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The multidirectionality of Romani identity in Damian Le Bas' The Stopping Places 达米安·勒·巴斯《停留的地方》中罗姆人身份的多向性
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5817/bse2022-2-8
Alejandro Nadal-Ruiz
The romanticised and stereotyped construction of the Romani people absorbed by mainstream society has contributed to the obliteration of their cultural complexity and their ensuing alienation. The present article analyses how the memoir The Stopping Places (2018), by the British Romani writer Damian Le Bas, makes a case for the borderlessness of his people. It is the main purpose of this study to underscore Romani identity as inherently multidirectional, hence allowing for a relational, intercultural dialogue aimed at transcending the long-standing Romani vs. non-Romani tension. For this purpose, Le Bas' network-like journey across some key stopping places is read as an endorsement of the synchronicity and interconnectedness characterising our present world. His narrative is an empowering attestation that foregrounds the fruitful interactions between the Roma and other cultures and sets the assumedly distrustful and protective Romani as an example of cultural flexibility.
被主流社会所吸收的罗曼蒂化和刻板化的罗姆人结构,导致了他们的文化复杂性被抹杀和随之而来的异化。本文分析了英国罗姆作家达米安·勒·巴斯(Damian Le Bas)的回忆录《停止的地方》(2018年)是如何为他的人民的无国界做辩护的。本研究的主要目的是强调罗姆人的身份本质上是多向的,从而允许一种关系的、跨文化的对话,旨在超越长期存在的罗姆人与非罗姆人之间的紧张关系。为此,勒巴斯在一些关键停留地点的网络般的旅程被解读为对我们当前世界特征的同步性和互联性的认可。他的叙述有力地证明了罗姆人与其他文化之间富有成效的互动,并将假定不信任和保护的罗姆人作为文化灵活性的一个例子。
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引用次数: 0
Dissonant and consonant narrators : Dorrit Cohn's concepts, narratorial Stance theory and cognitive literary studies 不协和与协和叙述者:多莉特·科恩的概念、叙事立场理论与认知文学研究
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.5817/bse2022-2-10
J. Teske, Janiece Jankowski
Our paper reconsiders the notions of dissonance and consonance introduced in Dorrit Cohn's Transparent Minds (1978). Cohn applies the terms to psycho- and self-narration and defines them with reference to the narrator's prominence, distance/intimacy as well as moral and cognitive privilege with reference to the character. Taking advantage of stance theory, we argue that dissonance and consonance are best taken as dimensions of the narrator's attitude towards the character and/or the narratee, we relate aspects of consonance/dissonance to the basic facets of focalization – emotional, interpretive, and evaluative – and we analyze them in terms of convergence or divergence and further, in the case of divergence, in terms of superiority or inferiority. We claim that there is no automatic correlation between narratorial consonance/dissonance and reliability. Overall, we believe that narratorial consonance/dissonance deserves much attention because it has great impact on the reader's reception of the narrator and characters.
我们的论文重新考虑了Dorrit Cohn的Transparent Minds(1978)中引入的不和谐和和的概念。科恩将这些术语应用于心理和自我叙述,并根据叙述者的突出地位、距离/亲密关系以及与角色相关的道德和认知特权来定义它们。利用立场理论,我们认为不和谐和和谐最好被视为叙述者对角色和/或叙述者态度的维度,我们将和谐/不和谐的方面与焦点的基本方面-情感,解释和评价-联系起来,我们从趋同或分歧的角度分析它们,在分歧的情况下,进一步从优势或劣势的角度分析它们。我们认为在叙述的一致性/不一致性和可靠性之间没有自动的相关性。总的来说,我们认为叙事的和谐/不和谐值得关注,因为它对读者对叙述者和人物的接受有很大的影响。
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引用次数: 0
Literary tourism and the shaping of space and identity in Victoria Hislop's novel The Island 文学旅游与维多利亚·希斯洛普小说《岛》中空间和身份的塑造
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/bse2021-1-15
Michael Weiss
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引用次数: 0
'You cannot assimilate Indian ghosts' : a magical realist reading of Louise Erdrich's The Night Watchman “你不能同化印度鬼魂”:路易斯·厄德里奇《守夜人》的魔幻现实主义解读
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/bse2021-2-3
A. Abbady
In The Night Watchman (2020), Louise Erdrich continues to blur the lines between history and fiction as she has done in several of her novels. Erdrich introduces the reader to several mag ical elements that appear to be entirely real: two ghosts, a dog that talks, and an unearthly powwow with Jesus as one of the dancers. The main objective of this article is to show how Er drich’s adoption of a magical realist narrative mode grants her the authority to challenge “the orthodox version of history” (Holgate 2015: 635) and to “re-envision” Native American history from the perspective of “the dispossessed, the silenced, and the marginalized” (Slemon 1995: 422). In particular, this article investigates the characterization and function of one of the two ghosts that appear in the novel in the context of two significant eras in the history of Native Americans: off-reservation boarding schools and the termination policy of the 1950s.
在《守夜人》(2020)中,路易丝·厄德里奇继续模糊历史与小说之间的界限,就像她在几部小说中所做的那样。厄德里奇向读者介绍了几个似乎完全真实的神奇元素:两个鬼魂,一条会说话的狗,以及一个与耶稣作为舞者之一的神秘仪式。本文的主要目的是展示erdrich对魔幻现实主义叙事模式的采用如何赋予她挑战“正统历史版本”(Holgate 2015: 635)的权威,并从“被剥夺者,沉默者和边缘化者”(Slemon 1995: 422)的角度“重新设想”美洲原住民的历史。本文特别研究了小说中出现的两个鬼魂之一的特征和功能,并将其置于印第安人历史上两个重要时代的背景下:保留地外寄宿学校和20世纪50年代的终止政策。
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引用次数: 0
Billy Budd, foretopman : re-reading desire 比利·巴德,领班:重读欲望
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/bse2021-2-4
Serena Demichelis
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引用次数: 0
Blending and compounding in English coroneologisms 英语冠词的混合和复合
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/bse2021-1-3
Amanda Roig-Marín
This article focuses on English coroneologisms coined during the COVID-19 pandemic. In order to contextualise two of the main morphological mechanisms underlying the coinage of coroneologisms in non-specialised terminology, namely blending and compounding, I will discuss the whole spectrum of lexical items traditionally ascribed to these word-formation processes and their relation to other lexicogenetic mechanisms. The rapid shift in the status of the word corona from having its primary sense, "crown", in Romance languages prior to the pandemic, to being automatically perceived as a clipping of coronavirus in Romance and Germanic languages alike is illustrated, as well as the high frequency of COVID, among other base forms, in the coinage of numerous words in a matter of months. References will be made to the use of these neologisms in English and their adoption and adaptation into other languages. © 2021 Masarykova Univerzita. All rights reserved.
本文重点关注2019冠状病毒病大流行期间创造的英语冠词。为了将非专业术语中冠词创造的两种主要形态机制(即混合和复合)置于语境中,我将讨论传统上归因于这些构词过程的词汇项目的整个范围,以及它们与其他词汇形成机制的关系。该报告说明了“冠状病毒”一词的地位迅速转变,从大流行之前在罗曼语中的原意为“王冠”,到在罗曼语和日耳曼语中被自动视为冠状病毒的缩写,以及“COVID”一词的高频出现,以及其他基本形式,在短短几个月的时间里,许多词都被造出来。将参考这些新词在英语中的使用,以及它们在其他语言中的采用和改编。©2021 Masarykova Univerzita版权所有。
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引用次数: 1
Wars in common: David Jones, John Ball and representations of collective experience in First World War writing 共同的战争:大卫·琼斯,约翰·鲍尔和第一次世界大战写作中的集体经历的表现
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/bse2021-1-8
Simon Featherstone
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引用次数: 0
Professor Emeritus Jan Svartvik and his role in corpus linguistics 名誉教授Jan Svartvik及其在语料库语言学中的作用
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/bse2021-2-1
Ludmila Urbanová
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引用次数: 0
"Gruff old scientists and rough old scholars" : the caricature of intellectualism in Aldous Huxley's short stories “粗鲁的老科学家和粗鲁的老学者”:赫胥黎短篇小说中对理智主义的讽刺
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/bse2021-2-8
Andrija Matić
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引用次数: 0
"Tell Us, Irma, Tell Us:" (Re)fashioning neo-Victorian memory in Joan Lindsay's Picnic at Hanging Rock (1967) “告诉我们,厄玛,告诉我们:”(重新)在琼·林赛的《挂石野餐》(1967)中塑造新维多利亚时代的记忆
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5817/BSE2021-1-14
Eduardo Valls Oyarzun
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引用次数: 0
期刊
Brno Studies in English
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