Pub Date : 2024-08-31DOI: 10.1080/17503132.2024.2393929
Stanislav Menzelevskyi
The article endeavours to uncover the lesser-known history of the Kino magazine, the principal professional film publication in Soviet Ukraine during the 1920s. As a companion to the All-Ukrainian ...
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Pub Date : 2024-08-29DOI: 10.1080/17503132.2024.2392331
Vincent Bohlinger
This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...
{"title":"Mykola Shpykovskyi and the visual style of late VUFKU films","authors":"Vincent Bohlinger","doi":"10.1080/17503132.2024.2392331","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392331","url":null,"abstract":"This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-22DOI: 10.1080/17503132.2024.2392337
Jeremy Hicks
This article argues that Mark Donskoi’s 1944 film The Rainbow, made at the evacuated Kyiv film studios in Turkmenistan, gains an enormous amount when seen as a Ukrainian film. While the Odesa-born ...
{"title":"The place of Ukraine in Mark Donskoi’s The Rainbow","authors":"Jeremy Hicks","doi":"10.1080/17503132.2024.2392337","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392337","url":null,"abstract":"This article argues that Mark Donskoi’s 1944 film The Rainbow, made at the evacuated Kyiv film studios in Turkmenistan, gains an enormous amount when seen as a Ukrainian film. While the Odesa-born ...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-18DOI: 10.1080/17503132.2024.2392338
Lora Maslenitsyna
Critical reception of Ukrainian director Sergei Loznitsa’s documentary films typically concludes that the director privileges observational techniques to depict historical events and political move...
{"title":"Against observation: the panoramic legacy of Sergei Loznitsa","authors":"Lora Maslenitsyna","doi":"10.1080/17503132.2024.2392338","DOIUrl":"https://doi.org/10.1080/17503132.2024.2392338","url":null,"abstract":"Critical reception of Ukrainian director Sergei Loznitsa’s documentary films typically concludes that the director privileges observational techniques to depict historical events and political move...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142190995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-31DOI: 10.1080/17503132.2024.2355691
Richard Taylor
Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)
发表于《俄罗斯和苏联电影研究》（第 18 卷第 2 期，2024 年）
{"title":"Singing a different tune. The Slavic film musical in a transnational context","authors":"Richard Taylor","doi":"10.1080/17503132.2024.2355691","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355691","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141258082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-31DOI: 10.1080/17503132.2024.2355601
Emma Widdis
Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)
发表于《俄罗斯和苏联电影研究》（第 18 卷第 2 期，2024 年）
{"title":"Afterword: cinemas of the Soviet peripheries","authors":"Emma Widdis","doi":"10.1080/17503132.2024.2355601","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355601","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-31DOI: 10.1080/17503132.2024.2355692
Birgit Beumers
Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)
发表于《俄罗斯和苏联电影研究》（第 18 卷第 2 期，2024 年）
{"title":"Sex Work in Contemporary Russia: A Cultural Perspective","authors":"Birgit Beumers","doi":"10.1080/17503132.2024.2355692","DOIUrl":"https://doi.org/10.1080/17503132.2024.2355692","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Vol. 18, No. 2, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141258168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-20DOI: 10.1080/17503132.2024.2346393
Edward Tyerman
{"title":"The adventures of\u0000 Przhevalskii\u0000 in socialist China: performing friendship at the inter-imperial periphery","authors":"Edward Tyerman","doi":"10.1080/17503132.2024.2346393","DOIUrl":"https://doi.org/10.1080/17503132.2024.2346393","url":null,"abstract":"","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141119553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-15DOI: 10.1080/17503132.2024.2352079
Sergey Toymentsev
{"title":"German\u0000 German\u0000 , edited by Liubov’ Arkus, St Petersburg, Seans, 2020, 591 pp., illustrations, ₽1100 (hardback), ISBN 9785905669545","authors":"Sergey Toymentsev","doi":"10.1080/17503132.2024.2352079","DOIUrl":"https://doi.org/10.1080/17503132.2024.2352079","url":null,"abstract":"","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140975658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-10DOI: 10.1080/17503132.2024.2352078
Edward Tyerman
{"title":"Cinemas of Soviet peripheries: Introduction","authors":"Edward Tyerman","doi":"10.1080/17503132.2024.2352078","DOIUrl":"https://doi.org/10.1080/17503132.2024.2352078","url":null,"abstract":"","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140991733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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