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On Craving Supernatural Creatures: German Fairy-Tale Figures in American Media by Claudia Schwabe 渴望超自然生物:美国媒体中的德国童话人物克劳迪娅·施瓦贝
Q1 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1353/sss.2021.0014
Jean-Marc Broussard
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引用次数: 0
Learning from and about Violent Past through Storytelling and Challenging Narratives: An Approach for Peacebuilding Education Initiatives 通过讲故事和具有挑战性的叙述从暴力的过去中学习和了解:建设和平教育倡议的一种方法
Q1 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1353/sss.2021.0015
Nerkez Opacin
Abstract:Storytelling and narrative are methods for dealing with and learning from the past as part of peacebuilding education initiatives (PEIs) operating in southeast Europe, predominantly in Bosnia and Herzegovina. To date, Bosnia faces little advancement in the process of reconciliation and interethnic social healing. There is an entrenched divide along ethnic lines, with each ethnicity having separate narrative(s) and educational programs, providing youth with little space to meet and learn about the past and “the ethnic other.” As a result, many NGOs have started running PEIs that use experiential learning approaches for adolescents while creating safe spaces where they can meet and learn from, with, and about one another. Based on a multisited ethnography conducted in the region, this article addresses various aspects and effects storytelling and narrative have on the program development at large and the participants in particular. It aims to shed some light on important storytelling features necessary to be addressed when learning about the past, each other, and ourselves in postconflict settings.
摘要:作为东南欧建设和平教育倡议(PEIs)的一部分,讲故事和叙述是处理和学习过去的方法,主要是在波斯尼亚和黑塞哥维那。迄今为止,波斯尼亚在和解和种族间社会愈合的进程中几乎没有取得任何进展。种族之间存在着根深蒂固的分歧,每个种族都有各自的叙事和教育项目,给年轻人提供了很少的空间来认识和了解过去和“其他种族”。因此,许多非政府组织已经开始运营PEIs,为青少年提供体验式学习方法,同时创造安全空间,让他们可以见面、相互学习、相互了解。基于在该地区进行的多地点民族志研究,本文讨论了讲故事和叙事对整个项目发展的各个方面和影响,特别是参与者。它旨在揭示一些重要的叙事特征,这些特征是在冲突后的环境中学习过去、彼此和我们自己时所必需的。
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引用次数: 3
Doing Storywork: Lessons Learned from Adopting a Storytelling Approach to Research in a Settler-Colonial State 做故事工作:在一个定居者殖民地国家采用讲故事的方法进行研究的经验教训
Q1 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1353/sss.2021.0017
Marc Kuly
Abstract:Storytelling has been identified as a powerful tool for articulating experience, generating understanding across barriers, and contributing to advocacy. Furthermore, storytelling is a topic with a rich tradition of analysis within Western and Indigenous scholarly traditions. This article shares conclusions about the use of storytelling as a research method developed during an in-depth study into the school experiences of Indigenous young adults in living in the inner city. These conclusions offer insights on preparing for storytelling research, story listening, and story interpretation. They draw on a synthesis of the principles of Indigenous storywork with the growing field of storytelling research.
摘要:讲故事被认为是一种强有力的工具,可以表达经验,跨越障碍产生理解,并有助于宣传。此外,讲故事是一个在西方和土著学术传统中具有丰富分析传统的话题。本文分享了关于使用讲故事作为一种研究方法的结论,这种方法是在深入研究土著年轻人在内城生活的学校经历时发展起来的。这些结论为故事研究、故事聆听和故事解读的准备工作提供了见解。他们综合了土著故事创作的原则和不断发展的故事研究领域。
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引用次数: 0
End of Life Choices and Storytelling—Exploring Preferences and Conflicts 生命终结的选择和讲故事——探索偏好和冲突
Q1 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.1353/sss.2021.0016
Sara Spear, A. Tapp, Y. Morey
Abstract:As people are living longer, their needs for health and social care at the end of life (EoL) are increasing. People are encouraged to make choices about their EoL, but doing so is a complex process, and there is currently little research into how—and if—people engage with this. Our study investigated older people’s EoL choice making, through twenty interviews with people age 70 plus. We found that storytelling enabled people to make sense of and reflect on previous EoL experiences, and form, elaborate on, and justify their own EoL preferences. Stories also brought to the fore the inherent conflicts in making EoL choices, and emphasized that in reality choices for many are limited.
摘要:随着人们寿命的延长,他们对临终健康和社会护理的需求也在增加。人们被鼓励对自己的EoL做出选择,但这样做是一个复杂的过程,目前很少有研究表明人们是如何以及是否参与其中的。我们的研究通过对70岁以上人群的20次采访,调查了老年人的EoL选择。我们发现,讲故事使人们能够理解和反思以前的EoL经历,并形成、阐述和证明他们自己的EoL偏好。故事还突出了在做出EoL选择时的内在冲突,并强调了在现实中,许多人的选择是有限的。
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引用次数: 0
The Challenges and Possibilities of Live Children’s Literary Storytelling for At-Risk Audiences during COVID-19 新冠肺炎期间At-Risk观众现场儿童文学故事的挑战和可能性
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845564
Julie-Ann Scott, Richard K. Olsen
Abstract:This essay maps the dialogue between a professor/director and department chair as they facilitated an undergraduate student children’s storytelling troupe’s mission through live-Zoom performances during COVID-19. The professor/director and department chair struggle together to meet learning objectives, community needs, artistic commitments, and department priorities with the resources available. Together they articulate how the tenets of critical performance ethnographic methodology combine with best practices of telling stories to children, and they share the technical possibilities and challenges of livestreamed Zoom performances. The authors chronicle how and why the troupe continues to be successful with an expanded reach throughout the pandemic. The authors end with plans for how to potentially continue access through virtual performance for those who cannot attend the in-person performances postpandemic.
摘要:本文描绘了在2019冠状病毒病疫情期间,教授/主任与系主任通过实时变焦表演促进本科生儿童故事剧团使命的对话。教授/主任和系主任共同努力,以满足学习目标、社区需求、艺术承诺和部门优先事项。他们共同阐述了批判性表演民族志方法论的原则如何与向儿童讲故事的最佳实践相结合,并分享了直播Zoom表演的技术可能性和挑战。作者记录了剧团如何以及为什么在疫情期间继续取得成功,并扩大了影响力。作者最后提出了如何通过虚拟表演继续为那些在大流行后无法参加现场表演的人提供机会的计划。
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引用次数: 0
On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling 从疫情的泥沼中发展笔记——关于故事创作新作合作的个人思考
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845570
M. Burch
Abstract:This article is a personal reflection on developing a character monologue about the impact of COVID-19 on a White, female, restaurant worker in Georgia. I drew on journalistic accounts centering women’s experience during the pandemic; situated my creative process within the writing of Anne Bogart, Liz Lerman, Jo Carson, Kristin M. Langellier, and Eric E. Peterson, and shaped the monologue co-creatively with over a dozen conversation partners. The piece details the woman’s awakening to America’s racial reckoning through her relationship with an African American co-worker, so feedback from several listeners of color was particularly invaluable. The essay touches on the intricacies of staging work for Zoom, and fielding audience responses—an integral part of the new-works festival that spawned the piece—as I continue to develop it.
摘要:这篇文章是关于新冠肺炎对佐治亚州一名白人女性餐馆工人的影响的人物独白的个人反思。我借鉴了以女性在疫情期间的经历为中心的新闻报道;将我的创作过程置于Anne Bogart、Liz Lerman、Jo Carson、Kristin M.Langellier和Eric E.Peterson的作品中,并与十几位对话伙伴共同创造性地塑造了这段独白。这篇文章详细描述了这位女性通过与一位非裔美国同事的关系,意识到美国的种族清算,因此几位有色人种听众的反馈尤其宝贵。这篇文章触及了Zoom舞台作品的复杂性,以及在我继续开发它的过程中,观众的反应——这是催生这部作品的新作品节不可或缺的一部分。
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引用次数: 0
Notes from a Pandemic Pothole 来自流行病坑的笔记
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845562
M. Burch
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引用次数: 0
On The Power of a Tale: Stories from the Israel Folktale Archives by Haya Bar-Itzhak and Idit Pintel-Ginsberg 《一个故事的力量:来自以色列民间故事档案的故事》,作者:哈亚·巴尔·伊扎克和伊迪特·品特尔·金斯伯格
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845566
Corinne Stavish
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引用次数: 0
On 101 Middle Eastern Tales and Their Impact on Western Oral Tradition by Ulrich Marzolph 论马尔佐夫的101个中东故事及其对西方口头传统的影响
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845561
Mostafa Abedinifard
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引用次数: 0
Pandemonium: Reframing Performance in Pandemic 疫情:重塑疫情中的表现
Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1353/sss.2021.a845567
A. B.
Abstract:Faced with creative crisis, stories change form. For this storytelling performer, losing the stage, collaborators, and income means turning inward and drawing stories out. The public/private divide collapses in the pandemonium of pandemic parenting, mental health crises, job loss, health care, and desperately trying to finish grad school. Moving from stage to page, this article argues for the value of comics as a means of showing and telling stories when the venues and opportunities are limited.
摘要:面对创作危机,故事的形式发生了变化。对于这个讲故事的表演者来说,失去舞台、合作者和收入意味着转向内心,把故事讲出来。公共/私人的鸿沟在流行病的养育、心理健康危机、失业、医疗保健以及拼命完成研究生学业的混乱中崩溃了。从舞台到页面,本文论证了当场地和机会有限时,漫画作为一种展示和讲述故事的手段的价值。
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引用次数: 0
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Storytelling, Self, Society
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