Pub Date : 2018-11-15DOI: 10.15366/EDADORO2018.37.010
Mercedes Comellas, A. S. Jiménez
Abstract: English opinions about Lope de Vega during the last quarter of the eighteenth century are extremely important to understand not only how Lope’s image in this country evolved, but also to appreciate to what extent Lope became a battlefield in the Europeanwide controversy about rules and good taste. To illustrate this conflict, the present article examines the opinions about Lope that we can find in the work of two eighteenth-century Hispanists, John Talbot Dillon (1739-1805) and William Hayley (1745-1820). Studying them in the context in which they were written, and contrasting their sources and criteria, we explain the meaning and importance of these texts in their European context, and we offer in an appendix a translation so that specialists can compare them with the work of the well-known English lopistas of the nineteenth century (Lord Holland, Shelley, etc.).Keywords: Lope de Vega, John Talbot Dillon, William Hayley, english lopismo, Herder, good taste.
摘要：18世纪下半叶，英国人对洛佩·德·维加的看法对于理解洛佩在这个国家的形象是如何演变的，以及在多大程度上洛佩成为了全欧洲关于规则和品味的争论的战场，都是极其重要的。为了说明这种冲突，本文考察了我们在18世纪两位伊斯帕尼派人士约翰·塔尔博特·狄龙（1739-1805）和威廉·海利（1745-1820）的作品中对洛佩的看法。在它们的写作背景下对它们进行研究，并对比它们的来源和标准，我们解释了这些文本在欧洲背景下的意义和重要性，我们在附录中提供了一个翻译，以便专家们可以将它们与19世纪著名的英语语言学家（Lord Holland、Shelley等）的作品进行比较。关键词：Lope de Vega，约翰·塔尔博特·狄龙，威廉·海利，英国lopismo，赫尔德，好品味。
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Pub Date : 2018-11-15DOI: 10.15366/edadoro2018.37.005
Elena Del Río Parra
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Pub Date : 2018-11-14DOI: 10.15366/EDADORO2018.37.001
J. Bayo
El romance que comienza «Reina Elena, reina Elena» ha sido transmitido por cinco pliegos sueltos del siglo xvi. Un analisis indica que todos ellos derivan de un solo ascendiente comun ya defectuoso, probablemente un pliego anterior hoy perdido. Se elabora, pues, una edicion critica del poema, seguida de un estudio. El romance usa imagineria que se extiende en la literatura peninsular en lengua vernacula a partir de su introduccion en la poesia devota, en concreto en las Coplas «De vita Christi» de fray Inigo de Mendoza, cuya primera redaccion es datada en el ano 1474, y La Passion trobada de Diego de San Pedro, compuesta durante esa misma decada. Un estudio de las posibles fuentes para los episodios narrados apunta a que el autor se baso o bien en la Coronica troyana (un traslado al castellano de la Historia destructionis Troiae de Guido delle Colonne, conservado fragmentariamente y aqui identificado con el debido al canciller Pero Lopez de Ayala) o la Cronica troyana impresa por primera vez en 1490 (un texto que combina las Sumas de historia troyana atribuidas a Leomarte y la Coronica troyana recien mencionada). A pesar de la ausencia de pruebas definitivas, lo mas probable es que hubiera hacia 1491 una primera moda de romances troyanos inspirados en la Cronica troyana impresa. En tal momento debio de componerse «Reina Elena, reina Elena», asi como el contemporaneo «Por una linda espessura», que se hicieron rapidamente populares y entraron en la tradicion oral sefardi.
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Pub Date : 2018-11-14DOI: 10.15366/EDADORO2018.37.004
F. J. Escobar
Abstract: The present study offers a monographic analysis of the unpublished manuscript Varias poesias y casi todas las que compuso… D. Luis de Gongora, Martin de Angulo y Pulgar, guarded at the Fundacion Bartolome March (B87-V3-10). With a date of 1639-1640, it constitutes a kind of poetry songbook or anthology prepared by this author with the aim of spreading the work of Gongora, canonizing it and, in turn, position himself, with respect to the large gallery or cast of commentator scholars, in a privileged place of the Republic of letters. However, despite challenging the previous editors of Gongora and even enter into interpretative discord with other prominent actants of the literary polemic, for its ambitious fuste, the project would end unfinished and without reaching a good publishing port. Keywords: Luis de Gongora, Martin de Angulo y Pulgar, controversy about Gongora, poetry songbook, Golden Age.
摘要/ Abstract摘要:本文对未发表的手稿《诗歌多样性》(Varias poesias y casi todas las que compuso. D. Luis de Gongora, Martin de Angulo y Pulgar，保管于basacion Bartolome March (B87-V3-10))进行了专题分析。在1639-1640年间，它构成了一种由作者准备的诗歌歌本或选集，目的是传播贡戈拉的作品，将其封为圣徒，反过来，在大量的画廊或评论员学者中，他将自己置于文学共和国的特权地位。然而，尽管挑战了《贡戈拉》的前任编辑，甚至与文学论战中的其他杰出人物在解释上产生了分歧，但由于其雄心勃勃的尝试，该项目最终将未完成，也没有达到一个好的出版端口。关键词:路易斯·德·贡戈拉，马丁·德·安古洛和普尔加，关于贡戈拉的争论，诗歌曲集，黄金时代
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