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Učenje stranog jezika na daljinu u Srbiji: prikaz jednog modela 在遥远的塞尔维亚学习外语:展示一个模型
Q3 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.18485/KKONLINE.2016.7.7.12
Marina Đ. Đukić Mirzayantz
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引用次数: 0
Challenging the House – Domesticity and the Intrusion of Dark Heterotopias 挑战家庭生活与黑暗异位的入侵
Q3 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.18485/KKONLINE.2016.7.7.2
M. Lukić, T. Parezanović
While numerous analyses of contemporary horror narratives/films provide almost an excess in interpretations and readings, one specific issue – the concept of space – remains widely unaddressed. By limiting itself to the understanding of various cases at hand through the prism of characters and other active participants in the narrative, the mainstream theoretical approaches typically underestimate and overlook the spatial paradigm as an element that constructively and actively contributes to both the creation of a horror storyline, as well as the articulation of a social and/or cultural critique. What the article proposes is a reading of two films – James Wan’s Insidious (2010) and Scott Derrickson’s Sinister (2012) through the application of Michel Foucault’s notion of heterotopias. As proposed by the analysis, the spatial paradigm within the examined cases is premised on the simultaneous coexistence and superposition of heterotopian spaces over regular ones. Such coexistence facilitates the creation of particular contexts within which domestic anxieties and dysfunctions start to articulate themselves into a proper critical discourse.
尽管对当代恐怖叙事/电影的大量分析提供了几乎过多的解释和解读,但有一个具体问题——空间的概念——仍未得到广泛解决。主流理论方法将自己局限于通过人物和叙事中其他积极参与者的棱镜来理解手头的各种案例,通常低估和忽视了空间范式作为一种建设性和积极地促进恐怖故事情节创造以及社会和/或文化批评的元素。本文拟通过运用米歇尔·福柯的异托邦概念,解读温子仁的《潜伏》(2010)和斯科特·德里克森的《险恶》(2012)两部电影。正如分析所提出的那样,所研究案例中的空间范式是以异托邦空间在规则空间上的同时共存和叠加为前提的。这种共存促进了特定环境的创造,在这种环境中,家庭焦虑和功能障碍开始清晰地表达自己,形成适当的批评话语。
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引用次数: 0
Situativni i eventivni kauzatori na primeru kauzativnih konstrukcija u savremenom norveškom jeziku 例如,现代挪威语中的情景和事件交换词
Q3 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.18485/KKONLINE.2016.7.7.9
Sofija A. Bilandžija
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引用次数: 0
The Institution of Slavery and (Black) Motherhood: A Case Study in Toni Morrison’s Novels 奴隶制制度与(黑人)母性:托妮·莫里森小说中的个案研究
Q3 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.18485/kkonline.2016.7.7.4
Tamara M. Jovović
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引用次数: 1
“A Streetcar Named Desire” (1951): Adaptation that Made a Difference 《欲望号街车》(1951):改编的不同之处
Q3 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.18485/KKONLINE.2016.7.7.7
Vesna M. Tripković-Samardžić
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引用次数: 1
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