Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i1.23758
Gorun Manolescu
After his demise (in 2010), the philosophical works of Mihai Drăgănescu began to enter the attention of specialists from various backgrounds. His approach's incredible complexity and originality have been viewed and approached from various specific points of view until now. The aim of this paper is to present only a few essential features of the Drăgănescu philosophical approach as a whole, answering the following questions: (a) Is the model he recommended metaphysical, theological, or both? (b) How does the model highlight a certain Logos that becomes primordial in relation to the Being? (c) Why, quite unexpectedly, is the information considered a phenomenon? (d) How does the model he recommends solve some of the problems issued by Husserl and his phenomenology? In a forthcoming paper, we will try to show how Drăgănescu's Ontological-informational model allows a ChaOrdic application („Cha” from Chaos and „Ord” from Order) that characterizes the Reality of today when a natural Chaos appeared under which a new order emerges. Finally, our main conclusion will be that in relation to other similar attempts of recent times, which we know about, the approach of Drăgănescu presents strong originality by integrating the information with the ontological aspect. Furthermore, this confirms what our well-known Romanian philosopher Constantin Noica said a century ago: „Will the novelties of this work make their place in the world?” We should say that we do not doubt if we do not know the inertia that reigns in the world of culture. However, we will say that we do not know about a work that shakes this inertia better than the work of professor Drăgănescu. And if by impossibility it would not impose itself from now on in the culture of the twentieth century, let us be allowed to believe that it will astonish and deeply impress the non-perverted thinkers of the twenty-first century.
{"title":"Mihai Drăgănescu: arhitectura modelului său ontologic-informaţional cu şi fără conştiinţă fundamentală","authors":"Gorun Manolescu","doi":"10.35824/sjrs.v5i1.23758","DOIUrl":"https://doi.org/10.35824/sjrs.v5i1.23758","url":null,"abstract":"After his demise (in 2010), the philosophical works of Mihai Drăgănescu began to enter the attention of specialists from various backgrounds. His approach's incredible complexity and originality have been viewed and approached from various specific points of view until now. The aim of this paper is to present only a few essential features of the Drăgănescu philosophical approach as a whole, answering the following questions: (a) Is the model he recommended metaphysical, theological, or both? (b) How does the model highlight a certain Logos that becomes primordial in relation to the Being? (c) Why, quite unexpectedly, is the information considered a phenomenon? (d) How does the model he recommends solve some of the problems issued by Husserl and his phenomenology? In a forthcoming paper, we will try to show how Drăgănescu's Ontological-informational model allows a ChaOrdic application („Cha” from Chaos and „Ord” from Order) that characterizes the Reality of today when a natural Chaos appeared under which a new order emerges. Finally, our main conclusion will be that in relation to other similar attempts of recent times, which we know about, the approach of Drăgănescu presents strong originality by integrating the information with the ontological aspect. Furthermore, this confirms what our well-known Romanian philosopher Constantin Noica said a century ago: „Will the novelties of this work make their place in the world?” We should say that we do not doubt if we do not know the inertia that reigns in the world of culture. However, we will say that we do not know about a work that shakes this inertia better than the work of professor Drăgănescu. And if by impossibility it would not impose itself from now on in the culture of the twentieth century, let us be allowed to believe that it will astonish and deeply impress the non-perverted thinkers of the twenty-first century.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46600582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i1.23875
Diana Stroescu
This article aims to investigate the specifics of modernism by identifying several critical moments in intellectual history that are symptoms of significant tendencies in Western literature. In the absence of viable delimitations that would give modernism the status of a literary movement, the specificity of this literary-artistic period can be depicted by dwelling in the field of ideas that shaped a common way of conceiving human existence. The issue of the newness, around which the idea of modernity is built, summarizes a whole socio-cultural process that involves attitudes moving between the fascination and the anxiety of change. Considering these two perspectives towards the metamorphoses of the age in which writers lived with enthusiasm or drama, one can identify a conception of the condition of knowledge in a developing world. The social aspects, the individual identity, the established moral and religious principles, and the possibilities of creation are subjected to interrogation and therefore cause the tensions that irrigate modernist works.
{"title":"Insuportabila versatilitate a modernismului","authors":"Diana Stroescu","doi":"10.35824/sjrs.v5i1.23875","DOIUrl":"https://doi.org/10.35824/sjrs.v5i1.23875","url":null,"abstract":"This article aims to investigate the specifics of modernism by identifying several critical moments in intellectual history that are symptoms of significant tendencies in Western literature. In the absence of viable delimitations that would give modernism the status of a literary movement, the specificity of this literary-artistic period can be depicted by dwelling in the field of ideas that shaped a common way of conceiving human existence. The issue of the newness, around which the idea of modernity is built, summarizes a whole socio-cultural process that involves attitudes moving between the fascination and the anxiety of change. Considering these two perspectives towards the metamorphoses of the age in which writers lived with enthusiasm or drama, one can identify a conception of the condition of knowledge in a developing world. The social aspects, the individual identity, the established moral and religious principles, and the possibilities of creation are subjected to interrogation and therefore cause the tensions that irrigate modernist works.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41585015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i2.23890
Daniela Hăisan
This paper focuses on the mediating role paratexts perform in the transmission of a text from one culture to another. Our case in point is a series of (re)translations of Oscar Wilde’s fairy tales into Romanian (published between 1911 and 2018), with their respective allographic paratextuality (prefaces, postfaces, translator’s foreword, introduction, glossaries, author biographies, dedications etc.). The paratexts are examined with a view to distinguishing between those which allocate authority to the translated text and those which undermine it. Architectural metaphorics will be resorted to, for a better illustration of the relation between text and paratext. If, according to Kant (1987[1781]), pareregon is to ergon what columns are to buildings, and if, when it comes to books, parergon is a (near-)synonym for paratext, the text-as-house imagery proposed here is meant to encapsulate the way books assemble their (para)textual contents for the reading public.
{"title":"Parergonality, paratranslation, and text-as-house imagery: six Romanian-language editions of Oscar Wilde’s fairy-tales","authors":"Daniela Hăisan","doi":"10.35824/sjrs.v5i2.23890","DOIUrl":"https://doi.org/10.35824/sjrs.v5i2.23890","url":null,"abstract":"This paper focuses on the mediating role paratexts perform in the transmission of a text from one culture to another. Our case in point is a series of (re)translations of Oscar Wilde’s fairy tales into Romanian (published between 1911 and 2018), with their respective allographic paratextuality (prefaces, postfaces, translator’s foreword, introduction, glossaries, author biographies, dedications etc.). The paratexts are examined with a view to distinguishing between those which allocate authority to the translated text and those which undermine it. Architectural metaphorics will be resorted to, for a better illustration of the relation between text and paratext. If, according to Kant (1987[1781]), pareregon is to ergon what columns are to buildings, and if, when it comes to books, parergon is a (near-)synonym for paratext, the text-as-house imagery proposed here is meant to encapsulate the way books assemble their (para)textual contents for the reading public.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46232476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i2.23777
Mihaela Bărbieru
In recent years, studies on social networks have begun to become more and more numerous in the literature, with scientists showing a real interest in an influential analysis that they have on societies. Social networks are tools through which political candidates have the opportunity to distribute their political message during election campaigns, as well as outside them, to a growing audience. A very strong connection has been made between technology and communication, outside of which we, as individuals, can no longer exist, the virtual space managing to exploit communication in all its aspects. Online political communication, an easily accessible form of manifestation that attracts disinterested political groups, offers the possibility of avoiding information bottlenecks for citizens by changing content in real time, with low information costs, which means a real advantage for politicians.The importance of social networks in political communication is even greater as its role is the main channel of communication and occupies a special place in election campaign strategies. The present study aimes to analyze the phenomenon of social networks in terms of the benefits it offers to politics, through an online political communication with content transmitted in real time, without time limit and with low costs.
{"title":"Adapting political communication to technology. Case study: evolutionary aspects on social networks in Romania","authors":"Mihaela Bărbieru","doi":"10.35824/sjrs.v5i2.23777","DOIUrl":"https://doi.org/10.35824/sjrs.v5i2.23777","url":null,"abstract":"In recent years, studies on social networks have begun to become more and more numerous in the literature, with scientists showing a real interest in an influential analysis that they have on societies. Social networks are tools through which political candidates have the opportunity to distribute their political message during election campaigns, as well as outside them, to a growing audience. A very strong connection has been made between technology and communication, outside of which we, as individuals, can no longer exist, the virtual space managing to exploit communication in all its aspects. Online political communication, an easily accessible form of manifestation that attracts disinterested political groups, offers the possibility of avoiding information bottlenecks for citizens by changing content in real time, with low information costs, which means a real advantage for politicians.The importance of social networks in political communication is even greater as its role is the main channel of communication and occupies a special place in election campaign strategies. The present study aimes to analyze the phenomenon of social networks in terms of the benefits it offers to politics, through an online political communication with content transmitted in real time, without time limit and with low costs.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42735531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i1.23775
Manuela-Gabriela Ursu
The following study looks into the history of a minimally studied Romanian literary form: the mystery novel. The particular aspects that define this subgenre are illustrated by the prose of Ioan M. Bujoreanu, entitled Mistere din București. The nineteenth-century Romanian literature is characterized by a tremendous expansion, particularly when we consider the general development of the novel. The first novels available in Romanian are translations from French literature, most of them very successful books belonging to the popular culture of that time. Following the French model, the Romanian authors created similar novels in which the most important elements were the extraordinary, the intrigue and the sensational situations that were meant to attract a very large public. Analyzing these numerous novels, most of them forgotten today, and trying to classify them we observe that the Romanian literary frame is very diverse. We can identify certain types such as the outlaw, the woman, the criminal or the mystery novel, all of them being eclectic proses. Of all the genres belonging to popular literature, the mystery novel stands out for its preoccupation and openness to illustrating the nineteenth-century social aspects. This type of novel succeeds to capture the literary style and the particular elements embedded in the first novelist writings. One of the most prominent writers who managed to incorporate an image of nineteenth-century society into his novel is Ioan M. Bujoreanu. He creates a very realistic scene of that time by observing the human condition, condemning the injustices of aristocrats against the Romanian peasants and closely describing the city of Bucharest down to the most minute detail. His novel demonstrates the importance of the mystery novel in the nineteenth-century Romanian popular writings which is a sociological one as well as a documentary one.
以下研究着眼于一种研究较少的罗马尼亚文学形式的历史：推理小说。定义这一亚类的特定方面由Ioan M.Bujoreanu的散文所说明，题为Mistere din București。19世纪罗马尼亚文学的特点是巨大的扩张，尤其是当我们考虑到小说的总体发展时。罗马尼亚语的第一部小说是法国文学的译本，其中大多数都是属于当时流行文化的非常成功的书籍。按照法国的模式，罗马尼亚作家创作了类似的小说，其中最重要的元素是非凡、阴谋和耸人听闻的情况，旨在吸引大量公众。分析这些众多的小说，其中大多数在今天被遗忘了，并试图对它们进行分类，我们观察到罗马尼亚的文学框架是非常多样化的。我们可以识别某些类型，如亡命之徒、女人、罪犯或推理小说，所有这些都是兼收并蓄的散文。在所有属于通俗文学的类型中，推理小说以其专注和开放的态度来阐述19世纪的社会方面而脱颖而出。这种类型的小说成功地捕捉到了第一代小说家作品中的文学风格和特定元素。Ioan M.Bujoreanu是最著名的作家之一，他成功地将19世纪社会的形象融入了他的小说中。他通过观察人类状况，谴责贵族对罗马尼亚农民的不公正行为，并对布加勒斯特市进行最细微的描述，创造了一个非常现实的场景。他的小说展示了推理小说在19世纪罗马尼亚通俗文学中的重要性，这是一部社会学作品，也是一部纪录片。
{"title":"Romanul misterelor în literatura română a secolului al XIX-lea - o pagină de istorie literară uitată -","authors":"Manuela-Gabriela Ursu","doi":"10.35824/sjrs.v5i1.23775","DOIUrl":"https://doi.org/10.35824/sjrs.v5i1.23775","url":null,"abstract":"The following study looks into the history of a minimally studied Romanian literary form: the mystery novel. The particular aspects that define this subgenre are illustrated by the prose of Ioan M. Bujoreanu, entitled Mistere din București. The nineteenth-century Romanian literature is characterized by a tremendous expansion, particularly when we consider the general development of the novel. The first novels available in Romanian are translations from French literature, most of them very successful books belonging to the popular culture of that time. Following the French model, the Romanian authors created similar novels in which the most important elements were the extraordinary, the intrigue and the sensational situations that were meant to attract a very large public. Analyzing these numerous novels, most of them forgotten today, and trying to classify them we observe that the Romanian literary frame is very diverse. We can identify certain types such as the outlaw, the woman, the criminal or the mystery novel, all of them being eclectic proses. Of all the genres belonging to popular literature, the mystery novel stands out for its preoccupation and openness to illustrating the nineteenth-century social aspects. This type of novel succeeds to capture the literary style and the particular elements embedded in the first novelist writings. One of the most prominent writers who managed to incorporate an image of nineteenth-century society into his novel is Ioan M. Bujoreanu. He creates a very realistic scene of that time by observing the human condition, condemning the injustices of aristocrats against the Romanian peasants and closely describing the city of Bucharest down to the most minute detail. His novel demonstrates the importance of the mystery novel in the nineteenth-century Romanian popular writings which is a sociological one as well as a documentary one.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44147107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i2.23880
Alexandra Chiriac, Ana Catană-Spenchiu
This paper aims to reconstruct the way in which the Romanian written culture from the second half of the eighteenth century and the beginning of the nineteenth gradually built the image of the Russian Enlightened monarchy with three of its most famous representatives: Peter II, Catherine II and Alexander I. By means of translating from Italian and German historiography, these texts served a double goal: on the one hand they satisfied the reader’s need for knowledge and understanding of the contemporary events, and on the other they contributed to a political discourse that viewed Russia and the Russian Orthodox monarchy as potential saviours of the Romanian principalities from the oppression of the Muslim Ottoman Empire. By means of translation analysis, we have attempted to illustrate how the Western image of an Eastern monarch, guided by a blend of Western philosophy and Eastern Orthodox tradition, was transferred in the Romanian culture as a scientific base for political and cultural decisions.
{"title":"The image of the Russian Enlightened Monarch in the Romanian culture at the end of the eighteenth and beginning of the nineteenth century","authors":"Alexandra Chiriac, Ana Catană-Spenchiu","doi":"10.35824/sjrs.v5i2.23880","DOIUrl":"https://doi.org/10.35824/sjrs.v5i2.23880","url":null,"abstract":"This paper aims to reconstruct the way in which the Romanian written culture from the second half of the eighteenth century and the beginning of the nineteenth gradually built the image of the Russian Enlightened monarchy with three of its most famous representatives: Peter II, Catherine II and Alexander I. By means of translating from Italian and German historiography, these texts served a double goal: on the one hand they satisfied the reader’s need for knowledge and understanding of the contemporary events, and on the other they contributed to a political discourse that viewed Russia and the Russian Orthodox monarchy as potential saviours of the Romanian principalities from the oppression of the Muslim Ottoman Empire. By means of translation analysis, we have attempted to illustrate how the Western image of an Eastern monarch, guided by a blend of Western philosophy and Eastern Orthodox tradition, was transferred in the Romanian culture as a scientific base for political and cultural decisions.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45010915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i2.23873
Simona-Laura Lazar
The socio-anthropological approach to the funerary practices proves a tight connection between the religious beliefs and the funerary practices. However, it is hard to be evidenced only through the funerary discoveries most of the time. The study of the funerary space structure reveals several possibilities for interpretation, provided the necropolises are researched thoroughly. In the analysis made on the funerary practices, there are often used notions, such as that of a social person, understood as a variety of situations (age, social rank, gender etc.), or social energy consumed during the development of a funerary practice. In this manner only, hypotheses can be issued regarding the social structure if it considers that the funerary space can also be seen as a confirmation of the social identity. The funerary practices can “codify” information related both to the social structure and ideology, thus to the collective mentality of those communities. Different attempts have been made to sketch the religion of the prehistoric communities, using the funerary discoveries for this purpose. To the north of the Danube, in the south-western side of Romania, the funerary practices used to be characteristic for the end of the Bronze Age, which implied the cremation of the dead and the depositing of the remains into a pottery vessel that played the role of an urn. This was buried along with one or more adjacent vessels and sometimes clay statuettes. Among the archaeological discoveries available in the actual stage of the researches, the Gârla Mare type is evidenced, which belongs to the wider area of the incrusted ceramics groups situated on one side and another on the middle inferior course of the Danube. Most of them come from the necropolises of cremation in an urn, being known only a few discoveries of settlements. At the beginning of the Iron Age, a different funerary practice can be noticed, i.e., the building of tumuli and the depositing of the offerings in vessels, on the bottom of them. The disappearance of the plane necropolises, starting with the 12th century BCE and the appearance, in the same period, of the tumular constructions because of the richness or the quantity of the social energy invested in them suggest the appearance of new forms of collective representation, a change in the collective mentality. Furthermore, as a tendency to affirm the social identity, the funerary tumulus can be pointed out.
{"title":"The funerary practices from the end of the Bronze Age and the beginning of the Iron Age in the south-west of Romania and the relations with the south of Danube","authors":"Simona-Laura Lazar","doi":"10.35824/sjrs.v5i2.23873","DOIUrl":"https://doi.org/10.35824/sjrs.v5i2.23873","url":null,"abstract":"The socio-anthropological approach to the funerary practices proves a tight connection between the religious beliefs and the funerary practices. However, it is hard to be evidenced only through the funerary discoveries most of the time. The study of the funerary space structure reveals several possibilities for interpretation, provided the necropolises are researched thoroughly. In the analysis made on the funerary practices, there are often used notions, such as that of a social person, understood as a variety of situations (age, social rank, gender etc.), or social energy consumed during the development of a funerary practice. In this manner only, hypotheses can be issued regarding the social structure if it considers that the funerary space can also be seen as a confirmation of the social identity. The funerary practices can “codify” information related both to the social structure and ideology, thus to the collective mentality of those communities. Different attempts have been made to sketch the religion of the prehistoric communities, using the funerary discoveries for this purpose. To the north of the Danube, in the south-western side of Romania, the funerary practices used to be characteristic for the end of the Bronze Age, which implied the cremation of the dead and the depositing of the remains into a pottery vessel that played the role of an urn. This was buried along with one or more adjacent vessels and sometimes clay statuettes. Among the archaeological discoveries available in the actual stage of the researches, the Gârla Mare type is evidenced, which belongs to the wider area of the incrusted ceramics groups situated on one side and another on the middle inferior course of the Danube. Most of them come from the necropolises of cremation in an urn, being known only a few discoveries of settlements. At the beginning of the Iron Age, a different funerary practice can be noticed, i.e., the building of tumuli and the depositing of the offerings in vessels, on the bottom of them. The disappearance of the plane necropolises, starting with the 12th century BCE and the appearance, in the same period, of the tumular constructions because of the richness or the quantity of the social energy invested in them suggest the appearance of new forms of collective representation, a change in the collective mentality. Furthermore, as a tendency to affirm the social identity, the funerary tumulus can be pointed out.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45440518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i2.23888
Arina Greavu
This paper examines the grammatical structure of Romanian/ English codeswitching in the speech of a ten-year-old bilingual child. The analyzed data set consists of single-word switches and phrases, the main focus of the paper being the morphological integration of these English elements in Romanian and the relations they establish with their larger syntactic environment. Using the principles of the Matrix Language Frame model developed by Myers-Scotton (2002, 2006), we show that the structural integrity of Romanian is maintained during codeswitching, and that the English material is used according to the rules imposed by the Romanian grammar. Although Romanian inflectional morphology is often absent on switched words and phrases, the placement of these elements in the grammatical frame of the sentence follows matrix language specifications and word order; moreover, function words in mixed constituents, such as determiners and prepositions, tend to come from Romanian.
{"title":"Morphological and syntactical aspects of Romanian/ English codeswitching","authors":"Arina Greavu","doi":"10.35824/sjrs.v5i2.23888","DOIUrl":"https://doi.org/10.35824/sjrs.v5i2.23888","url":null,"abstract":"This paper examines the grammatical structure of Romanian/ English codeswitching in the speech of a ten-year-old bilingual child. The analyzed data set consists of single-word switches and phrases, the main focus of the paper being the morphological integration of these English elements in Romanian and the relations they establish with their larger syntactic environment. Using the principles of the Matrix Language Frame model developed by Myers-Scotton (2002, 2006), we show that the structural integrity of Romanian is maintained during codeswitching, and that the English material is used according to the rules imposed by the Romanian grammar. Although Romanian inflectional morphology is often absent on switched words and phrases, the placement of these elements in the grammatical frame of the sentence follows matrix language specifications and word order; moreover, function words in mixed constituents, such as determiners and prepositions, tend to come from Romanian.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43854485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i2.23886
Attila Imre
The present article is based on research focusing on acronyms, including their forms, spelling and punctuation in English, also discussing various, often contradictory, or ambiguous definitions for so-called “minor” word-formation options. We try to argue for a more lenient definition of abbreviations, acronyms, initialisms and alphabetisms, directing our attention towards certain technical features of acronyms (uppercase letters, with or without periods). The research database is taken from a popular TV series, “Designated Survivor”, resulting in 276 unique acronyms, totaling 1,198 occurrences, which includes acronyms of 2 to 9 letters combined with numbers and specific symbols (hyphens and ampersand), and excludes common ones (DJ, TV) and Roman numbers (II, III, XIII). The most frequent English acronyms with at least 5 occurrences are considered (856), out of which the most popular 15 ones (a total of 664) are examined together with all their Romanian renditions. The conclusion section summarizes the findings, considering the aspect of “slippery” quality, yet interpreting the results from the perspective of overall consistency.
{"title":"Translating acronyms of “Designated Survivor” into Romanian","authors":"Attila Imre","doi":"10.35824/sjrs.v5i2.23886","DOIUrl":"https://doi.org/10.35824/sjrs.v5i2.23886","url":null,"abstract":"The present article is based on research focusing on acronyms, including their forms, spelling and punctuation in English, also discussing various, often contradictory, or ambiguous definitions for so-called “minor” word-formation options. We try to argue for a more lenient definition of abbreviations, acronyms, initialisms and alphabetisms, directing our attention towards certain technical features of acronyms (uppercase letters, with or without periods). The research database is taken from a popular TV series, “Designated Survivor”, resulting in 276 unique acronyms, totaling 1,198 occurrences, which includes acronyms of 2 to 9 letters combined with numbers and specific symbols (hyphens and ampersand), and excludes common ones (DJ, TV) and Roman numbers (II, III, XIII). The most frequent English acronyms with at least 5 occurrences are considered (856), out of which the most popular 15 ones (a total of 664) are examined together with all their Romanian renditions. The conclusion section summarizes the findings, considering the aspect of “slippery” quality, yet interpreting the results from the perspective of overall consistency.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47560601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-15DOI: 10.35824/sjrs.v5i1.23883
Marcela Ciortea
Nicolae Milescu Spătarul, a scholar from Moldova (born in 1636), is known especially for his activity during the second half of his life, from his permanent relocation to Russia (1671) to the year of his death (1708). Within this interval, in which he served the Tsars’ interests as a translator at Posolski Prikaz, some sort of Ministry of External Affairs, he is sent by the Tsar Alexei Mihailovici with an embassy to the Emperor of China, thus becoming the first European scholar who travelled from Moscow to Pekin, crossing through Siberia. This paper is focused on the first half of his life, following, firstly, his studies at the Great School of the Patriarchate of Constantinople, the education he received there, his relationships with the princes of Moldova, the relationships with other scholars from his time. Then follows his European journey: Berlin – Stettin – Stockholm – Paris, his relationship with the jansenists of Port Royal and the presentation of his work Enchiridion sive Stella Orientalis splendens Occidentali, in which he analyses a theological dispute that was of interest for the jansenists. The Enchiridion is made in Paris, in the year 1699, and is the first work published by a Romanian in the Occident. Our paper includes, for the first time integrally translated into Romanian, a few pages of correspondence, which illustrate, on one hand, the bond with the French ambassador of Stockholm and on the other, the accreditation of Milescu at the Court of Sweden as a representative of the former prince, Gheorghe Ștefan.
尼古拉·米列斯库·斯佩塔鲁尔（Nicolae Milescu Spătarul，1636年出生）是一位来自摩尔多瓦的学者，他因后半辈子的活动而闻名，从他永久移居俄罗斯（1671年）到他去世的那一年（1708年）。在这段时间里，他作为某种外交部的波索尔斯基-普里卡兹的翻译为沙皇的利益服务，他被沙皇阿列克谢·米哈伊洛维奇派往中国皇帝的大使馆，从而成为第一位从莫斯科穿越西伯利亚前往北京的欧洲学者。本文着重介绍了他的前半生，首先，他在君士坦丁堡大牧首学校的学习，在那里接受的教育，他与摩尔多瓦王子的关系，以及他与当时其他学者的关系。接下来是他的欧洲之旅：柏林-斯德丁-斯德哥尔摩-巴黎，他与皇家港的简森主义者的关系，以及他的作品《东方之星》（Enchiridion sive Stella Orientalis splitens Occidentali）的介绍，在这部作品中，他分析了简森主义者感兴趣的神学争议。《Enchiridion》于1699年在巴黎制作，是罗马尼亚人在西方出版的第一部作品。我们的文件首次完整地翻译成罗马尼亚语，其中包括几页信件，一方面说明了与法国驻斯德哥尔摩大使的关系，另一方面，米列斯库在瑞典法院被认可为前王子盖奥尔基·特凡的代表。
{"title":"Peregrin în Suedia. Nicolae Milescu Spătarul","authors":"Marcela Ciortea","doi":"10.35824/sjrs.v5i1.23883","DOIUrl":"https://doi.org/10.35824/sjrs.v5i1.23883","url":null,"abstract":"Nicolae Milescu Spătarul, a scholar from Moldova (born in 1636), is known especially for his activity during the second half of his life, from his permanent relocation to Russia (1671) to the year of his death (1708). Within this interval, in which he served the Tsars’ interests as a translator at Posolski Prikaz, some sort of Ministry of External Affairs, he is sent by the Tsar Alexei Mihailovici with an embassy to the Emperor of China, thus becoming the first European scholar who travelled from Moscow to Pekin, crossing through Siberia. This paper is focused on the first half of his life, following, firstly, his studies at the Great School of the Patriarchate of Constantinople, the education he received there, his relationships with the princes of Moldova, the relationships with other scholars from his time. Then follows his European journey: Berlin – Stettin – Stockholm – Paris, his relationship with the jansenists of Port Royal and the presentation of his work Enchiridion sive Stella Orientalis splendens Occidentali, in which he analyses a theological dispute that was of interest for the jansenists. The Enchiridion is made in Paris, in the year 1699, and is the first work published by a Romanian in the Occident. Our paper includes, for the first time integrally translated into Romanian, a few pages of correspondence, which illustrate, on one hand, the bond with the French ambassador of Stockholm and on the other, the accreditation of Milescu at the Court of Sweden as a representative of the former prince, Gheorghe Ștefan.","PeriodicalId":36723,"journal":{"name":"Swedish Journal of Romanian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45571572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：