Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186203
Dorotea Ottaviani, C. De Marinis
The paper explores the concept of ‘listening to unheard voices’ in the urban environment as a design intention and strategy that contributes to an inclusive and alternative approach to urban public space, considering and promoting the imperatives of caring that such space should deliver to the city and its inhabitants. The ideas discussed in the paper find their background in the research on the concept of care in feminist urbanism and feminist studies in general, and specifically in relation to the model of the Caring City, promoting a city that places care at its centre, and aims to include a wider selection of citizens in the construction of the public good. Through the analysis of two case studies of public spaces designed by solo-women architecture practices, this paper identifies an alternative relational paradigm which gives space to unheard voices in the urban environment through processes of inclusion and participation. The two cases, Plaça d'en Baró in Santa Coloma de Gramenet (Barcelona, Spain), designed by Catalan architectural collective Equal Saree, and Ruskin Square in the London Borough of Croydon (London, UK) designed by British architectural practice muf architecture/art, have implemented the concept of listening to ‘unheard voices’ offering insights into the contribution of women to the urban environment and how it is transformed, shaped, and used.
本文探讨了城市环境中“倾听闻所未闻的声音”的概念，将其作为一种设计意图和策略，有助于对城市公共空间采取包容性和替代性的方法，考虑并促进关心此类空间应为城市及其居民提供的必要性。本文所讨论的想法的背景是女权主义城市主义和一般女权主义研究中的关怀概念，特别是与关爱城市的模式有关，促进一个以关怀为中心的城市，并旨在将更广泛的公民纳入公共产品的建设。通过对两个由单身女性建筑实践设计的公共空间案例的分析，本文确定了一种替代的关系范式，通过包容和参与的过程，为城市环境中闻所未闻的声音提供空间。这两个案例，由加泰罗尼亚建筑团体Equal Saree设计的Santa Coloma de Gramenet（西班牙巴塞罗那）的Plaça d'en Baró和由英国建筑实践muf architecture/art设计的伦敦克罗伊登自治市（英国伦敦）的Ruskin Square，实施了倾听“闻所未闻的声音”的概念，深入了解女性对城市环境的贡献，以及如何改变、塑造和使用城市环境。
{"title":"Listening to Unheard Voices in Urban Public Space. The Cases of Ruskin Square and Plaça d'en Baró","authors":"Dorotea Ottaviani, C. De Marinis","doi":"10.26754/ojs_zarch/zarch.2022186203","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186203","url":null,"abstract":"The paper explores the concept of ‘listening to unheard voices’ in the urban environment as a design intention and strategy that contributes to an inclusive and alternative approach to urban public space, considering and promoting the imperatives of caring that such space should deliver to the city and its inhabitants. The ideas discussed in the paper find their background in the research on the concept of care in feminist urbanism and feminist studies in general, and specifically in relation to the model of the Caring City, promoting a city that places care at its centre, and aims to include a wider selection of citizens in the construction of the public good.\u0000Through the analysis of two case studies of public spaces designed by solo-women architecture practices, this paper identifies an alternative relational paradigm which gives space to unheard voices in the urban environment through processes of inclusion and participation. The two cases, Plaça d'en Baró in Santa Coloma de Gramenet (Barcelona, Spain), designed by Catalan architectural collective Equal Saree, and Ruskin Square in the London Borough of Croydon (London, UK) designed by British architectural practice muf architecture/art, have implemented the concept of listening to ‘unheard voices’ offering insights into the contribution of women to the urban environment and how it is transformed, shaped, and used.","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45455253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186966
Lucía C. Pérez Moreno, Ann E. Komara
“The absence of women from the profession of architecture remains, despite various theories, very difficult to explain and very slow to change. It demarcates a failure the profession has become adept at turning a blind eye to, despite the fact that it places architecture far behind the other professions with which architects frequently seek to align themselves. If we consider architecture as a cultural construct, both vessel and residue, we can but wonder what this symptomatic absence suggests about our culture and the orders that govern the production of its architecture. One thing is clear however: just as the absence of either sex from a large constituency must indicate some internal crisis in which gender plays a crucial role, the absence of women from the profession of architecture points to a profound gender-related crisis at the base of architecture”. 1
{"title":"Mujeres, prácticas feministas y profesionales alternativos en la arquitectura","authors":"Lucía C. Pérez Moreno, Ann E. Komara","doi":"10.26754/ojs_zarch/zarch.2022186966","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186966","url":null,"abstract":"“The absence of women from the profession of architecture remains, despite various theories, very difficult to explain and very slow to change. It demarcates a failure the profession has become adept at turning a blind eye to, despite the fact that it places architecture far behind the other professions with which architects frequently seek to align themselves. If we consider architecture as a cultural construct, both vessel and residue, we can but wonder what this symptomatic absence suggests about our culture and the orders that govern the production of its architecture. One thing is clear however: just as the absence of either sex from a large constituency must indicate some internal crisis in which gender plays a crucial role, the absence of women from the profession of architecture points to a profound gender-related crisis at the base of architecture”. 1","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41684393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186956
S. Amoroso
María NovasArquitectura y género. Una introducción posibleSanta Cruz de Tenerife: Melusina, 2021. 192 pp. Tapa blanda. Idioma: español. 16,90 €ISBN 978-84-18403-37-8
María Novasarquitectura和性别。圣克鲁斯·德·特内里费岛：梅卢西亚，2021年。192页。软封面。语言：西班牙语。16.90欧元ISBN 978-84-18403-37-8
{"title":"MARÍA NOVAS - Arquitectura y género. Una introducción posible","authors":"S. Amoroso","doi":"10.26754/ojs_zarch/zarch.2022186956","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186956","url":null,"abstract":"María NovasArquitectura y género. Una introducción posibleSanta Cruz de Tenerife: Melusina, 2021. 192 pp. Tapa blanda. Idioma: español. 16,90 €ISBN 978-84-18403-37-8","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43781440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186960
Víctor Pérez Escolano
Raimundo Bambó NayaEl dictado de los tiempos. Razón y oficio en la arquitectura de Lorenzo Monclús RamírezZaragoza: Institución Fernando el Católico, 2020. 416 pp. Tapa blanda. Idioma: español. 48 €ISBN-10: 8499115993ISBN-13: 978-8499115993
{"title":"RAIMUNDO BAMBÓ NAYA - El dictado de los tiempos. Razón y oficio en la arquitectura de Lorenzo Monclús Ramírez","authors":"Víctor Pérez Escolano","doi":"10.26754/ojs_zarch/zarch.2022186960","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186960","url":null,"abstract":"Raimundo Bambó NayaEl dictado de los tiempos. Razón y oficio en la arquitectura de Lorenzo Monclús RamírezZaragoza: Institución Fernando el Católico, 2020. 416 pp. Tapa blanda. Idioma: español. 48 €ISBN-10: 8499115993ISBN-13: 978-8499115993","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43837106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186192
María del Pilar Salazar Lozano
En junio de 1955 se publican en Madrid varias críticas en revistas y periódicos sobre una exposición de acuarelas en la galería Biosca. La autora tiene un nombre desconocido: Lois Langhorst; y las acuarelas muestran un marcado e innovador carácter abstracto. Entre los nombres de los artistas que exponían en esta galería apenas aparecen extranjeros. La historia detrás de esta exposición nos lleva a la construcción de las bases estadounidenses en España y de ahí a la trayectoria de una de las arquitectas americanas pioneras en la profesión. Este artículo pretende esclarecer las incógnitas que presenta esta exposición, adentrándonos en la complejidad que tuvo en ese momento el ser arquitecta. Busca sacar a la luz la estancia de Lois Langhorst en España y los contactos que tuvieron tanto ella como su marido, Frederick Langhorst, con la sociedad española del Madrid de mediados de siglo.
{"title":"La arquitecta pionera estadounidense Lois Langhorst. Exposición de acuarela abstracta en la Galería Biosca de Madrid (1955)","authors":"María del Pilar Salazar Lozano","doi":"10.26754/ojs_zarch/zarch.2022186192","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186192","url":null,"abstract":"En junio de 1955 se publican en Madrid varias críticas en revistas y periódicos sobre una exposición de acuarelas en la galería Biosca. La autora tiene un nombre desconocido: Lois Langhorst; y las acuarelas muestran un marcado e innovador carácter abstracto. Entre los nombres de los artistas que exponían en esta galería apenas aparecen extranjeros. La historia detrás de esta exposición nos lleva a la construcción de las bases estadounidenses en España y de ahí a la trayectoria de una de las arquitectas americanas pioneras en la profesión. Este artículo pretende esclarecer las incógnitas que presenta esta exposición, adentrándonos en la complejidad que tuvo en ese momento el ser arquitecta. Busca sacar a la luz la estancia de Lois Langhorst en España y los contactos que tuvieron tanto ella como su marido, Frederick Langhorst, con la sociedad española del Madrid de mediados de siglo.","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41349304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186188
Bettina Siegele
The architect Karola Bloch, who was working for the Deutsche Bauakademie in the GDR after World War II, aimed to meet the goal of gender equality according to socialist principles by realising numerous crèches and kindergartens through the development of schematic plans and guidelines for building construction. For the newly founded socialist state of the GDR, this was a way to free women from domestic unpaid care work in order to integrate them into wage-earning labour, which was considered crucial for women to become equal members of society. The implementation of a nationwide network of childcare centres via typification and standardisation promised to realise these ambitious goals quickly and cost-effectively.
{"title":"Karola Bloch in East Germany (GDR, 1950-55). Standardisation of Childcare Facilities as a Women’s Emancipatory Tool","authors":"Bettina Siegele","doi":"10.26754/ojs_zarch/zarch.2022186188","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186188","url":null,"abstract":"The architect Karola Bloch, who was working for the Deutsche Bauakademie in the GDR after World War II, aimed to meet the goal of gender equality according to socialist principles by realising numerous crèches and kindergartens through the development of schematic plans and guidelines for building construction. For the newly founded socialist state of the GDR, this was a way to free women from domestic unpaid care work in order to integrate them into wage-earning labour, which was considered crucial for women to become equal members of society. The implementation of a nationwide network of childcare centres via typification and standardisation promised to realise these ambitious goals quickly and cost-effectively. ","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45007364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186198
Noemí Gómez Lobo, Kana Ueda, Diego Martín Sánchez
Miho Hamaguchi (1915-1988) was the first woman to be a licensed architect in Japan. A pioneer in domestic design during the postwar period, she built and consulted on thousands of houses throughout her prolific career. However, she is a little-known figure both in Japan and in the international debate. Her representation in architectural historiography is limited to her influence on kitchen design, but her writings and work go far beyond. Hamaguchi's legacy is one of bold residential architecture that embodied democratic ideas in spatial configurations. She promoted the house as a fundamental tool for gender equality, leaving behind a feudal and patriarchal system. At the end of her career, she found in Costa del Sol the perfect place to carry out a residential project as a cultural exchange. "Kaiyo Club" became a set of three houses since the first design in 1974 until the subsequent extensions were completed in 1987. Throughout its different stages, the project shows a striking Spanish-Japanese transfer where different architectural languages coexist. The white-walled exterior dialogues with the vernacular, while its interior unfolds Japanese patterns with tatami-floored rooms or ofuro-style bathrooms. These dwellings present a unique hybrid materialization, displaying Hamaguchi's design from a humanistic stance, blending of locally rooted modernist spatial principles and reinterpreted traditions.
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Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186955
Joan Moreno Sanz
Zaida Muxí MartínezMujeres, casas y ciudades. Más allá del umbral Barcelona: DPR-Barcelona, 2018. 345 pp. Tapa blanda. Idioma: español. 20 €ISBN 978-84-947523-6-0
{"title":"ZAIDA MUXÍ MARTÍNEZ - Mujeres, casas y ciudades. Más allá del umbral","authors":"Joan Moreno Sanz","doi":"10.26754/ojs_zarch/zarch.2022186955","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186955","url":null,"abstract":"Zaida Muxí MartínezMujeres, casas y ciudades. Más allá del umbral Barcelona: DPR-Barcelona, 2018. 345 pp. Tapa blanda. Idioma: español. 20 €ISBN 978-84-947523-6-0","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41402334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186958
V. Benedet
Zaida Muxí Martínez (coord.)Antología de pensamientos feministas para arquitecturaBarcelona: Universitat Politècnica de Catalunya, 2022. 475 pp. Digital acceso abierto. Idioma: españolISBN 978-84-9880-966-4
{"title":"ZAIDA MUXÍ MARTÍNEZ (coord.) - Antología de pensamientos feministas para arquitectura","authors":"V. Benedet","doi":"10.26754/ojs_zarch/zarch.2022186958","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186958","url":null,"abstract":"Zaida Muxí Martínez (coord.)Antología de pensamientos feministas para arquitecturaBarcelona: Universitat Politècnica de Catalunya, 2022. 475 pp. Digital acceso abierto. Idioma: españolISBN 978-84-9880-966-4","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49006988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-02DOI: 10.26754/ojs_zarch/zarch.2022186170
Beatriz S. González Jiménez, Alberto Ruiz Colmenar
Este texto propone un análisis del dossier de fotografías que Eileen Gray elaboró sobre E.1027, su más conocido proyecto. Lejos de suponer una simple recopilación de imágenes inconexas, el reportaje se planteó desde su origen como un paseo arquitectónico compuesto por fotografías cuidadosamente tomadas por la propia arquitecta en las que el espacio y los objetos formaban parte de una escenografía pensada para generar un recorrido visual por el ambiente retratado. El objetivo de este artículo es recuperar este dossier publicado en 1929 por la revista l’Architecture Vivante mostrando así la personal visión que de su propia casa desarrolló Eileen Gray. Asimismo, se quiere analizar destacadas facetas de Gray como arquitecta, diseñadora y fotógrafa.
{"title":"La fotografía de Eileen Gray. Un paseo arquitectónico por E.1027","authors":"Beatriz S. González Jiménez, Alberto Ruiz Colmenar","doi":"10.26754/ojs_zarch/zarch.2022186170","DOIUrl":"https://doi.org/10.26754/ojs_zarch/zarch.2022186170","url":null,"abstract":"Este texto propone un análisis del dossier de fotografías que Eileen Gray elaboró sobre E.1027, su más conocido proyecto. Lejos de suponer una simple recopilación de imágenes inconexas, el reportaje se planteó desde su origen como un paseo arquitectónico compuesto por fotografías cuidadosamente tomadas por la propia arquitecta en las que el espacio y los objetos formaban parte de una escenografía pensada para generar un recorrido visual por el ambiente retratado. El objetivo de este artículo es recuperar este dossier publicado en 1929 por la revista l’Architecture Vivante mostrando así la personal visión que de su propia casa desarrolló Eileen Gray. Asimismo, se quiere analizar destacadas facetas de Gray como arquitecta, diseñadora y fotógrafa.","PeriodicalId":37382,"journal":{"name":"ZARCH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42927987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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