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Photographie et contre-surveillance. Autour d’Antoine d’Agata, Virus, 2020 摄影和反监视。安托万·德·阿加塔附近,病毒,2020年
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-01-01 DOI: 10.4000/quaderni.2644
Jean-Paul Fourmentraux
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引用次数: 0
Voir de toutes les manières. Visualité panoramique, culture de surveillance et art contemporain 以各种方式看。全景视觉、监视文化和当代艺术
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-01-01 DOI: 10.4000/quaderni.2636
Alexander Streitberger
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引用次数: 0
Éditorial : La surveillance, c’est les autres 社论:监控是其他人
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-01-01 DOI: 10.4000/quaderni.2591
Emmanuel Taïeb, Thierry Devars
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引用次数: 0
L’intelligence d’une machine. Pratiques de l’Open Source Intelligence dans le cinéma documentaire contemporain 机器的智能。当代纪录片中的开源情报实践
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-01-01 DOI: 10.4000/quaderni.2629
Occitane Lacurie
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引用次数: 0
Judith Roumani. Jews in Southern Tuscany during the Holocaust: Ambiguous Refuge 朱迪斯·鲁马尼。大屠杀期间托斯卡纳南部的犹太人:模糊的避难所
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2022-11-28 DOI: 10.33137/q.i..v42i2.39704
K. B. V. Wittelsbach
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引用次数: 0
Galileo, glassware, and the peacock 伽利略、玻璃器皿和孔雀
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2022-11-28 DOI: 10.33137/q.i..v42i2.39698
E. Reeves
This essay examines Galileo’s peculiar comparison of small lunar craters in 1610 in his first treatise of telescopic observations, the Sidereus Nuncius, to the eyes in a peacock’s feathers and to a particular sort of glassware, and it argues that these allusions reveal more about a certain kind of sound than about the visual appearance of the moon. Galileo’s odd analogies find subsequent development in a thought experiment relating sight, sound, and sensation in his Two New Sciences of 1638.
这篇文章探讨了伽利略在1610年的第一篇望远镜观测论文《Sidereus Nuncius》中对月球小陨石坑与孔雀羽毛中的眼睛和一种特殊的玻璃器皿的奇特比较,并认为这些典故更多地揭示了某种声音,而不是月球的视觉外观。伽利略在1638年出版的《两个新科学》中,对视觉、声音和感觉进行了思考实验,随后发现了这些奇怪的类比。
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引用次数: 0
Fabio Fernando Rizi. ‘Coraggio nel presente e fiducia nell’avvenire’: Politica e cultura sotto il fascismo nel carteggio tra Benedetto Croce e Giovanni Laterza dal 1925 al 1943 法比奥·费尔南多·里齐现在的勇气和未来的信心:1925年至1943年克罗齐与拉特扎书信中法西斯主义下的政治与文化
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2022-11-28 DOI: 10.33137/q.i..v42i2.39714
Daniela La Penna
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引用次数: 0
“The Devils Sang Matins So Properly:” Francis Xavier’s Close Encounters with Demons in Daniello Bartoli’s Asia (1653) “魔鬼如此恰当地交配:”弗朗西斯·泽维尔在丹妮洛·巴托利的亚洲与魔鬼的亲密接触(1653)
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2022-11-28 DOI: 10.33137/q.i..v42i2.39690
Elisa Frei, L. Madella
Daniello Bartoli (1608–85) was commissioned to write the “official” history of the Society of Jesus a century after its foundation. Later called by Leopardi “the Dante of baroque prose,” Bartoli offered a powerful representation of the overseas policies of his order, as well as an appealing overview of the remote lands its members visited for the first time. The main character and hero of Bartoli’s treatise Asia (1653) is Francis Xavier (1506–52), the “Apostle of the Indies.” This paper focuses on Xavier’s “strange encounters” with the “Indian otherness,” recounted by Bartoli as a confrontation with the “spiritual otherness.” Our essay examines several episodes of supernatural events in which Bartoli indulged in a dramatic narrative. With his colorful language, did Bartoli want to encourage vocations to the order, fellow Jesuits to travel to Asia, to gain financial and political support, or all of them? These episodes will be analyzed from a historical point of view (how Bartoli used his sources) and in a pedagogic perspective (which message he wanted to spread and to which readership).
Daniello Bartoli(1608-85)在耶稣会成立一个世纪后,受委托撰写耶稣会的“官方”历史。后来被利奥帕尔迪称为“巴洛克散文中的但丁”,巴托利有力地展示了他的骑士团的海外政策,并对其成员首次访问的偏远地区进行了引人入胜的概述。巴托利论文《亚洲》(1653)的主人公是弗朗西斯·泽维尔(1506–52),他是“印度的使徒”。“我们的文章考察了巴托利沉迷于戏剧性叙事的几集超自然事件。巴托利用他丰富多彩的语言,是想鼓励信徒加入教团,还是想鼓励耶稣会士前往亚洲,以获得财政和政治支持,还是全部?这些事件将从历史的角度(巴托利如何使用他的来源)和教育学的角度(他想向哪个读者传播哪个信息)进行分析。
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引用次数: 0
“Quella importanza di materia”: Women and saints in Francesco Pona’s Galeria delle Donne Celebri Magdalena Maria Kubas “物质的重要性”:Francesco Pona的Galeria delle Donne Celebri Magdalena Maria Kubas中的妇女和圣徒
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2022-11-28 DOI: 10.33137/q.i..v42i2.39696
Magdalena Maria Kubas
In his Galeria delle Donne Celebri, a collection of twelve short stories about famous female figures, Francesco Pona “depicts” four lascivious women and four chaste women from classical antiquity, and four saints from the early and medieval Christian era. Pona, a writer and medical doctor, rationally studied the Other, that is, women; his narrator in Galeria analyzes the characters’ bodies and behaviours, but almost never their psychology. In this essay, I examine the “portraits” of saints in Pona’s Galeria (Magdalene, Barbara, Monica, and Elisabeth of Hungary) and the observation of otherness by a collector who studied both the natural and miraculous aspects of female sanctity. As interest in the ancient and medieval saints was typical of the period following the Council of Trent, I investigate Pona’s short stories within the framework of the decree on saints and relics issued in 1563. I also consider the misogynistic controversy that took place in Italy between the sixteenth and seventeenth centuries, as well as Pona’s treatise Della Eccellenza et Perfettione ammirabile della Donna.
Francesco Pona在他的《庆祝广场》(Galeria delle Donne Celebi)中“描绘”了四位古代淫荡女性和四位贞洁女性,以及四位早期和中世纪基督教时代的圣人。波纳是一位作家和医生,他理性地研究了他者,即女性;他在《Galeria》中的叙述者分析了人物的身体和行为,但几乎从未分析过他们的心理。在这篇文章中,我研究了波纳画廊(Pona’s Galeria)中圣人的“肖像”(匈牙利的抹大拉、芭芭拉、莫妮卡和伊丽莎白),以及一位研究女性神圣性的自然和奇迹方面的收藏家对另类的观察。由于对古代和中世纪圣徒的兴趣是特伦特会议之后时期的典型,我在1563年颁布的关于圣徒和遗迹的法令的框架内调查了波纳的短篇小说。我还考虑了16世纪至17世纪在意大利发生的厌女争议,以及波纳的论文《Della Eccellenza et Perfettione ammirabile Della Donna》。
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引用次数: 0
Elisa Brilli e Giuliano Milani. Vite nuove. Biografia e autobiografia di Dante Elisa Brilli和Giuliano Milani。新生命。但丁传记与自传
4区 文学 0 LITERATURE, ROMANCE Pub Date : 2022-11-28 DOI: 10.33137/q.i..v42i2.39707
Valerio Cappozzo
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引用次数: 1
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