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Mineralogical and Petrographic Investigations on the tesserae in North Sacred Agora Ground Mosaics from Laodikeia Ancient City (Denizli): First insights into the provenance of raw materials 老迪凯亚古城(代尼兹利)北圣集市地面马赛克镶嵌物中镶嵌物的矿物学和岩石学研究:对原材料来源的初步认识
0 ARCHAEOLOGY Pub Date : 2022-01-01 DOI: 10.26658/jmr.1143779
T. Koralay, Gözde Kiymaz
Laodikeia’daki Kuzey Kutsal Agora Batı Portik (KKABP) yer mozaikleri 20x14 m2’lik alanda kısmen tahrip olmuş durumdadır. Mozaik yer döşemesi statümen (şist, mermer, kuvarsit, metagabro, tuğla-kiremit ve lisvenit çakılları), rudus (3-4 cm’lik kaba harç), nükleus (2-3 cm’lik ince harç), yatak harcı (1-2 mm kalınlığında) ve tessera katmanlarından oluşmaktadır. Katmanlar arasındaki geçişler keskin değildir. Başlıca 14 farklı desenin Opus Regulatum, Opus Tesselatum ve Opus Vermiculatum tekniklerinin birlikte kullanılmasıyla meydana getirilen KKABP yer mozaiklerinde 1x1x1, 1x1x2 ve 2x2x2 cm arasında değişen boyutlarda, farklı renk tonlarında kristalize kireçtaşı, mermer, dolomitik mermer, traverten, oolitik kumtaşı bileşimli kayaç ve tuğla-kiremit parçalarından oluşan tesseralar kullanılmıştır. Petrografik incelemelerde dolomitik mermer ve beyaz renkli mermer olarak adlandırılan tessera örnekleri köken kayalarının sırasıyla dolomit-kireçtaşı ve kireçtaşı olduğu belirlenmiş, sonuçlar XRD çalışmaları ile de desteklenmiştir. Farklı renkli tessera örneklerinin Üst Kıta Kabuğu (ÜKK) değerlerine göre normalleştirilmiş çoklu element dağılım diyagramında, benzer dağılım desenleri gösterdikleri, bununla birlikte Cs, Ta ve La dışındaki bütün elementlerde ÜKK değerlerine oranla fakirleşme gösterdikleri belirlenmiştir. Sonuç olarak KKABP mozaik yer döşemesinde kullanılan tessera örneklerinin minero-petrografik özelliklerinin bölgenin jeolojik yapısı ile uyumlu olduğu ve olası kaynak alanlarının antik kent ve yakın çevresindeki jeolojik birimler olabileceği değerlendirilmiştir.
Laodicia的North Holy Agora West Portic(KKABP)在20 x14平方米的马赛克中部分被毁。马赛克航天器由钢、大理石、采石场、metagabro、橡胶kiremy和液体裂缝、rudus(3-4厘米的kaba har ve st)、核(2-3厘米的小碎片)、床(1-2毫米厚)和镶嵌层组成。各层之间的过渡尚不清楚。前14个不同的点是Opus Regulatum、Opus Tesselatum和Opus Vermiculatum技术,它们在1x1、1x1x2和2x2x2厘米之间变化,具有不同的色调、结晶污染物、mermermer、白云石大理石、traverten,具有不同颜色。鲕粒砂已被用于复合石头、木板和泥土。在岩相调查中,被称为白云石子弹和白色大理石的叙词表样本也得到了XRD研究的支持,包括白云石污染物和污染物。根据不同颜色tessera样本的值,在上框(ICK)中归一化的多个元素的分布图中,它们显示了类似的分布图,所有元素都在Cs、Ta和La之外,并与UCK值进行了比较。因此,KKABP被评估为与镶嵌景观中使用的矿岩性质的地质结构一致,并且可能的来源可能是古城及其周围的地质单元。
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引用次数: 0
Design Proposal for a Protective Shelter to be Used in the Archaeological Excavation and Exhibition Phases of Housing Settlement and Mosaics of Myrleia 一个用于考古发掘和展览阶段的保护避难所的设计方案
0 ARCHAEOLOGY Pub Date : 2022-01-01 DOI: 10.26658/jmr.1143745
Gözde KIRLI ÖZER, Sebla Arin Ensarioğlu
Information about the ancient city of Myrleia, which is of great importance for the history of Bithynia and Mudanya, is minimal since the ancient ruins are buried under olive groves and the written sources about its construction in the ancient period are scarce. However, along with the ruins unearthed in 2015 and 2016, information about the ancient period of the city began to emerge. Therefore, it is essential to preserve the unearthed remains and their information and transfer them to the future in-situ, within the architectural and cultural context. Within the scope of the study, a protective shelter design proposal is developed on the residential settlement discovered in Ömerbey District in 2016 and the mosaics discovered in the settlement. The designed shelter aims to protect the remains from various adverse effects, provide the team's comfort carrying out the study (thermal, security, etc.), and fulfill the functions of providing ideal conditions for the visitors. In addition, the sustainability of the top shelter and its flexibility to expand to include new finds discovered around the excavation area also played a significant role in the shelter design.
关于Myrleia古城的信息很少,因为它对比提尼亚和Mudanya的历史非常重要,因为古代遗址被埋在橄榄树林下,而且关于古代建筑的书面资料很少。然而,随着2015年和2016年出土的遗址,有关这座城市古代时期的信息开始浮出水面。因此,在建筑和文化背景下,保护出土遗迹及其信息并将其转移到未来的原位是至关重要的。在研究范围内,根据2016年在Ömerbey区发现的住宅聚落和聚落中发现的马赛克,制定了保护性庇护所设计方案。设计的庇护所旨在保护遗骸免受各种不利影响,为团队进行研究提供舒适(热、安全等),并为游客提供理想的条件。此外,顶部庇护所的可持续性及其扩展的灵活性,包括在挖掘区域周围发现的新发现,也在庇护所设计中发挥了重要作用。
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引用次数: 0
Artwork Analysis of Anastasis Fresco at Khora South Chapel and Its Interaction with the Architectural Program 科拉南教堂阿纳斯塔西斯壁画的艺术分析及其与建筑项目的互动
0 ARCHAEOLOGY Pub Date : 2022-01-01 DOI: 10.26658/jmr.1143734
Sebla Arin Ensarioğlu
In this article, it is aimed to analyze the Anastasis fresco in the south chapel of the Khora Monastery and to examine the relationship of this work with the architectural program of the building. First of all, the Chora (Khora) Monastery, where the work is located, is examined in terms of its architectural qualities. After giving information about the artist and “ktetor” (patron) of the art-work, the mythological origin of the Anastasis theme, which is the subject of the work, is examined. The original aspects of the technique used in the making of the Anastasis fresco are revealed. The iconographic analysis of the work is based on the method developed by Erwin Panofsky. In this context, while examining the Anastasis fresco, first of all, its formal analysis is made and the relations between the figures in the composition are examined; In the second stage, the characters represented by the figures and the transferred concepts are tried to be revealed in the light of theological and allegorical information. In the third stage, while examining the meanings of the work in the conditions of the period; It is also compared with the works produced in the recent period with a similar theme. Finally, the interaction between the architectural and iconographic programs of the building is discussed. Khora Monastery has a layout in which the architectural program and iconography are intertwined and even the architectural elements are determined by iconography. For this reason, it can be examined as an original example of Byzantine Art leading to Renaissance. Located on the Apse half dome of the Khora South Chapel, the Anastasis fresco handles the resurrection theme, which has an important place in the Christian literature. Considering the entire iconographic program in the chapel, the resurrection scene is the main theme. The fact that the Anastasis fresco takes place in the parekklesion also symbolizes the expectation of immortality / resurrection of the patron of the Khora Monastery, Metokhites, whose tomb is located here.
在这篇文章中,它的目的是分析阿纳斯塔西斯壁画在南教堂的可拉修道院,并检查这一工作与建筑方案的关系。首先,对作品所在的乔拉(khoa)修道院的建筑质量进行了检查。在提供了关于艺术家和艺术作品的“ktetor”(赞助人)的信息之后,研究了作为作品主题的Anastasis主题的神话起源。在制作阿纳斯塔西斯壁画中使用的技术的原始方面被揭示。作品的图像分析是基于Erwin Panofsky开发的方法。在此背景下,在考察《阿纳斯塔西丝》壁画时,首先对其进行形式分析,考察构图中人物之间的关系;第二阶段,试图从神学和寓言的角度来揭示人物所代表的性格和所传递的概念。在第三阶段,考察作品在当时条件下的意义;并将其与近一时期的同类题材作品进行了比较。最后,讨论了建筑和图像程序之间的相互作用。可拉寺的布局中,建筑方案和图像交织在一起,甚至建筑元素也由图像决定。出于这个原因,它可以被视为拜占庭艺术导致文艺复兴的原始例子。阿纳斯塔西斯壁画位于科拉南礼拜堂的半圆殿上,处理复活主题,在基督教文学中占有重要地位。考虑到礼拜堂的整个图像程序,复活的场景是主题。阿纳斯塔西斯的壁画发生在公园的事实也象征着对喀拉修道院的赞助人,Metokhites的不朽/复活的期望,他的坟墓就在这里。
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引用次数: 0
The Eagle Symbol in the Mosaic of the Great Palace in Constantinople 君士坦丁堡大皇宫马赛克中的鹰符号
0 ARCHAEOLOGY Pub Date : 2021-11-30 DOI: 10.26658/jmr.1012058
Laura Caso
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引用次数: 0
Roman Mosaics of Antequera. An Overview 安特奎拉的罗马马赛克。概述
0 ARCHAEOLOGY Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014576
Sebastián VARGAS-VÁZQUEZ, M. ROMERO PÉREZ
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引用次数: 1
Kitap İncelemesi İki Dünya Arasında: Yaşamdan Ebediyete Zeugma’da Evler ve Mezarlar, Kutalmış Görkay (ed.), 412 sayfa, renkli resimli, İş Bankası Kültür Yayınları, İstanbul, 2020, ISBN: 978-625-405-170-8. 《圣经》是在两个世界中研究的:《泽格玛的永恒之屋和坟墓》,Kutald Görkay(编辑),412页,绘画,作品库文化出版物,伊斯坦布尔,2020,ISBN 978-625-405-170-8。
0 ARCHAEOLOGY Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014583
Işıl R. IŞIKLIKAYA-LAUBSCHER
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引用次数: 0
The Peopled Scroll of the Great Palace Mosaic in Constantinople. New Perspectives 君士坦丁堡大皇宫马赛克的人民卷轴。新视角
0 ARCHAEOLOGY Pub Date : 2021-11-30 DOI: 10.26658/jmr.1012078
Stéphanie Derwael
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引用次数: 1
The Impact of Constantinopolitan Liturgy on the Mosaic Pavements in The Christian Basilicas in Thrace During the Second Half of 5th C. 公元5世纪下半叶君士坦丁堡礼制对色雷斯基督教大教堂马赛克路面的影响。
0 ARCHAEOLOGY Pub Date : 2021-11-30 DOI: 10.26658/jmr.1014572
Ivo Topalilov
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引用次数: 1
The Mosaic Decoration of Peristylia in Roman Villae and Domus of Western Lusitania (Portugal). The Interrelationship Between Domestic Space Planning and The Chosen Peristyle Flooring 西卢西塔尼亚(葡萄牙)罗马村庄和Domus的Peristylia马赛克装饰。住宅空间规划与围廊地板选择的相互关系
0 ARCHAEOLOGY Pub Date : 2021-11-30 DOI: 10.26658/jmr.1012085
M. D. J. DURAN KREMER
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引用次数: 1
Determination of the Type and Origin of Stone Tesseras Used in Antiochian Mosaics, Museum Hotel Example 安条克镶嵌画中使用的石镶嵌的类型和来源的确定,博物馆酒店实例
0 ARCHAEOLOGY Pub Date : 2021-11-30 DOI: 10.26658/jmr.1012045
Fatima Kavşut, Mahmut Aydın
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引用次数: 2
期刊
Journal of Mosaic Research
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