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MULTIMODALNO ČITANJE MUZIKE MULTIMODULE阅读音乐
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/KKONLINE.2018.9.9.9
Mirjana Matović, Svetlana Lazić
As a dimension of an overall experience, the contemporary popular music offers a space for dynamic realization of the interaction of different media. As a multilayered and complex concept that evolves continually, popular music needs a recognizable matrix for the analysis of its meaning. The aim of this paper is to set a concept of sociolinguistics of music as a means of reading through popular content, within the frame of the critical theory with particular emphasis on its multimodal justification. The focus of the research is multimodality genesis, as well as understanding and interpretation of sociolinguistics of music through the analysis of the artist’s social engagement. By equalizing the importance of the narrative, (audiovisual) visual, musical, and non-musical level of meaning in the popular contemporary music, the analysis goes beyond the known concept of popular text. With the possibility of being interpreted by the means of sociolinguistics of music and viewed through the perspective of multimodality, the contemporary music becomes a complex content. Readable as a language in the context of modern communication, the contemporary music is translatable by the mechanisms of visual literacy and grammar, thus being affirmed and developed as a complex product of the modern cultural industry.
当代流行音乐作为整体体验的一个维度,为不同媒介的互动提供了一个动态实现的空间。流行音乐是一个多层次的、复杂的、不断发展的概念,它需要一个可识别的矩阵来分析它的意义。本文的目的是在批判理论的框架内,特别强调其多模态正当性,将音乐的社会语言学概念作为阅读流行内容的一种手段。研究的重点是多模态起源,以及通过分析艺术家的社会参与来理解和解释音乐的社会语言学。通过平衡当代流行音乐中叙事、(视听)视觉、音乐和非音乐层面意义的重要性,分析超越了流行文本的已知概念。当代音乐有了音乐社会语言学解释的可能,有了多模态的视角,就变成了一个复杂的内容。当代音乐作为一种可读的语言,在现代传播的语境下,通过视觉读写和语法的机制进行翻译,从而作为现代文化工业的复杂产物得到肯定和发展。
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引用次数: 0
DE PUERTAS ADENTRO: CASA Y ESPACIO DOMÉSTICO EN WENCESLAO AYGUALS DE IZCO 室内:WENCESLAO AYGUALS DE IZCO的家和家庭空间
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/KKONLINE.2018.9.9.5
Snežana B. Jovanović
The purpose of this work is to approach the subject of domestic spaces as a very significant element in Ayguals de Izco´s novels, an element he uses to represent the reality of different spheres of Spanish society, measure inequalities and oppose the rich and poor. It is also an approach to the study of the relationships established between space and the characters that inhabit it. Our analysis is based on his famous trilogy (Maria o la hija de un jornalero, La marquesa de Bellaflor o el nino de la Inclusa, El palacio de los crimenes o el pueblo y sus opresores) and three other novels: Pobres y ricos o la bruja de Madrid, Los pobres de Madrid and La justicia divina o el hijo del deshonor.
这项工作的目的是接近家庭空间的主题,作为Ayguals de Izco小说中的一个非常重要的元素,他用这个元素来代表西班牙社会不同领域的现实,衡量不平等,反对富人和穷人。这也是一种研究空间与居住在其中的人物之间关系的方法。我们的分析是基于他著名的三部曲(《玛利亚》、《玛利亚》、《贝拉夫勒》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》、《玛利亚》。
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引用次数: 0
„PUTOVATI I STALNO POMERATI CILj“: NEMAČKA I SRPSKI DRŽAVNI NARATIV O EVRO-INTEGRACIJAMA “旅行并不断移动目标”:德国和塞尔维亚关于EVRO-INTEGRATION的国家法律
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/kkonline.2018.9.9.7
Ana Jovanovic
European integration process has been one of the dominant topics in Serbian political agenda ever since the regime-change and the restoration of democracy in 2000. Social and economic reforms related to that process are metaphorically represented in Serbian political and public discourse as the “European path” of Serbia. It is a variant of the “Path to Democracy” metaphor and the idea behind it is the assumption that democracy is the most moral form of government (Lakoff 1999). The EU and its political, social and economic system are presented as the best model for the future of Serbia and the EU influence is openly accepted by the Serbian political elite as an integral part of policy-making process (Stojic 2006). Since this complex political, social and economic transition, commonly referred to as “reforms” in political and public discourse, often implies painful changes for different groups of Serbian society, it is important to present it not only as a desirable and necessary but also as an inevitable process. This is accomplished by a careful choice of argumentative tools that the Serbian political elite apply to discursively construct the Serbian Euro-integration process (“the European path” of Serbia). This discourse is an important part of Serbian state narrative, since it explains relations with other states and determines directions of definition for both internal and external politics. Because state narratives are an effective tool for spreading state ideologies, it is important to analyze them in order to better understand the political discourse and the actions it motivates within a society. Therefore, I build on existing scholarship on two important elements of Serbian state narrative on the European integration process, the conceptual metaphor and the cognitive frame, to examine ways in which this narrative is used by political actors to promote their political agenda, namely, the social, political and economic reforms Serbia is obliged to carry out in order to join the EU. Special attention is dedicated to the new framing of Germany, presented and perceived in public as a state with the crucial role for the success of Serbian “European path”. The corpus is composed of statements of the current president of Serbia, Aleksandar Vucic, and media reports on his activities, covering the topic of European integration process and the role of Germany in it. This particular corpus is chosen because of the prominent role Aleksandar Vucic has played in Serbian politics in the last several years, serving the most important political functions of Deputy Prime Minister, Prime Minister and President-elect, which makes him currently the key policy-maker in Serbia. The chronological span of the corpus is the period from the rise of this politician to power in 2012 till 2017, when he became President-elect of Serbia. My analysis shows that this political actor: a) metaphorically constructs the European integration process as the “European path of Ser
自2000年政权更迭和恢复民主以来,欧洲一体化进程一直是塞尔维亚政治议程上的主导议题之一。与这一进程有关的社会和经济改革在塞尔维亚的政治和公共话语中被比喻为塞尔维亚的“欧洲道路”。这是“民主之路”隐喻的变体,其背后的理念是假设民主是最道德的政府形式(Lakoff 1999)。欧盟及其政治、社会和经济体系被认为是塞尔维亚未来的最佳模式,欧盟的影响力被塞尔维亚政治精英公开接受为决策过程的一个组成部分(Stojic 2006)。由于这种复杂的政治、社会和经济转型,在政治和公共话语中通常被称为“改革”,往往意味着塞尔维亚社会不同群体的痛苦变化,因此重要的是,不仅要将其视为一个可取和必要的过程,而且要将其作为一个不可避免的过程。这是通过仔细选择塞尔维亚政治精英用来讨论构建塞尔维亚-欧洲一体化进程(塞尔维亚的“欧洲道路”)的辩论工具来实现的。这种话语是塞尔维亚国家叙事的重要组成部分,因为它解释了与其他国家的关系,并确定了内部和外部政治的定义方向。由于国家叙事是传播国家意识形态的有效工具,因此分析它们以更好地理解政治话语及其在社会中激励的行动是很重要的。因此,我在现有关于塞尔维亚国家叙事中关于欧洲一体化进程的两个重要元素的学术基础上,即概念隐喻和认知框架,来研究政治行为者如何利用这种叙事来推动其政治议程,即塞尔维亚为加入欧盟而必须进行的社会、政治和经济改革。特别关注德国的新框架,该框架在公众面前被呈现和视为对塞尔维亚“欧洲道路”的成功具有关键作用的国家。该语料库由塞尔维亚现任总统亚历山大·武契奇的声明和媒体对其活动的报道组成,涵盖了欧洲一体化进程和德国在其中的作用。之所以选择该语料库,是因为亚历山大·武西奇在过去几年中在塞尔维亚政治中发挥了突出作用,担任副总理、总理和当选总统等最重要的政治职务,这使他目前成为塞尔维亚的主要决策者。语料库的时间跨度是从这位政治家2012年上台到2017年成为塞尔维亚当选总统的这段时间。我的分析表明,这个政治行动者:a)隐喻性地将欧洲一体化进程构建为“塞尔维亚的欧洲道路”;b) 通过新的认知框架,战略性地使用塞尔维亚人对德国人及其国家的传统叙事,呈现塞尔维亚与德国的关系。在这样做的过程中,他停用了德国人构成的侵略和威胁的既定框架,并激活了德国人作为有纪律和勤奋的人的同样根深蒂固的框架。武契奇用“民族/国家是一个人”这个比喻,即民族心态与个人的个人特征相对应,强调德国心态的积极特征是塞尔维亚人在“欧洲道路”上取得成功所应该关注的模式。这一框架变化的目的是进一步促进和证明在塞尔维亚过渡进程中进行的社会、政治和经济改革是合理的,因为这些改革往往对塞尔维亚社会中的许多群体(所谓的“过渡受害者”)有害。本文的结构如下:首先提出了关键的理论概念(状态叙事、概念隐喻和认知框架),然后将其应用于语料库的定性分析。在武契奇的声明和媒体对其活动的报道中都观察到了某些话语模式。基于认知语言学和批判性话语分析(对语言/话语如何促进社会内部权力关系的动态感兴趣)的假设,我对所观察到的话语模式的含义和功能提供了可能的解释。分析结果证实了在政治话语中战略性地使用国家叙事作为创造新意义和促进政治议程过程的一部分的重要性。
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引用次数: 0
SLIKA PORODICE U IBZENOVOJ DRAMI AVETI I CAO JUEVOJ DRAMI OLUJA
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/kkonline.2018.9.9.8
Bojana Maksimović
This paper deals with comparative analysis of Ibsen’s Ghosts (1881) and Cao Yu’s Thunderstorm (1934). In addition to other multiple similarities, both works are family plays depicting the fall and degradation of wealthy and prominent families in the time of great social turmoil. Focusing on the portrayal of family and marriage in the aforementioned plays, this paper aims to shed light on the interrelations between these two works by studying central characters and their mutual relationships based on hiding the dark secrets of the past. One of the basic assumptions of this paper is that the family in these dramas is portrayed as a repressive institution that rests on the regulatory mechanisms of a society that seeks to arrange it according to a particular hierarchical scheme where everyone is given a certain role. Consequently, relations between characters are here viewed through the prism of their family roles. Special attention is devoted to the study of the characters of wives and sons who are in these plays the greatest victims of the social systems based on patriarchal values.
本文对易卜生的《鬼》(1881)和曹禺的《雷雨》(1934)作了比较分析。除了其他多重相似之处外,两部作品都是家庭剧,描绘了社会大动荡时期富裕显赫家庭的衰落和堕落。本文以上述两部剧作对家庭和婚姻的刻画为重点,在隐藏过去黑暗秘密的基础上,通过研究两部剧作的中心人物及其相互关系,来揭示两部剧作之间的相互关系。本文的一个基本假设是,这些戏剧中的家庭被描绘成一个压抑的机构,它依赖于一个社会的监管机制,这个社会试图根据一个特定的等级制度来安排它,在这个制度中,每个人都被赋予了特定的角色。因此,人物之间的关系在这里是通过他们的家庭角色的棱镜来看待的。特别关注的是这些戏剧中妻子和儿子的性格,他们是基于父权价值观的社会制度的最大受害者。
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引用次数: 0
UTICAJ VLADAJUĆIH KOGNITIVNIH KULTURNIH MODELA I VREDNOSTI NA UVREDLJIVE IZRAZE VEZANE ZA FIGURU MAJKE U ŠVEDSKOM I ITALIJANSKOM JEZIKU
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/kkonline.2018.9.9.4
Dorijan F. Hajdu, Jelena R. Drljević
Cilj rada jeste da se ispita uticaj vladajućih kognitivnih kulturnih modela vezanih za položaj ženskih članova porodice (pre svega majke) u švedskom i italijanskom društvu na uvredljive izraze u savremenom švedskom, odnosno italijanskom jeziku. Teorija o kognitivnim kulturnim modelima nam je, stoga, uz model mentalnog programiranja, osnovni okvir u kome se u radu krećemo. Osnovna pretpostavka od koje polazimo jeste da različiti kulturni modeli u ova dva društva direktno utiču na tematiku uvredljivih izraza. Istraživanje se zasniva na kvalitativnom intervjuu sa izvornim govornicima ova dva jezika, dok su dobijeni podaci obrađeni metodom deskriptivne analize. U tumačenju rezultata oslanjali smo se i na primere iz rečničke građe, proširujući osnovne podatke sinonimnim izrazima koji su u aktuelnoj upotrebi u ovim jezicima. Rezultati istraživanja su pokazali kako u ovim jezicima postoji jasna razlika u praktičnoj upotrebi izraza u kojima se pominje majka u cilju posrednog vređanja: u italijanskom jeziku oni su u svakodnevnoj upotrebi, dok ih u švedskom jeziku ne nalazimo. Analizom rezultata upotrebe ovakvih uvredljivih izraza i odnosa između vladajućih kognitivnih kulturnih modela u ovim društvima, u radu pokušavamo da pokažemo da u italijanskom jeziku još uvek postoji poželjan model ponašanja kojim se dalje definiše položaj i uloga majke u životu i porodici i čijim kršenjem se, putem određenih jezičkih izraza, upravo i dolazi do uvredljivog efekta. Takav model je, s druge strane, iz švedskog društva iščezao, što praktično onemogućava postojanje sličnih izraza u savremenom švedskom jeziku.
这项工作的目的是研究瑞典和意大利社会中与女性家庭(主要是母亲)地位相关的主流认知文化模式对现代瑞典语或意大利语中冒犯性表达的影响。因此,认知文化模型理论与心理规划模型是我们工作的基本框架。我们要做的基本假设是,这两个社会中不同的文化模式直接影响冒犯性表达的主题。这项研究是基于对这两种语言的母语者的定性采访,而数据是通过描述性分析的方法处理的。在解释结果时,我们还依赖于语言示例,将基本数据扩展到目前这些语言中使用的同义词。研究结果表明,这些语言在母亲为了表示侮辱而提到的单词的实际用法上存在明显差异:它们在意大利语中日常使用,直到我们在瑞典语中找到为止。对这些社会中这种冒犯性表达的使用结果以及政府认知文化模式之间关系的分析试图表明,意大利语中仍然存在一种可取的行为模式,它进一步定义了母亲在生活和家庭中的地位和作用,并违反了某些语言,这只是一种冒犯性的效果。另一方面,这种模式从瑞典社会中消失了,这实际上阻止了现代瑞典语中类似表达的存在。
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引用次数: 1
Frazeološki elementi u savremenim reklamnim sloganima na nemačkom jeziku 现代德语广告词汇中的语法成分
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/kkonline.2018.9.9.13
Smilja S. Srdić, Jelena Kostić-Tomović, Branislav D. Ivanović
This paper presents results of an analysis of 1,060 advertising campaign slogans on the German market from the late 20th and early 21st centuries. All analyzed slogans were very popular, while German speakers still remember them, and we are yet to see for how long. The introductory part of the paper contains general information on advertising slogans and the language of advertising, while the next one offers a typology of phraseologisms found in German commercials.  The third part deals with various modifications of these slogans, which were made by their creators, who created puns hoping that the slogan and commercial will thus become more conspicuous, interesting or effective. The final part of the paper summarizes the results of the analysis and point to the potential role of advertising slogans in teaching/learning German as a foreign language, and in particular at university level or advanced language courses. Finally, the paper suggests possible approaches to slogans in the process of localization of commercials and advertising campaigns.
本文分析了20世纪末和21世纪初德国市场上1060条广告宣传口号的结果。所有经过分析的口号都很受欢迎,而讲德语的人仍然记得这些口号,我们还不知道会持续多久。本文的引言部分包含了关于广告口号和广告语言的一般信息,而下一部分则提供了德语广告中的措辞类型。第三部分论述了这些标语的创作者对这些标语的各种修改,他们创造了双关语,希望标语和商业广告能够变得更加显眼、有趣或有效。论文的最后一部分总结了分析结果,并指出广告标语在外语教学中的潜在作用,尤其是在大学水平或高级语言课程中。最后,本文提出了在广告本土化和广告宣传过程中可能的口号处理方法。
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引用次数: 0
LETTERS FROM EQUESTRIA: PROSOCIAL MEDIA, HELPING, AND EMPATHY IN FANS OF MY LITTLE PONY 来自equestria的信件:亲社会媒体,帮助和同情我的小马的粉丝
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/KKONLINE.2018.9.9.11
C. Plante, Daniel Chadborn, Christopher L. Groves, Stephen Reysen
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引用次数: 0
“I AM MY LANGUAGE”. ARABIC LANGUAGE IN ENGLISH WRITING IN AHDAF SOUEIF’S WORK “我是我的语言”。阿作品中英语写作中的阿拉伯语言
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/KKONLINE.2018.9.9.3
Jolanda Guardi
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引用次数: 2
INTERNACIONALIZACIJA UNIVERZITETA U FRANCUSKOJ I SRBIJI I NJEN UTICAJ NA RAZVOJ NASTAVE STRANOG JEZIKA STRUKE
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/KKONLINE.2018.9.9.2
Vesna R. Cakeljić
The aim of this article is to delineate the growing importance of the international orientation of university education and its impact on teaching learning foreign languages for specific purposes. Initially, the research was devoted to universities and Grandes ecoles in France, a model of the French business school where many international students which provide the host university a strong multicultural identity and international reputation thanks to agreements on cooperation with the most prestigious institutions of higher education in the world. In order to attract students from all over the world, many French universities have developed degree programs in English. Prestigious business schools offer a wide range of courses covering all major fields and strive to ensure a high level of research projects. These institutions offer students an opportunity to spend part of their studies at foreign universities. At the same time, foreign language teaching has been strengthened and modernized. One of the most important innovations is the integration of foreign language learning and teaching with the contents of other subjects. The development of didactics of French for Academic Purposes (Francais sur Objectifs Universitaires – FOU) contributes significantly to the popularity of those universities, because non-French speaking students stand much better chances of success. French for Academic Purposes, as a branch of French for Specific Purposes (Francais sur Objectifs Specifiques – FOS), and as one of the ways to facilitate the integration of foreign students, is increasingly gaining importance in the domain of French as a foreign language. Serbian schools of management are open to international cooperation and the establishment of agreements on diploma recognition and equivalence in order to facilitate student exchange and Erasmus+ type mobility, but they rarely consider possible improvements in teaching foreign languages for specific purposes by increasing the number of courses and offering several languages in the curriculum, which would make them more competitive. The number of LSP classes per week is insufficient since it equates to an average of thirty hours per semester which are allocated to language learning. Very often, the only language offered to students is English. Although there is a significant disproportion between the desire to expand and strengthen international partnerships and a desire to improve conditions for foreign language teaching, the example of some Serbian universities shows that improvements are possible.
本文的目的是描述大学教育国际化的重要性及其对特定目的外语教学的影响。最初,该研究致力于法国的大学和大学院,这是法国商学院的典范,许多国际学生为主办大学提供了强大的多元文化身份和国际声誉,这得益于与世界上最负盛名的高等教育机构的合作协议。为了吸引来自世界各地的学生,许多法国大学都开设了英语学位课程。著名的商学院提供涵盖所有主要领域的广泛课程,并努力确保高水平的研究项目。这些机构为学生提供在国外大学学习部分课程的机会。与此同时,外语教学得到加强和现代化。其中最重要的创新之一是将外语学习和教学与其他学科的内容相结合。学术法语教学的发展对这些大学的受欢迎程度做出了重大贡献,因为非法语学生获得成功的机会要大得多。学术法语作为特殊用途法语(Francais sur Objectifs Specifiques - FOS)的一个分支,作为促进外国学生融入的一种方式,在法语作为一门外语的领域中越来越重要。塞尔维亚管理学院对国际合作和建立文凭承认和对等协议持开放态度,以便促进学生交换和伊拉斯谟+式的流动,但它们很少考虑为特定目的改进外语教学的可能性,例如增加课程数量和在课程中提供几种语言,这将使它们更具竞争力。每周LSP课程的数量是不够的,因为它相当于每学期平均30个小时的语言学习时间。通常,唯一提供给学生的语言是英语。虽然在扩大和加强国际伙伴关系的愿望与改善外语教学条件的愿望之间存在着明显的不相称,但是一些塞尔维亚大学的例子表明,改善是可能的。
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引用次数: 0
LA CRÓNICA FUTBOLÍSTICA EN DIRECTO EN EL PANORAMA DE LOS GÉNEROS PERIODÍSTICOS 新闻类型全景中的关键现场足球
Q3 Arts and Humanities Pub Date : 2018-12-08 DOI: 10.18485/KKONLINE.2018.9.9.6
Stefan Kovljanin
The aim of this paper is to clarify the position of the cronica futbolistica en directo (minute-by-minute match report, live text commentary) amongst the Spanish written genres. Live text commentary of football matches is a paradigmatic example of this modality, emerged thanks to the new channel, the Internet, with hypertextuality, multimediality, and interactivity as its defining characteristics. The work addresses topics such as written genres in journalism, some existing classifications of genres and, especially, classification criteria in Spanish tradition. Afterward, we reflect on the traditional genre of cronica and proceed to a detailed presentation of the defining features of the live text commentary of football matches. Based on an extensive bibliographical review and the manifestations of this new modality in practice in the Spanish media, we can conclude that it constitutes a new genre according to the criteria exposed in the literature, and that it differs significantly from the traditional genre of cronica.
本文的目的是澄清在西班牙语书面文体中,直接的足球报道(分分钟的比赛报道,现场文本评论)的地位。足球比赛的实时文本评论就是这种模式的一个典型例子,它是由于新的渠道——互联网而出现的,以超文本性、多媒体性和交互性为其定义特征。这部作品涉及的主题包括新闻学中的书面体裁、一些现有的体裁分类,尤其是西班牙传统中的分类标准。然后,我们反思了传统的裙带风格,并对足球比赛现场文本解说的定义特征进行了详细的介绍。基于广泛的文献综述和这种新模式在西班牙媒体实践中的表现,我们可以得出结论,根据文献中暴露的标准,它构成了一种新的流派,并且与传统的cronica流派有着显著的不同。
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引用次数: 0
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