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When a Female Pope Meets a Biconfessional Town: Protestantism, Catholicism, and Popular Polemics in the 1630s 当一位女教皇遇到一个双教派的城镇:17世纪30年代的新教、天主教和大众辩论赛
Q2 Arts and Humanities Pub Date : 2019-06-24 DOI: 10.18352/EMLC.88
Jan Machielsen
The early modern afterlife of Pope Joan has been remarkably little studied, perhaps because its contours have seemed familiar: Joan’s existence was embraced by Protestants for its challenge to the apostolic succession of the papacy and rejected by Catholics for the same reason. This role reversal, which cast Protestants as defenders of monastic chronicles and Catholics as their critics, offers ostensible proof for the mercenary use of history in confessional polemics. This article uses an overlooked 1635 defence of the popess, the longest ever written, as a case study to argue the opposite: debates over Pope Joan could be vehicles for popular confessional grievances and identities, and they can teach us much about the difficulties facing the Catholic and Reformed churches in the 1620s and 1630s. Written in Dutch by a German minister of the Church of England, this lengthy treatise possesses a significance well beyond the local conditions – a public disputation in a small biconfessional town in the Duchy of Cleves – that gave rise to its publication.
教皇琼的早期现代死后很少被研究,也许是因为它的轮廓似乎很熟悉:琼的存在因其对教皇宗座继承的挑战而受到新教徒的欢迎,并因同样的原因被天主教徒拒绝。这种角色颠倒,将新教徒塑造成修道院编年史的捍卫者,将天主教徒塑造成他们的批评者,为在忏悔辩论中唯利是图地利用历史提供了表面上的证据。这篇文章使用了1635年被忽视的对教皇的辩护,这是有史以来写得最长的一篇,作为一个案例研究来反驳相反的观点:关于教皇琼的辩论可能是大众忏悔不满和身份认同的载体,它们可以教会我们很多关于天主教和归正教会在1620年代和1630年代面临的困难。这篇长篇论文由英国国教的一位德国牧师用荷兰语撰写,其意义远远超出了当地的条件——在克莱夫斯公国的一个两族小镇上的公开争论——这才导致了它的出版。
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引用次数: 0
Delimitation of the ‘Public’ and Freedom of Conscience: Catholics’ Survival Tactics in Legal Discourses in Utrecht, 1630-1659 “公共”和良心自由的界定:天主教在乌得勒支法律话语中的生存策略,1630-1659
Q2 Arts and Humanities Pub Date : 2019-06-24 DOI: 10.18352/EMLC.91
Genji Yasuhira
This article aims to clarify Catholics’ survival tactics in discourses by analysing legal proceedings against them in the city of Utrecht from 1630 until 1659. This period saw a tendency towards Reformed confessionalisation, as is apparent from the rise in the number of such trials. However, despite the advent of anti-Catholic legislation under increasing pressure from the Reformed Church, Reformed confessionalisation was not completed, as the Catholic presence in the public sphere of Utrecht was never extinguished. Backed by their civic status, and with the aid of defenders in (supra-confessional) socio-judicial networks, accused Catholics developed a variety of discourses during legal proceedings. Obedient conformity to the existing norm of the public/private distinction was just one of the various discursive tactics for survival employed by Catholics in Utrecht. Despite the crucial discontinuity caused by the Protestant Reformation and the Dutch Revolt, Catholics continued to be actors in the constant and communal process of delimitation of the ‘public’. Members of the Catholic social elite in particular could actively create space for survival by discursively mobilising alternative interpretations of the ‘public’ and ‘conscience’ that retained medieval legacies, without conceptualising ‘privacy’ in the modern sense.
本文旨在通过分析1630年至1659年在乌得勒支市发生的针对天主教徒的法律诉讼,阐明天主教徒在话语中的生存策略。这一时期出现了改革派忏悔的趋势,这一点从此类审判数量的增加中可以明显看出。然而,尽管在归正教会越来越大的压力下出现了反天主教立法,但归正教派的忏悔并没有完成,因为天主教在乌得勒支公共领域的存在从未消失。受指控的天主教徒在其公民身份的支持下,在(超忏悔)社会司法网络中的辩护人的帮助下,在法律诉讼过程中形成了各种各样的话语。顺从现有的公共/私人区分规范只是乌得勒支天主教徒为生存而采用的各种话语策略之一。尽管新教改革和荷兰起义造成了关键的不连续性,但天主教徒仍然是“公众”划界的持续和共同过程中的参与者。天主教社会精英的成员尤其可以通过话语动员对保留中世纪遗产的“公众”和“良心”的替代解释,积极创造生存空间,而不必将现代意义上的“隐私”概念化。
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引用次数: 1
From Guild to Society: The Foundation of Confrerie Pictura in The Hague Revisited 从公会到社会:重新审视海牙画院的基础
Q2 Arts and Humanities Pub Date : 2019-06-24 DOI: 10.18352/EMLC.92
P. Bakker
The foundation of the Confrerie Pictura (an artistic brotherhood) in The Hague has given rise to controversy on several occasions. In the eighteenth century, for example, Johan van Gool was annoyed by Houbraken, who believed that the artist painters of The Hague had founded their Confrerie in 1662, while it was abundantly clear to Van Gool that the correct date was 1656. Nowadays the question under discussion is the nature of the Confrerie as an organisation. Was it the first step towards an eighteenth-century society, as Hoogewerff suggested in his authoritative book on the Dutch St Luke’s guilds, or was the new organisation more like a guild, as later argued by Hoogewerff’s most important critic Hessel Miedema? Based on archival records, this article maps out the early history and establishment of the Confrerie in order to determine what kind of organisation it had been between 1656 and 1700. This article argues that all four authors are right: the Confrerie was both a guild and a society, and however paradoxical it may sound, it was founded in 1656 and again in 1662.
艺术兄弟会Confrerie Pictura在海牙的成立曾多次引发争议。例如,在18世纪,Johan van Gool对Houbraken感到恼火,他认为海牙的艺术家和画家在1662年建立了他们的Confrerie,而van Gool非常清楚,正确的日期是1656年。现在讨论的问题是Confrerie作为一个组织的性质。这是迈向18世纪社会的第一步,正如胡在其关于荷兰圣卢克公会的权威著作中所建议的那样,还是像胡最重要的评论家赫塞尔·米德玛后来所说的那样,新组织更像一个公会?根据档案记录,本文绘制了Confrerie的早期历史和建立,以确定它在1656年至1700年间是一个什么样的组织。这篇文章认为,四位作者都是对的:Confrerie既是一个公会,也是一个社会,无论听起来多么矛盾,它成立于1656年,再次成立于1662年。
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引用次数: 1
The Old Indies at the French Court: Johan Maurits’s Gift to Louis XIV 法国宫廷中的旧印度群岛:约翰·莫里茨给路易十四的礼物
Q2 Arts and Humanities Pub Date : 2019-06-24 DOI: 10.18352/EMLC.89
Carrie Anderson
In 1679 Prince Johan Maurits (1604-1679), the former governor-general of Dutch Brazil, presented French King Louis XIV (r. 1643-1715) with an extravagant gift comprised of Brazilian-themed images and objects, including a set of eight cartoons by the Dutch artist Albert Eckhout (1610-1665), which would be transformed into a set of tapestries known as the Old Indies (Anciennes Indes). This article will focus on the points of convergence between the Old Indies and the Escalier des Ambassadeurs, or Ambassador’s Staircase, at Versailles – the decoration of which was being completed at the same time Johan Maurits presented his gift. Aimed at making tangible the possibility of colonial conquest, the immersive environments created by the tapestries and the staircase’s convincingly painted spectacle blurred the boundaries between reality and representation, mediating an ideological space that existed between the static, centralized authority of the French court and the far-flung colonial possessions it sought to acquire.
1679年,前荷属巴西总督约翰·毛里茨王子(1604-1679)向法国国王路易十四(1643-1715)赠送了一份奢侈的礼物,其中包括以巴西为主题的图像和物品,其中包括荷兰艺术家阿尔伯特·埃克豪特(Albert Eckhout, 1610-1665)创作的一套八幅漫画,这些漫画将被改造成一套被称为“旧印度”(Anciennes Indes)的挂毯。这篇文章将集中讨论旧印度群岛和凡尔赛宫的大使阶梯之间的交汇点,大使阶梯的装饰在Johan Maurits赠送礼物的同时正在完成。为了使殖民征服的可能性具体化,挂毯和楼梯令人信服的绘画景观创造了身临其境的环境,模糊了现实与再现之间的界限,调解了法国宫廷静态的中央集权和它寻求获得的遥远殖民地之间存在的意识形态空间。
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引用次数: 2
Dagomar Degroot, The Frigid Golden Age. Climate Change, the Little Ice Age, and the Dutch Republic, 1560-1720 达戈马尔·德格罗特,《冷酷的黄金时代》。气候变化、小冰河时代和荷兰共和国,1560-1720
Q2 Arts and Humanities Pub Date : 2019-06-23 DOI: 10.18352/EMLC.100
B. Roberts
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引用次数: 0
Rudolf De Smet et al. (eds.), Marnixi Epistulae. De briefwisseling van Marnix van Sint-Aldegonde. Een kritische uitgave. Pars V (1585-1598) Rudolf De Smet等人(编辑),Marnixi Epistulae。圣奥尔德贡德的马尼克斯的信件。一个关键问题。Pars V(1585-1598)
Q2 Arts and Humanities Pub Date : 2019-06-23 DOI: 10.18352/EMLC.99
J. Papy
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引用次数: 0
Rudi Ekkart and Claire van den Donk, Lief en Leed. Realisme en fantasie in Nederlandse familiegroepen uit de zeventiende en achttiende eeuw
Q2 Arts and Humanities Pub Date : 2019-06-23 DOI: 10.18352/EMLC.102
Julia Van Marissing
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引用次数: 1
Margaret C. Jacob, The Secular Enlightenment 玛格丽特·c·雅各布,《世俗启蒙
Q2 Arts and Humanities Pub Date : 2019-06-23 DOI: 10.18352/EMLC.97
I. Nieuwenhuis
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引用次数: 0
Marijke Meijer Drees, Marco Prandoni, and Rita Schlusemann (eds.), De glans van Vondels Lucifer. Opvoeren, vertalen, herinneren Marijke Meijer Drees, Marco Prandoni和Rita Schlusemann(合编),《路西法的光辉》。表演,翻译,记忆
Q2 Arts and Humanities Pub Date : 2019-06-23 DOI: 10.18352/EMLC.98
M. Paijmans
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引用次数: 0
Maarten Prak, Citizens without Nations. Urban Citizenship in Europe and the World, c. 1000-1789 马丁·普拉克,没有国家的公民。欧洲和世界的城市公民权,约1000-1789年
Q2 Arts and Humanities Pub Date : 2019-06-23 DOI: 10.18352/EMLC.93
P. Clark
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引用次数: 0
期刊
Early Modern Low Countries
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