Pub Date : 2021-06-29DOI: 10.17811/rm.10.13-3.2021.170-189
Silvia Segarra Lagunes
El desarrollo del Movimiento moderno coincide con el final de la Revolución Mexicana en la segunda década del siglo XX. La existencia de un importante ambiente intelectual y artístico permitió el desarrollo de profesionales, principalmente arquitectos, los cuales dedicaron toda su actividad profesional o parte de ella, al diseño de mobiliario acorde con los movimientos de vanguardia. Entre otros objetivos estaba el de colocar a México entre los países de vanguardia, en consonancia con las propuestas internacionales del racionalismo arquitectónico. El proceso tuvo lugar principalmente en los años comprendidos entre 1930 y 1960. El mobiliario moderno puede acotarse en tres direcciones: mobiliario fabricado industrialmente para uso público, mobiliario doméstico y mobiliario utilizado en el contexto de los despachos de decoración.
{"title":"Mobiliario en el México del Movimiento Moderno: razones y procedencias","authors":"Silvia Segarra Lagunes","doi":"10.17811/rm.10.13-3.2021.170-189","DOIUrl":"https://doi.org/10.17811/rm.10.13-3.2021.170-189","url":null,"abstract":"El desarrollo del Movimiento moderno coincide con el final de la Revolución Mexicana en la segunda década del siglo XX. La existencia de un importante ambiente intelectual y artístico permitió el desarrollo de profesionales, principalmente arquitectos, los cuales dedicaron toda su actividad profesional o parte de ella, al diseño de mobiliario acorde con los movimientos de vanguardia. Entre otros objetivos estaba el de colocar a México entre los países de vanguardia, en consonancia con las propuestas internacionales del racionalismo arquitectónico. El proceso tuvo lugar principalmente en los años comprendidos entre 1930 y 1960. El mobiliario moderno puede acotarse en tres direcciones: mobiliario fabricado industrialmente para uso público, mobiliario doméstico y mobiliario utilizado en el contexto de los despachos de decoración.","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"67 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78046347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-29DOI: 10.17811/rm.10.13-3.2021.118-133
Anna Hernandez Tudela
One of the most unknown sides of the art nouveau architect Joan Amigó Barriga is his role as interior designer. In this article, we would like to introduce the indoors created by the architect through the years, where we can observe the harmony between façades, insides and furniture. Besides, we also focus on his peculiar influence from the Vienna Secession, Glasgow School and later in the ’30s by the art déco style.
{"title":"Furniture and Interior Design in Joan Amigo's Architecture: between the Viennese Secession, the Glasgow School and Art Deco","authors":"Anna Hernandez Tudela","doi":"10.17811/rm.10.13-3.2021.118-133","DOIUrl":"https://doi.org/10.17811/rm.10.13-3.2021.118-133","url":null,"abstract":"One of the most unknown sides of the art nouveau architect Joan Amigó Barriga is his role as interior designer. In this article, we would like to introduce the indoors created by the architect through the years, where we can observe the harmony between façades, insides and furniture. Besides, we also focus on his peculiar influence from the Vienna Secession, Glasgow School and later in the ’30s by the art déco style.","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"67 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90493898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-29DOI: 10.17811/rm.10.13-3.2021.1-12
Teresa Alapont millet
El presente trabajo tiene como objetivo presentar una serie de piezas de mobiliario litúrgico de época fundacional del Real Colegio Seminario de Corpus Christi de Valencia, construido entre 1596 y 1615 y fundado por el Patriarca San Juan de Ribera. El “Colegio del Patriarca” es uno de los mayores exponentes en España de la puesta en práctica de la doctrina del Concilio de Trento (1563) en cuanto a la construcción de las iglesias y al ajuar eclesiástico. Las piezas que componen el amueblamiento de su capilla y sacristías forman una singular colección que constituye uno de los conjuntos más representativos de mobiliario litúrgico de finales del siglo XVI y primer decenio del siglo XVII, a la par que uno de los mejores ejemplos de la sinergia entre arquitectura y arte teniendo presente la norma tridentina.
目前的作品旨在展示一系列的礼拜家具，这些家具来自瓦伦西亚圣体神学院的基础时期，建于1596年至1615年，由大牧首圣胡安·德·里贝拉(San Juan de Ribera)创建。“族长学院”是西班牙实施特伦特会议(1563年)关于教堂建设和教会装备的教义的最伟大的倡导者之一。组成一件家具的教堂和sacristías形成独特的系列,是最有代表性的集家具礼拜16世纪晚期和17世纪的第一个十年中,《事例之一建筑和艺术之间的协同作用,同时铭记tridentina标准。
{"title":"El mobiliario litúrgico del Real Colegio Seminario de Corpus Christi de Valencia (1603-1634). Ejemplo vivo del ideal de Trento.","authors":"Teresa Alapont millet","doi":"10.17811/rm.10.13-3.2021.1-12","DOIUrl":"https://doi.org/10.17811/rm.10.13-3.2021.1-12","url":null,"abstract":"El presente trabajo tiene como objetivo presentar una serie de piezas de mobiliario litúrgico de época fundacional del Real Colegio Seminario de Corpus Christi de Valencia, construido entre 1596 y 1615 y fundado por el Patriarca San Juan de Ribera. El “Colegio del Patriarca” es uno de los mayores exponentes en España de la puesta en práctica de la doctrina del Concilio de Trento (1563) en cuanto a la construcción de las iglesias y al ajuar eclesiástico. Las piezas que componen el amueblamiento de su capilla y sacristías forman una singular colección que constituye uno de los conjuntos más representativos de mobiliario litúrgico de finales del siglo XVI y primer decenio del siglo XVII, a la par que uno de los mejores ejemplos de la sinergia entre arquitectura y arte teniendo presente la norma tridentina.","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"94 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90229253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-15DOI: 10.17811/RM.10.13-1.2021.165-188
M. Martín
The aim of this paper is to provide an in-depth information of two pedestal tables (named Table du Sacre and Guéridon Mauresque) designed by Leloy, and kept in the royal collections of Patrimonio Nacional (National Heritage). Despite their differences, they both have some elements in common: not only Sèvres porcelain was used as their main decorative material offering painted historical scenes, but also both of them were gifts from French sovereigns to Spanish monarchs. The two pieces were also displayed in the 19th century at the Louvre Royale Manufactures Exhibitions as an example of the high quality that the Sèvres Manufacture achived. Although the Table du Sacre (table of coronation due to its iconography) is of great interest, the decoration of the Guéridon Mauresque is specially remarkable as it provides an interesting insight between courts. It depicts Boabdil leaving the Alhambra, being directly inspired by the Nasrid Palace (15th century): a piece of furniture depicting a scene of the Spanish Moorish past, was made in France and later offered as a gift to the regent of the Spanish Kingdom María Cristina de Borbón.
本文的目的是提供两个台桌的深入信息(命名为Table du Sacre和gusamridon Mauresque)由Leloy设计，保存在Patrimonio Nacional(国家遗产)的皇家收藏中。尽管它们有所不同，但它们都有一些共同点:它们不仅是用savovres瓷器作为主要装饰材料，描绘了历史场景，而且它们都是法国君主送给西班牙君主的礼物。这两件作品也在19世纪的卢浮宫皇家制成品展上展出，作为savovres制造所达到的高质量的一个例子。虽然圣桌(因其肖像而命名的加冕桌)非常有趣，但gusamridon Mauresque的装饰尤其引人注目，因为它提供了一个有趣的宫廷之间的见解。它描绘了Boabdil离开阿尔罕布拉宫，直接受到纳斯里德宫(15世纪)的启发:一件描绘西班牙摩尔人过去场景的家具，在法国制作，后来作为礼物送给西班牙王国摄政王María Cristina de Borbón。
{"title":"Two pedestal Tables by Jean-Charles-François Leloy in the Royal Collections of Patrimonio Nacional","authors":"M. Martín","doi":"10.17811/RM.10.13-1.2021.165-188","DOIUrl":"https://doi.org/10.17811/RM.10.13-1.2021.165-188","url":null,"abstract":"The aim of this paper is to provide an in-depth information of two pedestal tables (named Table du Sacre and Guéridon Mauresque) designed by Leloy, and kept in the royal collections of Patrimonio Nacional (National Heritage). \u0000Despite their differences, they both have some elements in common: not only Sèvres porcelain was used as their main decorative material offering painted historical scenes, but also both of them were gifts from French sovereigns to Spanish monarchs. The two pieces were also displayed in the 19th century at the Louvre Royale Manufactures Exhibitions as an example of the high quality that the Sèvres Manufacture achived. \u0000Although the Table du Sacre (table of coronation due to its iconography) is of great interest, the decoration of the Guéridon Mauresque is specially remarkable as it provides an interesting insight between courts. It depicts Boabdil leaving the Alhambra, being directly inspired by the Nasrid Palace (15th century): a piece of furniture depicting a scene of the Spanish Moorish past, was made in France and later offered as a gift to the regent of the Spanish Kingdom María Cristina de Borbón.","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81661491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-02-15DOI: 10.17811/RM.10.12.2021.109-126
A. Genc, Rahim Merdan
The COVID-19 pandemic is an important issue that affects the whole world today We investigated the reflection of consumer preferences in the furniture industry Our purpose of doing this study is to identify how the COVID-19 pandemic, which affects the whole world, affects park and garden furniture preferences Our hypothesis before we started the study was so;we had the opinion that people who stayed indoors/houses for a long time due to quarantine would increase their interest in park and garden furniture For this purpose, we conducted a survey consisting of 30 questions to evaluate consumer habits Within the scope of our research, the socio-demographic data of 472 individuals from different socio-economic (Lower / Middle / Upper) backgrounds were investigated for indoor and outdoor garden furniture and usage habits during the Covid-19 Pandemic period, by using Google surveys application Survey technique was used to obtain research data In our study, we found that people's interest in nature has increased due to spending long times indoors because of the COVID-19 pandemic We also found that people's desire to renew their park and garden furniture has increased due to quarantine
{"title":"Investigating the Effect of Covid - 19 Pandemic Process on Furniture Usage Frequency and Consumer Preferences","authors":"A. Genc, Rahim Merdan","doi":"10.17811/RM.10.12.2021.109-126","DOIUrl":"https://doi.org/10.17811/RM.10.12.2021.109-126","url":null,"abstract":"The COVID-19 pandemic is an important issue that affects the whole world today We investigated the reflection of consumer preferences in the furniture industry Our purpose of doing this study is to identify how the COVID-19 pandemic, which affects the whole world, affects park and garden furniture preferences Our hypothesis before we started the study was so;we had the opinion that people who stayed indoors/houses for a long time due to quarantine would increase their interest in park and garden furniture For this purpose, we conducted a survey consisting of 30 questions to evaluate consumer habits Within the scope of our research, the socio-demographic data of 472 individuals from different socio-economic (Lower / Middle / Upper) backgrounds were investigated for indoor and outdoor garden furniture and usage habits during the Covid-19 Pandemic period, by using Google surveys application Survey technique was used to obtain research data In our study, we found that people's interest in nature has increased due to spending long times indoors because of the COVID-19 pandemic We also found that people's desire to renew their park and garden furniture has increased due to quarantine","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"10 1","pages":"109-126"},"PeriodicalIF":0.0,"publicationDate":"2021-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47765579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-02-15DOI: 10.17811/rm.10.12.2021.127-153
Santiago Rodríguez Pérez
Las topografías médicas son trabajos en los que se estudian las condiciones ambientales y materiales de un territorio, con el objetivo de realizar acciones preventivas para mejorar la sanidad y la higiene públicas. En ellas, además de cuestiones sanitarias, se analiza también la geografía, clima, fauna y flora, urbanismo, demografía, economía, historia, etc. Este género de literatura científica, que tuvo su apogeo a finales del siglo XIX y principios del XX, es una fuente de interés para la investigación histórica. En el caso asturiano además resulta excepcional, ya que se realizaron más de cincuenta trabajos que cubren buena parte del territorio de la comunidad. A partir de los datos que proporcionan sobre las condiciones de vida en el medio rural, ofrecemos una breve síntesis de la situación del hábitat doméstico, sus problemas y transformaciones en las primeras décadas del siglo XX.
{"title":"Notas sobre la vivienda rural en Asturias entre los siglos XIX y XX a través de las topografías médicas","authors":"Santiago Rodríguez Pérez","doi":"10.17811/rm.10.12.2021.127-153","DOIUrl":"https://doi.org/10.17811/rm.10.12.2021.127-153","url":null,"abstract":"Las topografías médicas son trabajos en los que se estudian las condiciones ambientales y materiales de un territorio, con el objetivo de realizar acciones preventivas para mejorar la sanidad y la higiene públicas. En ellas, además de cuestiones sanitarias, se analiza también la geografía, clima, fauna y flora, urbanismo, demografía, economía, historia, etc. Este género de literatura científica, que tuvo su apogeo a finales del siglo XIX y principios del XX, es una fuente de interés para la investigación histórica. En el caso asturiano además resulta excepcional, ya que se realizaron más de cincuenta trabajos que cubren buena parte del territorio de la comunidad. A partir de los datos que proporcionan sobre las condiciones de vida en el medio rural, ofrecemos una breve síntesis de la situación del hábitat doméstico, sus problemas y transformaciones en las primeras décadas del siglo XX.","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82283531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Medical topographies are works studying the environmental and material conditions of a territory aiming to take preventive action in order to improve public health and hygiene. Aside from health matters, the area’s geography, climate, fauna and flora, urbanism, demographics, economy, history, etc. are also considered in these works. This scientific literary genre flourished in the late 19th and early 20th centuries, and is a very compelling source of historical knowledge. Furthermore, the case of Asturias is exceptional, since over fifty works covering much of the region’s territory were written. Using their data on living conditions in rural areas as a starting point, we offer a brief overview of conditions in rural environments, their problems and transformations in the first decades of the 20th century
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Pub Date : 2020-09-15DOI: 10.17811/rm.9.11.2020.107-123
Marta García-Sampedro Fernández-Canteli, Noelia Fernández García
Design has proved to be a discipline deeply connected to our daily lives. Its identification as a cultural heritage element is undeniable due to its wide-ranging values. In this sense, the Museu del Disseny de Barcelona has been promoting this artistic field since its creation in 2008. This museum has a relevant social and cultural function as it is the only design museum in Spain. Furthermore, the museum also stands out because of its innovative pedagogical programmes pointed to scholars, university students, families and groups of people with accessibility problems. The aim of this article is to present the Musseu del Disseny de Barcelona from an educational perspective, paying attention to its staff members, facilities, programmes and assessment. The 2018 museum annual report results are an example of its success. In order to accomplish this study, the authors have recently interviewed in-depth some members of the pedagogical team (Serveis Educatius).
{"title":"The Museu del Disseny de Barcelona as an example of pedagogical innovative practices","authors":"Marta García-Sampedro Fernández-Canteli, Noelia Fernández García","doi":"10.17811/rm.9.11.2020.107-123","DOIUrl":"https://doi.org/10.17811/rm.9.11.2020.107-123","url":null,"abstract":"Design has proved to be a discipline deeply connected to our daily lives. Its identification as a cultural heritage element is undeniable due to its wide-ranging values. In this sense, the Museu del Disseny de Barcelona has been promoting this artistic field since its creation in 2008. This museum has a relevant social and cultural function as it is the only design museum in Spain. Furthermore, the museum also stands out because of its innovative pedagogical programmes pointed to scholars, university students, families and groups of people with accessibility problems. The aim of this article is to present the Musseu del Disseny de Barcelona from an educational perspective, paying attention to its staff members, facilities, programmes and assessment. The 2018 museum annual report results are an example of its success. In order to accomplish this study, the authors have recently interviewed in-depth some members of the pedagogical team (Serveis Educatius).","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75694050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-15DOI: 10.17811/rm.9.11.2020.154-163
Elias Melvin Christiansen
The study of cultural heritage was central to the CRAFT international workshop held at the Art Biennale in Venice in 2019 for students of architecture, engineering, art history and philosophy. For some of the students, the focus was on the cultural heritage at San Marco Square. This essay is a short reflection about the outcome of this workshop in regard to using cultural heritage in the teaching of contemporary students.
{"title":"Studying Cultural Heritage at San Marco Square for the 58th Art Biennale","authors":"Elias Melvin Christiansen","doi":"10.17811/rm.9.11.2020.154-163","DOIUrl":"https://doi.org/10.17811/rm.9.11.2020.154-163","url":null,"abstract":"The study of cultural heritage was central to the CRAFT international workshop held at the Art Biennale in Venice in 2019 for students of architecture, engineering, art history and philosophy. For some of the students, the focus was on the cultural heritage at San Marco Square. This essay is a short reflection about the outcome of this workshop in regard to using cultural heritage in the teaching of contemporary students.","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88850590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-15DOI: 10.17811/RM.9.11.2020.148-153
Anna Marie Fisker, Ann Heilmann
Stories and storytelling are part of our cultural heritage and we have experimented if these experiences and memories in a learning and teaching activity can contribute to new understandings and a new sense of community. Stories connect people, while also contributing to the freedom of thinking. Referring to Walter Benjamin, the German literary critic and philosopher, this paper reflects upon the stories, myths, legends and fairytales of Venice in relation to teaching and the use of storytelling as a tool in teaching. More specifically, it concerns an exploratory study with new and unique methods and interdisciplinary collaboration that focus on understanding cultural heritage through storytelling, including the freedom of thinking as an original teaching method to initiate creativity and imagination for the students in their works. The reflection is based on practical experiences during the CRAFT summer school during the Art Biennale 2019 in Venice.
{"title":"Dragons are everywhere in Venice - Stories, Myths, Legends and Fairy Tales as Tools for Reflection in Teaching","authors":"Anna Marie Fisker, Ann Heilmann","doi":"10.17811/RM.9.11.2020.148-153","DOIUrl":"https://doi.org/10.17811/RM.9.11.2020.148-153","url":null,"abstract":"Stories and storytelling are part of our cultural heritage and we have experimented if these experiences and memories in a learning and teaching activity can contribute to new understandings and a new sense of community. Stories connect people, while also contributing to the freedom of thinking. Referring to Walter Benjamin, the German literary critic and philosopher, this paper reflects upon the stories, myths, legends and fairytales of Venice in relation to teaching and the use of storytelling as a tool in teaching. More specifically, it concerns an exploratory study with new and unique methods and interdisciplinary collaboration that focus on understanding cultural heritage through storytelling, including the freedom of thinking as an original teaching method to initiate creativity and imagination for the students in their works. The reflection is based on practical experiences during the CRAFT summer school during the Art Biennale 2019 in Venice.","PeriodicalId":40740,"journal":{"name":"Res Mobilis-International Research Journal of Furniture and Decorative Objects","volume":"9 1","pages":"148-153"},"PeriodicalIF":0.0,"publicationDate":"2020-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42372106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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