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Inspecting Monetary Policy Rules in a Small Open Economy with Financial Frictions 基于金融摩擦的小型开放经济货币政策规则考察
IF 0.8 Pub Date : 2023-06-30 DOI: 10.11644/kiep.eaer.2023.27.2.420
Yongseung Jung
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引用次数: 0
Foreigners’ Short Selling in the Korean Stock Market around the Financial Crisis 金融危机前后外国人在韩国股市的卖空行为
IF 0.8 Pub Date : 2023-06-30 DOI: 10.11644/kiep.eaer.2023.27.2.421
S. Hahn, Sehoon Kwon, Yeongseop Rhee
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引用次数: 0
The Effects of Strategic Goods Control on Productivity: The Case of Korea 战略货物管制对生产率的影响:以韩国为例
IF 0.8 Pub Date : 2023-06-30 DOI: 10.11644/kiep.eaer.2023.27.2.419
Min Hye Moon, Y. Jang
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引用次数: 0
The Impact of Indigenous People’s Pre-existing Information on Rice Farming: Findings from Laos 土著居民已有信息对水稻种植的影响:来自老挝的调查结果
IF 0.8 Pub Date : 2023-03-31 DOI: 10.11644/kiep.eaer.2023.27.1.416
Bheomseok Kim, Taeyoon Kim
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引用次数: 0
Analysis of ASEAN’s Stock Returns and/or Volatility Distribution under the Impact of the Chinese EPU: Evidence Based on Conditional Kernel Density Approach 中国EPU影响下东盟股票收益与波动率分布分析:基于条件核密度方法的证据
IF 0.8 Pub Date : 2023-03-31 DOI: 10.11644/kiep.eaer.2023.27.1.417
Mohib Ur Rahman, Irfan Ullah, A. Zeb
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引用次数: 0
Do Women's Attitudes Matter in Acceptance of Islamic Microfinance? Evidence from Malaysia 妇女的态度对接受伊斯兰小额信贷有影响吗?来自马来西亚的证据
IF 0.8 Pub Date : 2023-03-31 DOI: 10.11644/kiep.eaer.2023.27.1.418
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引用次数: 1
Antara Ie dan Dadia: Perbandingan Nilai Budaya dalam Upacara Soushiki pada Masyarakat Jepang dan Upacara Ngaben pada Masyarakat Bali 在Ie和Dadia之间:在日本的Soushiki仪式上比较文化价值,在巴厘岛的nngaben仪式上比较文化价值
IF 0.8 Pub Date : 2023-03-30 DOI: 10.22146/ear.v1(1).1-16
Putu Krisna Ariani, Robi Wibowo
Penelitian ini membahas mengenai perbandingan pada upacara kematian soushiki yang dilakukan oleh masyarakat Jepang dan upacara ngaben yang dilakukan oleh masyarakat Hindu Bali. Tujuan dari penelitian ini adalah untuk mengetahui rangkaian prosesi serta menjabarkan perbedaan dan persamaan dari kedua upacara tersebut, dilihat dari nilai budaya yang terkandung di dalamnya, yakni ie dan dadia. Penelitian ini menggunakan metode deskriptif kualitatif dengan data yang diperoleh dari buku, jurnal, serta data kepustakaan yang menunjang penelitian. Hasil dari penelitian ini menunjukkan bahwa upacara soushiki dan upacara ngaben masing-masing memiliki tiga rangkaian prosesi utama, meliputi persiapan upacara, pelaksanaan upacara, dan kegiatan setelah upacara. Selain itu, upacara soushiki dan ngaben memiliki persamaan dan perbedaan yang dapat dilihat dari rangkaian prosesi serta sistem kekerabatan ie dan dadia yang melandasi berlangsungnya upacara soushiki dan ngaben. Pada intinya, peneliti menemukan tiga poin utama dalam perbandingan nilai budaya pada upacara soushiki dan ngaben. Pertama, pelaksanaan upacara soushiki dan ngaben memiliki kaitan yang erat dengan kepercayaan, yaitu Buddha pada upacara soushiki dan Hindu pada upacara ngaben. Kedua, pelaksanaan soushiki dan ngaben sebagai upacara kematian memiliki fungsi yang serupa, yakni mengembalikan arwah ke tempat asalnya. Ketiga, pelaksanaan upacara soushiki dan ngaben dilandasi oleh ie dan dadia sebagai suatu konsep yang menyangkut hubungan kekerabatan pada masyarakat, khususnya masyarakat Jepang dan Bali.
这项研究讨论了日本人将索斯希基的死亡仪式与巴厘岛印度教教徒举行的ngaben仪式进行比较。这项研究的目的是确定一系列的游行队伍,并描述这两种仪式的不同和相似之处,从它们所体现的文化价值来看,即即ie和dadia。本研究采用一种基于书籍、日记和支持研究的文献的描述性质的方法。这项研究的结果表明,soushiki仪式和ngaben仪式有三种主要的仪式,包括准备仪式、仪式执行和仪式后活动。此外,soushiki和ngaben的仪式与主持soushiki和ngaben仪式的ie和dadia亲属制度有相似和不同之处。在这一点上,研究人员发现了索希基和恩加本仪式文化价值比较的三个要点。首先,soushiki和ngaben的仪式与佛教在soushiki仪式和ngaben仪式中的印度教信仰有密切的联系。其次,soushiki和ngaben作为死亡仪式的执行也有类似的功能,即将灵魂送回它的源头。第三,通过ie和dadia实施soushiki和ngaben的仪式,是一个关系到社会的概念,特别是日本和巴厘岛的社会。
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引用次数: 0
Representasi Han dalam Drama Mystic Pop-Up Bar 代表汉达拉姆戏剧神秘快闪酒吧
IF 0.8 Pub Date : 2023-03-30 DOI: 10.22146/ear.v1(1).48-62
Sindy Novi Nurjanah, Hwang Who Young
Han (한恨) is a complicated Korean sociocultural concept which related to unresolved resentment, pain, grief, and anger. This han concept is often used in Korean cultural productions, for instance JTBC Korean drama, “Ssanggappocha (쌍갑포차), Mystic Pop-up Bar (MPUB)”. It tells about the characters’ han stories along with the process of how they resolve it. Therefore, this research used MPUB drama as research object to see the representation and finding the types of han. The theory used in this research is Andrew Sung Park’s theory (1993) about the structure of han. This research uses a qualitative descriptive method to analyze the data which is the dialogues of related scenes. The result of this research is out of nine forms of han according to Park, there are five forms of han discovered in the drama. Those forms are: (1) the han of individual: conscious-passive; (2) the han of individual: unconscious-active; (3) the han of individual: unconscious-passive; (4) the han of group: unconscious-passive; and (5) the han of nature. Generally, the dominant form found in the drama is han of individual expressed in passive way since the characters showed their process of accepting the han rather than being aggressive toward it.
“韩”是一个复杂的韩国社会文化概念,与未解决的怨恨、痛苦、悲伤和愤怒有关。这一概念经常被用在韩国文化作品中,例如JTBC的韩剧《双甲寺》()、《神秘弹出式酒吧》()。它讲述了人物的故事,以及他们如何解决这个问题的过程。因此,本研究以MPUB戏剧为研究对象,观察其表现形式,寻找汉的类型。本研究使用的理论是Andrew Sung Park(1993)关于汉结构的理论。本研究采用定性描述的方法来分析数据,即相关场景的对话。此次研究的结果是,在朴教授所说的九种“汉”中,在剧中发现了五种“汉”。这些形式是:(1)个人的手,意识的-被动的;(2)个体的手:无意识的主动;(3)个体层面:无意识-被动;(4)群体之手:无意识-被动;(5)自然之手。一般来说,戏剧中的主导形式是被动表达的个人的手,因为人物表现的是他们接受手的过程,而不是对它的侵略性。
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引用次数: 0
Analisis Pragmatik Adverbia Kekkou dan Verba Sumimasen Bahasa Jepang
IF 0.8 Pub Date : 2023-03-30 DOI: 10.22146/ear.v1(1).17-27
Yayan Suyana
Bahasa Jepang dikenal sebagai bahasa yang memiliki  keambiguitasan, baik dalam tataran fonetik, leksikal maupun gramatikal. Diperlukan cara untuk memahami makna apa yang dikandung oleh sebuah ungkapan dalam bahasa Jepang. Sehingga pemahaman tentang konteks atau situasi tutur secara keseluruhan sangat diperlukan. Dalam penelitian ini penulis mengangkat ambiguitas pada tataran leksikal, berupa pemakaian adverbia kekkou dan  verba sumimasen bahasa Jepang. Kedua leksikal ini apabila berdiri sendiri memiliki berbagai makna. Melalui pendekatan pragmatik berupa telaah dalam berbagai situasi tutur, akan dicari kategori pragmatik dan  makna pragmatik dari adverbia kekkou dan verba sumimasen. Setelah diadakan analisis pada 15 situasi tutur yang mengandung adverbia kekkou dan 15 situasi tutur yang mengandung verba sumimasen, didapatkan kategori makna pragmatik adverbia kekkou bahasa Jepang adalah ilokusi asertif, sedangkan kategori makna pragmatik verba sumimasen adalah ilokusi asertif, ekspresif dan direktif. Adapun makna pragmatik adverbia kekkou menunjukkan persetujuan, penolakan, menyatakan pilihan, dan menyatakan kesanggupan. Sedangkan makna yang dikandung dalam kategori ilokusi asertif verba sumimasen menunjukkan penolakan dan memastikan. Kategori ilokusi ekspresif menyatakan penyesalan dan terimakasih, serta kategori ilokusi direktif menyatakan permintaan tolong dan sapaan untuk menghentikan lawan tutur.
日语被称为语音学、词汇和语法上的模糊语言。需要一种方法来理解日语表达的含义。因此,理解整个语境或语境是必不可少的。在这项研究中,作者提出了词汇表中使用kekkoh副词和动词sumimasen的模糊性。这两种说法在单独使用时都有不同的含义。通过在各种语言环境中学习的实用主义方法,将会寻求实用主义类别和凯口副词和动词sumimasen的实用意义。对15种含有副词kekakuma的语言情况进行分析后,15种含有动词sumimasen的语言语境,会发现日语的语副词意义的务实类别是肯定的ilokusi,而实用主义动词sumimasen的类别是肯定的、表现性和直接的ilokusi。至于kekko副词的务实含义表示同意、拒绝、表达选择和表达能力。然而,在断言性动词sumimasen中孕育的意义表示否认和确定。表达的ilokusi类别表示遗憾和感谢,以及指示的ilokusi类别表达请求和问候,以阻止说话的人。
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引用次数: 0
Pandangan Dunia Yi Munyol dalam Novel Our Twisted Hero
IF 0.8 Pub Date : 2023-03-30 DOI: 10.22146/ear.v1(1).28-47
Mar’ah Mukhbita Elkhoiriyah
This study aims to find the author's worldview on the novel, Our Twisted Hero. The worldview is examined using Lucien Goldmann's genetic structuralism theory which views a literary work from the structure that builds it. The structure is in the form of homology between the structure of the novel and the social structure in society. According to Goldmann, the structure of the novel is centered on the relationship between characters and between characters with objects. The author's social group is also a material consideration behind the formation of his worldview. The result of this research shows the author's view toward struggle for democracy in South Korea in the 1980s including the attitude of the people involved. Through the conflict between the problematic hero Han Byeongtae and Eom Seokdae, his classmate, and homeroom teacher, this research reveals the view of the author who thinks that the lack of concern for some people towards the struggle for democracy actually helps authoritarian governments strengthen their power. However, the author's main goal is not to judge the right or wrong of it but to reveal the hard reality that actually happened back then through Yi Munyol's point of view as the author of the novel.
本文旨在探讨作者对小说《我们扭曲的英雄》的世界观。这种世界观是用吕西安·戈德曼的遗传结构主义理论来检验的,该理论从构建文学作品的结构来看待文学作品。这种结构是以小说结构与社会结构的同构形式存在的。根据戈德曼的说法,小说的结构以人物之间以及人物与对象之间的关系为中心。作者所处的社会群体也是其世界观形成背后的物质考量。研究结果显示了作者对80年代韩国民主主义斗争的看法,包括参与者的态度。通过问题主人公韩炳泰和他的同学兼班主任严石大之间的矛盾,揭示了作者的观点,即一些人对民主斗争的不关心实际上有助于威权政府加强权力。但是,作者的主要目的并不是判断对错,而是通过小说作者李慕烈的视角,揭示当时真实发生的残酷现实。
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East Asian Economic Review
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