Contrary to prevalent assumptions, city magistracies did not simply pay for the upkeep of the churches used by the Dutch Reformed church. Based on the archives of churchwardens for the eleven public churches of Amsterdam, this article shows that for about a century between 1650 and 1750 the churches paid for themselves, how this was possible, and why they eventually came to rely municipal subsidies. After the devastations wrought by Revolt and Reformation, the buildings were refurnished in a luxurious style, befitting the prestige of the city. Burgomasters imposed a seating arrangement that, maintained by a variety of church attendants, reflected the hierarchical order of society. The biographical background and the work of these attendants provide a window into the ritual of churchgoing. During the heyday of Amsterdam’s prosperity people were happy to pay or the services the churches provided, including the display of rank and dignity. Economic decline, critique of the established social order, and changing religious sensibilities undercut this source of funding. The report of an auditing committee, analysing the administration of churchwardens in 1795 and 1796, testifies to the difficulties even the staunchest Batavian revolutionaries experienced when rethinking early modern public finances.
{"title":"Partakers with the Altar","authors":"J. Spaans","doi":"10.51750/emlc9616","DOIUrl":"https://doi.org/10.51750/emlc9616","url":null,"abstract":"Contrary to prevalent assumptions, city magistracies did not simply pay for the upkeep of the churches used by the Dutch Reformed church. Based on the archives of churchwardens for the eleven public churches of Amsterdam, this article shows that for about a century between 1650 and 1750 the churches paid for themselves, how this was possible, and why they eventually came to rely municipal subsidies. After the devastations wrought by Revolt and Reformation, the buildings were refurnished in a luxurious style, befitting the prestige of the city. Burgomasters imposed a seating arrangement that, maintained by a variety of church attendants, reflected the hierarchical order of society. The biographical background and the work of these attendants provide a window into the ritual of churchgoing. During the heyday of Amsterdam’s prosperity people were happy to pay or the services the churches provided, including the display of rank and dignity. Economic decline, critique of the established social order, and changing religious sensibilities undercut this source of funding. The report of an auditing committee, analysing the administration of churchwardens in 1795 and 1796, testifies to the difficulties even the staunchest Batavian revolutionaries experienced when rethinking early modern public finances.","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43831186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Yolanda Rodríguez Pérez (ed.), Literary Hispanophobia and Hispanophilia in Britain and the Low Countries (1550-1850)","authors":"Eric Griffin","doi":"10.51750/emlc11341","DOIUrl":"https://doi.org/10.51750/emlc11341","url":null,"abstract":"","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45197711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rolf Hage, Eer tegen eer. Een cultuurhistorische studie van schaking tijdens de Republiek, 1580-1795","authors":"J. Roelens","doi":"10.51750/emlc11345","DOIUrl":"https://doi.org/10.51750/emlc11345","url":null,"abstract":"","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44752857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frans Blom and Olga van Marion, Spaans Toneel voor Nederlands Publiek","authors":"Yolanda Rodríguez Pérez","doi":"10.51750/emlc11344","DOIUrl":"https://doi.org/10.51750/emlc11344","url":null,"abstract":"","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46873306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Fire disasters were a major threat to eighteenth-century villages and towns. Following such conflagrations, writers, artists, and publishers were eager to represent the disaster in great detail. Printed poems and pamphlets did not only describe the flames’ destruction, but also put great emphasis on the solidarity during and after the catastrophe. The risks of looting and social disorder were acknowledged by authors, but received little attention overall. Instead, poets and writers focused on acts of care and charity in four phases of fire disaster management: firefighting, immediate relief, collecting for reconstruction, and remembrance. While the first two phases were characterised by local and regional solidarity, the latter two could encompass – in the imagination of the authors – the whole Dutch nation. Writers appealed to faith and nationhood to convince people to make charitable donations. Afterwards, they celebrated and remembered the generosity of various communities. This article concludes that authors appropriated destroyed lives and buildings to construct identities and solidarity.
{"title":"Kindled by Catastrophe","authors":"A. Duiveman","doi":"10.51750/emlc11336","DOIUrl":"https://doi.org/10.51750/emlc11336","url":null,"abstract":"Fire disasters were a major threat to eighteenth-century villages and towns. Following such conflagrations, writers, artists, and publishers were eager to represent the disaster in great detail. Printed poems and pamphlets did not only describe the flames’ destruction, but also put great emphasis on the solidarity during and after the catastrophe. The risks of looting and social disorder were acknowledged by authors, but received little attention overall. Instead, poets and writers focused on acts of care and charity in four phases of fire disaster management: firefighting, immediate relief, collecting for reconstruction, and remembrance. While the first two phases were characterised by local and regional solidarity, the latter two could encompass – in the imagination of the authors – the whole Dutch nation. Writers appealed to faith and nationhood to convince people to make charitable donations. Afterwards, they celebrated and remembered the generosity of various communities. This article concludes that authors appropriated destroyed lives and buildings to construct identities and solidarity.","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45441314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Brecht Deseure, Revolutie in Antwerpen. De aquarellen van Pierre Goetsbloets (1794-1797)","authors":"J. Welten","doi":"10.51750/emlc11347","DOIUrl":"https://doi.org/10.51750/emlc11347","url":null,"abstract":"","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49245885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article demonstrates how an expanding population of artists in the seventeenth-century Dutch Republic was connected artistically, and how such connections were translated into artistic innovations that fuelled the rapid flourishing of Dutch arts and the art market. It does so by conceptualising and visualising an art-historical network of iconography that, for the first time, connects artists not through social relations but through shared subject matters. Using network analysis, this study revisits the definition of product innovations used by the socio-economic art historian John Michael Montias. It further demonstrates that painters’ choices of subject matter, styles, and qualities were often unrelated while artists’ thematic connections had little to do with their social relations and the location of their residence. Rather, the choices of subject matter were subject to market forces and rooted deeply in an artist’s ability, ambition, and marketing strategy. Lastly, this article visualises the artistic network implied in Rembrandt’s rivals by Eric Jan Sluijter, which helps explain the breakaway success of the Dismissal of Hagar paintings.
{"title":"A Network of Iconography","authors":"Weixuan Li","doi":"10.51750/emlc11334","DOIUrl":"https://doi.org/10.51750/emlc11334","url":null,"abstract":"This article demonstrates how an expanding population of artists in the seventeenth-century Dutch Republic was connected artistically, and how such connections were translated into artistic innovations that fuelled the rapid flourishing of Dutch arts and the art market. It does so by conceptualising and visualising an art-historical network of iconography that, for the first time, connects artists not through social relations but through shared subject matters. Using network analysis, this study revisits the definition of product innovations used by the socio-economic art historian John Michael Montias. It further demonstrates that painters’ choices of subject matter, styles, and qualities were often unrelated while artists’ thematic connections had little to do with their social relations and the location of their residence. Rather, the choices of subject matter were subject to market forces and rooted deeply in an artist’s ability, ambition, and marketing strategy. Lastly, this article visualises the artistic network implied in Rembrandt’s rivals by Eric Jan Sluijter, which helps explain the breakaway success of the Dismissal of Hagar paintings.","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49604341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Thousands of migrants left the Low Countries in the second half of the sixteenth century for religious, political, or economic reasons. They faced many difficulties as they attempted to rebuild their lives abroad, including linguistic obstacles. Many of them moved to England, but proficiency in English was rare among the Netherlandish community. Nevertheless, as this article argues, the language differences did not only pose problems, they also offered opportunities, especially to members of the higher echelons of the Dutch diasporic community. The inhabitants of the Low Countries were widely reputed to have excellent knowledge of languages, and for good reason. This article concentrates on the linguistic strategies of three multilingual individuals who moved across the North Sea: the nobleman Jan van der Noot, the painter Lucas d’Heere, and the merchant Johannes Radermacher. It studies the ways in which they used their proficiency in multiple languages as starting capital to build new social and professional lives for themselves. For example, they used their linguistic skills to appeal to the local aristocracy in order to ensure patronage, to expand social and professional networks by frequenting particular religious language communities, and to offer language instruction. This article therefore contributes to our understanding of linguistic encounters in the everyday lives and struggles of migrants in the sixteenth century.
{"title":"The Linguistic Coping Strategies of Three Netherlanders in England","authors":"Alisa van de Haar","doi":"10.51750/emlc11333","DOIUrl":"https://doi.org/10.51750/emlc11333","url":null,"abstract":"Thousands of migrants left the Low Countries in the second half of the sixteenth century for religious, political, or economic reasons. They faced many difficulties as they attempted to rebuild their lives abroad, including linguistic obstacles. Many of them moved to England, but proficiency in English was rare among the Netherlandish community. Nevertheless, as this article argues, the language differences did not only pose problems, they also offered opportunities, especially to members of the higher echelons of the Dutch diasporic community. The inhabitants of the Low Countries were widely reputed to have excellent knowledge of languages, and for good reason. This article concentrates on the linguistic strategies of three multilingual individuals who moved across the North Sea: the nobleman Jan van der Noot, the painter Lucas d’Heere, and the merchant Johannes Radermacher. It studies the ways in which they used their proficiency in multiple languages as starting capital to build new social and professional lives for themselves. For example, they used their linguistic skills to appeal to the local aristocracy in order to ensure patronage, to expand social and professional networks by frequenting particular religious language communities, and to offer language instruction. This article therefore contributes to our understanding of linguistic encounters in the everyday lives and struggles of migrants in the sixteenth century.","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45985074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article takes a dictionary by Joos Lambrecht, dating from 1546, as its point of departure. It argues that this dictionary, as well as other dictionaries and treatises produced in the wake of Lambrecht’s, did more than teach their young audience in the Dutch Republic the meaning of existing words and thus transfer cultural and linguistic knowledge as was already understood. They also taught youngsters how to obtain (new) knowledge from their own empirical observations. The Dutch books on morphology, orthography, phonology, and grammar – produced in large numbers – offered their readers the opportunity to use their own language as an object for empirical study. By charting the dynamics of language, knowledge, and empirical training, it is argued that the Dutch language was, for a short time, treated by writers not merely as a means to express and share knowledge, but also as an object of study in itself. What might have formed an accessible training ground for the development of skills in empirical observation and especially self-reflexive practice, was, however, soon snuffed out by a second wave of tutorial books which emphasised the prescriptive over the explorative.
{"title":"Language as an Object of Empirical Study in the Dutch Republic","authors":"E. Stronks","doi":"10.51750/emlc11335","DOIUrl":"https://doi.org/10.51750/emlc11335","url":null,"abstract":"This article takes a dictionary by Joos Lambrecht, dating from 1546, as its point of departure. It argues that this dictionary, as well as other dictionaries and treatises produced in the wake of Lambrecht’s, did more than teach their young audience in the Dutch Republic the meaning of existing words and thus transfer cultural and linguistic knowledge as was already understood. They also taught youngsters how to obtain (new) knowledge from their own empirical observations. The Dutch books on morphology, orthography, phonology, and grammar – produced in large numbers – offered their readers the opportunity to use their own language as an object for empirical study. By charting the dynamics of language, knowledge, and empirical training, it is argued that the Dutch language was, for a short time, treated by writers not merely as a means to express and share knowledge, but also as an object of study in itself. What might have formed an accessible training ground for the development of skills in empirical observation and especially self-reflexive practice, was, however, soon snuffed out by a second wave of tutorial books which emphasised the prescriptive over the explorative.","PeriodicalId":37252,"journal":{"name":"Early Modern Low Countries","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44518382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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