Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.32.1.2021.1208
A. Torres
{"title":"Lauro Zavala. Ironías de la ficción y la metaficción en cine y literatura. México: Universidad Autónoma de la Ciudad de México, 2017.","authors":"A. Torres","doi":"10.19130/IIFL.LITMEX.32.1.2021.1208","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.32.1.2021.1208","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"229-233"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44429772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26857
Rosario Pascual Battista
Jose Emilio Pacheco (1939-2014) dedico parte de su produccion ensayistica a reconstruir el pasado de las letras y, en particular, se intereso por el movimiento modernista. A partir de dos textos antologicos, Antologia del modernismo [1884-1921] (1970) y Poesia modernista. Una antologia general (1982), y de una seleccion de notas periodisticas que publico en la revista mexicana Proceso , Pacheco aspiro a ampliar el espectro de las figuras modernistas y evitar cenirse a una unica figura, como podria ser la del nicaraguense Ruben Dario. Este articulo reconstruye los dialogos y las reciprocidades que Jose Emilio Pacheco traza con la tradicion literaria del modernismo y que se sostienen, por un lado, en las religaciones entre poetas, como es el caso de Manuel Gutierrez Najera y Jose Marti y, por otro lado, en la recuperacion de poetas poco reconocidos por la critica literaria, como Salvador Diaz Miron.
{"title":"José Emilio Pacheco: lector y antólogo del modernismo","authors":"Rosario Pascual Battista","doi":"10.19130/IIFL.LITMEX.2021.1.26857","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26857","url":null,"abstract":"Jose Emilio Pacheco (1939-2014) dedico parte de su produccion ensayistica a reconstruir el pasado de las letras y, en particular, se intereso por el movimiento modernista. A partir de dos textos antologicos, Antologia del modernismo [1884-1921] (1970) y Poesia modernista. Una antologia general (1982), y de una seleccion de notas periodisticas que publico en la revista mexicana Proceso , Pacheco aspiro a ampliar el espectro de las figuras modernistas y evitar cenirse a una unica figura, como podria ser la del nicaraguense Ruben Dario. Este articulo reconstruye los dialogos y las reciprocidades que Jose Emilio Pacheco traza con la tradicion literaria del modernismo y que se sostienen, por un lado, en las religaciones entre poetas, como es el caso de Manuel Gutierrez Najera y Jose Marti y, por otro lado, en la recuperacion de poetas poco reconocidos por la critica literaria, como Salvador Diaz Miron.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"163-190"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47546213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26855
D. Camacho
En este trabajo exploro la naturaleza generica de dos cuentos del escritor mexicano Octavio Mancera: “Caridad” y “Un crimen”, ambos publicados en Cuentos diafanos (1897), su unica obra de narrativa breve. Debido al caracter multifacetico del libro, decidi estudiar los cuentos de corte fantastico, como los denomina el propio escritor. La propuesta del articulo es que son relatos que se llaman fantasticos, pero en realidad su discursividad narrativa apunta al genero maravilloso, en su peculiar formulacion espiritista. Por ello, formulo una nueva terminologia teorica para estudiarlos: el realismo espiritista. En busca de una definicion, en este articulo analizo esos textos y ofrezco una lectura interpretativa de la categoria generica a la que responden.
{"title":"En busca de una definición genérica: los cuentos espiritistas de Octavio Mancera","authors":"D. Camacho","doi":"10.19130/IIFL.LITMEX.2021.1.26855","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26855","url":null,"abstract":"En este trabajo exploro la naturaleza generica de dos cuentos del escritor mexicano Octavio Mancera: “Caridad” y “Un crimen”, ambos publicados en Cuentos diafanos (1897), su unica obra de narrativa breve. Debido al caracter multifacetico del libro, decidi estudiar los cuentos de corte fantastico, como los denomina el propio escritor. La propuesta del articulo es que son relatos que se llaman fantasticos, pero en realidad su discursividad narrativa apunta al genero maravilloso, en su peculiar formulacion espiritista. Por ello, formulo una nueva terminologia teorica para estudiarlos: el realismo espiritista. En busca de una definicion, en este articulo analizo esos textos y ofrezco una lectura interpretativa de la categoria generica a la que responden.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"121-141"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42070278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.2021.1.26851
Ana Castaño Navarro
Juan Jose de Eguiara y Eguren (1696-1763) seems to have been clearly devoted to St. Joseph. In order to show this, the following pages will take a look at his T ratado sobre el Santisimo Jose, Esposo de la Madre de Dios (which includes two interesting paratexts by his friend, the Jesuit Vicente Lopez), published in volume 1 of Selectae Dissertationes Mexicanae… , a complete treatise on Theology written for his students at the Mexican University. Eguiara´s debts to previous European and Spanish scholarly tradition on Saint Joseph will be pointed out, as well as his personal contributions to this tradition. Finally, a bibliographical review of this New Spain bibliographer and theologian’s homiletic production on Saint Joseph will be made, as well as of the books on Saint Joseph that were printed at his own printing house (Imprenta de la Bibliotheca Mexicana) during Eguiara´s lifetime. Finally, among Eguiara´s works dedicated to Saint Joseph, a manuscript anthology of sermons on the saint written by different European authors is pointed out, and the possibility is suggested that this work may be the one of similar characteristics that has been attributed to Vicente Lopez and which is now considered lost.
胡安·何塞·德·伊瓜拉·伊瓜伦(1696-1763)似乎已经明确地献身于圣约瑟夫。为了说明这一点，下面几页将会看一看他的《圣西莫·何塞，圣西莫·何塞，圣女圣女》(Esposo de la Madre de Dios)(其中包括他的朋友，耶稣会士维森特·洛佩斯的两篇有趣的段落)，发表在《墨西哥论文选集》第一卷，这是一本为他在墨西哥大学的学生写的关于神学的完整论文。将指出eguara对以前欧洲和西班牙关于圣约瑟夫的学术传统的债务，以及他对这一传统的个人贡献。最后，将对这位新西班牙目录学家和神学家关于圣约瑟夫的说教作品进行书目回顾，以及在Eguiara有生之年在他自己的印刷厂(Imprenta de la Bibliotheca Mexicana)印刷的关于圣约瑟夫的书籍。最后，在Eguiara献给圣约瑟夫的作品中，指出了由不同欧洲作者撰写的圣徒布道的手稿选集，并提出了这种可能性，即该作品可能具有与Vicente Lopez相似的特征，现在被认为是丢失的。
{"title":"Eguiara y Eguren, Vicente López y san José: devoción personal y devoción oficial al santo en el siglo XVIII novohispano","authors":"Ana Castaño Navarro","doi":"10.19130/IIFL.LITMEX.2021.1.26851","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.2021.1.26851","url":null,"abstract":"Juan Jose de Eguiara y Eguren (1696-1763) seems to have been clearly devoted to St. Joseph. In order to show this, the following pages will take a look at his T ratado sobre el Santisimo Jose, Esposo de la Madre de Dios (which includes two interesting paratexts by his friend, the Jesuit Vicente Lopez), published in volume 1 of Selectae Dissertationes Mexicanae… , a complete treatise on Theology written for his students at the Mexican University. Eguiara´s debts to previous European and Spanish scholarly tradition on Saint Joseph will be pointed out, as well as his personal contributions to this tradition. Finally, a bibliographical review of this New Spain bibliographer and theologian’s homiletic production on Saint Joseph will be made, as well as of the books on Saint Joseph that were printed at his own printing house (Imprenta de la Bibliotheca Mexicana) during Eguiara´s lifetime. Finally, among Eguiara´s works dedicated to Saint Joseph, a manuscript anthology of sermons on the saint written by different European authors is pointed out, and the possibility is suggested that this work may be the one of similar characteristics that has been attributed to Vicente Lopez and which is now considered lost.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"11-38"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48374618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-20DOI: 10.19130/IIFL.LITMEX.32.1.2021.1175
A. Torres
This article deals with establishing the two generic aspects that determine the texts of Ensayos y poemas , published by Julio Torri in 1917. The article includes the review of the author’s testimonies in the establishment of his selected genre. It proposes a series of characteristics that allow us to analyze the essays and prose poems that make up this volume. From this characterization, it is contrasted with the features of the so-called micro-fiction or sudden fiction, an emerging genre that, in the concern to fix a tradition and a series of textual models, has established this work as inaugural.
{"title":"Del ensayo y el poema en prosa a la narración en Ensayos y poemas de Julio Torri","authors":"A. Torres","doi":"10.19130/IIFL.LITMEX.32.1.2021.1175","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.32.1.2021.1175","url":null,"abstract":"This article deals with establishing the two generic aspects that determine the texts of Ensayos y poemas , published by Julio Torri in 1917. The article includes the review of the author’s testimonies in the establishment of his selected genre. It proposes a series of characteristics that allow us to analyze the essays and prose poems that make up this volume. From this characterization, it is contrasted with the features of the so-called micro-fiction or sudden fiction, an emerging genre that, in the concern to fix a tradition and a series of textual models, has established this work as inaugural.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"32 1","pages":"143-162"},"PeriodicalIF":0.1,"publicationDate":"2021-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49665997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0009
Héctor Fernando Vizcarra
{"title":"Ute Seydel (editora). La memoria cultural acerca de la Revolución mexicana, la Guerra cristera y el cardenismo. Aportes desde la cultura visual y las letras. México: Bonilla Artigas / Universidad Nacional Autónoma de México. Facultad de Filosofía y Letras, 2018.","authors":"Héctor Fernando Vizcarra","doi":"10.19130/iifl.litmex.2020.31.2.0009","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0009","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"205-209"},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47095903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0008
Rafael Rodríguez Victoria
{"title":"Claudia Carranza y Mariana Masera (eds.). Folklore y literatura en la lírica panhispánica. Lyra Mínima I. México: Universidad Nacional Autónoma de México, 2017.","authors":"Rafael Rodríguez Victoria","doi":"10.19130/iifl.litmex.2020.31.2.0008","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0008","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"201-204"},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46687383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0002
C. Gómez
Literary critics have paid little attention to the textual history of Guillermo Prieto’s “Musa callejera”. When spoken of, his work is thought of as monolithic, whose only antecedent was Filomeno Mata’s 1883 edition, legitimized by the 1971 reprint that Francisco Monterde made for Porrua publishing house. However, the structure of its textual history reveals three main facts which may modify the vision of Guillermo Prieto’s works: on one hand, that his very first book of poems, Versos ineditos , which completely propounds its own poetics, has been hidden in the author’s work; on the other hand, that Filomeno Mata’s “Musa callejera” is actually an anthology of Prieto’s poems, and finally, that “Musa callejera” is a literary project that the author continued until a few years before his death.
{"title":"“Musa callejera”: historia de un corpus inestable","authors":"C. Gómez","doi":"10.19130/iifl.litmex.2020.31.2.0002","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0002","url":null,"abstract":"Literary critics have paid little attention to the textual history of Guillermo Prieto’s “Musa callejera”. When spoken of, his work is thought of as monolithic, whose only antecedent was Filomeno Mata’s 1883 edition, legitimized by the 1971 reprint that Francisco Monterde made for Porrua publishing house. However, the structure of its textual history reveals three main facts which may modify the vision of Guillermo Prieto’s works: on one hand, that his very first book of poems, Versos ineditos , which completely propounds its own poetics, has been hidden in the author’s work; on the other hand, that Filomeno Mata’s “Musa callejera” is actually an anthology of Prieto’s poems, and finally, that “Musa callejera” is a literary project that the author continued until a few years before his death.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"33-58"},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49385904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0007
Alejandro Higashi
Pese a ser reconocida por sus meritos formales, el estudio de las estrategias compositivas que caracterizan la obra de Elsa Cross parece aplazado ante la evidencia de las tematicas religiosa y mitologica que la caracterizan. En este trabajo, analizo la transformacion de las estrategias compositivas que pueden caracterizar su obra en distintos periodos, especialmente en los aspectos relacionados con la exploracion estetica sobre la ampliacion de las fronteras de la percepcion a traves del Siddha Yoga.
{"title":"Percepción y construcción en la obra de Elsa Cross","authors":"Alejandro Higashi","doi":"10.19130/iifl.litmex.2020.31.2.0007","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0007","url":null,"abstract":"Pese a ser reconocida por sus meritos formales, el estudio de las estrategias compositivas que caracterizan la obra de Elsa Cross parece aplazado ante la evidencia de las tematicas religiosa y mitologica que la caracterizan. En este trabajo, analizo la transformacion de las estrategias compositivas que pueden caracterizar su obra en distintos periodos, especialmente en los aspectos relacionados con la exploracion estetica sobre la ampliacion de las fronteras de la percepcion a traves del Siddha Yoga.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"167-198"},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43975801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0006
Francisco Javier Hernández Quezada
In this article we take a general look at four Mexican authors who have tackled the subject of animal sacrifice: Ramon Rubin, Juan Jose Arreola, Hector Aguilar Camin and Alberto Chimal. Our broad approach is that one way or the other harmful and disadvantageous situations are expressed for the non-human entity, considering the social implications of the role which has been assigned to it across time, be it in the symbolic act or in today’s production logic. Departing from such Derridean considerations about the existing relationship between humans and fauna, it is evident that in the works of the authors analyzed, the topic or use of animals presents the material reach of their sacrifice, especially when the matter of the literary representation of pain or physical suffering comes into play. It is relevant at the same time to affirm that in this work we consider the reflections of several authors who, from a philosophic or anthropologic perspective, have delved into the fundamental aspects of the sacrificial act, pointing out the evocative role of the animal, rightly conceived as an important cultural event, wherein are manifested transcendental ceremonies (Rene Girard) or the rites of passage which strengthen the group’s ties (Clifford Geertz).
在这篇文章中，我们将大致了解四位探讨动物祭祀主题的墨西哥作家:Ramon Rubin, Juan Jose Arreola, Hector Aguilar Camin和Alberto Chimal。我们的广泛方法是，考虑到随着时间的推移，无论是在象征性行为中还是在今天的生产逻辑中，赋予非人类实体的角色的社会含义，以一种或另一种方式表达有害和不利的情况。从这种德里德里式的关于人类和动物之间现存关系的考虑出发，很明显，在作者所分析的作品中，动物的主题或使用呈现了它们牺牲的物质范围，特别是当疼痛或身体痛苦的文学表现出现时。与此同时，有必要确认的是，在这部作品中，我们考虑了几位作者的反思，他们从哲学或人类学的角度深入研究了祭祀行为的基本方面，指出了动物的唤起作用，正确地认为这是一个重要的文化事件，其中表现出超越的仪式(Rene Girard)或加强群体联系的成人仪式(Clifford Geertz)。
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