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NATURAL SCIENCES AS PART OF DAILY OCCURRENCE: BOOKS AND MOVIES 自然科学是日常生活的一部分:书籍和电影
IF 0.1 Q3 Arts and Humanities Pub Date : 2018-08-01 DOI: 10.17223/23062061/17/1
I. S. Sokolova
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引用次数: 0
GYMNASIUM PUPIL KONSTANTIN PAUSTOVSKY: THE FORMATION OF THE CREATIVE PERSONALITY AND THE SYSTEM OF IMAGES 中学学生波斯托夫斯基:创造性人格的形成与形象体系
IF 0.1 Q3 Arts and Humanities Pub Date : 2018-08-01 DOI: 10.17223/23062061/17/4
Maxim V. Skorokhodov
Аннотация. Рассматривается период учебы К.Г. Паустовского в Киевской первой гимназии (позже – Императорская Александровская киевская гимназия), отразившийся в его автобиографической прозе. Характеризуются программы вступительных экзаменов, которые выдержал будущий писатель при поступлении в гимназию. На основе документальных источников раскрываются характеры и биографии преподавателей гимназии, о которых Паустовский пишет в «Повести о жизни». Значительное внимание уделяется гимназической библиотеке, имевшей несколько отделений, печатные каталоги книг и регулярно пополнявшейся новыми изданиями. На основе анализа различных источников раскрывается становление творческой личности писателя, формирование характерной для него системы образов. Ключевые слова: К.Г. Паустовский, автобиографическая проза, «Повесть о жизни», Киевская первая гимназия, Императорская Александровская киевская гимназия, библиотеки гимназий, документальные источники.
注释。他的自传体散文反映了他在基辅第一所学校的学习时间(后来成为沙皇亚历山大基辅体育馆)。它的特点是入学考试项目,这是未来作家进入文法学校时所坚持的。这些文献揭示了保罗斯托夫斯基在《人生故事》中所描述的体操老师的性格和传记。学生图书馆有几个分支,印刷目录和定期更新的新出版物,得到了大量的关注。通过分析不同的来源,人们发现了作者的创造力,创造了一个独特的形象系统。关键词:kg paustovski,自传体散文,《生活故事》,基辅第一所学校,沙皇亚历山大体育馆,文献图书馆,文献资料来源。
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引用次数: 0
“SOUND BOOKS” IN THE MODERN PUBLISHING INDUSTRY 现代出版业的“有声书”
IF 0.1 Q3 Arts and Humanities Pub Date : 2018-08-01 DOI: 10.17223/23062061/17/7
V. Bal
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引用次数: 6
THE MODERN EDITIONS OF GEORGE ELIOT’S WORKS 乔治·艾略特作品的现代版本
IF 0.1 Q3 Arts and Humanities Pub Date : 2018-08-01 DOI: 10.17223/23062061/17/8
Irina F. Gnyusova
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引用次数: 0
ARCHAISMS AND COMPUTER SPELL CHECK (ON THE MATERIAL OF THE ANTHOLOGY POETRY OF MOSCOW UNIVERSITY: FROM LOMONOSOV TO . . .) 古文和计算机拼写检查(关于莫斯科大学诗歌选集的材料:从罗蒙诺索夫到……)
IF 0.1 Q3 Arts and Humanities Pub Date : 2018-08-01 DOI: 10.17223/23062061/17/9
E. K. Lavoshnikova
Аннотация. Исследуется реакция текстового редактора Microsoft Word 2016 (модификация 2017 г.) на некоторые лексические и грамматические особенности русской поэзии XVIII и начала XIX в Примеры архаизмов взяты из 1-й и 7-й книг антологии «Поэзия Московского университета: от Ломоносова и до...». Приводятся цитаты (некоторые – в старой орфографии) из стихотворных произведений императрицы Елизаветы Петровны (в переложениях), Ломоносова, Державина, Радищева, Жуковского и Пимена Арапова. При этом анализируется выдача программой Корректор (новая версия программы-«подсказки») рекомендаций по исправлению слов, отсутствующих во внутренних (системных) словарях, в том числе устаревшей лексики. Делается попытка объяснить реакцию спеллера на отклонения в стихотворных строчках от норм современного русского языка. На конкретных примерах показано, что включение в системные компьютерные словари устаревших и низкочастотных слов во многих случаях не только не способствует улучшению работы спеллера, но приводит к пропуску ошибок и опечаток. Ключевые слова: Microsoft Word, текстовый редактор, устаревшая лексика, архаизмы, орфографические ошибки, нормативное написание, старая орфография, стихотворные тексты.
注释。2016年微软Word的文本编辑(修改2017)对俄罗斯诗歌18和19世纪早期的一些词汇和语法特征进行了研究。引用了伊丽莎白女王彼得罗夫纳(原文)、罗蒙诺索夫、列维、拉迪什科夫、朱可夫斯基和阿拉波夫的诗歌。它分析了校正程序(新版本的“线索”)提供的修正内语(系统)字典中缺失的单词的建议,包括过时的词汇。有人试图解释speller对诗歌歌词偏离现代俄语标准的反应。具体例子表明,在许多情况下,将过时的、低频的计算机词汇编入系统字典不仅不利于改进speller的工作,而且会导致错误和拼写错误。关键词:微软Word,文字编辑器,过时的词汇,过时的古语,拼写错误,规范拼写错误,旧的拼写,诗歌文本。
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引用次数: 0
Ernst Jünger’s Phenomenon: Building “Beyond Oneself” 恩斯特·约恩格现象:构建“超越自我”
IF 0.1 Q3 Arts and Humanities Pub Date : 1900-01-01 DOI: 10.17223/23062061/25/2
Aleksey A. Indrikov
The article deals with the creative phenomenon of the German writer and thinker Ernst Jünger and his literary works that have formed a special, monumental and heroic matrix of European culture. The essence of this matrix is shown through deducing its main task – that is, as the author proposes, to preserve the semantic bridgehead for de-picting the heroic and the poetic, which is to confront the world of the simple non-spiritual demands of a consumer society. Contemporary European culture demands, as the author consistently proves, the monumental and heroic matrix. Since the second half of the 20th century, the European culture has found itself at a difficult civilizational crossroads: on the one hand, culture has been actively shaped by existentialism as an ideology of avoiding social transformation of the external world; on the other hand, European culture has been significantly pressed by the American culture of entertain-ment which invaded Europe even more after the end of World War II. As a result, Eu-rope has more and more abandoned its heroic, monumental and historical heritage. The matrix of culture formed by Jünger appears as a special edifice built on the notion of a person’s destiny and one’s spiritual capability revealed in a large-scale military con-frontation, in the war of “spaces”. The article discloses the peculiarities of Jünger’s monumental outlook on war as on a special cultural and historical landscape where an individual life is shaped into the destiny “beyond oneself”, into the fates of peoples and states. Jünger’s creative phenomenon is considered on the example of his first and most famous book, Storm of Steel, which is essentially authentic to the monumental and he-roic matrix of European culture. The unique and timeless value of this work is shown through its special historical and meta-cultural causality. The specific aspects of Jünger’s literary philosophy are shown as an embodiment of a doctrine that provides spiritual exaltation for the one who has aspired to create. The cultural-philosophical analysis of Jünger’s literary work undertaken in the article allows the author to draw to a conclusion about the heroic-monumental content of the Europe-an culture matrix, literally “encoded” in the compressed form of the novel Storm of Steel. As it follows from the research conducted by the author, there is a vital need in the culture for transforming the external world by the joint efforts of the heroes of one’s time, united by the task of a large-scale spiritual evolution of the humanity embodying their mission.
本文论述了德国作家、思想家恩斯特·约恩格尔的创作现象和他的文学作品,这些作品构成了欧洲文化的一个特殊的、不朽的、英雄的母体。这个矩阵的本质是通过演绎它的主要任务来展现的——正如作者所提出的那样,它保留了描绘英雄和诗意的语义桥头堡,这是面对消费社会简单的非精神需求的世界。正如作者不断证明的那样,当代欧洲文化需要不朽的英雄矩阵。20世纪下半叶以来,欧洲文化处于艰难的文明十字路口:一方面,作为一种避免外部世界社会转型的意识形态,存在主义积极塑造了文化;另一方面,欧洲文化受到美国娱乐文化的巨大压力,美国娱乐文化在第二次世界大战结束后更加入侵欧洲。其结果是,欧洲越来越放弃了其英勇的、不朽的历史遗产。在大规模的军事对抗中,在“空间”的战争中,一个人的命运和精神能力的概念被揭示出来,而j恩格尔所形成的文化矩阵则是一个特殊的大厦。本文揭示了j奈格尔对战争的不朽观点的独特性,因为它是一种特殊的文化和历史景观,在这种景观中,个人的生命被塑造成“超越自我”的命运,成为民族和国家的命运。j恩格尔的创作现象以他的第一本也是最著名的书《钢铁风暴》为例,这本书本质上是对欧洲文化不朽和英雄主义矩阵的真实再现。这部作品的独特和永恒的价值是通过其特殊的历史和元文化因果关系来表现的。乔格尔文学哲学的具体方面表现为一种为渴望创造的人提供精神提升的学说的体现。本文通过对j恩格尔文学作品的文化哲学分析,得出了欧洲文化矩阵中英雄主义的不朽内容的结论,这些内容被“编码”在小说《钢铁风暴》的压缩形式中。从作者的研究中可以看出,在文化中,迫切需要通过一个时代的英雄的共同努力来改变外部世界,团结在体现他们使命的人类大规模精神进化的任务中。
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引用次数: 1
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Tekst Kniga Knigoizdanie-Text Book Publishing
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