Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-26110
A. Pampin
: The 1980s was a turning point for Argentine poetry. Marked by the public reappearance of words, ideas, and voices that had been silenced during the military dictatorship, there was also –as Alicia Genovese pointed out in La doble voz (1998)– the publication of numerous collections of poems written and signed by women authors. In this article I maintain that another remarkable phenomenon occurred within the same time frame and context, though for decades apparently unnoticed by poetry crit-ics: more frequently and explicitly there appeared traces of lesbian sensibilities, bodies, affectivities and desires that began to modulate a heterogeneous yet multiple voice. I propose reading poetry collec- tions Pasajes and highlighting lesbian nuances which run sublty PJS y MDM respectivamente indicar refiere
{"title":"Las migas de Mirta Rosenberg. Rastros lesbianos en su poética de los ochenta","authors":"A. Pampin","doi":"10.19137/anclajes-2022-26110","DOIUrl":"https://doi.org/10.19137/anclajes-2022-26110","url":null,"abstract":": The 1980s was a turning point for Argentine poetry. Marked by the public reappearance of words, ideas, and voices that had been silenced during the military dictatorship, there was also –as Alicia Genovese pointed out in La doble voz (1998)– the publication of numerous collections of poems written and signed by women authors. In this article I maintain that another remarkable phenomenon occurred within the same time frame and context, though for decades apparently unnoticed by poetry crit-ics: more frequently and explicitly there appeared traces of lesbian sensibilities, bodies, affectivities and desires that began to modulate a heterogeneous yet multiple voice. I propose reading poetry collec- tions Pasajes and highlighting lesbian nuances which run sublty PJS y MDM respectivamente indicar refiere","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41732716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2619
C. Avilés
: The publishing company founded in Paris by Uruguayan brothers Alfredo and Armando Guido edited a series of magazines aimed at the Spanish-speaking public of Latin America. Between 1911 and 1914, literary editor Rubén Darío sent contributions to two of them, Elegancias and Mundial Magazine . The former, sought female readership on both sides of the Atlantic, was an abundantly illustrated magazine while Elegancias
{"title":"Instantáneas transatlánticas: la apuesta por la fotografía de la revista ilustrada \"Elegancias\" (1911-1914)","authors":"C. Avilés","doi":"10.19137/anclajes-2022-2619","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2619","url":null,"abstract":": The publishing company founded in Paris by Uruguayan brothers Alfredo and Armando Guido edited a series of magazines aimed at the Spanish-speaking public of Latin America. Between 1911 and 1914, literary editor Rubén Darío sent contributions to two of them, Elegancias and Mundial Magazine . The former, sought female readership on both sides of the Atlantic, was an abundantly illustrated magazine while Elegancias","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46540109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2613
Sandra Contreras
: The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this
：《La novera de La poesía》（2012）版已经在塔玛拉·卡门扎因的作品中提出了两个有趣的重要问题：一方面，段落诗歌/小说/散文的具体铭文；另一方面，将书籍（版本、支持、对象）作为链接。最近，El libro de Tamar（2018）和Libros chiquitos（2020）以一种特殊的方式阐述了这一过程的另外两个组成方面：一是70年代的节目和现在的写作之间的时间螺旋，这将该系列转化为长时间的叙事；二是尺度形式的极限问题。在这个
{"title":"Tempo, escala, tiempos: el relato de larga duración de Tamara Kamenszain","authors":"Sandra Contreras","doi":"10.19137/anclajes-2022-2613","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2613","url":null,"abstract":": The edition of La novela de la poesía (2012) already made evident two fun - damental issues in Tamara Kamenszain’s writing: on the one hand, a specific inscription of the passage poetry/novel/essay; on the other, the book (the edition, the support, the object) as a link . More recently, El libro de Tamar (2018) and Libros chiquitos (2020) illumi-nate in a special way two other constitutive aspects of the process: one, the temporal spiral between the program of the 70s and the present of writing, which converts the series in a long duration narrative; two, the problem of limits in the form of scale. In this","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46717362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-26111
E. Menestrina
{"title":"Ensayos críticos: violencia y política en la literatura argentina, de Nancy Fernández","authors":"E. Menestrina","doi":"10.19137/anclajes-2022-26111","DOIUrl":"https://doi.org/10.19137/anclajes-2022-26111","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42712052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2618
Mariana Catalín
: The present work aims to rethink, putting the axis in temporality, the problems posed by the imagination of the end (of the current existing world). To do this, we propose an itinerary across the interventions around the pandemic expansion of COVID-19, which have put into play the logic of a radical end to address the singularity of this phenomenon. It seeks to analyze how the temporalities played out in these essays allows us to go in depth in the previous reflections on these imaginaries (particularly in their apocalyptic form). Secondly, the critical tools arising from this exploration are used to return to the ways of configuring the after the end in the trilogies published by Oliverio Coelho, Rafael Pinedo and Carlos Ríos between 2003 and 2015, emphasizing how they are constituted as long-term narrative projects that, through the way they articulate their episodes, enable a unique staging of the temporal thickness that is elaborated in the formulation of their end - ings. This highlights the way in which the hybridization operates on the pairs chronology / heterochrony, continuity / anachronism, successivity / simultaneity.
{"title":"Los tiempos del final","authors":"Mariana Catalín","doi":"10.19137/anclajes-2022-2618","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2618","url":null,"abstract":": The present work aims to rethink, putting the axis in temporality, the problems posed by the imagination of the end (of the current existing world). To do this, we propose an itinerary across the interventions around the pandemic expansion of COVID-19, which have put into play the logic of a radical end to address the singularity of this phenomenon. It seeks to analyze how the temporalities played out in these essays allows us to go in depth in the previous reflections on these imaginaries (particularly in their apocalyptic form). Secondly, the critical tools arising from this exploration are used to return to the ways of configuring the after the end in the trilogies published by Oliverio Coelho, Rafael Pinedo and Carlos Ríos between 2003 and 2015, emphasizing how they are constituted as long-term narrative projects that, through the way they articulate their episodes, enable a unique staging of the temporal thickness that is elaborated in the formulation of their end - ings. This highlights the way in which the hybridization operates on the pairs chronology / heterochrony, continuity / anachronism, successivity / simultaneity.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47363894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-02DOI: 10.19137/anclajes-2021-2538
R. M. Mérida Jiménez
: Anclajes is not a journal dedicated to studies on women, genders or sexuali - ties. However, the presence of articles dealing with these issues reflects the evolution of a line of research that was unusual in Humanities journals a few decades ago.
{"title":"Géneros y sexualidades, feminidades y masculinidades en Anclajes","authors":"R. M. Mérida Jiménez","doi":"10.19137/anclajes-2021-2538","DOIUrl":"https://doi.org/10.19137/anclajes-2021-2538","url":null,"abstract":": Anclajes is not a journal dedicated to studies on women, genders or sexuali - ties. However, the presence of articles dealing with these issues reflects the evolution of a line of research that was unusual in Humanities journals a few decades ago.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48218706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-02DOI: 10.19137/anclajes-2021-2536
J. Ennis
: Studies about the relationship between language in society emerged in the mid-20th century, and reached a peak at the end of the century with analyses on lan guage ideologies and the most recent developments in glotopolitics and linguistic histo- riography. Both perspectives share a common framework: that language in modernity is a discursive artifact whose history and social construction is eminently political. The con - tributions of these theoretical-critical perspectives are reviewed and related to some research the journal Anclajes .
{"title":"Lengua y archivo: glotopolítica e historiografía lingüística desde las páginas de Anclajes","authors":"J. Ennis","doi":"10.19137/anclajes-2021-2536","DOIUrl":"https://doi.org/10.19137/anclajes-2021-2536","url":null,"abstract":": Studies about the relationship between language in society emerged in the mid-20th century, and reached a peak at the end of the century with analyses on lan guage ideologies and the most recent developments in glotopolitics and linguistic histo- riography. Both perspectives share a common framework: that language in modernity is a discursive artifact whose history and social construction is eminently political. The con - tributions of these theoretical-critical perspectives are reviewed and related to some research the journal Anclajes .","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42851983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-02DOI: 10.19137/anclajes-2021-25318
Mariela Peller
: Through the study of the autobiographical novel La caja Topper by Nicolás Gadano (2019), this article addresses the uses of the archive in the narratives of the children of victims –in a broad sense– of the last Argentine military dictatorship. Follow - ing the theoretical propositions of Jacques Derrida, Sara Ahmed, and Adriana Cavarero, we analyze the interventions that Gadano makes on the objects that his mother kept in a sneaker box as memorabilia of the family exile experience. First, we study the way in which the old box and the objects contained in it function as a matriarchive. Second, we analyze the operations that Gadano performs on the materiality, content, and ordering of the objects in the box, which produces a generational transfer of authority over the archive. Finally, we conclude that, through his fidelity to the maternal affective style, the author disassembles the traditional model of emotional labor division, reshaping the links between gender, generations, and memory.
{"title":"Intervenciones afectivas al archivo materno en \"La caja Topper\" de Nicolás Gadano","authors":"Mariela Peller","doi":"10.19137/anclajes-2021-25318","DOIUrl":"https://doi.org/10.19137/anclajes-2021-25318","url":null,"abstract":": Through the study of the autobiographical novel La caja Topper by Nicolás Gadano (2019), this article addresses the uses of the archive in the narratives of the children of victims –in a broad sense– of the last Argentine military dictatorship. Follow - ing the theoretical propositions of Jacques Derrida, Sara Ahmed, and Adriana Cavarero, we analyze the interventions that Gadano makes on the objects that his mother kept in a sneaker box as memorabilia of the family exile experience. First, we study the way in which the old box and the objects contained in it function as a matriarchive. Second, we analyze the operations that Gadano performs on the materiality, content, and ordering of the objects in the box, which produces a generational transfer of authority over the archive. Finally, we conclude that, through his fidelity to the maternal affective style, the author disassembles the traditional model of emotional labor division, reshaping the links between gender, generations, and memory.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41442043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-02DOI: 10.19137/anclajes-2021-2535
Verónica Delgado, Geraldine Rogers
: Periodicals emerged as a field of critical interest at the end of the previous century. This interest was nuanced and covered many fields: for instance, the analysis of the links between literature, politics and the markets, as well as the circulation net - works of publications as cultural goods and their materiality as printed, media and visual objects. This article compares these general trends with the contributions published in recent decades in Anclajes and its projections.
{"title":"Anclajes: aportes a la agenda crítica de los estudios sobre publicaciones periódicas","authors":"Verónica Delgado, Geraldine Rogers","doi":"10.19137/anclajes-2021-2535","DOIUrl":"https://doi.org/10.19137/anclajes-2021-2535","url":null,"abstract":": Periodicals emerged as a field of critical interest at the end of the previous century. This interest was nuanced and covered many fields: for instance, the analysis of the links between literature, politics and the markets, as well as the circulation net - works of publications as cultural goods and their materiality as printed, media and visual objects. This article compares these general trends with the contributions published in recent decades in Anclajes and its projections.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48889968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-02DOI: 10.19137/anclajes-2021-2531
G. Salto
The twenty-five volumes of Anclajes call for a reflection on the development of cultural criticism and university publishing in recent decades. A notable group of specialists analyzes the contributions of the journal on topics such as memories and violence, post-humanisms, writings of the self, dissident bodies and subjectivities, revisions of the archive and the canon of imagined languages and cultures.
{"title":"Anclajes: itinerarios de una revista","authors":"G. Salto","doi":"10.19137/anclajes-2021-2531","DOIUrl":"https://doi.org/10.19137/anclajes-2021-2531","url":null,"abstract":"The twenty-five volumes of Anclajes call for a reflection on the development of cultural criticism and university publishing in recent decades. A notable group of specialists analyzes the contributions of the journal on topics such as memories and violence, post-humanisms, writings of the self, dissident bodies and subjectivities, revisions of the archive and the canon of imagined languages and cultures.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43208144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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