Pub Date : 2023-01-31DOI: 10.51878/academia.v2i4.1909
LU’LUIN NAJWA, MUHARRINI ANGRAINI, MUHAMMAD SUHARDI
This research aims to discover the role of educational staff and the constraint in improving the quality of education services at MAN 1 Mataram. Qualitative descrivtife was used as the method on this research which the data collected by observing, interviewing and documenting. Based on the result, it shows that: 1)The role of the education staffs of MAN 1 Mataram was inappropriate with teachers and students point of view. By reason of several administrative staffs are less friendly in giving service. However on the other side, the educational staffs used time eficiently in giving some service so that it does not take any longer when giving the service. 2) The constraint appeared either for student or teacher and people who need the better services: several of the administrative staff less update about the center information and several of them are unsuitable to be placed in the administrative works. Based on this research, the researcher expected that the educational and administrative staff may receive several training to improve their knowledge. This research may also has several benefical for the head of administrative to more controll about the main role of the administrative staff. It is to avoid the lack of responsibilities. The important thing is either School staff or Goverment should be more selective and detail in recruiting either the educational staff or administrative staff. So that those who are selected understand their responsibilities as an educational staff.
ABSTRAKPenelitian ini bertujuan untuk mengetahui peran tenaga kependidikan dan kendala dalam meningkatkan mutu pelayanan pendidikan di MAN 1 Mataram. Metode penelitian yang digunakan yaitu kualitatif deskriptif dengan teknik pengumpulan data menggunakan observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bahwa :1) Peran tenaga kependidikan MAN 1 Mataram tidak terlihat seperti yang diinginkan oleh guru maupun siswa, dikarenakan ada beberapa pelayanan administrasi kurang ramah dalam melayani orang yang membutuhkan layanan, namun disisi lain tenaga kependidikakan terlihat sangat efisien dalam memanfaatkan waktu sehingga tidak membutuhkan waktu lama ketika melayani pengguna jasa pelayanan 2) Hambatan atau kendala yang dihadapi siswa maupun guru serta orang yang membutuhkan pelayanan dengan baik, terletak pada tenaga administrasi yang kurang update informasi pusat, dan banyaknya tenaga administrasi yang tidak sesuai dengan bidangnya yang ditempatkan di ruang kerja tata usaha tersebut. Berdasarkan hasil penelitian ini diharapkan diadakan pelatihan rutin untuk tenaga kependidikan dapat menjadi bahan informasi dan masukan bagi para tenaga kependidikan, dan kepada kepala administrasi agar selalu mengontrol kinerja staff administrasi dalam menjalankan tugas, agar tidak lempar tanggung jawab, Jadi pada dasarnya pihak sekolah maupun pemerintah harus lebih selektif dan lebih teliti lagi ketika akan memilih tenaga pendidik maupun tenaga kependidikan, agar mereka yang
本研究旨在探讨man1 Mataram教育人员在提高教育服务质量方面的作用和制约因素。本研究采用定性描述法，通过观察法、访谈法和文献法收集资料。结果表明:1)从教师和学生的角度来看，曼一马塔兰学校教育人员的角色不合适。由于几个行政人员在提供服务时不太友好。然而，另一方面，教育人员有效地利用了时间来提供一些服务，这样在提供服务时就不会花费更长时间。2)对学生、教师和需要更好服务的人都存在约束:部分行政人员对中心信息更新较少，部分行政人员不适合在行政工作中任职。基于这项研究，研究者期望教育和行政人员可以接受一些培训，以提高他们的知识。本研究也可能有几个有益的行政首长更多地控制关于行政人员的主要作用。这是为了避免责任的缺失。重要的是，无论是学校工作人员还是政府在招聘教育人员或行政人员时都应该更有选择性和细节。让那些被选中的人了解他们作为教育工作者的责任。
摘要:penelitian ini bertujuan untuk mengetahui peran tenaga kependidikan dan kendala dalam meningkatkan mutu pelayanan pendidikan di MAN 1 Mataram。[3]方法penelitian, yang digunakan, yitu，定性描述，dengan技术，企鹅数据，menggunakan观测站，wanancara, dan文献。(1)我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是我的意思。namun disisi lain tenaga kependidikakan terlihat sangat efisien dalam memanfaatkan waktu sehinga membutuhkan waktu lama ketika melayani pengguna jasa pelayanan 2) Hambatan atau kendala yang dihadapi siswa maupun guru serta orang yang membutuhkan pelayanan dengan baik, terletak padaganadministration yang kurang更新信息，dan banyaknya tenaga administration yang tidak sesuai dengan bidangnya yang ditempatkan di ruang kerjaja teresha。我的翻译是:我的翻译是:我的翻译是:我的翻译是:我的翻译是:我的翻译是:我的翻译是:我的翻译是:我的翻译是:我的翻译是:我的翻译是:AGAR mereka Yang terpilih paham akan tanggung jawabnya sebagai tenaga kependidikan。
{"title":"PERAN TENAGA KEPENDIDIKAN DALAM MENINGKATKAN MUTU PELAYANAN PENDIDIKAN","authors":"LU’LUIN NAJWA, MUHARRINI ANGRAINI, MUHAMMAD SUHARDI","doi":"10.51878/academia.v2i4.1909","DOIUrl":"https://doi.org/10.51878/academia.v2i4.1909","url":null,"abstract":"This research aims to discover the role of educational staff and the constraint in improving the quality of education services at MAN 1 Mataram. Qualitative descrivtife was used as the method on this research which the data collected by observing, interviewing and documenting. Based on the result, it shows that: 1)The role of the education staffs of MAN 1 Mataram was inappropriate with teachers and students point of view. By reason of several administrative staffs are less friendly in giving service. However on the other side, the educational staffs used time eficiently in giving some service so that it does not take any longer when giving the service. 2) The constraint appeared either for student or teacher and people who need the better services: several of the administrative staff less update about the center information and several of them are unsuitable to be placed in the administrative works. Based on this research, the researcher expected that the educational and administrative staff may receive several training to improve their knowledge. This research may also has several benefical for the head of administrative to more controll about the main role of the administrative staff. It is to avoid the lack of responsibilities. The important thing is either School staff or Goverment should be more selective and detail in recruiting either the educational staff or administrative staff. So that those who are selected understand their responsibilities as an educational staff.
 ABSTRAKPenelitian ini bertujuan untuk mengetahui peran tenaga kependidikan dan kendala dalam meningkatkan mutu pelayanan pendidikan di MAN 1 Mataram. Metode penelitian yang digunakan yaitu kualitatif deskriptif dengan teknik pengumpulan data menggunakan observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bahwa :1) Peran tenaga kependidikan MAN 1 Mataram tidak terlihat seperti yang diinginkan oleh guru maupun siswa, dikarenakan ada beberapa pelayanan administrasi kurang ramah dalam melayani orang yang membutuhkan layanan, namun disisi lain tenaga kependidikakan terlihat sangat efisien dalam memanfaatkan waktu sehingga tidak membutuhkan waktu lama ketika melayani pengguna jasa pelayanan 2) Hambatan atau kendala yang dihadapi siswa maupun guru serta orang yang membutuhkan pelayanan dengan baik, terletak pada tenaga administrasi yang kurang update informasi pusat, dan banyaknya tenaga administrasi yang tidak sesuai dengan bidangnya yang ditempatkan di ruang kerja tata usaha tersebut. Berdasarkan hasil penelitian ini diharapkan diadakan pelatihan rutin untuk tenaga kependidikan dapat menjadi bahan informasi dan masukan bagi para tenaga kependidikan, dan kepada kepala administrasi agar selalu mengontrol kinerja staff administrasi dalam menjalankan tugas, agar tidak lempar tanggung jawab, Jadi pada dasarnya pihak sekolah maupun pemerintah harus lebih selektif dan lebih teliti lagi ketika akan memilih tenaga pendidik maupun tenaga kependidikan, agar mereka yang","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135255893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-1-1-26-33
A. Zavyalova
The article examines the influence of William Turner's landscapes with a rainbow on the landscapes of Konstantin Somov also depicting a rainbow of the late 1890s - mid 1920s. It is revealed that direct impressions from his paintings received in London played a large role in his passion for Turner's art. Thanks to them, Somov was carried away by the task of conveying a rainbow in a landscape as an atmospheric phenomenon. Essays on art history, i.e. written sources, are also found - the works of John Ruskin and Richard Muter prepared his interest in this master back in St Petersburg.
{"title":"William Turner: the sources of the rainbow theme in the art of Konstantin Somov","authors":"A. Zavyalova","doi":"10.37953/2079-0341-2022-1-1-26-33","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-1-1-26-33","url":null,"abstract":"The article examines the influence of William Turner's landscapes with a rainbow on the landscapes of Konstantin Somov also depicting a rainbow of the late 1890s - mid 1920s. It is revealed that direct impressions from his paintings received in London played a large role in his passion for Turner's art. Thanks to them, Somov was carried away by the task of conveying a rainbow in a landscape as an atmospheric phenomenon. Essays on art history, i.e. written sources, are also found - the works of John Ruskin and Richard Muter prepared his interest in this master back in St Petersburg.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-2-1-240-246
Olga S. Davydova
{"title":"International scientific conference «Landscape in Russian Art in the Second Half of the 19th – Early 20th Centuries. Evolution of the genre»","authors":"Olga S. Davydova","doi":"10.37953/2079-0341-2022-2-1-240-246","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-2-1-240-246","url":null,"abstract":"","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-1-1-121-131
O. Malinkovskaya
In 2019, in the collection of the Research Library of the State Pushkin Museum of Fine Arts twenty five books were identified as having previously belonged to Alexandre Benois. They were sоld to the Museum by Evgeny Lanceray in 1935. Most of the books have marginalia, made by A. Benois in German and French. The notes show the manner of Benois reading, his high erudition and creative comprehension of the text. In autumn 2020, the collection of Benois books was enhanced by “Aus Meinem Leben” of W. Tischbein (Berlin, 1922) bought especially for the Pushkin Museum by M. Karisalov. There are numerous marks in it as well. Now all the books with margin notes are digitalized. The studying of the books and the deciphering of the marginalia is going on.
{"title":"The books of Alexandre Benois in the Research library of The State Pushkin Museum of Fine Arts","authors":"O. Malinkovskaya","doi":"10.37953/2079-0341-2022-1-1-121-131","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-1-1-121-131","url":null,"abstract":"In 2019, in the collection of the Research Library of the State Pushkin Museum of Fine Arts twenty five books were identified as having previously belonged to Alexandre Benois. They were sоld to the Museum by Evgeny Lanceray in 1935. Most of the books have marginalia, made by A. Benois in German and French. The notes show the manner of Benois reading, his high erudition and creative comprehension of the text. In autumn 2020, the collection of Benois books was enhanced by “Aus Meinem Leben” of W. Tischbein (Berlin, 1922) bought especially for the Pushkin Museum by M. Karisalov. There are numerous marks in it as well. Now all the books with margin notes are digitalized. The studying of the books and the deciphering of the marginalia is going on.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-2-1-211-219
L. V. Chuyko
The article is dedicated to the interaction between professional art and folk art in the city culture of the second half of the XIX – the beginning of the XX century. Choosing as an example the wooden houses preserved in West Siberian cities (Tyumen, Tobolsk, Tara, Tomsk, Barnaul, Omsk, Kurgan, Novosibirsk) the author examines the use of decorative stylistic features of stone buildings in wooden architecture constructed as part of mass city development. It is accentuated that master craftsmen often turned for inspiration to Baroque, Art Nouveau and Russian Ropet-Gartman styles, transforming their decorative motives and creating carved compositions marked by originality and high quality of workmanship.
{"title":"House carving decoration as a field of interaction between the folk art and the art of Grand styles","authors":"L. V. Chuyko","doi":"10.37953/2079-0341-2022-2-1-211-219","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-2-1-211-219","url":null,"abstract":"The article is dedicated to the interaction between professional art and folk art in the city culture of the second half of the XIX – the beginning of the XX century. Choosing as an example the wooden houses preserved in West Siberian cities (Tyumen, Tobolsk, Tara, Tomsk, Barnaul, Omsk, Kurgan, Novosibirsk) the author examines the use of decorative stylistic features of stone buildings in wooden architecture constructed as part of mass city development. It is accentuated that master craftsmen often turned for inspiration to Baroque, Art Nouveau and Russian Ropet-Gartman styles, transforming their decorative motives and creating carved compositions marked by originality and high quality of workmanship.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-3-1-259-275
Olga S. Davydova
The article traces the history of perception and study of the masters of the “Blue Rose” as a symbolist movement in the Russian art of the early twentieth century. The versatile sphere of expression of the leading representatives of the “second wave” of Russian Symbolism, traditionally associated with the Moscow decadence of the 1900s, is subjected to more thorough and differentiated analysis in the context of recent research. If the first art historians of the “Blue Rose” group phenomenon concentrated on movement’s generalized description, nowadays the program aspects of the Blue Rose aesthetics are being explored in details, the poorly studied artists’ creative biographies are brought up to date. The growing archive base allows us to take a new look at the key moments of “Blue Rose” poetics’ formation and its involvement in the development of modernism, indicating a new stage in the study of the works of Moscow symbolists.
{"title":"“Blue Rose” Movement: Twenty-First Century. Moscow Symbolism in the Light of Recent Studies","authors":"Olga S. Davydova","doi":"10.37953/2079-0341-2022-3-1-259-275","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-3-1-259-275","url":null,"abstract":"The article traces the history of perception and study of the masters of the “Blue Rose” as a symbolist movement in the Russian art of the early twentieth century. The versatile sphere of expression of the leading representatives of the “second wave” of Russian Symbolism, traditionally associated with the Moscow decadence of the 1900s, is subjected to more thorough and differentiated analysis in the context of recent research. If the first art historians of the “Blue Rose” group phenomenon concentrated on movement’s generalized description, nowadays the program aspects of the Blue Rose aesthetics are being explored in details, the poorly studied artists’ creative biographies are brought up to date. The growing archive base allows us to take a new look at the key moments of “Blue Rose” poetics’ formation and its involvement in the development of modernism, indicating a new stage in the study of the works of Moscow symbolists.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-3-1-297-307
A. A. Gerasimova
The article is dedicated to such phenomenon as transformation of the “thing” in post-medium condition of contemporary art space based on the graphic series of 2015–2021 by Nikita Alekseev that can be called “Dying drawings”. A brief overview of the “thing” transition from an object to performativity in the art of the XXth century through Rosalind Krauss theory is given. Seriality, fiction and documentation became the main existential factors for the art objects in post-medium era. The way graphic drawings possess simultaneously material and temporary properties is shown.
{"title":"Post-Medium Condition in graphic series of 2015–2021 by Nikita Alekseev","authors":"A. A. Gerasimova","doi":"10.37953/2079-0341-2022-3-1-297-307","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-3-1-297-307","url":null,"abstract":"The article is dedicated to such phenomenon as transformation of the “thing” in post-medium condition of contemporary art space based on the graphic series of 2015–2021 by Nikita Alekseev that can be called “Dying drawings”. A brief overview of the “thing” transition from an object to performativity in the art of the XXth century through Rosalind Krauss theory is given. Seriality, fiction and documentation became the main existential factors for the art objects in post-medium era. The way graphic drawings possess simultaneously material and temporary properties is shown.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-1-1-71-84
D. Fomin
The purpose of the article is to concretize and somewhat correct the seemingly indisputable statement about the commitment of one of the most prolific Russian illustrators, V.M. Konashevich, to the graphic tradition of the “World of Art”. The influence of the masters of this circle was particularly evident in the early work of Konashevich (1917-1922). However, even in this period, the artist was not the epigone of the luminaries, he used the discoveries of his older comrades to solve problems that lay outside the circle of their interests, he was looking for his own style. The article compares the experiences of the novice illustrator with the works of the masters of the famous association, analyzes their statements about the works of a younger colleague, as well as Konashevich's opinions about the aesthetics of the “World of Art” and about his own creative path.
{"title":"Graphic traditions of the “World of art” in the early work of V.M. Konashevich","authors":"D. Fomin","doi":"10.37953/2079-0341-2022-1-1-71-84","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-1-1-71-84","url":null,"abstract":"The purpose of the article is to concretize and somewhat correct the seemingly indisputable statement about the commitment of one of the most prolific Russian illustrators, V.M. Konashevich, to the graphic tradition of the “World of Art”. The influence of the masters of this circle was particularly evident in the early work of Konashevich (1917-1922). However, even in this period, the artist was not the epigone of the luminaries, he used the discoveries of his older comrades to solve problems that lay outside the circle of their interests, he was looking for his own style. The article compares the experiences of the novice illustrator with the works of the masters of the famous association, analyzes their statements about the works of a younger colleague, as well as Konashevich's opinions about the aesthetics of the “World of Art” and about his own creative path.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-2-1-185-200
Nina V. Pavlova
The article is devoted to the portrait artwork of the engraver on copper I.P. Pozhalostin. It focuses on his works of the 1860–1880s, created first under the protection of the Academy of Arts, then for the Society for the Encouragement of Artists, publishers of books and magazines, and collectors. This is a whole gallery of Russian faces, from the poet Nikolay Nekrasov to Empress Maria Feodorovna. Along with an overview of the artistic features of the realistic engraved portraits by Ivan Pozhalostin, much attention in the article is paid to the cultural and everyday context – relations with customers, conditions and terms of his work. A wide range of archival material has been involved, for instance, the engraver’s correspondence with collectors P.A. Efremov and S.P. Vinogradov.
{"title":"Engraver Ivan Pozhalostin (1837–1909) as a portrait master","authors":"Nina V. Pavlova","doi":"10.37953/2079-0341-2022-2-1-185-200","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-2-1-185-200","url":null,"abstract":"The article is devoted to the portrait artwork of the engraver on copper I.P. Pozhalostin. It focuses on his works of the 1860–1880s, created first under the protection of the Academy of Arts, then for the Society for the Encouragement of Artists, publishers of books and magazines, and collectors. This is a whole gallery of Russian faces, from the poet Nikolay Nekrasov to Empress Maria Feodorovna. Along with an overview of the artistic features of the realistic engraved portraits by Ivan Pozhalostin, much attention in the article is paid to the cultural and everyday context – relations with customers, conditions and terms of his work. A wide range of archival material has been involved, for instance, the engraver’s correspondence with collectors P.A. Efremov and S.P. Vinogradov.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.37953/2079-0341-2022-3-1-350-357
Galina P. Tuluzakova
In the review of the book “Moscow Union of Artists. View from the XXI century. Book two” (2021) by B.I. Ioganson we examine the author’s concept regarding the particular component of the institutional existence of fine arts in the late Soviet period (1962 – 1980s) using the Moscow Union of Artists as an example and reflecting the creative processes of this period in contemporary criticism and subsequent analytical studies of Soviet art.
{"title":"Moscow Union of Artists. View from the XXI century. Book two","authors":"Galina P. Tuluzakova","doi":"10.37953/2079-0341-2022-3-1-350-357","DOIUrl":"https://doi.org/10.37953/2079-0341-2022-3-1-350-357","url":null,"abstract":"In the review of the book “Moscow Union of Artists. View from the XXI century. Book two” (2021) by B.I. Ioganson we examine the author’s concept regarding the particular component of the institutional existence of fine arts in the late Soviet period (1962 – 1980s) using the Moscow Union of Artists as an example and reflecting the creative processes of this period in contemporary criticism and subsequent analytical studies of Soviet art.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70466659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：