Caricature, in a historical sense, can be deemed as an application that reveals a human’s ability to paint. It is perceived that the caricature, which has been held in human life since cave paintings until today, has also a unique place in our modern life with different ways and various fields through the course of history. The caricature will continue to exist as an influential representative in the combination of painting and criticism. In this context, political caricatures are one of the most practical and efficient methods used to criticize notables of states. The dose of these caricatures is caused many controversies even today, as they increase their violence and cruelty in case of conflicts between states. There are many media outcomes published in Europe that collect with the developments worldwide. It is reasonable to confer following newspapers and magazines as examples in this field: La Silhouette (1829), La Caricature (1830), Penny Magazine (1832), Punch (1841), L’Illustration Journal Universel (1843), Harpers’s Magazine (1850), Le Monde Illustré (1857), The Illustrated London News (1842), Frank Leslie’s Illustrated News (1855), Puck (1871) etc. These newspapers and magazines have a unique place in the world press history in terms of showing all varieties of criticism, apart from being pioneers in many fields. Since these publications systematically followed the political and social events happening all over the world and included many illustrations, caricatures and columns on various topics according to the agenda. These descriptions are noteworthy documents for many disciplines today. In recent years, access to works has increased with the convenience provided by digitalization. Therefore, the descriptions in various printed publications have emerged in a way that supports the studies in many types of research, even with the potential to be the main topic directly. The journal, which addresses many people and issues critically, mainly in France and Europe, has established many studies on the Ottoman Empire and its leaders. Abdülhamid II (1876-1909), has been the subject of a notable amount of critical caricature during his long reign. Within the scope of this research, 15 caricatures that themed Abdülhamid II, which were selected from 836 numbers of Le Rire, published between 1894 and 1909, were determined and examined. The following subjects are processed in these caricatures: Some difficulties experienced by the Ottoman Empire in the Balkans and Eastern Anatolia, the rapprochement with the Germans, the endless negotiations in foreign policy, the turmoil in terms of the Ottoman sultanate and the joint studies with Europe. It is aimed to bring these caricatures, some of which are anonymous and some signed, as a consequence of various technical skills, to several fields of study and especially to the literature of art history by analyzing them in artistic and historical terms. Thus, Sultan Abdülhamid II, who had a very important sha
漫画，在历史意义上，可以被认为是一个应用程序，揭示了一个人的绘画能力。人们认为，从洞穴壁画到今天一直存在于人类生活中的漫画，在我们的现代生活中也以不同的方式和不同的领域在历史的进程中占有独特的地位。漫画将继续作为绘画与批评结合的有影响力的代表而存在。在这种背景下，政治漫画是用来批评国家要人的最实用和有效的方法之一。即使在今天，这些漫画的剂量也引起了许多争议，因为它们在国家之间的冲突中增加了暴力和残忍。欧洲出版的许多媒体成果都与世界各地的事态发展相结合。有理由将以下报纸和杂志作为这一领域的例子:La Silhouette (1829)， La Caricature (1830)， Penny Magazine (1832)， Punch (1841)， L 'Illustration Journal Universel (1843)， Harpers 's Magazine (1850)， Le Monde illustrise (1857)， The Illustrated London News (1842)， Frank Leslie 's Illustrated News (1855)， Puck(1871)等。这些报纸和杂志在世界新闻史上有着独特的地位，不仅表现出各种各样的批评，而且在许多领域都是先驱。由于这些出版物系统地跟踪世界各地发生的政治和社会事件，并根据议程包括许多关于各种主题的插图，漫画和专栏。这些描述是当今许多学科值得注意的文献。近年来，随着数字化提供的便利，获得作品的机会增加了。因此，各种印刷出版物中的描述以一种支持许多类型研究的方式出现，甚至有可能直接成为主要主题。该杂志主要对法国和欧洲的许多人物和问题进行批判，并建立了许多关于奥斯曼帝国及其领导人的研究。阿卜杜勒·哈米德二世(1876-1909)，在他的长期统治期间，一直是一个显著量的批评漫画的主题。在本次研究的范围内，从1894年至1909年出版的《Le Rire》的836幅漫画中选出了15幅以阿卜杜勒·哈米德二世为主题的漫画。这些漫画处理了以下主题:奥斯曼帝国在巴尔干和东安纳托利亚遇到的一些困难，与德国人的和解，外交政策上无休止的谈判，奥斯曼苏丹国方面的动荡以及与欧洲的联合研究。它的目的是将这些漫画，其中一些是匿名的，一些是签名的，作为各种技术技能的结果，通过从艺术和历史的角度分析它们，将它们带到几个研究领域，特别是艺术史文学。因此，在奥斯曼帝国的最后几年扮演重要角色的苏丹阿卜杜勒·勒哈米德二世(Sultan abdlhamid II)的目标是通过漫画揭示阿卜杜勒·勒哈米德二世是如何被介绍或呈现给读者的。
{"title":"AN EXAMINATION ON THE CARICATURES THEMED ABDÜLHAMİD II IN LE RIRE MAGAZINE","authors":"Özgür Gülbudak","doi":"10.29135/std.1022739","DOIUrl":"https://doi.org/10.29135/std.1022739","url":null,"abstract":"Caricature, in a historical sense, can be deemed as an application that reveals a human’s ability to paint. It is perceived that the caricature, which has been held in human life since cave paintings until today, has also a unique place in our modern life with different ways and various fields through the course of history. The caricature will continue to exist as an influential representative in the combination of painting and criticism. In this context, political caricatures are one of the most practical and efficient methods used to criticize notables of states. The dose of these caricatures is caused many controversies even today, as they increase their violence and cruelty in case of conflicts between states. There are many media outcomes published in Europe that collect with the developments worldwide. It is reasonable to confer following newspapers and magazines as examples in this field: La Silhouette (1829), La Caricature (1830), Penny Magazine (1832), Punch (1841), L’Illustration Journal Universel (1843), Harpers’s Magazine (1850), Le Monde Illustré (1857), The Illustrated London News (1842), Frank Leslie’s Illustrated News (1855), Puck (1871) etc. These newspapers and magazines have a unique place in the world press history in terms of showing all varieties of criticism, apart from being pioneers in many fields. Since these publications systematically followed the political and social events happening all over the world and included many illustrations, caricatures and columns on various topics according to the agenda. These descriptions are noteworthy documents for many disciplines today. In recent years, access to works has increased with the convenience provided by digitalization. Therefore, the descriptions in various printed publications have emerged in a way that supports the studies in many types of research, even with the potential to be the main topic directly. The journal, which addresses many people and issues critically, mainly in France and Europe, has established many studies on the Ottoman Empire and its leaders. Abdülhamid II (1876-1909), has been the subject of a notable amount of critical caricature during his long reign. Within the scope of this research, 15 caricatures that themed Abdülhamid II, which were selected from 836 numbers of Le Rire, published between 1894 and 1909, were determined and examined. The following subjects are processed in these caricatures: Some difficulties experienced by the Ottoman Empire in the Balkans and Eastern Anatolia, the rapprochement with the Germans, the endless negotiations in foreign policy, the turmoil in terms of the Ottoman sultanate and the joint studies with Europe. It is aimed to bring these caricatures, some of which are anonymous and some signed, as a consequence of various technical skills, to several fields of study and especially to the literature of art history by analyzing them in artistic and historical terms. Thus, Sultan Abdülhamid II, who had a very important sha","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48107506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to examine the history of the military Office building, which built in addition to the Sarikisla building in Izmir, one of the most important port cities of the Ottoman Empire, and to emphasize the importance of this building in terms of architectural history. The military office, which was dated to the beginning of the 20th century, was destroyed in 1955 with the Sarikisla, where it attached, after being used for nearly 50 years, and was replaced by the space called Konak Square today. However, neither Sarikisla nor the military office were forgotten after their destruction. Both structures are still present in the collective memory of the citizens, albeit indistinctly. Although it is not mentioned in detail in this study, Sarikisla building is one of the most important buildings of the city considering its location and size despite its simple character. Military office, on the other hand, is a qualified structure that bears the characteristics of the orientalist style in its architectural elements and decoration motifs in a way that contrasts with Sarikisla. It’s a fact, there is no comprehensive study on orientalist architecture in Izmir. It is difficult to make an inclusive and detailed assessment, as the structures showing these features are few. However, the fact that the Clock Tower, which is one of the most important structures of the city, is in the orientalist style is a sign that this style has a considerable effect on the city, especially at the turn of the century. Despite its special architecture, it is not possible to reach a detailed research or drawings on the structure of the military office. There is also no information on the architect of the building. Only some predictions can be made about this subject. Raymond Charles Péré, the architect of the Clock Tower, which was built in 1901 right in front of the military office and also has orientalist features, is the first name that comes to mind. The fact that the architect of the fountain pool in the courtyard of Sarıkışla is also Péré strengthens this possibility. About the construction date, as a result of the information obtained within the scope of the study, it was determined that the construction date of the said building should most probably be between 1913-1922.
本研究旨在研究军事办公大楼的历史，该建筑是在奥斯曼帝国最重要的港口城市之一伊兹密尔的Sarikisla建筑之外建造的，并强调该建筑在建筑史方面的重要性。军事办公室的历史可以追溯到20世纪初，在使用了近50年之后，于1955年与附属的萨里基斯拉(Sarikisla)一起被摧毁，取而代之的是今天被称为科纳克广场(Konak Square)的空间。然而，萨里基斯拉和军事办公室在被摧毁后都没有被遗忘。这两座建筑仍然存在于市民的集体记忆中，尽管模糊。虽然在本研究中没有详细提到，但考虑到它的位置和规模，Sarikisla建筑是这座城市最重要的建筑之一，尽管它的特点很简单。另一方面，军事办公室是一个合格的结构，在建筑元素和装饰图案上具有东方主义风格的特征，与萨里基斯拉形成对比。事实上，伊兹密尔没有对东方主义建筑进行全面的研究。由于显示这些特征的结构很少，因此很难进行全面和详细的评估。然而，作为这座城市最重要的建筑之一，钟楼是东方主义风格，这一事实表明，这种风格对这座城市产生了相当大的影响，尤其是在世纪之交。尽管它的建筑很特殊，但不可能对军事办公室的结构进行详细的研究或绘图。也没有关于该建筑的建筑师的信息。关于这个问题只能作出一些预测。人们首先想到的是钟楼的建筑师雷蒙德·查尔斯·帕姆萨伊(Raymond Charles psamri)。钟楼建于1901年，就在军事办公室的正前方，具有东方主义特色。Sarıkışla庭院中喷泉池的建筑师也是passari，这一事实加强了这种可能性。关于建造日期，根据在研究范围内获得的资料，确定该建筑物的建造日期最可能在1913-1922年之间。
{"title":"ORIENTALISM IN THE LEVANT: SARIKISLA MILITARY OFFICE BUILDING, AS A LOST EXAMPLE OF ORIENTALIST ARCHITECTURE IN IZMIR","authors":"Halil Alpaslan","doi":"10.29135/std.1025646","DOIUrl":"https://doi.org/10.29135/std.1025646","url":null,"abstract":"This study aims to examine the history of the military Office building, which built in addition to the Sarikisla building in Izmir, one of the most important port cities of the Ottoman Empire, and to emphasize the importance of this building in terms of architectural history. The military office, which was dated to the beginning of the 20th century, was destroyed in 1955 with the Sarikisla, where it attached, after being used for nearly 50 years, and was replaced by the space called Konak Square today. However, neither Sarikisla nor the military office were forgotten after their destruction. Both structures are still present in the collective memory of the citizens, albeit indistinctly. \u0000Although it is not mentioned in detail in this study, Sarikisla building is one of the most important buildings of the city considering its location and size despite its simple character. Military office, on the other hand, is a qualified structure that bears the characteristics of the orientalist style in its architectural elements and decoration motifs in a way that contrasts with Sarikisla. \u0000It’s a fact, there is no comprehensive study on orientalist architecture in Izmir. It is difficult to make an inclusive and detailed assessment, as the structures showing these features are few. However, the fact that the Clock Tower, which is one of the most important structures of the city, is in the orientalist style is a sign that this style has a considerable effect on the city, especially at the turn of the century. \u0000Despite its special architecture, it is not possible to reach a detailed research or drawings on the structure of the military office. There is also no information on the architect of the building. Only some predictions can be made about this subject. Raymond Charles Péré, the architect of the Clock Tower, which was built in 1901 right in front of the military office and also has orientalist features, is the first name that comes to mind. The fact that the architect of the fountain pool in the courtyard of Sarıkışla is also Péré strengthens this possibility. About the construction date, as a result of the information obtained within the scope of the study, it was determined that the construction date of the said building should most probably be between 1913-1922.","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47708297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TÜRK-İSLAM KÜLTÜRÜNDEKİ DESTİMAL GELENEĞİ İLE HRİSTİYAN İNANCINDAKİ KUTSAL MENDİL İKONOGRAFİSİNİN KARŞILAŞTIRILMASI","authors":"Nergiz Demir Solak, Yunus Berkli","doi":"10.29135/std.1078016","DOIUrl":"https://doi.org/10.29135/std.1078016","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41522010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SANATSAL İMGEDEN TIBBİ İMGEYE: SALPÊTRIÈRE FOTOĞRAFLARI VE HİSTERİK KADIN BEDENİNİN İNŞASI","authors":"T. Tas","doi":"10.29135/std.1033686","DOIUrl":"https://doi.org/10.29135/std.1033686","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45727908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"KASTAMONU’DA YIKILAN TARİHİ AHŞAP BİR KÖPRÜ BOZKURT - İLİŞİ KÖYÜ CUMAYANI KÖPRÜSÜ","authors":"M. Bayraktar","doi":"10.29135/std.1009589","DOIUrl":"https://doi.org/10.29135/std.1009589","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48644437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trompe L’oeil Tekniği ile Doğa Estetiğine Öykünen Seramik Ağaçlar","authors":"Ş. Yılmaz","doi":"10.29135/std.935472","DOIUrl":"https://doi.org/10.29135/std.935472","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41695805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Erving Goffman'ın Benlik Sunumu Kuramı'na Göre Resimde Otoportre","authors":"Ferhunde KÜÇÜKŞEN ÖNER, Berna Fildiş","doi":"10.29135/std.1013402","DOIUrl":"https://doi.org/10.29135/std.1013402","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48248968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BAFRA ARKEOLOJİ VE ETNOGRAFYA MÜZESİ’NDE SERGİLENEN BİR GRUP MADENİ ESER","authors":"Elif Yesi̇l, M. Bayraktar","doi":"10.29135/std.979643","DOIUrl":"https://doi.org/10.29135/std.979643","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42289331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ANTALYA KALEİÇİ’NİN SİVİL VE DİNİ MİMARİ ÖRNEKLERİNDE GÖRÜLEN KÖŞE PAHLARI VE SÜSLEMELERİ","authors":"Serkan Kiliç","doi":"10.29135/std.1004885","DOIUrl":"https://doi.org/10.29135/std.1004885","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41700384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ENDÜSTRİ MİRAS YAPISININ KÜLTÜR MEKÂNI OLARAK UYARLANABİLİR YENİDEN KULLANIMI: SAKARYA SANAT GALERİSİ","authors":"Melike Nur Sarayli, Kader Reyhan","doi":"10.29135/std.1020178","DOIUrl":"https://doi.org/10.29135/std.1020178","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43613108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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