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Two centuries of the Russian classics最新文献

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National identity in Russian poetry 1816–1821 俄国诗歌中的民族认同(1816-1821
Pub Date : 2019-12-10 DOI: 10.22455/2686-7494-2019-1-2-08-35
V. Y. Troitsky
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引用次数: 0
Four Laurels: a monastic theme in the artistic, journalistic and epistolary heritage of Kokhanovskaya (N. S. Sokhanskaya) 四枚桂冠:科哈诺夫斯卡娅艺术、新闻和书信体遗产中的修道院主题(N. S. Sokhanskaya)
Pub Date : 2019-12-10 DOI: 10.22455/2686-7494-2019-1-2-94-109
O. Fetisenko
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引用次数: 0
“When there is no agreement between friends” A. S. Pushkin, N. V. Gogol, S. S. Uvarov “当朋友之间没有共识时”——普希金、果戈里、乌瓦洛夫
Pub Date : 2019-07-27 DOI: 10.22455/2686-7494-2019-1-1-34-103
I. A. Vinogradov
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引用次数: 4
Leo Tolstoy in the novel “The Decembrists” 列夫·托尔斯泰在小说《十二月党人》中
Pub Date : 2019-07-27 DOI: 10.22455/2686-7494-2019-1-1-104-117
I. Sizova
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引用次数: 1
The new translation of I. S. Turgenev in the new magazine 屠格涅夫在新杂志上的新译本
Pub Date : 2019-07-27 DOI: 10.22455/2686-7494-2019-1-1-118-127
A. Y. Zvigilskyi
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引用次数: 0
The formula “two times two is four” in the Russian classics and its possible origins 俄罗斯经典中的“二乘二等于四”公式及其可能的起源
Pub Date : 2019-07-27 DOI: 10.22455/2686-7494-2019-1-1-128-147
Y. Sytina
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引用次数: 1
To a question of the Russian-Serbian literary crossings 关于俄罗斯与塞尔维亚文学往来的问题
Pub Date : 2019-07-27 DOI: 10.22455/2686-7494-2019-1-1-148-157
E. Osipova
The review examines the “Slavic” articles of the scientific collection “Classics and modernity: Gogol, Turgenev, Gorky” (Belgrade, Moscow, Tyumen, Voronezh, 2018). Their analysis makes it possible to clarify certain topics of Serbian literature of the XX century, particularly, the ideological and artistic features of the work of the largest Serbian poet of the last century, Jovan Ducic and the Nobel laureate, writer Ivo Andric. As well it allows to highlight some aspects of the Russian-Serbian cultural relations of the XIX– XX centuries. Special attention should be paid to the work devoted to N. V. Gogol and the perception of his creative heritage in the Slavic world (articles by V. A. Voropayev, E. V. Sartakov). However, a critical analysis of the article by S. N. Meshcheryakov allows us to raise the question of Gogol’s tradition in Serbian literature. The works of Serbian authors about the work of A. M. Gorky are of considerable interest (article Curica B., Vraneš and L. A. Markovich, S. Т., Bruskewitz), because they give possibility to put a number of important questions on Russian-Serbian cultural and public relations of XIX — beginning
本文考察了科学文集《经典与现代性:果戈理、屠格涅夫、高尔基》(贝尔格莱德、莫斯科、秋明、沃罗涅日,2018年)中的“斯拉夫语”文章。他们的分析使得澄清20世纪塞尔维亚文学的某些主题成为可能,特别是上世纪最大的塞尔维亚诗人Jovan Ducic和诺贝尔奖获得者作家Ivo Andric的作品的思想和艺术特征。此外,它可以突出一些方面的俄罗斯-塞尔维亚文化关系的十九至二十世纪。应该特别注意专门研究n.v.果戈理的工作,以及对他在斯拉夫世界的创作遗产的看法(V. A. Voropayev, E. V. Sartakov的文章)。然而,通过对Meshcheryakov文章的批判性分析,我们可以提出果戈理在塞尔维亚文学中的传统问题。塞尔维亚作家关于A. M.高尔基的作品是相当有趣的(文章Curica B., vranesi和L. A. Markovich, S. Т)。, Bruskewitz),因为它们提供了对19世纪开始的俄罗斯-塞尔维亚文化和公共关系提出一些重要问题的可能性
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引用次数: 1
“Index of Forbidden Books” by Markell Radyshevsky, Archimandrite (On the History of Spiritual Censorship in Russia) 《禁书索引》作者:马克尔·拉迪舍夫斯基,Archimandrite(论俄罗斯精神审查的历史)
Pub Date : 2019-07-27 DOI: 10.22455/2686-7494-2019-1-1-8-33
O. A. Krasheninnikova
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引用次数: 0
The Way-Road According to Dante and N. V. Gogol: “The Divine Comedy” and “Dead Souls” 但丁与果戈理之路:《神曲》与《死魂》
Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2022-4-1-58-67
Symeon (Vladislav V.) Tomachinskiy
N. V. Gogol loved Italy, was fluent in Italian and created “Dead Souls” mainly in Rome. The article notes that Chichikov’s journey in the poem “Dead Souls” partly echoes the journey presented by Dante in “The Divine Comedy.” The poems of Dante and Gogol begin with the image of road, each of the works has its own guide and direction of movement. But if in Dante’s work the movement is vertical, in “Dead Souls” it is horizontal. The article proves that Dante’s journey, although an incredibly difficult and dangerous test, appears to be a meaningful, logical, elegantly constructed way. This is the path through Hell and Purgatory to Paradise, to God, in which the whole Roman soul of the poet is expressed with his love for order, harmony, justice, legal and moral explanation of each step. Chichikov’s journey is a dangerous illegal adventure, his movement is chaotic, random, dictated by momentary circumstances. His trio of horses is rushing at full gallop in an unknown direction and with an unknown purpose. The article also proposes a version of the origin of the protagonist’s surname — Chichikov, associated with the Italian word “chichirone,” which means “guide, conductor.”
n·v·果戈理热爱意大利,意大利语流利,主要在罗马创作了《死魂》。文章指出,奇奇科夫在诗歌《死魂》中的旅程部分呼应了但丁在《神曲》中所呈现的旅程。但丁和果戈理的诗歌都是从道路的意象开始的,每一部作品都有自己的运动指南和方向。但如果说但丁的作品中运动是垂直的,那么在《死魂》中是水平的。这篇文章证明了但丁的旅程,尽管是一个难以置信的困难和危险的考验,似乎是一个有意义的,合乎逻辑的,优雅的构建方式。这是一条从地狱和炼狱通往天堂和上帝的道路,在这条道路上,诗人的整个罗马灵魂都表达了他对秩序、和谐、正义、法律和道德的热爱,对每一步的解释。奇奇科夫的旅程是一次危险的非法冒险,他的行动是混乱的,随机的,由瞬间的环境决定的。他的三匹马正以未知的方向和未知的目的全速奔跑。这篇文章还提出了主人公姓氏“奇奇科夫”(Chichikov)的一个版本,这个姓氏与意大利语“chichirone”有关,意思是“向导、售票员”。
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引用次数: 0
Again ʽAgainst the Currents’: New Foreign Monograph about Nikolay Leskov 再次“逆流而上”:关于尼古拉·列斯科夫的新外国专著
Pub Date : 1900-01-01 DOI: 10.22455/2686-7494-2020-3-1-294-309
A. Fedotova
In a review of a monograph by a Polish researcher, an adjunct of the Department of Russian Studies at Warsaw University, M. Lukashevich, on the work of a Russian classic of the second half of the 19th century Nikolay Leskov, published by the Warsaw University Publishing House, the structure of the book is analyzed, the breadth of coverage of the material and the scientific approach, attractive for the general reader and at the same time promising, are emphasized. Lukashevich presents a broad panorama of Russian religious life in the second half of the 19th century, in the context of which, based on the objectives of the monograph, Leskov's work is considered. The author's attention is focused on the analysis of the least studied layer of Leskov's prose — his journalism. Numerous publicistic statements of the writer dedicated to topical issues of the social life of the Church are interpreted by the Polish philologist in the unity of form and content. The review describes the range of problems raised in the monograph, highlights successful and non-trivial observations of the author of the new book.
在华沙大学俄罗斯研究系的一名波兰研究员M. Lukashevich关于19世纪下半叶俄罗斯经典尼古拉·列斯科夫(Nikolay Leskov)的专著的评论中,华沙大学出版社出版了这本书的结构进行了分析,强调了材料覆盖的广度和科学方法,对普通读者有吸引力,同时也有希望。卢卡舍维奇呈现了19世纪下半叶俄罗斯宗教生活的广阔全景,在此背景下,基于专著的目标,莱斯科夫的工作被考虑在内。作者的注意力集中在分析列斯科夫散文中研究最少的一层——他的新闻。波兰语言学家在形式和内容的统一中解释了作家致力于教会社会生活的主题问题的许多公开声明。这篇评论描述了专著中提出的一系列问题,强调了这本新书作者成功而非琐碎的观察。
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引用次数: 0
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Two centuries of the Russian classics
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