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Early Modern Low Countries最新文献

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Martha Moffitt Peacock, Heroines, Harpies, and Housewives. Imaging Women of Consequence in the Dutch Golden Age 玛莎·莫菲特·皮科克,《英雄》、《哈皮》和《家庭主妇》。荷兰黄金时代的女性形象
Q2 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.51750/emlc13436
Lieke Van Deinsen
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引用次数: 0
Orientalist Ambivalence 东方矛盾
Q2 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.51750/emlc12390
Lucas Van der Deijl
This article compares the first two Dutch translations of the Qur’an printed in the Dutch Republic: De Arabische Alkoran (1641) published by Barent Adriaensz Berentsma and Mahomets Alkoran (1657) published by Jan Rieuwertsz. It builds upon previous bibliographic research by quantifying the abbreviation of the Surahs in the two editions, identifying the sources of the paratexts, and describing the different strategies for translation. This analysis reveals how different editing choices reflect contradictory ideological attitudes among the publishers and translators involved. These producers of the first Qur’an translations echoed the widespread hostility towards Islam in Western discourses while also highlighting the peaceful nature of Muhammad and the similarities between the Bible and the Qur’an. This ‘Orientalist ambivalence’ not only resonated in local debates about freedom of conscience among Amsterdam Mennonites, but also signalled a more fundamental epistemological uncertainty following the rise of Cartesianism in the Dutch Early Enlightenment.
本文比较了荷属共和国印刷的《古兰经》的前两个荷语译本:巴伦特·阿德里安斯·贝伦茨马出版的《阿拉伯古兰经》(1641年)和扬·里乌韦尔茨出版的《马赫梅特斯·阿尔可兰》(1657年)。它以先前的文献研究为基础,量化了两个版本中苏拉的缩写,确定了副文本的来源,并描述了不同的翻译策略。这一分析揭示了不同的编辑选择如何反映出出版商和译者之间矛盾的意识形态态度。这些第一批《古兰经》译本的制作者呼应了西方话语中对伊斯兰教的普遍敌意,同时也强调了穆罕默德的和平本质以及《圣经》和《古兰经”之间的相似之处。这种“东方主义者的矛盾心理”不仅在阿姆斯特丹门诺派关于良心自由的地方辩论中引起了共鸣,而且也标志着荷兰早期启蒙运动中笛卡尔主义兴起后,在认识论上出现了更根本的不确定性。
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引用次数: 0
Supporting the Waldensians 支持瓦尔登人
Q2 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.51750/emlc11457
Erica Boersma
Early modern aid to foreign fellow believers is usually seen as an expression of confessional solidarity, initiated by and through religious networks. By studying four collections organised in the Dutch Republic between 1655 and 1731 in aid of Waldensians persecuted in Savoy, this article argues for a broadening of our perspective on transnational aid beyond the narrow confines of religious solidarity. It investigates the role of the Dutch civil authorities in the provision of transnational aid to foreign Protestants, through an analysis of the decision-making process that followed aid requests, the manner in which charitable collections were organised, and how the resulting proceeds were used. Even if aid was only given to fellow believers, for the Dutch authorities such aid was never merely a question of confessional solidarity: it was first and foremost an instrument of national foreign policy. This adds an important dimension to our understanding of transnational aid to foreign fellow believers.
早期现代对外国信徒的援助通常被视为由宗教网络发起并通过宗教网络表达的忏悔团结。通过研究1655年至1731年间在荷兰共和国组织的四次援助在萨伏伊受迫害的沃尔登人的募捐活动,本文主张将我们对跨国援助的看法扩大到宗教团结的狭隘范围之外。它通过分析援助请求后的决策过程、慈善募捐的组织方式以及所得收益的使用方式,调查荷兰民事当局在向外国新教徒提供跨国援助方面的作用。即使援助只提供给信徒,对荷兰当局来说,这种援助也不仅仅是忏悔团结的问题:它首先是国家外交政策的工具。这为我们理解对外国信徒的跨国援助增加了一个重要方面。
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引用次数: 0
Popular Song Topics in the Dutch Republic 荷兰共和国流行歌曲话题
Q2 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.51750/emlc10908
A. Lassche
This article investigates popular topics and topical fluctuations in a diachronic corpus of 43,772 Dutch songs, all written between 1550 and 1750, contained within the Dutch Song Database. Computational methods such as topic modelling are used to analyse the relationship between topical changes and cultural-historical developments. Two cultural trends are used as case studies: the role of Petrarchism, and the articulation of a patriotic identity in early modern Dutch song culture. Furthermore, this data-driven approach reveals how subcategories can be defined within the existing but incomplete genre classification in the song collection. The results obtained contribute to a better understanding of the richness of the Dutch Song Database, and will facilitate the use of the song collection by future users.
本文调查了荷兰歌曲数据库中43772首荷兰歌曲的历时语料库中的流行话题和话题波动,这些歌曲都创作于1550年至1750年之间。使用主题建模等计算方法来分析主题变化与文化历史发展之间的关系。两种文化趋势被用作案例研究:佩特拉政府主义的作用,以及爱国主义身份在早期现代荷兰歌曲文化中的表达。此外,这种数据驱动的方法揭示了如何在歌曲集中现有但不完整的流派分类中定义子类别。所获得的结果有助于更好地了解荷兰歌曲数据库的丰富性,并将为未来用户使用歌曲集提供便利。
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引用次数: 0
Christopher W. Close, State Formation and Shared Sovereignty. The Holy Roman Empire and the Dutch Republic, 1488-1696 克里斯托弗·w·克洛斯:《国家形成与共享主权》。神圣罗马帝国和荷兰共和国,1488-1696
Q2 Arts and Humanities Pub Date : 2022-12-22 DOI: 10.51750/emlc13435
Annemieke Romein
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引用次数: 0
A Paper World 纸的世界
Q2 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.51750/emlc12169
M. Keblusek
This essay examines early modern alba amicorum as collections of social and intellectual networks, personal memories, and other textual and visual materials. In what way are these ‘paper worlds’ related to collections of objects, and to networks of connections? How do they interact with other book and manuscript genres, such as the emblem and the costume book? Taking the album of the Dutch collector Bernardus Paludanus (1550-1633) as a case study, an argument will be made regarding the conceptual and material kinship of alba with other forms of manuscript and print collections. The intermediality and materiality of friendship books will be shown to be crucial aspects for understanding how this medium functioned within early modern cultures of collecting and the communal production of memory and knowledge.
本文考察了早期现代阿尔巴之友作为社会和智力网络、个人记忆以及其他文本和视觉材料的集合。这些“纸世界”以何种方式与物体的集合和连接网络相关?它们是如何与其他书籍和手稿类型互动的,比如徽章和服装书?以荷兰收藏家Bernardus Paludanus(1550-1633)的专辑为例,对阿尔巴与其他形式的手稿和印刷品收藏在概念和物质上的亲缘关系进行了论证。友谊书籍的中间性和物质性将被证明是理解这种媒介在早期现代文化中如何发挥作用以及记忆和知识的共同生产的关键方面。
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引用次数: 0
Roeland Goorts, War, State and Society in Liège. How a Small State of the Holy Roman Empire Survived the Nine Years’ War (1688-1697) 《列日的战争、国家与社会》。神圣罗马帝国的一个小国如何在九年战争中幸存下来(1688-1697)
Q2 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.51750/emlc12179
Michael Depreter
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引用次数: 0
‘His Best Part Lies Hidden in His Learned Heart’ “他最好的部分隐藏在他博学的内心”
Q2 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.51750/emlc12170
June Schlueter
This article proposes that the historian Aernout van Buchell was a cultural go-between, quietly engaged in a transnational project of globalization. The young van Buchell’s first album amicorum, begun in 1584, reveals an intellectually restless young man who was given to depression and even attempted suicide but who discovered the study of antiquities on his year-long stay in Paris. His second album reveals an older, settled, purposeful historian whose album friends were scholars and artists of considerable reputation. At least since his year in Paris, van Buchell was committed to obliterating the boundaries of space and time and removing the intellectual limits of his mind. As with the antiquities he studied, van Buchell’s alba endorse a common heritage and offer to posterity the wisdom of the ancients and that of the many contributors to his album. His stance was that of a humanist, which, in the early modern period, entailed a revival of classical languages, literature, and moral precepts.
本文提出,历史学家埃诺特·范·布切尔是一个文化中间人,悄悄地参与了全球化的跨国项目。年轻的范·布切尔的第一张专辑《amicorum》于1584年开始发行,讲述了一个智力不安分的年轻人,他患有抑郁症,甚至企图自杀,但在巴黎停留的一年里,他发现了对文物的研究。他的第二张专辑揭示了一个年长的、安定的、有目的的历史学家,他的专辑朋友是相当有声望的学者和艺术家。至少从他在巴黎的那一年起,范·布切尔就致力于消除空间和时间的界限,消除他思想上的智力限制。就像他研究的古物一样,范·布切尔的阿尔巴认可了一种共同的遗产,并向子孙后代提供了古人的智慧,以及他的专辑中许多贡献者的智慧。他的立场是一个人文主义者,在现代早期,这意味着古典语言、文学和道德戒律的复兴。
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引用次数: 0
A Renaissance for Alba Amicorum Research Alba Amicorum研究的复兴
Q2 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.51750/emlc12166
S. Reinders, J.J.M. Vandommele
Introduction to the special issue 'A Renaissance for Alba Amicorum Research'
“Alba Amicorum研究的复兴”特刊简介
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引用次数: 0
Henk Nellen, Geen vredestichter is zonder tegensprekers. Hugo de Groot, geleerde, staatsman, verguisd verzoener Henk Nellen,没有一个和事佬是没有对手的。学者、政治家、诽谤调解人雨果·德·格鲁特
Q2 Arts and Humanities Pub Date : 2022-06-29 DOI: 10.51750/emlc12181
Martine Van Ittersum
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引用次数: 0
期刊
Early Modern Low Countries
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