Pub Date : 2024-05-10DOI: 10.1080/17503132.2024.2352077
Mia Öhman
Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)
发表于《俄罗斯和苏联电影研究》（2024 年，提前出版）
{"title":"Remapping Cold War Media: Institutions, Infrastructures, Translations","authors":"Mia Öhman","doi":"10.1080/17503132.2024.2352077","DOIUrl":"https://doi.org/10.1080/17503132.2024.2352077","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140931851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-09DOI: 10.1080/17503132.2024.2348249
Filip Sestan
{"title":"Spectator as worker: the production film of Soviet Georgia in Mikhail Kalatozov’s\u0000 Salt for Svaneti\u0000 and\u0000 A\u0000 Nail in the Boot","authors":"Filip Sestan","doi":"10.1080/17503132.2024.2348249","DOIUrl":"https://doi.org/10.1080/17503132.2024.2348249","url":null,"abstract":"","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140995169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-09DOI: 10.1080/17503132.2024.2348250
Stefan Lacny
This article examines the Soviet encounter with the Hutsul highlanders of the Eastern Carpathian mountains following the Soviet annexation of eastern Poland in 1939. It demonstrates that the period from September 1939 to June 1941 saw a wave of interest in Hutsul traditional practices across the Soviet cultural sphere that influenced expressions of Ukrainian identity in the USSR. Hutsul folk customs, clothing and handicrafts are displayed in detail in the two most prominent documentaries propagating the Soviet takeover of the Ukrainian west, Oleksandr Dovzhenko’s The Liberation and Iuliia Solntseva’s Bukovyna Is a Ukrainian Land (both 1940). Through close analysis of the Carpathian sequences of these films and an examination of the attention given to the highlanders elsewhere in Soviet media, the article reveals how Soviet cultural practitioners view the Hutsuls through an ethnographic gaze that emphasises both their exoticism and their fundamental Ukrainianness. Drawing off a variety of precedents (both Soviet and non-Soviet), the films and other sources depicting Hutsul life contribute to a vision of Ukrainian identity defined by pre-modern culture and an absence of modernity, simultaneously furthering Ukrainian patriotism within the USSR and perpetuating imperialist perceptions of a civilisational gap between Ukraine and the Soviet centre.
{"title":"(Re)discovering Ukrainianness: Hutsul folk culture and Ukrainian identity in Soviet film, 1939–1941","authors":"Stefan Lacny","doi":"10.1080/17503132.2024.2348250","DOIUrl":"https://doi.org/10.1080/17503132.2024.2348250","url":null,"abstract":"This article examines the Soviet encounter with the Hutsul highlanders of the Eastern Carpathian mountains following the Soviet annexation of eastern Poland in 1939. It demonstrates that the period from September 1939 to June 1941 saw a wave of interest in Hutsul traditional practices across the Soviet cultural sphere that influenced expressions of Ukrainian identity in the USSR. Hutsul folk customs, clothing and handicrafts are displayed in detail in the two most prominent documentaries propagating the Soviet takeover of the Ukrainian west, Oleksandr Dovzhenko’s The Liberation and Iuliia Solntseva’s Bukovyna Is a Ukrainian Land (both 1940). Through close analysis of the Carpathian sequences of these films and an examination of the attention given to the highlanders elsewhere in Soviet media, the article reveals how Soviet cultural practitioners view the Hutsuls through an ethnographic gaze that emphasises both their exoticism and their fundamental Ukrainianness. Drawing off a variety of precedents (both Soviet and non-Soviet), the films and other sources depicting Hutsul life contribute to a vision of Ukrainian identity defined by pre-modern culture and an absence of modernity, simultaneously furthering Ukrainian patriotism within the USSR and perpetuating imperialist perceptions of a civilisational gap between Ukraine and the Soviet centre.","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140996726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-17DOI: 10.1080/17503132.2024.2342598
Caroline Damiens
This article looks at film exhibition targeting Indigenous audiences in the rural Soviet North. It draws on the case of ‘red chums’ (or red ‘iaranga’, or ‘yurt’, etc. depending on the target popula...
{"title":"Screening films on the peripheries: ‘cine-service’ in ‘red chums’ for Indigenous audiences in the rural Soviet North","authors":"Caroline Damiens","doi":"10.1080/17503132.2024.2342598","DOIUrl":"https://doi.org/10.1080/17503132.2024.2342598","url":null,"abstract":"This article looks at film exhibition targeting Indigenous audiences in the rural Soviet North. It draws on the case of ‘red chums’ (or red ‘iaranga’, or ‘yurt’, etc. depending on the target popula...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140611690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-05DOI: 10.1080/17503132.2024.2301784
Misha Irek (Yakovlev)
This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...
{"title":"Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya","authors":"Misha Irek (Yakovlev)","doi":"10.1080/17503132.2024.2301784","DOIUrl":"https://doi.org/10.1080/17503132.2024.2301784","url":null,"abstract":"This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140070051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-05DOI: 10.1080/17503132.2024.2312719
Nina Sputnitskaia
The introductory article to this publication chronicles the production of Leonid Gaidai’s film A Groom from the Other World: from the idea of the script for the satirical comedy The Dead Affair to ...
本刊物的介绍性文章记录了列昂尼德-盖伊（Leonid Gaidai）的电影《另一个世界的新郎》（A Groom from the Other World）的制作过程：从为讽刺喜剧《死亡事件》（The Dead Affair）构思剧本到...
{"title":"Leonid Gaidai’s full-length debut, or ‘The Accusatory Cinema of Thaw’: the history of the transformation of the script The Dead Affair into the film A Groom from the Other World (1958)","authors":"Nina Sputnitskaia","doi":"10.1080/17503132.2024.2312719","DOIUrl":"https://doi.org/10.1080/17503132.2024.2312719","url":null,"abstract":"The introductory article to this publication chronicles the production of Leonid Gaidai’s film A Groom from the Other World: from the idea of the script for the satirical comedy The Dead Affair to ...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140069893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-08DOI: 10.1080/17503132.2024.2302263
Adrienne Harris
Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)
发表于《俄罗斯和苏联电影研究》（2024 年，提前出版）
{"title":"Everyday representations of war in late modernity","authors":"Adrienne Harris","doi":"10.1080/17503132.2024.2302263","DOIUrl":"https://doi.org/10.1080/17503132.2024.2302263","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139756411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-14DOI: 10.1080/17503132.2024.2303173
Maksim Kazyuchits
This article studies the early stage of the career of the well-known Soviet and Russian comedy filmmaker Leonid Gaidai, notably the training period at the All-Union Institute of Cinema (VGIK), on t...
{"title":"The film comedies of Leonid Gaidai: student works and the formation of a style","authors":"Maksim Kazyuchits","doi":"10.1080/17503132.2024.2303173","DOIUrl":"https://doi.org/10.1080/17503132.2024.2303173","url":null,"abstract":"This article studies the early stage of the career of the well-known Soviet and Russian comedy filmmaker Leonid Gaidai, notably the training period at the All-Union Institute of Cinema (VGIK), on t...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139499214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-14DOI: 10.1080/17503132.2024.2302267
Elena Prokhorova
{"title":"Pro-dvizhenie: advanced Russian through film and media\u0000 Pro-dvizhenie: advanced Russian through film and media\u0000 , by Alyssa DeBlasio and Izolda Savenkova, Washington DC, Georgetown University Press, 2023, 168 pp., $69.95, (paperback), ISBN 9781647123024","authors":"Elena Prokhorova","doi":"10.1080/17503132.2024.2302267","DOIUrl":"https://doi.org/10.1080/17503132.2024.2302267","url":null,"abstract":"","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139530908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-14DOI: 10.1080/17503132.2024.2302264
Patrícia Castello Branco
Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)
发表于《俄罗斯和苏联电影研究》（2024 年，提前出版）
{"title":"The Eisenstein Universe: unveiling new dimensions in film, art, and thought","authors":"Patrícia Castello Branco","doi":"10.1080/17503132.2024.2302264","DOIUrl":"https://doi.org/10.1080/17503132.2024.2302264","url":null,"abstract":"Published in Studies in Russian and Soviet Cinema (Ahead of Print, 2024)","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139470121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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