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Introduction to the Special Issue: Storytelling in the Uncanny Valley 特刊简介:Uncanny山谷的故事
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845563
J. Sobol, Ariel Gratch
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引用次数: 1
On Liars, Damn Liars, and Storytellers by Joseph Sobol 关于约瑟夫·索博尔的《骗子》、《该死的骗子》和《说书人》
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845568
Michael Wilson
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引用次数: 0
Storycircling the Virtual: Creating Space in a Pandemic with Storyscope 围绕虚拟的故事:用故事范围在流行病中创造空间
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845565
L. Mark, Tyler S. Rife, J. Linde, Robert J. Razzante
Abstract:Stories offer time and space for connection. This has been particularly true during social distancing amid the COVID-19 pandemic. In this collective autoethnographic story, we explore how generative energies of storytelling and storylistening emerge within communities via virtual storytelling. With COVID-19 being a catalyst for change, we share our adaptation of the Storyscope Project story circles to facilitate connection through a virtual space. Our stories within this work reflect our experience of virtual Storyscope in the roles of host, facilitator, participant, and educator. Additionally, the collaborative process of our writing mirrors the unfolding of virtual Storyscope story circles. In other words, the practices of virtual storytelling and storylistening guided our inquiry and evolving discussion of a similarly evolving practice.
摘要:故事提供了连接的时间和空间。在新冠肺炎大流行期间保持社交距离的情况尤其如此。在这个集体的民族志故事中,我们探索了讲故事和听故事的生成能量是如何通过虚拟讲故事在社区中产生的。随着新冠肺炎成为变革的催化剂,我们分享我们对Storyscope项目故事圈的改编,以促进通过虚拟空间的联系。我们在这部作品中的故事反映了我们在虚拟Storyscope中扮演主持人、促进者、参与者和教育者的经验。此外,我们写作的协作过程反映了虚拟Storyscope故事圈的展开。换句话说,虚拟讲故事和听故事的实践指导了我们对类似演变实践的探究和演变讨论。
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引用次数: 1
Vernacular Narratives of Well-Being and the Practice of Photo-a-Day 幸福的白话叙事与日常摄影实践
Q1 Arts and Humanities Pub Date : 2020-09-21 DOI: 10.13110/STORSELFSOCI.16.2.0280
Andrew Cox, L. Brewster
Abstract:The impact of social media on psychological well-being is usually investigated through survey-based studies of the mass effects of its use. This article offers an alternative perspective by exploring individuals' narratives of their own well-being, arising from interviews about one seemingly simple, mundane digital practice: photo-a-day. These stories showed how people saw that they could shape their own well-being gradually through the way that sharing a photo each day reconfigured routines, brought them to notice new things, and connected them to others in new ways. The effect was complex and largely unintended. This reflected their sophisticated understanding of well-being as an elusive, complex practical accomplishment. The article reflects on how well-being can be understood as accomplished within social practices by the spreading of meaning.
摘要:社交媒体对心理健康的影响通常是通过对其使用的群体效应的调查研究来调查的。这篇文章通过探索个人对自己幸福的叙述,提供了另一种视角,这些叙述源于对一种看似简单、平凡的数字实践的采访:每天拍照。这些故事展示了人们是如何看到他们可以通过每天分享一张照片来重新配置日常生活,让他们注意到新事物,并以新的方式将他们与他人联系起来,从而逐渐塑造自己的幸福感的。这种影响是复杂的,而且在很大程度上是出乎意料的。这反映了他们对幸福的深刻理解,幸福是一项难以捉摸、复杂的实际成就。这篇文章反思了幸福是如何被理解为通过意义的传播在社会实践中实现的。
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引用次数: 0
Tristan and Isolde by Martin Shaw (review) 马丁·肖的《特里斯坦与伊索尔德》(评论)
Q1 Arts and Humanities Pub Date : 2020-03-01 DOI: 10.1353/sss.2020.a813062
J. Sobol
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引用次数: 0
“Roving” and Recovery in Storytelling for Mental Health: Reclaiming the City, Resingularizing Ourselves “流浪”和心理健康故事的恢复:重新夺回城市,重新焕发我们自己
Q1 Arts and Humanities Pub Date : 2019-05-01 DOI: 10.13110/STORSELFSOCI.15.1.0013
C. Heinemeyer
Abstract:The therapeutic potential of stories and the interpersonal connections created during storytelling are often encapsulated in the image of a storytelling circle. This resonates with the two key characteristics of the CHIME model of mental health recovery, “meaning” and “connection” (Leamy et al.). Based on an experience of facilitating multiple interactions between trainee storytellers and local organizations, this article proposes a third, equally characteristic side of the storytelling craft, its roving side. Like Walter Benjamin's idea of the “sailor storyteller,” this aspect encompasses the often risky and adventurous physical and social journeys storytellers undertake to discover, research, and experiment with new material.
摘要:故事的治疗潜力和在讲故事过程中建立的人际关系通常被概括在讲故事的圈子里。这与心理健康恢复的CHIME模式的两个关键特征产生了共鸣,即“意义”和“联系”(Leamy et al。就像沃尔特·本杰明(Walter Benjamin)所说的“水手故事讲述者”一样,这一方面包括故事讲述者为发现、研究和实验新材料而进行的经常是冒险和冒险的身体和社会旅程。
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引用次数: 2
“The Social Art of Language”: A Semiotic Response to Engagement Strategies in Performance Storytelling “语言的社会艺术”:表演叙事中参与策略的符号学反应
Q1 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.13110/storselfsoci.14.2.0185
A. Daniel
Abstract:The aim of this article is to explore the effect of some common involvement strategies employed by storytellers on the dynamics of the storytelling event. Specifically, the way in which the competence to tell a story can be shared between teller and audience. Starting from a perspective that storytelling performances are innately theatrical, the sign systems (semiotic channels) that facilitate communication between teller and spectator are considered with reference to a case study of a single storytelling performance. Several involvement strategies are exemplified in the case study, and the effect of these on the competences that both storyteller and audience bring to the event (as those who produce and comprehend oral narrative), and the roles that they inhabit, are analyzed.
摘要:本文的目的是探讨讲故事者采用的一些常见的参与策略对讲故事事件动态的影响。具体来说,讲述者和观众之间分享故事能力的方式。从讲故事表演天生戏剧化的角度出发,结合单个讲故事表演的案例研究,考虑了促进讲述者和观众之间交流的符号系统(符号渠道)。案例研究中举例说明了几种参与策略,并分析了这些策略对讲故事者和观众(作为制作和理解口头叙事的人)在活动中所带来的能力以及他们所扮演的角色的影响。
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引用次数: 1
Embracing the Vulnerabilities and Possibilities of Storytelling, Listening, and (Re)Creating Identity with Others 拥抱讲故事、倾听和(重新)与他人建立身份认同的脆弱性和可能性
Q1 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.13110/storselfsoci.14.2.0254
Julie-Ann Scott
Abstract:This article illuminates how the stories that we tell and retell to understand ourselves, others, and our cultural positions are forever vulnerable to change. It traces a narrative researcher's experience conducting open-ended interviews with elders in the beginning stages of memory loss, through a combination of field notes, performance of personal narrative analysis, and autoethnography. In addition to grappling with her own inevitable physical vulnerability, three participants’ narratives challenged three familiar personal stories that she retells to make sense of my past, present, and future relationships. The article closes with a call to embrace the vulnerability of stories to change, leaving us forever open to new possibilities, connections, and understandings of what it means to be human with others.
摘要:这篇文章阐明了我们为了理解自己、他人和我们的文化立场而讲述和复述的故事是如何永远容易发生变化的。它通过现场笔记、个人叙事分析和民族志的结合,追溯了叙事研究人员在记忆丧失初期对老年人进行开放式采访的经历。除了努力应对她自己不可避免的身体脆弱之外,三名参与者的叙述还挑战了她复述的三个熟悉的个人故事,以理解我的过去、现在和未来的关系。文章最后呼吁接受故事易受变化影响的脆弱性,让我们永远敞开大门,接受新的可能性、联系,并理解与他人相处意味着什么。
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引用次数: 2
Once In My LIFE: Behind the Scenes of an Intergenerational Theater Production 《曾经在我的生命中:跨代戏剧制作的幕后》
Q1 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.13110/STORSELFSOCI.14.2.0233
Amanda Hill, Jim Brown, Elizabeth Brendel Horn, Alayna Sterchele, Natalie M. Underberg-Goode, Claudia Schippert
Abstract:This article examines the goals, structure, and timeline of the intergenerational ensemble-based theater project, Once In My LIFE, which occurred at the University of Central Florida (UCF). It provides a brief rationale of the potential benefits for undergraduate students (ages eighteen to twenty-two) and students from the UCF's Learning Institute for Elders (ages fifty+) and analyzes the ways diverse disciplines such as music, personal narrative, digital projections, and theater influenced the process. Case studies of participant experience are additionally presented. Throughout this article, the authors address the following questions: How did Once In My LIFE meet the project aims to share stories, celebrate life, and build a bridge between the two demographics? What challenges or opportunities arose during the project?
摘要:本文探讨了发生在中佛罗里达大学(UCF)的基于代际合奏的戏剧项目《我的一生》的目标、结构和时间表。它简要介绍了本科生(18至22岁)和加州大学洛杉矶分校老年人学习学院学生(50岁以上)的潜在利益,并分析了音乐、个人叙事、数字投影和戏剧等不同学科对这一过程的影响。另外还介绍了参与者体验的案例研究。在这篇文章中,作者们提出了以下问题:《我的一生》是如何满足这个旨在分享故事、庆祝生活并在两种人口结构之间架起桥梁的项目的?项目期间出现了哪些挑战或机遇?
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引用次数: 1
Canons and Contestation, Fairy Tales and Trickster Tales: Educational Storytelling as Intellectual Work Canons and Contestation,Fairy Tales and Trickster Tales:作为智力工作的教育故事讲述
Q1 Arts and Humanities Pub Date : 2018-10-01 DOI: 10.13110/STORSELFSOCI.14.2.0212
Shannon K. McManimon
Abstract:This conceptual article uses storytelling for the intellectual work of contesting (and rewriting) unjust canonical stories about education, transforming both the self and oppressive social structures. It builds from original fictional stories: a fairy tale and a trickster tale. These stories apply academic concepts (e.g., genre); question underlying assumptions; link personal stories to larger systemic narratives; and retell stories so as to transform the educational narratives we live. Potentially, transformative storytelling asks teachers and students to take risks, to involve emotion, imagination, and creativity, and to work communally to rewrite oppressive narratives. Lastly, the article outlines pedagogical storytelling activities (story-sharing, word or story games, and stories from multiple perspectives) that offer opportunities to retell or think with narrative.
摘要:这篇概念性文章使用讲故事的方式来反驳(和改写)关于教育的不公正的规范故事,改变自我和压迫性的社会结构。它建立在原始的虚构故事之上:一个童话故事和一个骗子故事。这些故事应用了学术概念(如流派);质疑基本假设;将个人故事与更大的系统叙事联系起来;复述故事,从而改变我们生活中的教育叙事。潜在的变革性讲故事要求教师和学生承担风险,参与情感、想象力和创造力,并共同努力改写压迫性叙事。最后,文章概述了教学故事活动(故事分享、文字或故事游戏以及多角度的故事),这些活动提供了复述或用叙事思考的机会。
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引用次数: 0
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Storytelling, Self, Society
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