Pub Date : 2020-08-13DOI: 10.2979/jottturstuass.7.1.03
Virginia H. Aksan
{"title":"Introduction: Chasing the Ottoman Early Modern","authors":"Virginia H. Aksan","doi":"10.2979/jottturstuass.7.1.03","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.03","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"7 1","pages":"10 - 7"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45891913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-13DOI: 10.2979/jottturstuass.7.1.05
Palmira Brummett
{"title":"Marking Time on the Early Modern: Kings, Conquests, Commune, Continuum","authors":"Palmira Brummett","doi":"10.2979/jottturstuass.7.1.05","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.05","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"7 1","pages":"14 - 16"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47791561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-13DOI: 10.2979/jottturstuass.7.1.28
Funda Berksoy
Abstract:The X. and XI. International Art Exhibitions in Munich (1909, 1913), the exhibition of Masterpieces of Muhammadan Art in Munich (1910), and the Munich Exhibition of Art and Crafts in Constantinople (1918) are significant events in late Ottoman and German artistic environments. In the current scholarly literature on the subject, the exhibitions in Munich have been studied as products of the “modernization movement” in the Ottoman Empire whereas the German exhibition in Istanbul has remained entirely unexamined. The aim of this article is to analyze these exhibitions closely in the context of German imperialist policies in the Ottoman Empire that were devised during the reign of Kaiser Wilhelm II (r. 1888–1918). This article argues that these exhibitions constituted an important part of German foreign cultural policy in relation to the Ottoman Empire and served as important channels to increase the economic and political hegemony of the German state in the region.
{"title":"Art Exhibitions in Munich and Istanbul (1909–18): Cultural Events as Part of German Imperialist Policies","authors":"Funda Berksoy","doi":"10.2979/jottturstuass.7.1.28","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.28","url":null,"abstract":"Abstract:The X. and XI. International Art Exhibitions in Munich (1909, 1913), the exhibition of Masterpieces of Muhammadan Art in Munich (1910), and the Munich Exhibition of Art and Crafts in Constantinople (1918) are significant events in late Ottoman and German artistic environments. In the current scholarly literature on the subject, the exhibitions in Munich have been studied as products of the “modernization movement” in the Ottoman Empire whereas the German exhibition in Istanbul has remained entirely unexamined. The aim of this article is to analyze these exhibitions closely in the context of German imperialist policies in the Ottoman Empire that were devised during the reign of Kaiser Wilhelm II (r. 1888–1918). This article argues that these exhibitions constituted an important part of German foreign cultural policy in relation to the Ottoman Empire and served as important channels to increase the economic and political hegemony of the German state in the region.","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"7 1","pages":"173 - 204"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47162649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-13DOI: 10.2979/jottturstuass.7.1.30
Remus Racolța
Abstract:The present article discusses Orhan Pamuk’s novel My Name is Red as a highly complex, multi-layered “whodunit,” based on Tzvetan Todorov’s typology of detective fiction. The detective story in the novel relies heavily on ekphrasis (the oral description of an object, image, or artwork), which plays an important role in the elucidation of the murder, offering crucial clues in the story of the investigation. The old Ottoman art of miniature painting plays an important role in the solving of the murder case, alongside the numerous religious and cultural ramifications stemming from the East-West divide present throughout the novel, yet not easily decoded by the Western reader. Even though Pamuk’s novel has been previously described as a “murder mystery,” Todorov’s classification ensures the subtype of detective fiction the novel falls into can be more precisely defined. Additionally, the ingenious use of ekphrasis and the highlighting of essential conflicts within the Ottoman traditions of miniature paintings uncover new aspects of text-to-image “translations” which had been previously ignored by literary criticism.
{"title":"When the Devil Tells the Story: Ekphrastic Detective Fiction in Orhan Pamuk’s Novel My Name is Red","authors":"Remus Racolța","doi":"10.2979/jottturstuass.7.1.30","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.30","url":null,"abstract":"Abstract:The present article discusses Orhan Pamuk’s novel My Name is Red as a highly complex, multi-layered “whodunit,” based on Tzvetan Todorov’s typology of detective fiction. The detective story in the novel relies heavily on ekphrasis (the oral description of an object, image, or artwork), which plays an important role in the elucidation of the murder, offering crucial clues in the story of the investigation. The old Ottoman art of miniature painting plays an important role in the solving of the murder case, alongside the numerous religious and cultural ramifications stemming from the East-West divide present throughout the novel, yet not easily decoded by the Western reader. Even though Pamuk’s novel has been previously described as a “murder mystery,” Todorov’s classification ensures the subtype of detective fiction the novel falls into can be more precisely defined. Additionally, the ingenious use of ekphrasis and the highlighting of essential conflicts within the Ottoman traditions of miniature paintings uncover new aspects of text-to-image “translations” which had been previously ignored by literary criticism.","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"7 1","pages":"227 - 243"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49075557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-13DOI: 10.2979/jottturstuass.7.1.14
D. A. Howard
{"title":"Before Exclusivism: Was the Early Modern an Axial Age?","authors":"D. A. Howard","doi":"10.2979/jottturstuass.7.1.14","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.14","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"7 1","pages":"45 - 48"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44792428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-08-13DOI: 10.2979/jottturstuass.7.1.06
Guy Burak
{"title":"Ottoman Islamic Law and “Early Modernity”","authors":"Guy Burak","doi":"10.2979/jottturstuass.7.1.06","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.06","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"7 1","pages":"17 - 19"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45926560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.2979/jottturstuass.7.1.32
Uur B. Bayraktar
{"title":"Yonca Köksal. The Ottoman Empire in the Tanzimat Era: Provincial Perspectives from Ankara to Edirne","authors":"Uur B. Bayraktar","doi":"10.2979/jottturstuass.7.1.32","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.32","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41378787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.2979/jottturstuass.7.1.33
Kristin E. Fabbe
{"title":"Emir Kaya. Secularism and State Religion in Modern Turkey: Law, Policy-Making and the Diyanet","authors":"Kristin E. Fabbe","doi":"10.2979/jottturstuass.7.1.33","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.33","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46621960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.2979/jottturstuass.7.1.31
Konrad Hirschler
{"title":"Gülru Necipo?lu, Cemal Kafadar, and Cornell H. Fleischer, eds. Treasures of Knowledge: an Inventory of the Ottoman Palace Library (1502/3–1503/4)","authors":"Konrad Hirschler","doi":"10.2979/jottturstuass.7.1.31","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.31","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42138455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-03-31DOI: 10.2979/jottturstuass.7.1.22
Ali Yaycioglu
{"title":"Ottoman Early Modern","authors":"Ali Yaycioglu","doi":"10.2979/jottturstuass.7.1.22","DOIUrl":"https://doi.org/10.2979/jottturstuass.7.1.22","url":null,"abstract":"","PeriodicalId":36583,"journal":{"name":"Journal of the Ottoman and Turkish Studies Association","volume":"7 1","pages":"70 - 73"},"PeriodicalIF":0.0,"publicationDate":"2020-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44662239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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