what others have come to call the “pulserate” hypothesis, where he argued that generational exchanges occurred in thirty-year cycles. His student Julian Marias later qualified this to fifteen years. This mechanistic theory has, of course, met with criticism – for being too mechanistic, and for being insensitive to different types of temporalities. Nonetheless, the self-perception of generations is not only guided by the relation to coevals, but also to, what Ricoeur calls “contemporaries, predecessors, and successors”, that is, the generations that came before, those with whom one shares experiences as coevals, and those who will succeed oneself. In this paper will be discussed the relations between the – often nostalgic – memories that communify coevals, and the experiences of generation as kinship that impact on a person’s perception of their place in the generational succession order, and how this can be developed into a generational rhythm analysis. It is argued that the rhythm of collective social life, which is arrhythmic along diversities in the combination of life-course and generational features seems to prevent the increase in “generational turnover” that could be expected through the increased speed of the “technological turnover” that follow from digitisation.
{"title":"Generational Temporalities and Rhythm-analysis","authors":"Göran Bolin","doi":"10.26350/001200_000059","DOIUrl":"https://doi.org/10.26350/001200_000059","url":null,"abstract":"In his theory of generations Ortega y Gassett suggested what others have come to call the “pulserate” hypothesis, where he argued that generational exchanges occurred in thirty-year cycles. His student Julian Marias later qualified this to fifteen years. This mechanistic theory has, of course, met with criticism – for being too mechanistic, and for being insensitive to different types of temporalities. Nonetheless, the self-perception of generations is not only guided by the relation to coevals, but also to, what Ricoeur calls “contemporaries, predecessors, and successors”, that is, the generations that came before, those with whom one shares experiences as coevals, and those who will succeed oneself. In this paper will be discussed the relations between the – often nostalgic – memories that communify coevals, and the experiences of generation as kinship that impact on a person’s perception of their place in the generational succession order, and how this can be developed into a generational rhythm analysis. It is argued that the rhythm of collective social life, which is arrhythmic along diversities in the combination of life-course and generational features seems to prevent the increase in “generational turnover” that could be expected through the increased speed of the “technological turnover” that follow from digitisation.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77208098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The theme of the relation between the media and the generations has been much explored in recent years, with significant results in both the field of media studies and the sociology of culture. On the media studies side the generational approach has been particularly important in relativising the role of technical evolution. Both the emergence of new media, and the evolution within each medium are considered explicable in the generational approach only if we consider the role played by the ever-new waves of youth audiences (who have experienced innovation as natural and coherent with their needs) in making these socially and successfully acceptable innovations. On the other hand, considering the media enables sociology to assess one of the essential factors in the permanence of rituals of usage, habits and memorial contents during the aging of generations and their self-identification in coexistence with the different generations (earlier or later). Within this strand of studies, the present paper aims to consider the interaction between the media, generational belonging and social memory. First, the relationships between memory and generational identity are discussed. Secondly, the role played by the media in collective memory building is analyzed. Finally, a new model of the relationship between the media, social memory and generational belonging is discussed, in the light of the previous discussions. As an example, the model is applicated to the case of the different memories of Tienanmen events (1989) in China and in Western Countries.
{"title":"The Generational Role of Media and Social Memory: A Research Agenda","authors":"Fausto Colombo","doi":"10.26350/001200_000060","DOIUrl":"https://doi.org/10.26350/001200_000060","url":null,"abstract":"The theme of the relation between the media and the generations has been much explored in recent years, with significant results in both the field of media studies and the sociology of culture. On the media studies side the generational approach has been particularly important in relativising the role of technical evolution. Both the emergence of new media, and the evolution within each medium are considered explicable in the generational approach only if we consider the role played by the ever-new waves of youth audiences (who have experienced innovation as natural and coherent with their needs) in making these socially and successfully acceptable innovations. On the other hand, considering the media enables sociology to assess one of the essential factors in the permanence of rituals of usage, habits and memorial contents during the aging of generations and their self-identification in coexistence with the different generations (earlier or later). Within this strand of studies, the present paper aims to consider the interaction between the media, generational belonging and social memory. First, the relationships between memory and generational identity are discussed. Secondly, the role played by the media in collective memory building is analyzed. Finally, a new model of the relationship between the media, social memory and generational belonging is discussed, in the light of the previous discussions. As an example, the model is applicated to the case of the different memories of Tienanmen events (1989) in China and in Western Countries.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81110123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 2016 – the annus horribilis of pop – the death of music artists such as David Bowie, George Michael and Prince produced a prodigious amount of commemorative initiatives, both spontaneously and within the media and celebrity worlds, with an impressive level of online expressions of grief. Addressing these three cases within the framework of social generation studies, celebrity theory and death studies, the paper proposes some hypotheses on the role that the death of celebrities plays in the construction of generational identity as “discursive articulation” where specific media practices/representations (in our case, mourning practices) play a crucial role in making generational narratives group together around shared symbolic and semantic cores.
{"title":"The Year Pop died: Celebrity Grief, Memory, Media and Generations","authors":"F. Pasquali","doi":"10.26350/001200_000065","DOIUrl":"https://doi.org/10.26350/001200_000065","url":null,"abstract":"In 2016 – the annus horribilis of pop – the death of music artists such as David Bowie, George Michael and Prince produced a prodigious amount of commemorative initiatives, both spontaneously and within the media and celebrity worlds, with an impressive level of online expressions of grief. Addressing these three cases within the framework of social generation studies, celebrity theory and death studies, the paper proposes some hypotheses on the role that the death of celebrities plays in the construction of generational identity as “discursive articulation” where specific media practices/representations (in our case, mourning practices) play a crucial role in making generational narratives group together around shared symbolic and semantic cores.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83899585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-19DOI: 10.32870/CYS.V2019I0.7084
David González Hernández
espanolEste ensayo analiza la exitosa serie El Chavo del Ocho (1971-1980). Argumento que el programa, como comedia de situacion, arraigo su formato televisivo en una matriz importante en Mexico y America Latina: la vecindad. De manera concreta, analizo como las dinamicas de la vecindad contribuyen a una representacion de la identidad comunal: cada personaje manifiesta no solo su version especifica, sino tambien una version de lo colectivo, lo conflictivo, pero sobre todo, lo solidario del Mexico de los anos setenta. EnglishThis essay analyzes El Chavo del Ocho´s successful series (1971-1980). My argument is that this sitcom founded its television format on one of the most important social spaces in Mexico and Latin America: “La vecindad” or the neighborhood. Moreover, I analyze how the neighborhood dynamics contribute to represent a communal identity: each character portrays not only its specific version, but also of the collective, the conflicts, but above all, the solidarity of Mexico’s in 1970s.
这篇文章分析了成功的El Chavo del Ocho系列(1971-1980)。我认为，作为情景喜剧，该节目的电视形式植根于墨西哥和拉丁美洲的一个重要矩阵:邻里关系。具体地说，我分析了邻里动态如何有助于公共身份的表现:每个角色不仅表现出自己的特定版本，而且表现出70年代墨西哥的集体、冲突，但最重要的是，团结的版本。这篇文章分析了El Chavo del Ocho的成功系列(1971-1980)。我的论点是，这部情景喜剧的电视形式是建立在墨西哥和拉丁美洲最重要的社会空间之一:“La vecindad”或“neighborhood”。此外，我分析了邻里动态如何有助于代表一个共同的身份:每个特征不仅描绘了其特定的版本，而且也描绘了集体、冲突，但最重要的是，1970年代墨西哥的团结。
{"title":"El Chavo del Ocho: la dinámica de la vecindad en la comedia de situación televisiva","authors":"David González Hernández","doi":"10.32870/CYS.V2019I0.7084","DOIUrl":"https://doi.org/10.32870/CYS.V2019I0.7084","url":null,"abstract":"espanolEste ensayo analiza la exitosa serie El Chavo del Ocho (1971-1980). Argumento que el programa, como comedia de situacion, arraigo su formato televisivo en una matriz importante en Mexico y America Latina: la vecindad. De manera concreta, analizo como las dinamicas de la vecindad contribuyen a una representacion de la identidad comunal: cada personaje manifiesta no solo su version especifica, sino tambien una version de lo colectivo, lo conflictivo, pero sobre todo, lo solidario del Mexico de los anos setenta. EnglishThis essay analyzes El Chavo del Ocho´s successful series (1971-1980). My argument is that this sitcom founded its television format on one of the most important social spaces in Mexico and Latin America: “La vecindad” or the neighborhood. Moreover, I analyze how the neighborhood dynamics contribute to represent a communal identity: each character portrays not only its specific version, but also of the collective, the conflicts, but above all, the solidarity of Mexico’s in 1970s.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83278886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper analyzes how the presence of different journalistic roles in the news content changed or remained stable after the implementation of the Organic Law of Communication in Ecuador. The results show a significant correlation between the performance of different professional roles in news and the implementation of the abovementioned law. The greatest variation occurs in the interventionist, watchdog and loyalfacilitator roles. KeyworDs: professional roles of the journalist, journalism, communication law, public policies, Ecuador.
{"title":"The Communication Law and its impact on the materialization of professional journalistic roles in the news of the elite press in Ecuador","authors":"D. Viveros, C. Mellado","doi":"10.32870/cys.v0i32.6587","DOIUrl":"https://doi.org/10.32870/cys.v0i32.6587","url":null,"abstract":"This paper analyzes how the presence of different journalistic roles in the news content changed or remained stable after the implementation of the Organic Law of Communication in Ecuador. The results show a significant correlation between the performance of different professional roles in news and the implementation of the abovementioned law. The greatest variation occurs in the interventionist, watchdog and loyalfacilitator roles. KeyworDs: professional roles of the journalist, journalism, communication law, public policies, Ecuador.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81320574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEstudiar el diario Unomasuno es clave para entender el nacimiento y desarrollo del Nuevo Fotoperiodismo mexicano. Este articulo busca analizar su fundacion, linea editorial y discursos visual y escrito para entender la importancia que tuvo dentro de la historia del periodismo mexicano de finales del siglo xx, en el marco del gobierno de Jose Lopez Portillo y la escena cultural y social de Mexico en el momento en que la fotografia iniciaba el despegue y auge que la caracterizo en las decadas de los ochenta y noventa. EnglishA study about the newspaper Unomasuno is key to understand the birth and development of the New Mexican photojournalism. This article seeks to analyze its foundation, publishing line and visual and written discourses to understand the importance it had inside the history of the Mexican journalism at the end of the 20th Century. In the framework of the government of Jose Lopez Portillo and the cultural and social scene of Mexico at the moment when photography began its takeoff and boom that characterized it in the decades of the 80's and 90's.
研究《Unomasuno》报纸是理解新墨西哥新闻摄影诞生和发展的关键。这种跟进分析他的基金会,视觉编辑线和演讲,并书面理解的重要性,而他在墨西哥新闻历史上20世纪末期,政府Jose Lopez Portillo墨西哥和现场文化和社会的那一刻,我的照片开始起飞和升级中的caracterizo几十年的1980年代和1990年代为。EnglishA study about the newspaper Unomasuno is key to明白生育and development of the New Mexican photojournalism。本文试图分析它的基础、出版路线以及视觉和书面话语，以理解它在20世纪末墨西哥新闻史上的重要性。在Jose Lopez Portillo的政府框架和墨西哥的文化和社会场景，当时摄影开始兴起和繁荣，这是80年代和90年代的特点。
{"title":"El Unomásuno y el Nuevo fotoperiodismo mexicano","authors":"M. Flores","doi":"10.32870/CYS.V0I32.6523","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6523","url":null,"abstract":"espanolEstudiar el diario Unomasuno es clave para entender el nacimiento y desarrollo del Nuevo Fotoperiodismo mexicano. Este articulo busca analizar su fundacion, linea editorial y discursos visual y escrito para entender la importancia que tuvo dentro de la historia del periodismo mexicano de finales del siglo xx, en el marco del gobierno de Jose Lopez Portillo y la escena cultural y social de Mexico en el momento en que la fotografia iniciaba el despegue y auge que la caracterizo en las decadas de los ochenta y noventa. EnglishA study about the newspaper Unomasuno is key to understand the birth and development of the New Mexican photojournalism. This article seeks to analyze its foundation, publishing line and visual and written discourses to understand the importance it had inside the history of the Mexican journalism at the end of the 20th Century. In the framework of the government of Jose Lopez Portillo and the cultural and social scene of Mexico at the moment when photography began its takeoff and boom that characterized it in the decades of the 80's and 90's.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81971807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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