Pub Date : 2024-08-31DOI: 10.1080/17503132.2024.2393929
Stanislav Menzelevskyi
The article endeavours to uncover the lesser-known history of the Kino magazine, the principal professional film publication in Soviet Ukraine during the 1920s. As a companion to the All-Ukrainian ...
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Pub Date : 2024-08-29DOI: 10.1080/17503132.2024.2392331
Vincent Bohlinger
This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...
{"title":"Mykola Shpykovskyi and the visual style of late VUFKU films","authors":"Vincent Bohlinger","doi":"10.1080/17503132.2024.2392331","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392331","url":null,"abstract":"This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-22DOI: 10.1080/17503132.2024.2392337
Jeremy Hicks
This article argues that Mark Donskoi’s 1944 film The Rainbow, made at the evacuated Kyiv film studios in Turkmenistan, gains an enormous amount when seen as a Ukrainian film. While the Odesa-born ...
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Pub Date : 2024-08-18DOI: 10.1080/17503132.2024.2392338
Lora Maslenitsyna
Critical reception of Ukrainian director Sergei Loznitsa’s documentary films typically concludes that the director privileges observational techniques to depict historical events and political move...
{"title":"Against observation: the panoramic legacy of Sergei Loznitsa","authors":"Lora Maslenitsyna","doi":"10.1080/17503132.2024.2392338","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392338","url":null,"abstract":"Critical reception of Ukrainian director Sergei Loznitsa’s documentary films typically concludes that the director privileges observational techniques to depict historical events and political move...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"7 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-31DOI: 10.1080/17503132.2024.2355691
Richard Taylor
Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)
发表于《俄罗斯和苏联电影研究》（第 18 卷第 2 期，2024 年）
{"title":"Singing a different tune. The Slavic film musical in a transnational context","authors":"Richard Taylor","doi":"10.1080/17503132.2024.2355691","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355691","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"71 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141258082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-31DOI: 10.1080/17503132.2024.2355601
Emma Widdis
Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)
发表于《俄罗斯和苏联电影研究》（第 18 卷第 2 期，2024 年）
{"title":"Afterword: cinemas of the Soviet peripheries","authors":"Emma Widdis","doi":"10.1080/17503132.2024.2355601","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355601","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"84 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-31DOI: 10.1080/17503132.2024.2355692
Birgit Beumers
Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)
发表于《俄罗斯和苏联电影研究》（第 18 卷第 2 期，2024 年）
{"title":"Sex Work in Contemporary Russia: A Cultural Perspective","authors":"Birgit Beumers","doi":"10.1080/17503132.2024.2355692","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355692","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141258168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/17503132.2024.2352077
Mia Öhman
Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)
发表于《俄罗斯和苏联电影研究》（2024 年，提前出版）
{"title":"Remapping Cold War Media: Institutions, Infrastructures, Translations","authors":"Mia Öhman","doi":"10.1080/17503132.2024.2352077","DOIUrl":"https://doi.org/10.1080/17503132.2024.2352077","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140931851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-17DOI: 10.1080/17503132.2024.2342598
Caroline Damiens
This article looks at film exhibition targeting Indigenous audiences in the rural Soviet North. It draws on the case of ‘red chums’ (or red ‘iaranga’, or ‘yurt’, etc. depending on the target popula...
{"title":"Screening films on the peripheries: ‘cine-service’ in ‘red chums’ for Indigenous audiences in the rural Soviet North","authors":"Caroline Damiens","doi":"10.1080/17503132.2024.2342598","DOIUrl":"https://doi.org/10.1080/17503132.2024.2342598","url":null,"abstract":"This article looks at film exhibition targeting Indigenous audiences in the rural Soviet North. It draws on the case of ‘red chums’ (or red ‘iaranga’, or ‘yurt’, etc. depending on the target popula...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140611690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-05DOI: 10.1080/17503132.2024.2301784
Misha Irek (Yakovlev)
This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...
{"title":"Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya","authors":"Misha Irek (Yakovlev)","doi":"10.1080/17503132.2024.2301784","DOIUrl":"https://doi.org/10.1080/17503132.2024.2301784","url":null,"abstract":"This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"34 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140070051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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