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Co-Archaeology: working towards the present through the complex nature of archaeology of the 18th to 20th centuries 共同考古学:通过 18 世纪至 20 世纪考古学的复杂性研究当代考古学
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.23
Alex Hale
This article gives a concise introduction to some of the potential benefits of studying the archaeology of the 18th to 20th centuries. Using a selection of examples, it aims to provide guides to multi-, inter- and trans-disciplinary approaches to the material culture from this period. It reflects on some of the archaeological remains, the theoretical frameworks and the practices that originated in the 18th to 20th centuries and remain pertinent to those who focus on this period today. By outlining some of the general theoretical underpinnings, and the range of established and emerging practices within what we know as the Anthropocene, it will enable researchers to recognise that they are not alone in their endeavours to explore, interpret, manage and learn from the complex recent pasts.
本文简要介绍了研究 18 世纪至 20 世纪考古学的一些潜在益处。文章通过精选实例,旨在为研究这一时期的物质文化提供多学科、跨学科和跨学科方法指南。书中对一些考古遗迹、理论框架和实践进行了反思,这些理论框架和实践起源于 18 世纪至 20 世纪,对今天关注这一时期的人们仍然具有现实意义。通过概述一些一般性的理论基础,以及我们所熟知的 "人类世"(Anthropocene)中一系列既有的和新兴的实践,它将使研究人员认识到,在探索、解释、管理和学习复杂的近代历史的过程中,他们并非孤军奋战。
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引用次数: 1
Archaeology of the Ottoman Period (15th-19th centuries) and Museum Management, Sofia, Bulgaria 奥斯曼时期(15-19 世纪)考古学与博物馆管理,保加利亚索非亚
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.21
Kaloyan Pramatarov
This article systematises the architectural and archaeological remains of the Ottoman presence in Sofia and describes the modus operandi reagrding their restoration and reconsideration within the context of the constant urban development of the Bulgarian capital. It shows the main approaches and methods applied by one of the leading national museum institutions in the preservation, presentation, and socialisation of the remains from the Ottoman period (15th-19th centuries).
本文系统介绍了索非亚奥斯曼帝国时期的建筑和考古遗迹,并介绍了在保加利亚首都城市不断发展的背景下对这些遗迹进行修复和重新考量的工作方式。它展示了一个主要国家博物馆机构在保护、展示和社会化奥斯曼时期(15-19 世纪)遗存方面所采用的主要方法和手段。
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引用次数: 1
Another Case of Making Choices: Alpine terrain, large-scale sites and mass finds of the 20th century 另一个做出选择的案例:阿尔卑斯山地形、大型遗址和 20 世纪的大规模发现
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.7
Eva Steigberger
As in many other European countries, Austria's archaeologists have been dealing with the remains from two World Wars as part of excavations for years. Over the last 20 years, three topics have become very important in Austrian Heritage Management and the following contribution attempts to give an overview. The three big issues are: There are still an unknown number of camps from both World War II and World War I Alpine terrain holds the remains of two World Wars on slopes and ridges of up to 3000m above sea level. These sites present challenges in terms of climate change, tourism and public interest in an area of conflict. Industrially produced mass finds of the 20th century from excavations can be connected with atrocities from the two wars and are therefore worthy of protection. Who decides, and on what basis?
与许多其他欧洲国家一样,奥地利的考古学家多年来一直在发掘两次世界大战的遗迹。在过去的 20 年中,有三个问题在奥地利的遗产管理中变得非常重要,下面的文章试图对此进行概述。这三大问题是第二次世界大战和第一次世界大战遗留下来的营地数量尚不清楚 阿尔卑斯山区海拔高达 3000 米的山坡和山脊上保存着两次世界大战的遗迹。这些遗址在气候变化、旅游业和公众对冲突地区的兴趣等方面提出了挑战。从挖掘中发现的 20 世纪工业化生产的大量遗物可能与两次大战中的暴行有关,因此值得保护。谁来决定,依据是什么?
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引用次数: 1
'All this in their ignorance they called civilisation': Analysing the Relationship between Nationalism and the Display of Roman Archaeology in Britain's National Museums 这一切在他们的无知中被称为文明":分析民族主义与英国国家博物馆展示罗马考古学之间的关系
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.67.9
William Givens
This article evaluates how nationalist narratives affect the display of Roman artefacts in national museums. The unique nature of national museums as 'cultural constitutions' and arbiters of the 'Authorised Heritage Discourse' is discussed. This article builds upon previous work by demonstrating how nationalist influence affects the display of Roman artefacts, specifically through the use of two case studies: the British Museum in London and the National Museum of Scotland in Edinburgh. Museum displays are assessed for indications of nationalist influence through consideration of the use of space and collection composition as well as textual analysis of gallery signage and artefact descriptions. The two museums' divergent approaches to national narrative are then compared.
本文评估了民族主义叙事如何影响国家博物馆对罗马文物的展示。文章讨论了国家博物馆作为 "文化机构 "和 "授权遗产话语 "仲裁者的独特性质。本文在前人研究的基础上,通过伦敦大英博物馆和爱丁堡苏格兰国家博物馆这两个案例研究,展示了民族主义的影响如何影响罗马文物的展示。通过对空间利用和藏品构成的考量,以及对展厅标牌和文物描述的文字分析,对博物馆的展示进行评估,以发现民族主义影响的迹象。然后对两家博物馆在民族叙事方面的不同做法进行比较。
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引用次数: 0
Debating AI in Archaeology: applications, implications, and ethical considerations 考古学中的人工智能辩论:应用、影响和伦理考量
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.67.8
Martina Tenzer, Giada Pistilli, Alex Bransden, Alex Shenfield
Artificial Intelligence (AI) is not a recent development. However, with increasing computational capabilities, AI has developed into Natural Language Processing and Machine Learning, technologies particularly good at detecting correlations and patterns, and categorising, predicting, or extracting information. Within archaeology, AI can process big data accumulated over decades of research and deposited in archives. By combining these capabilities, AI offers new insights and exciting opportunities to create knowledge from archaeological archives for contemporary and future research. However, the ethical implications and human costs are not yet fully understood. Therefore, we question whether AI in archaeology is a blessing or a curse.
人工智能(AI)并不是最近才发展起来的。然而,随着计算能力的不断提高,人工智能已发展成为自然语言处理和机器学习技术,这些技术尤其擅长检测相关性和模式,以及对信息进行分类、预测或提取。在考古学领域,人工智能可以处理数十年研究积累并存入档案的大数据。通过将这些能力结合起来,人工智能提供了新的见解和令人兴奋的机会,为当代和未来的研究从考古档案中创造知识。然而,其伦理影响和人力成本尚未得到充分理解。因此,我们质疑人工智能在考古学中的应用是福还是祸。
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引用次数: 0
Between Craft and Industry: Archaeological research on Rhenish pottery production of the late 18th to early 20th century 手工艺与工业之间:对 18 世纪末至 20 世纪初莱茵陶器生产的考古研究
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.8
Christoph Keller
The process of industrialisation and its effects on traditional crafts can be studied archaeologically particularly well in the area of pottery production, as extensive production remains in the form of misfired pottery can be excavated in addition to workshops and kilns, and provide a good insight into the range of forms and decorations produced at the location. Archaeological research thus provides an insight that archival documents and museum collections can only offer in exceptional cases, as company archives are seldom preserved and everyday tablewares rarely become part of museum collections. Using two case studies from Frechen and Bedburg-Königshoven, this article shows how craftspeople retained their traditional vessel forms and tried to adapt to the changing tastes of consumers and compete with industrially produced ceramics. Excavations in Bonn-Poppelsdorf provide an insight into the emergence and development of a ceramic factory, which developed from a small faience pottery in the mid-18th century to an internationally operating company by the beginning of the 20th century, producing industrial whitewares and porcelain. The fourth example concerns a small factory in Bonn-Duisdorf, founded in 1908 as the Kunsttöpferei Gerhards & Wittelsberger and later renamed as the Lapitesta Werk Duisdorf. Here, research can be based not only on finds from archaeological excavation but also on objects in the Bonn City Museum and extensive archival sources dealing with the first 10 years of production.
工业化进程及其对传统手工艺的影响在陶器生产领域的考古研究中尤为突出,因为除了作坊和窑炉之外,还可以发掘出大量以失火陶器为形式的生产遗迹,这些遗迹可以让人们深入了解当地生产的各种形式和装饰。因此,考古研究提供了档案文件和博物馆藏品只能在特殊情况下提供的见解,因为公司档案很少保存下来,日常餐具也很少成为博物馆藏品的一部分。本文通过对弗莱岑和贝德堡-柯尼希霍芬的两个案例研究,展示了手工艺人如何保留传统的器皿形式,并努力适应消费者不断变化的口味,与工业化生产的陶瓷竞争。波恩-波佩尔斯多夫的发掘揭示了一家陶瓷厂的兴起和发展,这家陶瓷厂从 18 世纪中叶的一家小型彩陶厂发展成为 20 世纪初生产工业白瓷和瓷器的跨国公司。第四个例子涉及波恩-杜伊斯堡的一家小工厂,该工厂成立于 1908 年,当时名为格哈兹与维特尔斯伯格艺术工厂(Kunsttöpferei Gerhards & Wittelsberger),后来更名为杜伊斯堡拉皮特斯塔工厂(Lapitesta Werk Duisdorf)。在这里,研究工作不仅可以基于考古发掘的发现,还可以基于波恩市博物馆中的物品以及涉及最初十年生产的大量档案资料。
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引用次数: 1
Different Schemes, Same City? How lessons from Luas Cross City works are informing the design and implementation of the Luas Finglas and MetroLink Cultural Heritage Strategies 不同的计划,相同的城市?Luas 跨城市工程的经验教训如何为 Luas Finglas 和 MetroLink 文化遗产战略的设计和实施提供借鉴
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.20
Emer Dennehy
Transport Infrastructure Ireland (TII) Archaeology and Heritage operate under a Code of Practice (CoP) for Archaeology (2017) as agreed with the present Minister for Housing, Local Government and Heritage (MHLGH). In accordance with the CoP, a Project Archaeologist is assigned to each scheme. TII Project Archaeologists are responsible not just for archaeological remains, but for cultural heritage in accordance with the Environmental Impact Assessment Directive 2014/52/EU and Environmental Protection Agency Guidelines. Therefore our responsibilities equally encompass the management of built and cultural heritage constraints. This is inclusive of statutory constraints such as National Monuments, Record of Monuments and Places (RMPs) sites, and Protected Structures, and non-statutory constraints such as those included on the National Inventory of Architectural Heritage (NIAH), industrial heritage complexes, parklands, statues, and street furniture.Between 2013 to 2017, TII managed the various cultural heritage requirements of works contracts associated with the construction of Luas Cross City (LCC) in Dublin, Ireland. This scheme provides an ideal case study to consider how archaeological projects can help us understand the development and eastward expansion of the city's public realm from the late 17th to the 20th century. It also demonstrates how we can apply lessons learned from cultural heritage works to engineering contracts.
爱尔兰交通基础设施(TII)考古和遗产部门根据与现任住房、地方政府和遗产部部长(MHLGH)商定的《考古工作守则》(CoP)(2017 年)开展工作。根据《业务守则》,每项计划都有一名项目考古学家。根据 2014/52/EU 号环境影响评估指令和环境保护局指南,TII 项目考古学家不仅负责考古遗迹,还负责文化遗产。因此,我们的职责同样包括对建筑和文化遗产限制的管理。这包括国家古迹、古迹遗址(RMPs)和受保护结构等法定限制,以及国家建筑遗产名录(NIAH)、工业遗产建筑群、公园、雕像和街道设施等非法定限制。2013 年至 2017 年间,TII 负责管理与爱尔兰都柏林 Luas Cross City(LCC)建设相关的工程合同中的各种文化遗产要求。这项计划提供了一个理想的案例研究,让我们思考考古项目如何帮助我们了解 17 世纪末至 20 世纪城市公共领域的发展和东扩。它还展示了我们如何将从文化遗产工程中学到的经验应用到工程合同中。
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引用次数: 1
Locating Former Nazi Terror Sites: A Methodological 'How-To' for Archaeological Research and Heritage Management 确定前纳粹恐怖遗址的位置:考古研究和遗产管理的方法论 "指南
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.11
Barbara Hausmair, Attila Dézsi
Since the 1980s, there have been increasing efforts by heritage offices in Germany and Austria, and many of the countries that were occupied by Nazi Germany during World War II, to locate places of former Nazi terror and, where possible, to protect them from further destruction in order to preserve them as places of remembrance for the victims of National Socialism. However, methodological considerations and approaches for locating, recording, and eventually assessing the 'heritage value' of former Nazi terror sites remain rather obscure, since little has been published on the methodological approaches taken by different institutions. This article presents a systematic workflow for recording former sites of Nazi terror, which was developed in the framework of the Natzweiler-Concentration-Camp-System-Project based at the Heritage Office of the State of Baden-Württemberg (Landesamt für Denkmalpflege im Regierungspräsidium Stuttgart). It aims to provide a methodological 'How-To' for creating archaeological inventories of former Nazi camps, associated sites and whole 'landscapes of destruction', hints at where to locate useful primary sources, but also to critically reflect on challenges encountered during the project and how they could be approached in the future.
自 20 世纪 80 年代以来,德国和奥地利以及二战期间被纳粹德国占领的许多国家的遗 产管理部门越来越多地努力寻找前纳粹恐怖遗址,并在可能的情况下保护这些遗址免遭进 一步破坏,以便将其作为国家社会主义受害者的纪念场所加以保护。然而,对前纳粹恐怖遗址进行定位、记录并最终评估其 "遗产价值 "的方法论考虑因素和方法仍然相当模糊,因为关于不同机构所采用的方法论方法的出版物很少。本文介绍了记录前纳粹恐怖遗址的系统工作流程,该流程是在巴登-符腾堡州遗产办公室(Landesamt für Denkmalpflege im Regierungspräsidium Stuttgart)的纳茨魏勒集中营系统项目框架内开发的。该项目旨在为编制前纳粹集中营、相关遗址和整个 "毁灭景观 "的考古清单提供方法论上的 "如何做",提示在哪里可以找到有用的原始资料,同时对项目中遇到的挑战以及今后如何应对这些挑战进行批判性思考。
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引用次数: 1
Underground City: Archaeology of the Warsaw Ghetto in its academic, memorial and social context 地下城:学术、纪念和社会背景下的华沙犹太人区考古学
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.16
jacek Konik
Archaeological research in ​​the former Warsaw Ghetto conducted in 2021-2022 was the first scientific investigation undertaken in the area in a systematic and planned way. Non-invasive research took place in four locations, followed by excavation campaigns in two selected sites and revealed the cellars of the pre-war buildings and lots of artefacts. Especially interesting was the immediate vicinity of the so-called Anielewicz bunker, where the commander of the Warsaw Ghetto Uprising in 1943, Mordechai Anielewicz, fought his last battle. Very little is known about the bunker itself and the excavations have shed new light on the issue, possibly unearthing part of the bunker's extended structure. We have to be aware that in comparison to the typical problems of urban archaeology, the archaeology of the Warsaw Ghetto faces some specific issues. The post-war buildings in the area were constructed on the rubble of the ancient city, almost completely destroyed by the Nazis during World War II. Moreover, the former residential quarter of the murdered Jews carries a huge emotional load, and any archaeological find made here acquires symbolic significance. Thus the social reception of the research is extremely important.
2021-2022 年在前华沙犹太人区进行的考古研究是首次在该地区有系统、有计划地开展的科学调查。在四个地点进行了非侵入式研究,随后在两个选定地点进行了发掘活动,发现了战前建筑的地窖和大量文物。尤其令人感兴趣的是紧邻所谓的阿涅列维茨地堡,1943 年华沙犹太人起义的指挥官莫迪凯-阿涅列维茨就是在这里进行了最后的战斗。人们对地堡本身知之甚少,发掘工作为这一问题提供了新的线索,有可能发掘出地堡的部分扩展结构。我们必须意识到,与典型的城市考古问题相比,华沙犹太人区考古面临着一些特殊问题。该地区的战后建筑是在二战期间几乎被纳粹完全摧毁的古城废墟上建造的。此外,被害犹太人的前居住区承载着巨大的情感负担,在这里发现的任何考古发现都具有象征意义。因此,社会对研究的接受程度极为重要。
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引用次数: 1
Contemporary Archaeologies and Cultural Heritage in the Anthropocenic Age 人类文明时代的当代考古学与文化遗产
Q2 Arts and Humanities Pub Date : 2024-03-01 DOI: 10.11141/ia.66.2
Laurent Olivier
The era in which the distinction between natural processes and human activity was clear has passed. Since at least the 'Great Acceleration' of the mid-20th century, we have entered a new phase where environmental changes, unprecedented in scale, are no longer purely natural. Instead, they stem from the growth of a hybrid aggregate, both natural and artificial. Consequently, things and places can no longer remain unchanged; they do not adhere to our previous conceptions. 'Non-human' entities now respond to our actions, rendering them inherently cultural and anthropogenic. Operating within the present, these entities not only act but also accumulate a form of material memory over time. Even seemingly inert matter is alive, facing the challenges of the Anthropocene: an era characterized by devastation and the destruction of material memory. Thus, the concept of heritage takes on new significance: what does it mean now, and what purpose does it serve? How do we define saving, protecting, or even acknowledging what we continue to call archaeological heritage? The most profound transformations of the Anthropocene are yet to unfold, underscoring the limitations of archaeological practice, which primarily focuses on human creations at a human scale.
自然过程与人类活动之间泾渭分明的时代已经过去。至少从 20 世纪中期的 "大加速 "开始,我们已经进入了一个新的阶段,在这个阶段,规模空前的环境变化不再是纯粹的自然变化。相反,它们源于自然和人工混合体的增长。因此,事物和地点不能再一成不变;它们不再遵循我们以往的观念。现在,"非人类 "实体对我们的行为做出了反应,使它们具有内在的文化性和人为性。在当下,这些实体不仅在行动,而且随着时间的推移积累了某种形式的物质记忆。即使是看似惰性的物质也是有生命的,面临着人类世的挑战:这是一个以破坏和摧毁物质记忆为特征的时代。因此,遗产的概念具有了新的意义:它现在意味着什么?我们如何定义拯救、保护甚至承认我们继续称之为考古遗产的东西?人类世最深刻的变革尚未展开,这凸显了考古实践的局限性,考古实践主要关注人类规模的人类创造。
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引用次数: 1
期刊
Internet Archaeology
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