Since the debates about modern propaganda began, a question remains unfinished today: the existence, or not, of propaganda in involuntary ideological discourses. In this paper, both currents, here defined as Intentional Propaganda Theory (IPT) and Spontaneous Reproduction of Propaganda Theory (SRPT), are confronted, concluding that the first is based on a restricted vision about power, communication and propaganda.
{"title":"Comunicación, ideología y poder: anotaciones para el debate entre la teoría de la propaganda Intencional y la teoría de la reproducción espontánea de la propaganda","authors":"Adrián Tarín Sanz","doi":"10.32870/CYS.V0I32.6794","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6794","url":null,"abstract":"Since the debates about modern propaganda began, a question remains unfinished today: the existence, or not, of propaganda in involuntary ideological discourses. In this paper, both currents, here defined as Intentional Propaganda Theory (IPT) and Spontaneous Reproduction of Propaganda Theory (SRPT), are confronted, concluding that the first is based on a restricted vision about power, communication and propaganda.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80665272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyzes Ismael Rodriguez’s film El nino y el muro (1964) from two angles. It looks at its context and revises the history of its production. Second, the article explores through the theoretical framework of transnational cinema how the film director Ismael Rodriguez, widely acclaimed as producer of Mexican melodrama, uses this genre and his experience to interpret a social reality.
{"title":"El muro de Berlín desde el imaginario del director mexicano Ismael Rodríguez. La coproducción de El niño y el muro","authors":"Yolanda García","doi":"10.32870/CYS.V0I32.6977","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6977","url":null,"abstract":"This article analyzes Ismael Rodriguez’s film El nino y el muro (1964) from two angles. It looks at its context and revises the history of its production. Second, the article explores through the theoretical framework of transnational cinema how the film director Ismael Rodriguez, widely acclaimed as producer of Mexican melodrama, uses this genre and his experience to interpret a social reality.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77106143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramon (Ramirez-Suarez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different cases of migration to Germany, providing various stereotypes of this country and its inhabitants with diverse purposes.
电影参与了国家刻板印象的传播，这些刻板印象塑造了我们对他者的部分看法。Guten tag, Ramon (Ramirez-Suarez, 2014)和Perdiendo el Norte (Velilla, 2015)是两部受欢迎的喜剧，第一部是墨西哥语，第二部是西班牙语，它们讲述了移民到德国的不同案例，提供了对这个国家及其居民的各种刻板印象，目的也不同。
{"title":"Los estereotipos nacionales como resorte de dos comedias comerciales: Guten tag, Ramón y Perdiendo el Norte","authors":"Veronique Pugibet Ussel","doi":"10.32870/CYS.V0I32.6942","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6942","url":null,"abstract":"Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramon (Ramirez-Suarez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different cases of migration to Germany, providing various stereotypes of this country and its inhabitants with diverse purposes.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74339164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The relationship between myth and catastrophe can help us to understand Werner Herzog’s cinematography. Taking this relationship as a reference, and analyzing character and landscape narrative, I will compare Herzog’s cinematography with some films coming from contemporary Latin-American cinema to show that, even if these films resound with the catastrophe language of the German director, they objectivize catastrophe to the extent of demystification.
{"title":"Mito y catástrofe. Personajes y paisajes en Werner Herzog y el cine latinoamericano contemporáneo","authors":"D. González","doi":"10.32870/CYS.V0I32.6952","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6952","url":null,"abstract":"The relationship between myth and catastrophe can help us to understand Werner Herzog’s cinematography. Taking this relationship as a reference, and analyzing character and landscape narrative, I will compare Herzog’s cinematography with some films coming from contemporary Latin-American cinema to show that, even if these films resound with the catastrophe language of the German director, they objectivize catastrophe to the extent of demystification.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74733023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents the descriptive analysis of the strategies of spatial representation used in The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder and The Passion of Berenice by Jaime Humberto Hermosillo. The study is developed in two phases: mise-en-scene and framing. The paper analyzes the functions of the cinematographic landscape and explains the spatiality or set of meanings expressed through the spaces shown in each film.
{"title":"Del encierro a la libertad: análisis de la espacialidad en Las amargas lágrimas de Petra von Kant y La pasión según Berenice","authors":"M. Pérez","doi":"10.32870/CYS.V0I32.6934","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6934","url":null,"abstract":"This article presents the descriptive analysis of the strategies of spatial representation used in The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder and The Passion of Berenice by Jaime Humberto Hermosillo. The study is developed in two phases: mise-en-scene and framing. The paper analyzes the functions of the cinematographic landscape and explains the spatiality or set of meanings expressed through the spaces shown in each film.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89253749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This text studies, from an aesthetic, narrative and intertextual perspective, a film that questions how can one be oneself after the war and what does it mean and not be? The case is Phoenix (2014) by C. Petzold. This film will sophisticate the motif of the “feminine double” in contemporary cinema.
{"title":"Después del trauma soy otro, reflexiones sobre la representación del cambio de identidad después de la guerra. El caso de Phoenix (2014) de Christian Petzold","authors":"F. Alcalá","doi":"10.32870/CYS.V0I32.6918","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6918","url":null,"abstract":"This text studies, from an aesthetic, narrative and intertextual perspective, a film that questions how can one be oneself after the war and what does it mean and not be? The case is Phoenix (2014) by C. Petzold. This film will sophisticate the motif of the “feminine double” in contemporary cinema.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82140757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Characterization of historical cinema from a sample of feature film works made in Colombia and through theoretical approaches to Ricoeur, Rosenstone, the school of the annales and others. In front of the written history, it is contributed that the cinema is not reconstruction of facts but emotional discourse that communicates not only the narrated but the way of conceiving to the world on the part of the producer and the society in which the work arises.
{"title":"Rasgos del cine histórico. Reflexión desde el cine colombiano","authors":"Jorge Prudencio Lozano Botache","doi":"10.32870/CYS.V0I31.6577","DOIUrl":"https://doi.org/10.32870/CYS.V0I31.6577","url":null,"abstract":"Characterization of historical cinema from a sample of feature film works made in Colombia and through theoretical approaches to Ricoeur, Rosenstone, the school of the annales and others. In front of the written history, it is contributed that the cinema is not reconstruction of facts but emotional discourse that communicates not only the narrated but the way of conceiving to the world on the part of the producer and the society in which the work arises.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91239960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
N. Carpentier, Vaia Doudaki, Yannis Christidis, Fatma Nazlı Köksal
The article evaluates an academic intervention which consisted out of two photography exhibitionsin Cyprus, focussing on the memorialization of the Cyprus Problem. These exhibitions communicatedaca ...
本文评估了一个学术干预，其中包括塞浦路斯的两个摄影展，重点是纪念塞浦路斯问题。这些展览传达了…
{"title":"De-Naturalizing Antagonistic Nationalism Through An Academic Intervention : The Reception of Two Photography Exhibitions on the Memorialization of the Cyprus Problem","authors":"N. Carpentier, Vaia Doudaki, Yannis Christidis, Fatma Nazlı Köksal","doi":"10.26350/001200_000005","DOIUrl":"https://doi.org/10.26350/001200_000005","url":null,"abstract":"The article evaluates an academic intervention which consisted out of two photography exhibitionsin Cyprus, focussing on the memorialization of the Cyprus Problem. These exhibitions communicatedaca ...","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90281405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
On April 22, 1992, nine explosions destroyed a neighborhood populated by workingclasses in Guadalajara (Mexico). Casualties included 210 people killed and many wounded. Through a textual and narrative analysis of 160 articles published in the local press, this research analyzes the narratives that the journalists crafted to commemorate this catastrophe. The article explains how narratives were highly influenced by a religious discourse, and how journalists used the concept of “space” and “body” to explain the explosion’s aftermaths.
{"title":"Narrativas periodísticas y memoria colectiva de una catástrofe urbana: el caso de las explosiones del 22 de abril en la prensa de Guadalajara","authors":"Juan S. Larrosa–Fuentes","doi":"10.32870/CYS.V0I31.6872","DOIUrl":"https://doi.org/10.32870/CYS.V0I31.6872","url":null,"abstract":"On April 22, 1992, nine explosions destroyed a neighborhood populated by workingclasses in Guadalajara (Mexico). Casualties included 210 people killed and many wounded. Through a textual and narrative analysis of 160 articles published in the local press, this research analyzes the narratives that the journalists crafted to commemorate this catastrophe. The article explains how narratives were highly influenced by a religious discourse, and how journalists used the concept of “space” and “body” to explain the explosion’s aftermaths.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78617154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper addresses an instrument for the meta-theoretical analysis of scientific texts. Based on Anderson´s model, this article proposes the analysis of four claim components (ontology, axiology, epistemology and methodology) implicit on conceptual systems that we employ to study social world´s phenomena. The application of such instrument is aimed at facilitating a critical, productive use of theoretical foundations.
{"title":"Diseño conceptual-metodológico para el análisis metateórico de textos científicos","authors":"J. Gallego","doi":"10.32870/cys.v0i31.6614","DOIUrl":"https://doi.org/10.32870/cys.v0i31.6614","url":null,"abstract":"This paper addresses an instrument for the meta-theoretical analysis of scientific texts. Based on Anderson´s model, this article proposes the analysis of four claim components (ontology, axiology, epistemology and methodology) implicit on conceptual systems that we employ to study social world´s phenomena. The application of such instrument is aimed at facilitating a critical, productive use of theoretical foundations.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88653245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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