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Séduire, C'est Tout 诱惑就是一切
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.14321/contagion.30.0205
Paul Sharma
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引用次数: 0
The View from Pȏle Nord 从法国北部眺望
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.14321/contagion.30.0001
M. Reineke
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引用次数: 0
Escalation to Academic Extremes? 升级到学术极端?
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.14321/contagion.30.0163
Grant Kaplan
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引用次数: 0
Sophie, Greta, Cuiyuan, and Feminist Desire 苏菲、格蕾塔、翠媛与女权主义欲望
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.14321/contagion.30.0131
Yuhui Bao, I. Dennis
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引用次数: 0
Sacrificial “As-If” and Avuncular Hilarity 献祭的“仿佛”和叔叔的欢闹
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.14321/contagion.30.0069
W. Eggen
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引用次数: 0
Imitation, Violence, and Exchange 模仿、暴力和交换
Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.14321/contagion.30.0221
Per Bjørnar Grande
In this article, I would like to draw attention to the potentially violent outcome of exchange interactions between individuals and groups. Both Girard and Mauss examine violence in a wider social and political process.1 According to Mauss, the smallest difference, such as a lack of reciprocity, may evoke a desire for retribution. Understanding reactions when there is a lack of symmetry, real or illusory, can give us an important insight into the generative mechanisms behind violence. This is why traditional societies tried, often very successfully, to protect individuals through prohibitions and taboos. These prohibitions and taboos were directed against any kind of activity that could possibly result in violent rivalries among the population. The killing of adulterers, thieves, and foreigners can be seen as a way of ridding society of people perceived as having undesirable traits and ridding it of the potential imitation of their bad desires. In this way, a society's violence may function in a protective and anti-mimetic way. The violence against transgressors is a kind of mimetic anti-mimesis, a way of telling people to follow the rules of society so that they will become mimetically immune to the forces that threaten society.Violent victimizing appears to fulfill a generative function by preventing transgressions, moral cleansing, and restoration of peace. At the same time, however, it bears (unconsciously for the participants) a similarity to what one wishes to expel, namely, the feared violence and negative influence of the person or persons who are victimized. Despite attempts to expel violent transgressions, the attempts themselves are quite similar to the violence they are trying to exorcise. Both Freud and Girard argue that those who conduct a rite of sacrifice are projecting onto the sacrificial victim qualities that reflect some of their own innermost concerns.2 Sacrificial violence, seen from a modern, nonsacrificial standpoint, is a kind of suicide. By killing the other, one also kills something in oneself.Modern societies are full of these projections of one's own desires onto the other, which expose the modern variant of what is sacrifice, and which are often less physically but instead psychologically violent, yet still victimizing in their attitude of projecting. Terms such as “imitation,” “identification,” and “comparison” do not have to turn out to be violent—even when a great deal of competition is involved. In this respect, I disagree with some Girardians who claim that imitative desire must be violent and who look back to an insight going back to Heraclitus that violence is the source of all.4 The all-decisive factor is the gradual shift from competition to rivalry, from being allies to becoming enemies. The transition from being competitive friends to rivals comes as a result of imitation. Seen in this way, imitative desire is the generative force behind violence, the snake that turns friends and lovers into rivals.This Fr
在这篇文章中,我想让大家注意到个人和群体之间的交流互动的潜在暴力后果。吉拉德和莫斯都在更广泛的社会和政治进程中考察暴力根据莫斯的说法,哪怕是最小的差异,比如缺乏互惠,也可能引发报复的欲望。理解缺乏对称时的反应,无论是真实的还是虚幻的,都能让我们深入了解暴力背后的生成机制。这就是为什么传统社会试图通过禁令和禁忌来保护个人,而且往往非常成功。这些禁令和禁忌是针对任何可能导致人民之间暴力对抗的活动。杀死奸夫、小偷和外国人可以被看作是一种使社会摆脱被认为具有不良特征的人的方式,并使社会摆脱对他们不良欲望的潜在模仿。通过这种方式,一个社会的暴力可能以一种保护和反模仿的方式发挥作用。对违法者的暴力是一种模仿的反模仿,一种告诉人们遵守社会规则的方式,这样他们就会模仿地免受威胁社会的力量的影响。暴力伤害似乎通过防止犯罪、道德净化和恢复和平来实现一种生成功能。然而,与此同时,它(对参与者来说是无意识的)与人们希望驱逐的东西有相似之处,即对受害者的暴力和负面影响的恐惧。尽管试图驱逐暴力犯罪,但这些尝试本身与他们试图驱除的暴力非常相似。弗洛伊德和吉拉德都认为,那些举行祭祀仪式的人是在把自己内心深处的一些担忧投射到被祭祀的受害者身上牺牲暴力,从现代的、非牺牲的观点来看,是一种自杀。通过杀死别人,一个人也杀死了自己的某些东西。现代社会充满了这种将自己的欲望投射到他人身上的行为,这暴露了牺牲的现代变体,这种行为往往不那么暴力,而是心理上的暴力,但在投射的态度上仍然是受害者。像“模仿”、“认同”和“比较”这样的术语,即使涉及到大量的竞争,也不一定是暴力的。在这方面,我不同意一些吉拉尔派的观点,他们声称模仿欲望必须是暴力的,他们回顾了赫拉克利特的洞察力,即暴力是一切的源泉决定性的因素是从竞争到对抗,从盟友到敌人的逐渐转变。从竞争的朋友到竞争对手的转变是模仿的结果。从这个角度来看,模仿欲望是暴力背后的生发力量,是把朋友和恋人变成对手的蛇。这种弗洛伊德式的投射行为类似于一种双重行为,一种对他人的强烈模仿,创造了双重形象。从吉拉尔的观点来看,是欲望的冲突导致了加倍,后来导致了暴力模仿彼此的欲望迟早会导致某种暴力这种加倍不仅涉及两个人;可以是团体,甚至是国家。但效果总是负面的。雷蒙德·施瓦格用以下术语解释了这一点:谁有欲望,就必须期望其他人也有欲望。谁屈服于竞争,谁就会在别人身上激起同样的激情。无论谁诉诸暴力,他或她的行为都会被模仿,直到行为迟早落到他或她自己的头上。这篇对相互暴力的精彩描述表明,暴力升级是多么不可避免。在模仿竞争中有一些有机的东西;它的力量是如此强大,以至于摆脱暴力冲突的方式似乎几乎是不可能的,除非有一个转变:改变心意,或者采取宽恕的行动,以停止正在进行的循环。因此,我不同意伯纳德·佩雷(Bernard Perret)强调天赋本身就是和平缔造者的观点,因为它只有在冲突减少、交换公平的时候才真正发挥作用。马克·安斯帕奇也许是对的,因为拒绝给予有可能使自己成为暴力的受害者然而,问题是,礼物本身变得过于象征性和软弱,从长远来看,不能阻止模仿暴力。然而,如果模仿欲望不像现在这样具有破坏性和强烈,这种天赋将能够平衡,甚至可能消除冲突。在我看来,这似乎是吉拉德不考虑在和平仪式中牺牲的原因。如果我们把暴力降级为交换礼物的关系性质,正如莫斯所描述的那样,这可能有助于我们更清楚地看到暴力的占有欲方面。因此,冲突可以被视为一个初始阶段。 吉拉德将这种暴力的升级解释为抵抗的增加:“欲望越依附于抵抗,它就越倾向于暴力。根据模仿理论,暴力几乎没有合理性,因为,就像在竞争性的爱情中一样,暴力似乎越来越少地受到任何对象的驱使,而越来越多地受到相互暴力的驱使。当然,基于某种互惠性,这种平衡带有合理性,但通常被视为引入和激发暴力的对象逐渐变得不那么有动机了。这种对虚无的竞争在电影《美国精神病患者》(American Psycho)中得到了很好的诠释,这部电影改编自布雷特·伊斯顿·埃利斯(Bret Easton Ellis)的同名小说,讲述了一个年轻的纽约雅皮士如何成为连环杀手。在一个场景中,年轻而成功的纽约商人开始比较他们的名片中哪一张是最光滑、精致和微妙的。主人公帕特里克·贝特曼(Patrick Bateman)因嫉妒而感到恶心,于是第一次杀人。这是欲望根据他人欲望的一个例子,因为绝对没有什么真正的利害关系,只有欲望。从这个角度来看,模仿是开始和结束暴力的力量,从这个角度来看,模仿是暴力的关键。由于暴力总是由模仿欲望引起的,因此它不是原创的。它是模仿欲望的副产品。如果人类有暴力倾向,那么暴力应该是本能的。然而,称其为暴力,意味着杀戮主要不是出于本能,而是与道德问题有关。关于人类和杀戮的特殊性在于,在没有进一步后果的情况下,在没有伴随的道德和宗教影响的情况下,缺乏杀戮的能力。这是扩大模仿的结果。人类暴力对种内攻击没有制动机制。根据伯顿·l·麦克的说法,这意味着敌对和冲突一旦爆发,就会导致过失杀人根据吉拉德的说法,人类中象征性暴力的增长是模仿活动的结果,模仿活动与大脑体积的增加有关这并不意味着人性变得更加暴力,恰恰相反,但这确实意味着,智力的提高使暴力变得更加有效和深远。此外,人类没有本能的停止机制,这使得暴力变得复杂,似乎是非理性的,因为冲突模仿的变化导致暴力表达的范围很大。当讨论模仿与暴力的关系时,几乎所有暴力模仿的变化都可以被贴上获取的标签。然而,有一种倾向是将模仿解释为重新呈现(再次呈现),特别是当冲突程度较低时。如果冲突程度上升,一切都围绕着收购展开。这或许应该表明,模仿应该与获得物品的欲望有关,尤其是与获得难以获得的物品的欲望有关,但吉拉德只是在一定程度上跟进了将暴力归因于基本物品稀缺的倾向,因为稀缺和暴力之间的联系是相对的在某些情况下,在暴力发生之前只有轻微的稀缺,而在其他情况下,根本没有稀缺。这意味着暴力和稀缺之间的关系必须在欲望的背景下理解,而不是与稀缺本身有关。然而,吉拉德从未将他对模仿的理解与关于商品稀缺的真正讨论联系起来。稀缺性在模仿理论中被认为考虑得太少,尤其是在全球视野中这可能是因为吉拉德认为这可能会削弱他的模仿理论。在世界上的某些地区,由于食物和其他物品的缺乏而引起的外部欲望,显然是出于生存的欲望,而不是出于对他人欲望的欲望。有人可能会说,当模仿欲望不局限于西方世界的欲望表现方式时,它与内部调解的关系就会减少,因为世界上大多数地区的个人表达更多地受到牺牲制度的管制。模仿和暴力在理解神话中扮演着如此重要的角色,以至于如果没有暴力和模仿的存在,神话就不是神话,而是一个直截了当的真实故事或童话。吉拉德没有在常见的文本结构中看到神话的同质性,比如lsamvi - strauss 31,而是在它产生并试图隐藏的暴力中看到神话的同质性。神话试图通过神化暴力和以一种不揭示社会暴力的方式记录事件来掩盖已经造成的暴力莫里斯·布洛赫认为,将暴力隐藏在神话中的行为是试图在宗教和政治中创造超越性。
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引用次数: 0
MAKNA “CELANA” DALAM KUMPULAN PUISI “SELAMAT MENUNAIKAN IBADAH PUISI” KARYA JOKO PINURBO JOKO PINURBO的诗歌集《快乐的诗歌崇拜》中的“内裤”的意思
Q2 Arts and Humanities Pub Date : 2023-01-31 DOI: 10.12928/mms.v4i1.7204
Risen Dhawuh Abdullah
This research seeks to dismantle the philosophical meaning of "celana" from various points of view in the collection of poetry Selamat Menunaikan Ibadah Puisi by Joko Pinurbo. As for the poems that were carefully selected, only three poems contained the diction "celana", namely “celana, 1”, “celana, 2”, and “celana, 3”. The approach used was Paul Ricoeur's Hermeneutic Approach. This approach is used to obtain various philosophical meanings of "celana" in more depth. The chosen method is a qualitative-descriptive method with repeated reading techniques. Then the findings of this research is the philosophical meaning of "celana" which includes three meanings. First "celana" in the real context, "celana" as achievements in the context of education, "celana" as provisions in the context of religiosity.
本研究试图从Joko Pinurbo的诗集《Selamat Menunaikan Ibadah Puisi》的不同角度解构“celana”的哲学意义。在精心挑选的诗歌中,只有三首诗含有“celana”的措辞,即“celana, 1”,“celana, 2”和“celana, 3”。使用的方法是保罗·利科的解释学方法。用这种方法更深入地获得“celana”的各种哲学意义。所选择的方法是使用重复阅读技术的定性描述方法。然后,本研究的发现是“celana”的哲学意义,它包括三种含义。首先“celana”在现实语境中,“celana”作为成就在教育语境中,“celana”作为规定在宗教语境中。
{"title":"MAKNA “CELANA” DALAM KUMPULAN PUISI “SELAMAT MENUNAIKAN IBADAH PUISI” KARYA JOKO PINURBO","authors":"Risen Dhawuh Abdullah","doi":"10.12928/mms.v4i1.7204","DOIUrl":"https://doi.org/10.12928/mms.v4i1.7204","url":null,"abstract":"\u0000\u0000\u0000\u0000\u0000\u0000This research seeks to dismantle the philosophical meaning of \"celana\" from various points of view in the collection of poetry Selamat Menunaikan Ibadah Puisi by Joko Pinurbo. As for the poems that were carefully selected, only three poems contained the diction \"celana\", namely “celana, 1”, “celana, 2”, and “celana, 3”. The approach used was Paul Ricoeur's Hermeneutic Approach. This approach is used to obtain various philosophical meanings of \"celana\" in more depth. The chosen method is a qualitative-descriptive method with repeated reading techniques. Then the findings of this research is the philosophical meaning of \"celana\" which includes three meanings. First \"celana\" in the real context, \"celana\" as achievements in the context of education, \"celana\" as provisions in the context of religiosity.\u0000\u0000\u0000\u0000\u0000\u0000","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90007294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MAKNA METAFORIS DALAM PUISI “SAJAK PERTEMUAN MAHASISWA” KARYA W.S. RENDRA MELALUI TINJAUAN SEMANTIK STEPHEN ULLMANN W.S. RENDRA在他的语义审查中对“学生诗词会”的隐喻意义
Q2 Arts and Humanities Pub Date : 2023-01-31 DOI: 10.12928/mms.v4i1.6969
Narendra Brahmantyo Karnamarhaendra Roosmawanto, Irwan Suswandi
This research aims to describe the metaphorical meaning contained in the poem titled "Sajak Pertemuan Mahasiswa" as explained by Stephen Ullmann (1962). Ullmann categorizes metaphors into four types: anthropomorphic metaphor, animal metaphor, concrete-to-abstract metaphor, and synesthesia metaphor. The method used in this research is qualitative research. This qualitative research method uses content analysis to focus on studying literary works. Then, the writer uses library techniques to collect references from books and scientific works to support this research. This technique is continued with the use of note technique, namely numeric technique, in every methapor category. As for the presentation of research results, the author uses an informal method, namely the presentation of data in ordinary words, as a medium to convey the contents of this research. By categorizing the metaphorical meanings that have been collected, the writer discovers that the most categories are anthropomorphic metaphors and metaphors from concrete to abstract, whereas no data with related meanings is found in synesthesia metaphors.
本研究旨在描述Stephen Ullmann(1962)所解释的诗“Sajak Pertemuan Mahasiswa”所包含的隐喻意义。Ullmann将隐喻分为四类:拟人隐喻、动物隐喻、具象隐喻和联觉隐喻。本研究采用的方法是定性研究。这种定性研究方法采用内容分析的方法,重点研究文学作品。然后,作者利用图书馆技术从书籍和科学著作中收集参考文献来支持本研究。这一技巧继续使用音符技巧,即数字技巧,在每一个methapor类别。在研究成果的呈现上,作者采用了一种非正式的方式,即用普通的文字来呈现数据,作为媒介来传达本研究的内容。通过对收集到的隐喻意义进行分类,作者发现,大部分的隐喻类型是拟人隐喻和从具体到抽象的隐喻,而联觉隐喻中没有相关意义的数据。
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引用次数: 0
MEDAN MAKNA VERBA CUT DALAM BAHASA INGGRIS MEDAN在英语中是动词切割的意思
Q2 Arts and Humanities Pub Date : 2023-01-31 DOI: 10.12928/mms.v4i1.7183
Ika Oktaviana, Ummi Nurjamil Baiti Lapiana, Safrina Arifiani Felayati, Eka Yunita Liambo
This study discusses meaning field of verb cut in English. This study is aimed at finding out the lexemes of verb cut and the semantic features contained in each lexeme. The data source for this study is obtained from the research results of Levin (1993) and the iweb corpus. The data of this research only takes lexemes mentioned as group member of verb cut. The data are collected is by finding and writing off groups of cut verbs contained in the book and the corpus. Then after being collected, the data was analyzed by looking for definitions of the group of cut verbs from three dictionaries, namely the Oxford Dictionary of English, Merriam Webster Dictionary, and Longman English Dictionary. After that, the data were analyzed according to the components of meaning contained in the verb cut group. The results of this study indicate that there are 18 lexemes as members of verb cut and there are four semantic features consisting of activity, instrument, object and result features.
本文探讨了英语动词cut的意义场。本研究旨在找出动词cut的词素及其所包含的语义特征。本研究的数据来源为Levin(1993)的研究成果和iweb语料库。本研究的数据仅将被提及的词汇作为动词切割的组成员。数据的收集是通过查找和写下包含在书和语料库中的切割动词组。收集数据后,通过在牛津英语词典、韦氏词典和朗文英语词典中查找切割动词组的定义来分析数据。然后,根据动词切割组所包含的意义成分对数据进行分析。研究结果表明,动词切分有18个词素组成,具有活动特征、工具特征、对象特征和结果特征四个语义特征。
{"title":"MEDAN MAKNA VERBA CUT DALAM BAHASA INGGRIS","authors":"Ika Oktaviana, Ummi Nurjamil Baiti Lapiana, Safrina Arifiani Felayati, Eka Yunita Liambo","doi":"10.12928/mms.v4i1.7183","DOIUrl":"https://doi.org/10.12928/mms.v4i1.7183","url":null,"abstract":"\u0000 \u0000 \u0000 \u0000This study discusses meaning field of verb cut in English. This study is aimed at finding out the lexemes of verb cut and the semantic features contained in each lexeme. The data source for this study is obtained from the research results of Levin (1993) and the iweb corpus. The data of this research only takes lexemes mentioned as group member of verb cut. The data are collected is by finding and writing off groups of cut verbs contained in the book and the corpus. Then after being collected, the data was analyzed by looking for definitions of the group of cut verbs from three dictionaries, namely the Oxford Dictionary of English, Merriam Webster Dictionary, and Longman English Dictionary. After that, the data were analyzed according to the components of meaning contained in the verb cut group. The results of this study indicate that there are 18 lexemes as members of verb cut and there are four semantic features consisting of activity, instrument, object and result features. \u0000 \u0000 \u0000 \u0000","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87796083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANALISIS KESALAHAN BERBAHASA PADA TATARAN FRASA DALAM PUTUSAN PENGADILAN KASUS TINDAK PIDANA KEJAHATAN TERHADAP NYAWA 对死刑判决中语言错误的分析
Q2 Arts and Humanities Pub Date : 2023-01-31 DOI: 10.12928/mms.v4i1.7163
Ririn Sulistyowati
Court order are a scientific product of the legal process, so there should be no mistakes in writing court order because this can have fatal consequences for the legal process that has been carried out. Phrases as the smallest level in the syntax used to form sentences must be written correctly in a court order to avoid misinterpretation of a court order. This study will describe the various language errors at the phrase level that can be found in court order on homicide act of criminal. This research is a qualitative descriptive study. The data in this study are sentences containing language errors at the phrase level contained in a court order of homicide act of criminal in North Sumatra in 2020.  The conclusions in this study are made inductively. Based on the analysis in this study, it can be concluded that there are six types of language errors, namely the influence of regional languages, inappropriate use of prepositions, wording errors, excessive use of elements, errors in the use of superlative forms, and pluralization of plural forms.
法院命令是法律程序的科学产物,因此在撰写法院命令时不应出现错误,因为这可能对已经执行的法律程序造成致命的后果。短语作为构成句子的语法中最小的层次,必须在法庭命令中正确书写,以避免对法庭命令的误解。本研究将描述在刑事杀人行为法庭命令中可能发现的各种语言错误。本研究为定性描述性研究。本研究中的数据是在2020年北苏门答腊岛的一份法院杀人犯罪命令中包含短语级语言错误的句子。本研究的结论是归纳性的。通过本研究的分析,可以得出六种类型的语言错误,即地域语言的影响,介词的不当使用,措辞错误,过度使用元素,最高级形式的使用错误,复数形式的复数化。
{"title":"ANALISIS KESALAHAN BERBAHASA PADA TATARAN FRASA DALAM PUTUSAN PENGADILAN KASUS TINDAK PIDANA KEJAHATAN TERHADAP NYAWA","authors":"Ririn Sulistyowati","doi":"10.12928/mms.v4i1.7163","DOIUrl":"https://doi.org/10.12928/mms.v4i1.7163","url":null,"abstract":"\u0000\u0000\u0000\u0000Court order are a scientific product of the legal process, so there should be no mistakes in writing court order because this can have fatal consequences for the legal process that has been carried out. Phrases as the smallest level in the syntax used to form sentences must be written correctly in a court order to avoid misinterpretation of a court order. This study will describe the various language errors at the phrase level that can be found in court order on homicide act of criminal. This research is a qualitative descriptive study. The data in this study are sentences containing language errors at the phrase level contained in a court order of homicide act of criminal in North Sumatra in 2020.  The conclusions in this study are made inductively. Based on the analysis in this study, it can be concluded that there are six types of language errors, namely the influence of regional languages, inappropriate use of prepositions, wording errors, excessive use of elements, errors in the use of superlative forms, and pluralization of plural forms.\u0000\u0000\u0000\u0000","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88745296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
Contagion-Journal of Violence Mimesis and Culture
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