Pub Date : 2021-08-31DOI: 10.19130/iifl.litmex.2021.32.2.29152
Noé Blancas Blancas
The study of narrative resources such as free indirect discourse and narrated monologue, in Los de abajo, although it has been clearly pointed out by critics such as Mansour, Escalante and St. Ours, is scarce in comparison with the works on the Mexican Revolution and the controversy over the ideological position of its author, Mariano Azuela. In the present work, an approach to these resources is made, following the precepts of narratology, starting from the relationship between the narrative voice and the figural discourse, and between the discourses of the characters; that is, from the citation processes. Specifically, an approach is made to the way in which Demetrio Macías recounts his exploits by repeating the speech of Alberto Solís, shaped, in turn, by other anonymous speeches. The relevance of self-narrating in this way is such that it implies a radical change in the personality and destiny of Demetrio Macías.
{"title":"Los de abajo. Mitificación y metalepsis","authors":"Noé Blancas Blancas","doi":"10.19130/iifl.litmex.2021.32.2.29152","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2021.32.2.29152","url":null,"abstract":"The study of narrative resources such as free indirect discourse and narrated monologue, in Los de abajo, although it has been clearly pointed out by critics such as Mansour, Escalante and St. Ours, is scarce in comparison with the works on the Mexican Revolution and the controversy over the ideological position of its author, Mariano Azuela. In the present work, an approach to these resources is made, following the precepts of narratology, starting from the relationship between the narrative voice and the figural discourse, and between the discourses of the characters; that is, from the citation processes. Specifically, an approach is made to the way in which Demetrio Macías recounts his exploits by repeating the speech of Alberto Solís, shaped, in turn, by other anonymous speeches. The relevance of self-narrating in this way is such that it implies a radical change in the personality and destiny of Demetrio Macías.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41793419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26858
F. Bradú
Los ensayos de Octavio Paz sobre Mesoamerica —una faceta poco estudiada por la critica y mal conocida por el gran publico— revelan la mirada penetrante del poeta, y no de un especialista, sobre el mundo antiguo de Mexico, sobre su cosmogonia y sus producciones artisticas siempre ligadas a una dimension religiosa. Pero el poeta va mas alla de la antropologia y del saber en si mismo, para subrayar la persistencia de esta cosmogonia en los mexicanos de hoy y en la cual, asimismo, se encuentran los principales fundamentos de su poetica. Es a traves de esta constancia que hace emerger dos Mexicos distintos, como Octavio Paz interpreta los acontecimientos de 1968 y la insurreccion zapatista de 1994.
{"title":"Octavio Paz y Mesoamérica: un himno entre ruinas","authors":"F. Bradú","doi":"10.19130/IIFL.LITMEX.2021.1.26858","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26858","url":null,"abstract":"Los ensayos de Octavio Paz sobre Mesoamerica —una faceta poco estudiada por la critica y mal conocida por el gran publico— revelan la mirada penetrante del poeta, y no de un especialista, sobre el mundo antiguo de Mexico, sobre su cosmogonia y sus producciones artisticas siempre ligadas a una dimension religiosa. Pero el poeta va mas alla de la antropologia y del saber en si mismo, para subrayar la persistencia de esta cosmogonia en los mexicanos de hoy y en la cual, asimismo, se encuentran los principales fundamentos de su poetica. Es a traves de esta constancia que hace emerger dos Mexicos distintos, como Octavio Paz interpreta los acontecimientos de 1968 y la insurreccion zapatista de 1994.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"193-211"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44788044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/iifl.litmex.2021.1.26856
Adriana Azucena Rodríguez Torres
This article deals with establishing the two generic aspects that determine the texts of Ensayos y poemas, published by Julio Torri in 1917. The article includes the review of the author’s testimonies in the establishment of his selected genre. It proposes a series of characteristics that allow us to analyze the essays and prose poems that make up this volume. From this characterization, it is contrasted with the features of the so-called micro-fiction or sudden fiction, an emerging genre that, in the concern to fix a tradition and a series of textual models, has established this work as inaugural.
{"title":"Del ensayo y el poema en prosa a la narración en Ensayos y poemas de Julio Torri","authors":"Adriana Azucena Rodríguez Torres","doi":"10.19130/iifl.litmex.2021.1.26856","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2021.1.26856","url":null,"abstract":"This article deals with establishing the two generic aspects that determine the texts of Ensayos y poemas, published by Julio Torri in 1917. The article includes the review of the author’s testimonies in the establishment of his selected genre. It proposes a series of characteristics that allow us to analyze the essays and prose poems that make up this volume. From this characterization, it is contrasted with the features of the so-called micro-fiction or sudden fiction, an emerging genre that, in the concern to fix a tradition and a series of textual models, has established this work as inaugural.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48806667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26853
Víctor Cantero García
Hasta el presente, tanto los estudiosos del teatro espanol del siglo XVIII como la critica teatral, han considerado a Manuel Eduardo de Gorostiza (1789-1857) un dramaturgo menor. En la presente colaboracion pretendemos demostrar que tal aserto no se atiene a la verdad. Mediante un estudio contrastivo entre El senorito mimado (1787) de Tomas de Iriarte y Contigo pan y cebolla (1833) de Gorostiza, evidenciamos que este alcanzo renombre como autor de comedias de buenas costumbres por meritos propios, y no por ser un mero seguidor de las pautas de la comedia neoclasica establecidas por Nicolas Fernandez de Moratin y afianzadas por Tomas de Iriarte. En esencia, los contenidos y argumentos expuestos en el presente articulo son una prueba manifiesta de que Gorostiza dio a luz comedias que alcanzaron un exito de publico y critica que le hacen merecedor de ocupar un puesto relevante tanto entre los ilustrados liberales de origen hispano como entre los autores de comedias de buenas costumbres.
到目前为止，18世纪西班牙戏剧和戏剧批评的学者都认为曼努埃尔·爱德华多·德·戈罗斯蒂萨（1789-1857）是一位小剧作家。在目前的合作中，我们打算证明这种断言不符合事实。通过对托马斯·德·伊里亚特（Tomas de Iriarte）的《被宠坏的先生》（1787年）和戈罗斯蒂萨的《面包与洋葱》（Consus Pan y Onion，1833年）的对比研究，我们表明，他之所以出名，是因为他自己的功绩，而不仅仅是尼古拉斯·费尔南德斯·德·莫拉廷（Nicolas Fernandez de Moratin）制定并由托马斯·德·伊里亚特（Tomas de Iriarte）巩固的新古典喜剧模式的追随者。从本质上说，本文所载的内容和论点清楚地证明，戈罗斯蒂扎创作了一些成功的喜剧，并受到了公众的批评，这使他在西班牙裔自由开明人士和《好习惯》喜剧的作者中都值得担任相关职务。
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Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26859
Fernando A. Morales Orozco
{"title":"José María Roa Bárcena. La quinta modelo, noche al raso y otros cuentos. Edición de Pamela Vicenteño Bravo. México: Penguin Random House Grupo Editorial / Universidad Nacional Autónoma de México, 2019.","authors":"Fernando A. Morales Orozco","doi":"10.19130/IIFL.LITMEX.2021.1.26859","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26859","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"215-218"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45095027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26860
Luz América Viveros
{"title":"Rafael Olea Franco. La lengua literaria mexicana. De la Independencia a la Revolución (1816-1920). México: El Colegio de México. Centro de Estudios Lingüísticos y Literarios, 2019.","authors":"Luz América Viveros","doi":"10.19130/IIFL.LITMEX.2021.1.26860","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26860","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"219-224"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42174918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26861
Andrea Silva Martínez
{"title":"Daniel Zavala Medina. Soberbios ojos de tigre. Cinco ensayos sobre La sombra del Caudillo. México: Instituto Nacional de Bellas Artes / Coordinación Nacional de Literatura / Textofilia, 2018.","authors":"Andrea Silva Martínez","doi":"10.19130/IIFL.LITMEX.2021.1.26861","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26861","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"225-228"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49625074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/iifl.litmex.2021.1.26862
Adriana Azucena Rodríguez Torres
{"title":"Lauro Zavala. Ironías de la ficción y la metaficción en cine y literatura. México: Universidad Autónoma de la Ciudad de México, 2017.","authors":"Adriana Azucena Rodríguez Torres","doi":"10.19130/iifl.litmex.2021.1.26862","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2021.1.26862","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44352543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26854
Pablo García Loaeza
Without losing sight of the socio-historic backdrop, this article examines the disillusion suffered by the main characters in El Zarco by Manuel Altamirano, Los de abajo by Mariano Azuela, and Pedro Paramo by Juan Rulfo. Their arduous awakening to reality drives the narrative, and the way by which they face their true situations reveals the spiritual bearing that enlivens them and which could very well be an echo of the disillusion the authors felt in view of the realities that inspired their works. The ontology proposed by Martin Heidegger in Being and Time serves to consider the characterization of the three novels’ protagonists. Besides revealing these works’ existential vein, this approach invites a consideration of their authors’ philosophical stance.
在不忽视社会历史背景的情况下，本文考察了曼努埃尔·阿尔塔米拉诺的《El Zarco》、马里亚诺·阿祖拉的《Los de abajo》和胡安·鲁尔福的《Pedro Paramo》中主要人物所遭受的幻灭。他们对现实的艰难觉醒推动了叙事，他们面对真实处境的方式揭示了使他们充满活力的精神气质，这很可能是作者对启发他们作品的现实的幻灭感的回声。马丁·海德格尔在《存在与时间》一书中提出的本体论，是对三部小说主人公性格塑造的思考。除了揭示这些作品的存在脉络外，这种方法还需要考虑作者的哲学立场。
{"title":"Dasein y desengaño en El Zarco, Los de abajo y Pedro Páramo","authors":"Pablo García Loaeza","doi":"10.19130/IIFL.LITMEX.2021.1.26854","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26854","url":null,"abstract":"Without losing sight of the socio-historic backdrop, this article examines the disillusion suffered by the main characters in El Zarco by Manuel Altamirano, Los de abajo by Mariano Azuela, and Pedro Paramo by Juan Rulfo. Their arduous awakening to reality drives the narrative, and the way by which they face their true situations reveals the spiritual bearing that enlivens them and which could very well be an echo of the disillusion the authors felt in view of the realities that inspired their works. The ontology proposed by Martin Heidegger in Being and Time serves to consider the characterization of the three novels’ protagonists. Besides revealing these works’ existential vein, this approach invites a consideration of their authors’ philosophical stance.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"97-119"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47453668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26852
Enrique Flores
Within the framework of a broader investigation —“Conquest and cruelty”— which addresses some chronicles of the Conquest as propitious materials to document, from an “aesthetic” point of view, the living matter of genocide, this essay constructs a vision of what Fray Bartolomé de las Casas, in his Breve relación de la destrucción de las Indias, called “exquisite ways of cruelty.” And all that, starting with the detailed analysis of an article by Ramón Menéndez Pidal —“An abnormal norm of Father Las Casas”—, its psychiatric ramifications and some unexpectedly surrealist connections, from Jacques Lacan and Minotaure magazine to the “critical paranoia” of Salvador Dalí.
在一个更广泛的调查框架内——“征服与残酷”——把一些征服的编年史作为有利的材料来记录，从“美学”的角度来看，种族灭绝的活生生的事情，这篇文章构建了一个弗莱·巴托洛姆斯·德·拉斯·卡萨斯在他的《印度人的简短relación de la destrucción》中所说的“残酷的精致方式”的视野。所有这一切，首先是对Ramón meneminandz Pidal的一篇文章的详细分析——“拉斯·卡萨斯神父的异常规范”——它的精神病学后果和一些意想不到的超现实主义联系，从雅克·拉康和Minotaure杂志到萨尔瓦多的“批判性偏执”Dalí。
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