Pub Date : 2022-06-13DOI: 10.19130/iifl.litmex.2022.33.2.7731x01
Héctor Costilla Martínez, Francisco Ramírez Santacruz
This article addresses the way in which Carlos de Sigüenza y Góngora, through the manuscript “Descripción de la Bahía de Santa María de Galve” (1693), shows a series of textual relationships with discursive forms such as Relaciones Geográficas, with other texts mentioned in the manuscript (La Florida by Inca Garcilaso de la Vega, Naufragios by Alvar Núñez Cabeza de Vaca and Historia de la fundación y discurso de la provincia de Santiago de México de la orden de Predicadores by Agustín Dávila Padilla), and with the rest of the work of the Mexican polygraph. Through these intertextualities, we consider that the “Descripción de la Bahía de Santa María de Galve” is shown as a text that reflects, on the one hand, Sigüenza and Góngora’s mastery of the colonial archive and, on the other hand, the maturity and assimilation of the cultural practices that he cultivated and put at the service of the aforementioned exploratory project at the end of the 17th century.
本文探讨了Carlos de sigenza y Góngora通过手稿“Descripción de la Bahía de Santa María de Galve”(1693)，展示了一系列文本与话语形式的关系，如Relaciones Geográficas，以及手稿中提到的其他文本(印加Garcilaso de la Vega的la Florida，《Naufragios》(Al-var Núñez Cabeza de Vaca)和《Historia de la fundación y discurso de la provincia de Santiago de m xico de la orden de Predicadores》(Agustín Dávila Padilla))，以及墨西哥测谎仪的其他工作。通过这些互文性，我们认为，“Descripción de la Bahía de Santa María de Galve”作为一个文本显示，一方面反映了西格恩扎和Góngora对殖民档案的掌握，另一方面，反映了他在17世纪末培养并为上述探索项目服务的文化实践的成熟和同化。
{"title":"La “Descripción de la Bahía de Santa María de Galve” (1693) de Carlos de Sigüenza y Góngora y la puesta en escena del archivo colonial","authors":"Héctor Costilla Martínez, Francisco Ramírez Santacruz","doi":"10.19130/iifl.litmex.2022.33.2.7731x01","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x01","url":null,"abstract":"This article addresses the way in which Carlos de Sigüenza y Góngora, through the manuscript “Descripción de la Bahía de Santa María de Galve” (1693), shows a series of textual relationships with discursive forms such as Relaciones Geográficas, with other texts mentioned in the manuscript (La Florida by Inca Garcilaso de la Vega, Naufragios by Alvar Núñez Cabeza de Vaca and Historia de la fundación y discurso de la provincia de Santiago de México de la orden de Predicadores by Agustín Dávila Padilla), and with the rest of the work of the Mexican polygraph. Through these intertextualities, we consider that the “Descripción de la Bahía de Santa María de Galve” is shown as a text that reflects, on the one hand, Sigüenza and Góngora’s mastery of the colonial archive and, on the other hand, the maturity and assimilation of the cultural practices that he cultivated and put at the service of the aforementioned exploratory project at the end of the 17th century.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46261502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.19130/iifl.litmex.2022.33.2.7731x02
Tatiana Suárez Turriza
This article analyzes, from the perspective of textual criticism, two stories by the Campeche writer Santiago Sierra (1850-1880): “Flor de fuego” and “Flor del dolor,” which are part of the series that he published under the title “Flores.” This work is intended to contribute to the construction of the genetic history of these texts, through the exposition and interpretation of the significant author variants that exist between the first version, which appeared in the Veracruz newspaper Violetas, in 1869, and the second and last version published in the pages of El Domingo, between 1871 and 1872. The comparison of the two versions of these “Flores” reveals interesting variants that allow us to appreciate the transition in his aesthetic proposal from the assimilation of the doctrine of Allan Kardec. The study shows the process of transformation from the occultist substrate to the spiritualist, as the foundation of the fantastic or the supernatural in the stories.
{"title":"Las versiones de Flor de fuego y Flor del dolor de Santiago Sierra: del ocultismo al espiritismo kardeciano","authors":"Tatiana Suárez Turriza","doi":"10.19130/iifl.litmex.2022.33.2.7731x02","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x02","url":null,"abstract":"This article analyzes, from the perspective of textual criticism, two stories by the Campeche writer Santiago Sierra (1850-1880): “Flor de fuego” and “Flor del dolor,” which are part of the series that he published under the title “Flores.” This work is intended to contribute to the construction of the genetic history of these texts, through the exposition and interpretation of the significant author variants that exist between the first version, which appeared in the Veracruz newspaper Violetas, in 1869, and the second and last version published in the pages of El Domingo, between 1871 and 1872. The comparison of the two versions of these “Flores” reveals interesting variants that allow us to appreciate the transition in his aesthetic proposal from the assimilation of the doctrine of Allan Kardec. The study shows the process of transformation from the occultist substrate to the spiritualist, as the foundation of the fantastic or the supernatural in the stories.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49300146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.19130/iifl.litmex.2022.33.2.7731x03
José María Martínez Domingo
Through the hermeneutics of secularization, this article aims to continue delving into the most recent and innovative interpretations of Manuel Gutiérrez Nájera’s work. Specifically, it discusses various and apparently contradictory sides of his spiritual dimension as well as his ideological alignment with the political agenda of Porfirio Díaz’ regime. For that purpose, a small number of Nájera’s writings are analyzed which illustrate some manisfestations of the secularization process of Mexico in the second half of the 19th century, such as the different fortune of various religious celebrations, the re-reading of genres such as homiletics or biblical exegesis or journalistic debates of political-religious content.
{"title":"Literatura y secularización en el Modernismo: Celebraciones, homilética y Porfiriato en Manuel Gutiérrez Nájera","authors":"José María Martínez Domingo","doi":"10.19130/iifl.litmex.2022.33.2.7731x03","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x03","url":null,"abstract":"Through the hermeneutics of secularization, this article aims to continue delving into the most recent and innovative interpretations of Manuel Gutiérrez Nájera’s work. Specifically, it discusses various and apparently contradictory sides of his spiritual dimension as well as his ideological alignment with the political agenda of Porfirio Díaz’ regime. For that purpose, a small number of Nájera’s writings are analyzed which illustrate some manisfestations of the secularization process of Mexico in the second half of the 19th century, such as the different fortune of various religious celebrations, the re-reading of genres such as homiletics or biblical exegesis or journalistic debates of political-religious content.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48444453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.19130/iifl.litmex.2022.33.2.7731x06
Juan Manuel Berdeja Acevedo
This paper addresses how Luis Felipe Fabre, in his novel Declaración de las canciones oscuras (Sexto Piso, 2019), represents Juan de Yepes Álvarez as a writer that was “suspicious of the language.” In order to achieve this, both the documentation process supporting the novel as well as the in-depth analysis of the verses found in Noche oscura del alma —used by Fabre to write his poetic prose passages and fictional cutting which hold up the text: segments in which the narrator or characters denounce expressive impossibility, as happened to San Juan—are revised. Based on the constants of impossibility, ineffability, and silence as analytic guides, the present work analyzes several scenes of the novel, and in the final segment this paper concludes that the “mistrusting of language”—something that Fabre reclaims and resignifies from De la Cruz—is a symptom of how literature offers resistance to the lies and terror of our current contexts, even though Fabre in this work is talking about historical events as far away in time and as in place.
本文讨论了路易斯·费利佩·法布尔在他的小说Decla-ración de las canciones oscuras (Sexto Piso, 2019)中如何将胡安·德·耶佩斯Álvarez描绘成一个“对语言持怀疑态度”的作家。为了实现这一点，支持小说的记录过程以及对《黑暗之夜》中发现的诗句的深入分析——法布尔用来写他的诗歌散文段落和支撑文本的虚构剪辑:叙述者或人物谴责表达不可能的片段，就像发生在圣胡安身上的那样——都被修改了。常数的基础上不可能,不可言说和沉默看作是分析指南,目前工作分析小说中的几个场景,并在文章最后一段总结道,“日后的语言”——法布尔回收和resignifies De la cruz被文学提供了怎样的症状resis-tance我们当前上下文的谎言和恐怖,尽管法布尔在这个工作是讨论历史事件远在时间和地方。
{"title":"Sin lengua: Imposibilidad, inefable y silencio en Declaración de las canciones oscuras (2019), de Luis Felipe Fabre","authors":"Juan Manuel Berdeja Acevedo","doi":"10.19130/iifl.litmex.2022.33.2.7731x06","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x06","url":null,"abstract":"This paper addresses how Luis Felipe Fabre, in his novel Declaración de las canciones oscuras (Sexto Piso, 2019), represents Juan de Yepes Álvarez as a writer that was “suspicious of the language.” In order to achieve this, both the documentation process supporting the novel as well as the in-depth analysis of the verses found in Noche oscura del alma —used by Fabre to write his poetic prose passages and fictional cutting which hold up the text: segments in which the narrator or characters denounce expressive impossibility, as happened to San Juan—are revised. Based on the constants of impossibility, ineffability, and silence as analytic guides, the present work analyzes several scenes of the novel, and in the final segment this paper concludes that the “mistrusting of language”—something that Fabre reclaims and resignifies from De la Cruz—is a symptom of how literature offers resistance to the lies and terror of our current contexts, even though Fabre in this work is talking about historical events as far away in time and as in place.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44177382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.19130/iifl.litmex.2022.33.2.7731x04
Esther Argüelles Rozada
An analysis is proposed of the feminist projection of the Mexican writer Amparo Dávila (1928-2020). Accordingly, the article starts with a theoretical framework that links feminist literary criticism with the concept of “literary posture” of Jérôme Meizoz (2007) for the study of those interviews which present an attempt of configuration by Davila of an image of an individualist author. Secondly, the articulation of a feminine literary support network in which the writer participates within the literary field will be considered. After that, we will offer some notes for a future analysis on “El huésped” which, by taking back this tale to its place of production, enlightens anew its feminist potential. Finally, the conclusion sums up the causes and consequences of the ambivalent relation with feminism that the Davila’s literary position presents.
{"title":"La tensión autoral en Amparo Dávila: un estudio de la postura feminista de la escritora","authors":"Esther Argüelles Rozada","doi":"10.19130/iifl.litmex.2022.33.2.7731x04","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x04","url":null,"abstract":"An analysis is proposed of the feminist projection of the Mexican writer Amparo Dávila (1928-2020). Accordingly, the article starts with a theoretical framework that links feminist literary criticism with the concept of “literary posture” of Jérôme Meizoz (2007) for the study of those interviews which present an attempt of configuration by Davila of an image of an individualist author. Secondly, the articulation of a feminine literary support network in which the writer participates within the literary field will be considered. After that, we will offer some notes for a future analysis on “El huésped” which, by taking back this tale to its place of production, enlightens anew its feminist potential. Finally, the conclusion sums up the causes and consequences of the ambivalent relation with feminism that the Davila’s literary position presents.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47579489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.19130/iifl.litmex.2022.33.2.7731x09
Antonio Rubial García
{"title":"Carlos de Sigüenza y Góngora. Triunfo parténico. Estudio preliminar y edición crítica de Martha Lilia Tenorio. México: El Colegio de México, 2021.","authors":"Antonio Rubial García","doi":"10.19130/iifl.litmex.2022.33.2.7731x09","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x09","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46691200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-13DOI: 10.19130/iifl.litmex.2022.33.2.7731x08
Enrique Flores Esquivel
Within the framework of a broader investigation —“Psycopathia lascasiana”—, the first part which studies Menéndez Pidal’s criticism of Las Casas and which is taken further here (the first of two notes on the subject), analyzing an essay by the great Hispanist Américo Castro —“Fray Bartolomé de las Casas or Casaus”—in light of the Nietzschean notion of the will to power that runs through him underground and of some psychoanalytic drifts associated with “paranoid delusion”.
{"title":"Psycopathia lascasiana: la voluntad de poder (1)","authors":"Enrique Flores Esquivel","doi":"10.19130/iifl.litmex.2022.33.2.7731x08","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.2.7731x08","url":null,"abstract":"Within the framework of a broader investigation —“Psycopathia lascasiana”—, the first part which studies Menéndez Pidal’s criticism of Las Casas and which is taken further here (the first of two notes on the subject), analyzing an essay by the great Hispanist Américo Castro —“Fray Bartolomé de las Casas or Casaus”—in light of the Nietzschean notion of the will to power that runs through him underground and of some psychoanalytic drifts associated with “paranoid delusion”.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47048211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-06DOI: 10.19130/iifl.litmex.2022.33.1.7122x13
Daniel Zavala Medina, I. Ramírez
In this essay, the hypothesis is that some questions can be important nuclei of significance in the poems of López Velarde. To try to verify it, we will conduct a revision of the theoretical approaches on rhetorical questions, both from rhetorical and linguistic standpoints. In particular, we will rely on the ideas of Burguera Serra, Fontanier, Schmidt-Radefeldt, and Igualada Belchí. Based on the above, we will analyze what is asked, how is it asked, why is it asked, what kind of questions they are, and their possible meanings, in some texts of two of his books: La sangre devota (1916) and especially Zozobra (1919).
{"title":"“¿Conservabas tu carne en cada hueso?”: Sobre las interrogaciones como núcleos de significación en algunos poemas de Ramón López Velarde","authors":"Daniel Zavala Medina, I. Ramírez","doi":"10.19130/iifl.litmex.2022.33.1.7122x13","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.1.7122x13","url":null,"abstract":"In this essay, the hypothesis is that some questions can be important nuclei of significance in the poems of López Velarde. To try to verify it, we will conduct a revision of the theoretical approaches on rhetorical questions, both from rhetorical and linguistic standpoints. In particular, we will rely on the ideas of Burguera Serra, Fontanier, Schmidt-Radefeldt, and Igualada Belchí. Based on the above, we will analyze what is asked, how is it asked, why is it asked, what kind of questions they are, and their possible meanings, in some texts of two of his books: La sangre devota (1916) and especially Zozobra (1919).","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67690818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-06DOI: 10.19130/iifl.litmex.2022.33.1.7122x18
Elisa Kriza
{"title":"Helena. La soledad en el laberinto. Epistolario de Helena Laura Paz Garro y Ernst Jünger, por: Elsa Margarita Schwarz Gasque y María del Carmen Vázquez Martínez, ISBN: 9786078706433, Ediciones del Lirio, 2020.","authors":"Elisa Kriza","doi":"10.19130/iifl.litmex.2022.33.1.7122x18","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.1.7122x18","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47335302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-06DOI: 10.19130/iifl.litmex.2022.33.1.7122x15
Ana Davis González
This paper seeks to dialogue with the preceding critic about the possible classification of Contemporáneos texts as avant-garde. Our proposal is that some of their poems can be classified as avant-garde if we understand the avant-garde as a 20th century art paradigm and not only as a historical category during the beginning of the century. For this purpose, in the first place, the dichotomy “threshold aesthetics / dilation aesthetics” is proposed to explain two avant-garde poetic modalities, starting from the expression “threshold aesthetics,” coined by Luciana Del Gizzo (2017). Secondly, the “aesthetics of dilation” is applied in the poetic Contemporáneos texts in contrast to the threshold aesthetics of stridentism or muralism, in the Mexican context.
本文试图就Contemporáneos文本的先锋派分类与前面的批评家进行对话。我们的建议是，如果我们将先锋派理解为20世纪的艺术范式，而不仅仅是世纪初的历史范畴，那么他们的一些诗歌可以被归类为先锋派。为此，首先提出“阈值美学/扩张美学”的二分法来解释两种前卫的诗歌形态，从Luciana Del Gizzo(2017)创造的“阈值美学”一词开始。其次，“扩张美学”应用于诗歌Contemporáneos文本，与墨西哥背景下的stridentism或壁画主义的门槛美学形成对比。
{"title":"La vanguardia de los Contemporáneos, una estética de la dilación","authors":"Ana Davis González","doi":"10.19130/iifl.litmex.2022.33.1.7122x15","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2022.33.1.7122x15","url":null,"abstract":"This paper seeks to dialogue with the preceding critic about the possible classification of Contemporáneos texts as avant-garde. Our proposal is that some of their poems can be classified as avant-garde if we understand the avant-garde as a 20th century art paradigm and not only as a historical category during the beginning of the century. For this purpose, in the first place, the dichotomy “threshold aesthetics / dilation aesthetics” is proposed to explain two avant-garde poetic modalities, starting from the expression “threshold aesthetics,” coined by Luciana Del Gizzo (2017). Secondly, the “aesthetics of dilation” is applied in the poetic Contemporáneos texts in contrast to the threshold aesthetics of stridentism or muralism, in the Mexican context.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41663994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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