Over 90 years (1870-1960), 800 authors published 3000 Chinese Malay erudite workshops. Bunga Roos from Cikembang is one of the most well-known workshops. The work was written by Kwee Tek Hoay, one of the most prolific authors of his day. Bunga Roos from Cikembang, similar to the previous Chinese Malay literary work, casts an indigenous womanish figure as a Chinese man's "nyaie." The distinction in this tale is that the "nyaie" is elevated to a higher status. She is no longer referred to as a "mistress" (a libido grater), but rather as a lady by her master, even though she has never been married. This distinction is noteworthy and warrants additional investigation. The goal of this research is to locate honorable examples for the female character who becomes the "nyaie" in a detail in this sense, the study theory employed a gender theory, specifically Richard A. Lippa's notions of nature and nurture. This research is the outcome of a library search. The data analysis was done in a descriptive-qualitative manner. Marsiti, like a lady"nyaie" (concubine) of a high-class Chinese, was lauded not only as a woman who satisfies her master's lust because of her beauty, sexiness, and service (nature) but also as a woman in a good social arrangement (nurture). Marsiti is seen as a "partner" who can be relied upon to help the master think through the various challenges that arise in his life as a result of his wimpiness, intelligence, and fidelity. In this case, the location of the woman "nyaie" in Kwee Tek Hoay's Cikembang Bunga Roos appears to be superior to the previous work.
在90年间(1870-1960)，800位作者出版了3000部华文马来文学术论文集。来自慈根邦的Bunga Roos是最著名的作坊之一。这本书的作者郭德恺是当时最多产的作家之一。来自慈根邦的Bunga Roos，与之前的华人马来文学作品类似，将一个土著女性形象塑造成中国男人的“nyaie”。这个故事的区别在于“nyaie”被提升到了更高的地位。她不再被称为“情妇”(性欲增强者)，而是被她的主人称为女士，尽管她从未结过婚。这一区别值得注意，值得进一步调查。本研究的目的是为成为“nyaie”的女性角色找到一个值得尊敬的例子，在这个意义上，研究理论采用了性别理论，特别是Richard a . Lippa的先天和后天的概念。这项研究是在图书馆搜索的结果。数据分析以描述定性的方式进行。马西蒂就像中国上流社会的贵妇“娘娘”(妾)一样，不仅因为她的美貌、性感和服务(自然)而被称赞为满足主人情欲的女人，而且还被称赞为社会地位良好(教养)的女人。马西蒂被视为一个“伙伴”，可以依靠他来帮助大师思考生活中出现的各种挑战，这些挑战是他懦弱、聪明和忠诚的结果。在这幅作品中，Kwee Tek Hoay的《Cikembang Bunga Roos》中女人“nyaie”的位置似乎比之前的作品优越。
{"title":"WANITA (NYAIE) DALAM NOVEL BUNGA ROOS DARI CIKEMBANG KARYA KWEE TEK HOAY","authors":"Nur Alifah Septiani, Dedi Pramono","doi":"10.12928/mms.v3i1.5545","DOIUrl":"https://doi.org/10.12928/mms.v3i1.5545","url":null,"abstract":"Over 90 years (1870-1960), 800 authors published 3000 Chinese Malay erudite workshops. Bunga Roos from Cikembang is one of the most well-known workshops. The work was written by Kwee Tek Hoay, one of the most prolific authors of his day. Bunga Roos from Cikembang, similar to the previous Chinese Malay literary work, casts an indigenous womanish figure as a Chinese man's \"nyaie.\" The distinction in this tale is that the \"nyaie\" is elevated to a higher status. She is no longer referred to as a \"mistress\" (a libido grater), but rather as a lady by her master, even though she has never been married. This distinction is noteworthy and warrants additional investigation. The goal of this research is to locate honorable examples for the female character who becomes the \"nyaie\" in a detail in this sense, the study theory employed a gender theory, specifically Richard A. Lippa's notions of nature and nurture. This research is the outcome of a library search. The data analysis was done in a descriptive-qualitative manner. Marsiti, like a lady\"nyaie\" (concubine) of a high-class Chinese, was lauded not only as a woman who satisfies her master's lust because of her beauty, sexiness, and service (nature) but also as a woman in a good social arrangement (nurture). Marsiti is seen as a \"partner\" who can be relied upon to help the master think through the various challenges that arise in his life as a result of his wimpiness, intelligence, and fidelity. In this case, the location of the woman \"nyaie\" in Kwee Tek Hoay's Cikembang Bunga Roos appears to be superior to the previous work.","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76725335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Li Kunmei, Dian Indira, Ypsi Soeria Soemantri, Riza Lupi Ardiati
Advertisements are packaged in such a way that it is very influential to convey messages and at the same time influence or suggest products to the public. In shampoo advertisements from one country to another, there are cultural peculiarities of the people. This research has a problem formulation, namely the character of shampoo advertising culture in China and Indonesia. In solving the problem formulation, this research uses Pierce's semiotic theory using data in the form of advertisements for the Pantene, Clear, and Sunsilk shampoo brands. The analysis is carried out with a qualitative method. The results of this study show that shampoo advertisements in China and Indonesia in general have similarities with displaying a picture of a woman, but both have their own character that shows a picture of the people of their respective countries.
{"title":"ANALISIS SEMIOTIKA PIERCE: PERBANDINGAN POSTER IKLAN SAMPO DI TIONGKOK DAN INDONESIA","authors":"Li Kunmei, Dian Indira, Ypsi Soeria Soemantri, Riza Lupi Ardiati","doi":"10.12928/mms.v3i1.5560","DOIUrl":"https://doi.org/10.12928/mms.v3i1.5560","url":null,"abstract":"Advertisements are packaged in such a way that it is very influential to convey messages and at the same time influence or suggest products to the public. In shampoo advertisements from one country to another, there are cultural peculiarities of the people. This research has a problem formulation, namely the character of shampoo advertising culture in China and Indonesia. In solving the problem formulation, this research uses Pierce's semiotic theory using data in the form of advertisements for the Pantene, Clear, and Sunsilk shampoo brands. The analysis is carried out with a qualitative method. The results of this study show that shampoo advertisements in China and Indonesia in general have similarities with displaying a picture of a woman, but both have their own character that shows a picture of the people of their respective countries.","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75749934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research is motivated by the importance of understanding the forms of sarcasm uttered by students so that the public knows the purpose of using sarcasm. The problems discussed in this study are (1) the form of sarcasm used by Persada UAD 2019/2020 students based on grammar, (2) the form of sarcasm used by Persada UAD 2019/2020 students based on the content of the speech, and (3) the factors causing Persada UAD students to use the form of sarcasm. This study aims to describe the form of sarcasm among Persada UAD students and find out the factors causing Persada students to use sarcasm among Persada UAD students. Based on the research results regarding the form of using sarcasm by Persada UAD students in 2019/2020, the following conclusions were obtained. (1) The use of sarcasm among the students of Persada UAD in 2019/2020 based on the grammatical basis was found in three forms, namely words, phrases, and clauses. (2) The use of forms of sarcasm among Persada UAD students in 2019/2020 based on the content of the speech found seven forms of sarcasm, namely words containing bitterness, bitter reproaches, expressions of anger, swearing, words that are not pleasant to hear, ridicule, and certain social varieties. (3) The factors causing the students of Persada UAD in 2019/2020 to throw sarcasm found ten factors, namely social background, habits, reflexes, anger, inappropriate place and time, inappropriate participants, goals that did not match the speaker, tone when conveying messages, media language, and norms in interaction.
{"title":"SARKASME DI KALANGAN SANTRI PERSADA UNIVERSITAS AHMAD DAHLAN","authors":"Chika Ardeviya Rista, I. Sapanti","doi":"10.12928/mms.v3i1.5040","DOIUrl":"https://doi.org/10.12928/mms.v3i1.5040","url":null,"abstract":"\u0000This research is motivated by the importance of understanding the forms of sarcasm uttered by students so that the public knows the purpose of using sarcasm. The problems discussed in this study are (1) the form of sarcasm used by Persada UAD 2019/2020 students based on grammar, (2) the form of sarcasm used by Persada UAD 2019/2020 students based on the content of the speech, and (3) the factors causing Persada UAD students to use the form of sarcasm. This study aims to describe the form of sarcasm among Persada UAD students and find out the factors causing Persada students to use sarcasm among Persada UAD students. Based on the research results regarding the form of using sarcasm by Persada UAD students in 2019/2020, the following conclusions were obtained. (1) The use of sarcasm among the students of Persada UAD in 2019/2020 based on the grammatical basis was found in three forms, namely words, phrases, and clauses. (2) The use of forms of sarcasm among Persada UAD students in 2019/2020 based on the content of the speech found seven forms of sarcasm, namely words containing bitterness, bitter reproaches, expressions of anger, swearing, words that are not pleasant to hear, ridicule, and certain social varieties. (3) The factors causing the students of Persada UAD in 2019/2020 to throw sarcasm found ten factors, namely social background, habits, reflexes, anger, inappropriate place and time, inappropriate participants, goals that did not match the speaker, tone when conveying messages, media language, and norms in interaction.\u0000","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72548690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to uncover an Indigenous character named Oentoeng in the short story “Penunjuk Jalan”. The short story is one of Iksaka Banu's works contained in the book Semua untuk Hindia. The identity of the character that is trying to be dismantled includes hybridity, mimicry, and ambivalence. The theory used in this study is the postcolonial theory initiated by Homi K. Bhabha. The study used a qualitative descriptive method. There are three findings in this study. First, the identity of Oentoeng is a hybrid. Oentoeng absorbs Western values continuously, namely from his upbringing, education, and his association in the Dutch family environment. Second, mimicry as mockery by the character can be seen from three aspects, specifically the ability to speak Dutch, possess Western medical knowledge, and to be able to devise a strategy of rebellion that made the VOC troubles as invaders. Third, Oentoeng's attitude of wanting to be angry and willing to provide assistance, treatment, and entertainment to the Dutch doctor and his porter who had an accident could be interpreted as a form of ambivalence in the Indigenous character.
本研究旨在揭示短篇小说《Penunjuk Jalan》中一个名叫Oentoeng的土著人物。这个短篇故事是伊克萨卡·巴努的作品之一，收录在《Semua untuk Hindia》一书中。试图消解的人物身份包括混杂性、拟态和矛盾心理。本研究使用的理论是Homi K. Bhabha提出的后殖民理论。本研究采用定性描述方法。这项研究有三个发现。首先，恩腾的身份是混血儿。Oentoeng不断地吸收西方的价值观，即从他的成长、教育和他在荷兰家庭环境中的交往中。其次，角色的模仿作为嘲弄可以从三个方面来看，具体来说，会说荷兰语，拥有西方医学知识，能够制定叛乱策略，使VOC成为入侵者。第三，Oentoeng既想生气，又愿意帮助、治疗和娱乐出了事故的荷兰医生和他的搬运工，这可以解释为土著性格中的一种矛盾心理。
{"title":"IDENTITAS TOKOH PRIBUMI DALAM CERPEN PENUNJUK JALAN KARYA IKSAKA BANU: KAJIAN PASCAKOLONIAL HOMI K. BHABHA","authors":"Risen Dhawuh Abdullah, Ilham Rabbani","doi":"10.12928/mms.v3i1.5247","DOIUrl":"https://doi.org/10.12928/mms.v3i1.5247","url":null,"abstract":"This study aims to uncover an Indigenous character named Oentoeng in the short story “Penunjuk Jalan”. The short story is one of Iksaka Banu's works contained in the book Semua untuk Hindia. The identity of the character that is trying to be dismantled includes hybridity, mimicry, and ambivalence. The theory used in this study is the postcolonial theory initiated by Homi K. Bhabha. The study used a qualitative descriptive method. There are three findings in this study. First, the identity of Oentoeng is a hybrid. Oentoeng absorbs Western values continuously, namely from his upbringing, education, and his association in the Dutch family environment. Second, mimicry as mockery by the character can be seen from three aspects, specifically the ability to speak Dutch, possess Western medical knowledge, and to be able to devise a strategy of rebellion that made the VOC troubles as invaders. Third, Oentoeng's attitude of wanting to be angry and willing to provide assistance, treatment, and entertainment to the Dutch doctor and his porter who had an accident could be interpreted as a form of ambivalence in the Indigenous character.","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82391851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The colonial period was the planting of orientalist concepts towards the East, where the differences between East and West were very much shown. This of course did not escape the views of several Indonesian writers and writers who then tried to record this phenomenon in their literary works. One of the Indonesian writers, Iksaka Banu, who discusses the conflict between the natives and the Dutch, the Dutch and ethnic Chinese, to the conflict between the Dutch and the Dutch in various experiences and one of them is Iksaka Banu's latest collection of short stories entitled Teh dan Penghianat which was just published in 2019. This research using qualitative descriptive method aims to describe the form and role of orientalism in the collection of Teh and the traitor by Iksaka Banu by taking two short stories as material for analysis, namely 'Teh dan Pengianat' and ‘Belenggu Emas’. The data collection technique was carried out by document study techniques in short stories, namely by collecting data in the form of document archives, including books and journals. Meanwhile, the data triangulation process in the form of theoretical triangulation, data source triangulation and researcher triangulation, was carried out by the author to check the validity of the data. By using the theory put forward by Edward Said, this research concludes that in the short story Teh dan Pengtangan, there can be found several depictions of the East in the context of orientalism which symbolized by indigenous and ethnic Chinese. Meanwhile, in the short story Belenggu Emas, the depiction of the east in the context of orientalism is described as an indigenous community that needs to be improved or educated
殖民时期是东方学概念向东方灌输的时期，东西方之间的差异非常明显。当然，这并没有逃过一些印度尼西亚作家和作家的观点，他们试图在他们的文学作品中记录这一现象。其中一位印度尼西亚作家Iksaka Banu讨论了当地人和荷兰人之间的冲突，荷兰人和华人之间的冲突，以及荷兰人和荷兰人在各种经历中的冲突，其中之一是Iksaka Banu最新的短篇小故事集，名为Teh dan Penghianat，刚刚于2019年出版。本研究采用定性描述的方法，以伊克萨卡·巴努的《德与卖国贼》和《贝伦古·埃玛斯》两个短篇小说为材料进行分析，旨在描述东方主义在伊克萨卡·巴努的《德与卖国贼》合集中的形式和作用。数据收集技术采用短篇小说文献研究技术，即以文献档案的形式收集数据，包括书籍和期刊。同时，笔者对数据进行了理论三角剖分、数据源三角剖分和研究者三角剖分三种形式的三角剖分，以检验数据的有效性。运用萨义德的理论，本研究认为，在短篇小说《德丹彭塘滩》中，存在着以中国本土和少数民族为象征的东方主义语境下的几种对东方的描绘。与此同时，在短篇小说Belenggu Emas中，东方主义语境下对东方的描绘被描述为一个需要改善或教育的土著社区
{"title":"JEJAK KOLONIAL DAN PERAN ORIENTALISME DALAM KUMPULAN CERPEN TEH DAN PENGHIANAT KARYA IKSAKA BANU","authors":"Baiq Annisa Yulfana Nalurita, T. Apriyani","doi":"10.12928/mms.v3i1.4893","DOIUrl":"https://doi.org/10.12928/mms.v3i1.4893","url":null,"abstract":"The colonial period was the planting of orientalist concepts towards the East, where the differences between East and West were very much shown. This of course did not escape the views of several Indonesian writers and writers who then tried to record this phenomenon in their literary works. One of the Indonesian writers, Iksaka Banu, who discusses the conflict between the natives and the Dutch, the Dutch and ethnic Chinese, to the conflict between the Dutch and the Dutch in various experiences and one of them is Iksaka Banu's latest collection of short stories entitled Teh dan Penghianat which was just published in 2019. This research using qualitative descriptive method aims to describe the form and role of orientalism in the collection of Teh and the traitor by Iksaka Banu by taking two short stories as material for analysis, namely 'Teh dan Pengianat' and ‘Belenggu Emas’. The data collection technique was carried out by document study techniques in short stories, namely by collecting data in the form of document archives, including books and journals. Meanwhile, the data triangulation process in the form of theoretical triangulation, data source triangulation and researcher triangulation, was carried out by the author to check the validity of the data. By using the theory put forward by Edward Said, this research concludes that in the short story Teh dan Pengtangan, there can be found several depictions of the East in the context of orientalism which symbolized by indigenous and ethnic Chinese. Meanwhile, in the short story Belenggu Emas, the depiction of the east in the context of orientalism is described as an indigenous community that needs to be improved or educated","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89901842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nemesi performativa","authors":"G. Cipollone","doi":"10.4000/mimesis.2289","DOIUrl":"https://doi.org/10.4000/mimesis.2289","url":null,"abstract":"","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87499429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"«The ghosts are themselves the future»","authors":"Irene Pipicelli","doi":"10.4000/mimesis.2309","DOIUrl":"https://doi.org/10.4000/mimesis.2309","url":null,"abstract":"","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83650229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Oh Gay! al Bagaglino","authors":"Andrea Meroni","doi":"10.4000/mimesis.2319","DOIUrl":"https://doi.org/10.4000/mimesis.2319","url":null,"abstract":"","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87512983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Il teatro en travesti del KTTMCC alias Pumitrozzole","authors":"C. Grimaldi","doi":"10.4000/mimesis.2384","DOIUrl":"https://doi.org/10.4000/mimesis.2384","url":null,"abstract":"","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83094383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sciarrino in dialogo con Laforgue","authors":"Attilio Cantore, Alberto Massarotto","doi":"10.4000/mimesis.2349","DOIUrl":"https://doi.org/10.4000/mimesis.2349","url":null,"abstract":"","PeriodicalId":41028,"journal":{"name":"Contagion-Journal of Violence Mimesis and Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73169151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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