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A Dangerously Empty Space: Crime and Punishment on English Wastelands 危险的空白:英国荒原上的罪与罚
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/14662035.2022.2144256
Sarah Collins
ABSTRACT This article examines instances of criminal activity and capital punishment occurring on English wastelands, such as commons, heaths, moors, and forests, between 1730 and 1830. A broad range of information drawn from newspaper reports, assize records, court proceedings and local histories enables comparison of human experience on wastes when encountering criminal activity and/or any resulting punishments. Detailed accounts of crime and punishment on historic wastelands are sparse, with the majority of information relating to public perceptions concerned with safety and place-making. This article considers the extent to which those perceptions were accurate, identifying entanglements between three discrete processes: elite desires to ‘improve’ wastelands; the use of wastes to reinforce ritualised punishments; and increased media reporting of crime that was often coupled with sensationalism. Examination of the sources above demonstrates a variable and highly localised place-making founded on negative emotions, which popularised tropes of wastelands being places of fear and lawlessness.
摘要本文考察了1730年至1830年间发生在英国荒地上的犯罪活动和死刑案例,如公地、石南、荒野和森林。从报纸报道、调查记录、法庭诉讼和当地历史中获得的广泛信息,使人们能够在遇到犯罪活动和/或任何由此产生的惩罚时,对人类在废物方面的经验进行比较。关于历史荒原上犯罪和惩罚的详细描述很少,大多数信息都与公众对安全和场所营造的看法有关。本文考虑了这些感知的准确程度,确定了三个离散过程之间的纠缠:精英阶层希望“改善”荒地;使用废物来强化仪式化的惩罚;媒体对犯罪的报道越来越多,而且往往带有耸人听闻的色彩。对上述来源的研究表明,基于负面情绪的地方制造是一种可变的、高度本地化的,这使荒地成为恐惧和无法无天的地方的比喻流行起来。
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引用次数: 0
The Medieval Landscape of North-East Scotland: Renaissance, Reformation and Revolution 苏格兰东北部的中世纪景观:文艺复兴、宗教改革和革命
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/14662035.2022.2073652
P. Dixon
may throw up evidence that is peculiar to these locales and not representative of Ireland as a whole. This is countered by broadening the narrative where possible, but especially at the end of each chapter which incorporates data from the other fiveMaking Christian Landscapes case study, and further afield. The result is a fascinating, indeed compelling narrative of the development of the Irish church to c.1100, and a volume which like its predecessor is supplemented with a wealth of illustrations, plans and truly beautiful photographs of the Irish landscape. Also like its predecessor this is a truly magisterial work, which exhibits Ó Carragáin’s unique ability to imagine the lived experience of early medieval communities and model in detail how they articulated their beliefs in the material world.
可能会提出这些地区特有的证据,而不是整个爱尔兰的代表。这可以通过在可能的情况下扩大叙述来解决,但特别是在每章的末尾,它包含了其他五个创建基督教景观案例研究的数据,以及更远的地方。其结果是一个引人入胜的,确实令人信服的爱尔兰教会发展到公元1100年的叙述,和它的前身一样,这本书补充了丰富的插图,计划和真正美丽的爱尔兰风景照片。也像它的前身一样,这是一部真正的权威作品,它展示了Ó Carragáin独特的能力,可以想象早期中世纪社区的生活经历,并详细模拟他们如何在物质世界中表达自己的信仰。
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引用次数: 1
The Archaeology of Abbey Wood, Strata Florida, Ceredigion, Wales 艾比森林考古,斯特拉弗罗里达,威尔士塞雷迪翁
Q1 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/14662035.2022.2145863
D. Austin, Jemma Bezant, L. Barker
ABSTRACT Abbey Wood today is a beautiful, if ill-kept, mixed deciduous woodland a few hundred metres to the south of the former Cistercian monastery of Strata Florida in the Upper Teifi Valley in central Ceredigion, Wales. It consists of a number of different elements of land use and ecology, largely self-regenerated wood and scrub, some older tree specimens and patches of open rough pasture. There are ecological traces of historic management such as pollards and coppice boles, as well as extensive areas of archaeological earthworks on the woodland floor. These appear to demonstrate that the wood, as its name suggests, was originally planted onto open agricultural land perhaps as early as the twelfth century at the time of the Abbey’s foundation. The present extent is approximately 80 hectares (c.200 acres), but early estate maps show that 250 years ago it was larger and much more coherent as a managed wood. Some conifers were planted by the Forestry Commission in the mid-twentieth century. This article will argue that the historic wood was the main source of timber for the Abbey and that this re-founded institution, as part of its re-shaping of a pre-existing traditional landscape sacrificed good arable land for the purpose.
如今的艾比林是一片美丽的混交落叶林地,虽然保存不善,但它位于威尔士中部塞雷迪翁上泰菲山谷的斯特拉弗罗里达前西多会修道院以南几百米处。它包括许多不同的土地利用和生态要素,主要是自我再生的木材和灌木,一些老树标本和开阔的粗糙牧场。这里有一些历史管理的生态痕迹,如草坪和灌木林洞,以及林地上大面积的考古土方工程。这些似乎表明,正如它的名字所暗示的那样,这些木材最初可能早在12世纪修道院建立时就被种植在开阔的农田上。目前的面积约为80公顷(约200英亩),但早期的庄园地图显示,250年前,它的面积更大,作为一种管理木材,它的结构更连贯。林业委员会在二十世纪中期种植了一些针叶树。这篇文章将论证历史上的木材是修道院的主要木材来源,而这个重建的机构,作为其对原有传统景观的重新塑造的一部分,牺牲了良好的耕地。
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引用次数: 1
The Orchards of Eastern England: History, Ecology and Place 英格兰东部的果园:历史、生态和地点
Q1 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/14662035.2021.2038824
I. Rotherham
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引用次数: 0
Monumental Sweet Chestnuts (Castanea sativa Mill.) in Galicia’s Cultural Landscape (NW Spain) 加利西亚文化景观中的纪念性甜栗子(Castanea sativa Mill.)(西班牙西北部)
Q1 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/14662035.2021.2035095
J. Gaspar Bernárdez Villegas, A. Rigueiro Rodríguez, Ignacio Silva de la Iglesia
ABSTRACT Soutos – single-species groves of sweet chestnut (Castanea sativa Mill.) trees – are a highly characteristic component of the Galician cultural landscape in northwest Spain, and a clear expression of the interactions between nature and culture that define landscapes. The trees in the soutos have for centuries been subject to cultural practices aimed at increasing the production of fruit, timber, or both at the same time. Other products from the soutos not long ago considered secondary, for example ecosystem services, fungal production or beekeeping, are nowadays becoming steadily more valued by people. Individual trees, many of them catalogued as of outstanding value in the Inventario de Árboles Sobresalientes de Galicia, are often of unusual size and age thanks to the long tradition of pollarding, and they are often important landmarks and cultural icons. This paper based partly on research carried out for the Galician Catalogue of Heritage Trees, and focussing on 180 outstanding specimens of sweet chestnut (Castanea sativa Mill.), summarises the significance and use of the Galician soutos, and the traditional management that has created them. It also identifies the processes which over the past several decades have encouraged a decline in the numbers and preservation of the groves, and proposes good management practice for the future which could help to preserve these distinctive landscape.
摘要Soutos——甜栗(Castanea sativa Mill.)的单一物种树林——是西班牙西北部加利西亚文化景观的一个极具特色的组成部分,也是定义景观的自然与文化之间互动的清晰表达。几个世纪以来,苏托斯的树木一直受到文化习俗的影响,目的是同时增加水果和木材的产量。不久前,苏托斯的其他产品被认为是次要的,例如生态系统服务、真菌生产或养蜂,如今正越来越受到人们的重视。个别树木,其中许多在《加利西亚发明》中被列为具有突出价值的树木,由于悠久的授粉传统,它们通常具有不同寻常的大小和年龄,并且往往是重要的地标和文化标志。本文部分基于对《加利西亚遗产树木目录》的研究,重点研究了180个杰出的甜栗子(Castanea sativa Mill.)标本,总结了加利西亚苏托斯的意义和用途,以及创造这些苏托斯的传统管理。它还确定了在过去几十年中促使小树林数量减少和保护的过程,并为未来提出了有助于保护这些独特景观的良好管理实践。
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引用次数: 0
Connecting the Archaeological Site of Italica (Spain) to its Landscape: A Three-Step Method to Unveil and Enhance Landscape Values through the Design of Cultural Routes 将意大利(西班牙)考古遗址与其景观联系起来:通过文化路线设计揭开和提升景观价值的三步方法
Q1 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/14662035.2021.1969792
R. Merino del Río
ABSTRACT The intricate character of the landscape is one of the main difficulties when reaching an agreement on its values. This information is, however, essential to manage the landscape, a process which relies on methodologies that recognise those values and/or identifies. In this paper, the analytical methodology for an integrated plan of the territory is reviewed, and a method is presented to design cultural routes as a strategy for connecting the archaeological sites to their landscapes by restoring the dynamics of landscape formation in their immediate environments. Using the area surrounding the archaeological site of the Roman city of Italica in Andalusia (Spain) as a case study, actions and processes are identified that can enable projects based on ‘cultural routes’ to restore the dynamics of landscape formation, highlighting those processes that allow us to recognise the landscape values and to extract some of the landscape’s characteristic features.
景观错综复杂的特征是对其价值达成一致的主要困难之一。然而,这些信息对于管理景观至关重要,这一过程依赖于识别这些价值和/或识别这些价值的方法。本文回顾了该地区综合规划的分析方法,并提出了一种设计文化路线的方法,通过恢复其直接环境中景观形成的动态,将考古遗址与景观联系起来。以安达卢西亚(西班牙)意大利罗马城市考古遗址周围的区域为例,确定了能够使基于“文化路线”的项目恢复景观形成动态的行动和过程,突出了这些过程,使我们能够认识到景观价值并提取一些景观特征。
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引用次数: 3
The Tree Experts. A History of Professional Arboriculture in Britain 树木专家。英国专业树木栽培史
Q1 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/14662035.2021.2042926
P. Stamper
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引用次数: 0
The Archaeology of Movement 运动考古学
Q1 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/14662035.2022.2047285
C. Sevara
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引用次数: 0
A Landscape of Medieval Common Peat Fens: The Lower Witham Valley and Wildmoor, Lincolnshire (UK) 中世纪普通泥炭沼泽景观:英国林肯郡威瑟姆河谷下游和威尔德摩尔
Q1 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/14662035.2021.2035959
M. Gardiner
ABSTRACT The peat fen was viewed by landscape improvers of the seventeenth and eighteenth centuries as under-utilised land in need of improvement. Two contrasting areas of common peat fen in Lincolnshire are examined to test this contention. It is shown that by the twelfth and early thirteenth century these fens were closely managed. To prevent flooding the adjoining rivers the watercourses were canalised. Drainage channels were cut through the fen to remove water and embankments were constructed to constrain the rivers. Some permanent settlements were established by monasteries in the twelfth century to use the rich pasture for cattle grazing. Other areas were enclosed for meadowland. Instead of considering these as poorly used wetlands which could not be drained, it is argued that their usage was adapted to the different conditions within the peat fens and that this allowed a range of resources to be exploited.
17世纪和18世纪的景观改良者认为泥炭沼是未充分利用的土地,需要改善。为了验证这一论点,我们对林肯郡两个截然不同的普通泥炭沼地区进行了研究。在12世纪和13世纪早期,这些沼泽被严密地管理着。为了防止邻近的河流泛滥,河道开凿了运河。在沼泽中开辟了排水渠来排水,并修建了堤坝来限制河流。修道院在12世纪建立了一些永久定居点,利用肥沃的牧场放牧。其他地区被围为草地。与其认为这些湿地没有得到很好的利用,不能排干,还不如认为它们的使用方式适应了泥炭沼泽内的不同条件,这使得一系列资源得以开发利用。
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引用次数: 1
Rediscovering Lost Landscapes: Topographical Art in North-West Italy, 1800-1920 重新发现失落的风景:意大利西北部的地形艺术,1800-1920
Q1 Arts and Humanities Pub Date : 2021-07-03 DOI: 10.1080/14662035.2021.2035962
N. Christie
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引用次数: 2
期刊
Landscapes (United Kingdom)
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