{"title":"Impresos litúrgico-musicales mexicanos del siglo XVI: fuentes para el estudio del canto litúrgico en la Iglesia novohispana","authors":"Bárbara Pérez Ruiz","doi":"10.7764/res.2019.45.2","DOIUrl":"https://doi.org/10.7764/res.2019.45.2","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"31 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75724987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article restores, through in-depth interviews, the memory of the youth who participated in diverse musical scenes and youth cultures that emerged in Madrid and Valencia in the eighties. From the stories of those people, and the use of the concepts of music scene and youth culture, this article delves into the connections between the Movida madrileña –mainly of the gothic and new romantics cultures– the Valencian postpunk scene and the incipient Valencian Bacalao, showing the relations of competition and emulation among them, that will end up generating the so-called Bacalao madrileño in the nineties. In this way, this work, along with adding in complexity to the phenomenon of the Movida madrileña, makes visible those young people who participated with their own speeches and practices, often anonymously, of those cultural productions.
{"title":"Más allá del postpunk. New romantics y góticos entre Madrid y Valencia en los años ochenta","authors":"Eduardo Leste, Fernán del Val","doi":"10.7764/res.2019.45.9","DOIUrl":"https://doi.org/10.7764/res.2019.45.9","url":null,"abstract":"This article restores, through in-depth interviews, the memory of the youth who participated in diverse musical scenes and youth cultures that emerged in Madrid and Valencia in the eighties. From the stories of those people, and the use of the concepts of music scene and youth culture, this article delves into the connections between the Movida madrileña –mainly of the gothic and new romantics cultures– the Valencian postpunk scene and the incipient Valencian Bacalao, showing the relations of competition and emulation among them, that will end up generating the so-called Bacalao madrileño in the nineties. In this way, this work, along with adding in complexity to the phenomenon of the Movida madrileña, makes visible those young people who participated with their own speeches and practices, often anonymously, of those cultural productions.","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"55 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88033738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La dictadura y la música popular en Chile: los primeros años de plomo","authors":"J. P. McSherry","doi":"10.7764/res.2019.45.6","DOIUrl":"https://doi.org/10.7764/res.2019.45.6","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"14 4-6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74433820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rock en español: un terreno de disputa y convergencia entre España y Latinoamérica","authors":"Eduardo Viñuela","doi":"10.7764/res.2019.45.8","DOIUrl":"https://doi.org/10.7764/res.2019.45.8","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"19 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89439305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“No venimos para hacer canción política”: el retorno de la Nueva Canción Chilena y el plebiscito de 1988","authors":"Javier Rodríguez","doi":"10.7764/res.2019.45.7","DOIUrl":"https://doi.org/10.7764/res.2019.45.7","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"92 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76447107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"España en la música de Isidro Maiztegui. Herencia, ideología y migración","authors":"María Fouz Moreno","doi":"10.7764/res.2019.45.5","DOIUrl":"https://doi.org/10.7764/res.2019.45.5","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80576670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Gabriel Pozo Menares, Margarita Canio Llanquinao, José Velásquez Arce
This paper shows the findings of a research aimed at analyzing the Mapuche memory in times of occupation and territorial reduction (late 19th century to early 20th centuries), taking as a reference some oral traditions, mainly the ül or ülkantun chants, which are used to convey the memories of those days. From a methodological point of view, a documentary review of primary sources (phonograms, manuscript files, and books) was carried out as well as an ethnographic field work with Andean communities. The compiled contents express the feelings and the suffering of people who were deported to Buenos Aires, La Plata, Martín García island; the territorial spoils, the deaths and the re-settlement on distant lands. Thus –from a Mapuche perspective and through the ül–, we can understand the way by which the Chilean and Argentinean States started their genocidal and pillaging processes during the historical periods known as “Occupation of the Araucanía” and “Desert Campaign”.
本文以马普切人在19世纪末至20世纪初被占领和领土缩减时期的记忆为研究对象，参考了一些口头传统，主要是用来传达那些日子记忆的 l或 lkantun圣歌。从方法论的角度来看，对原始资料(录音、手稿文件和书籍)进行了文献审查，并与安第斯社区进行了人种学实地工作。汇编的内容表达了被驱逐到布宜诺斯艾利斯、拉普拉塔、Martín García岛的人们的感情和痛苦;领土被掠夺，死亡和在遥远的土地上重新定居。因此，从马普切人的角度和通过 l - -我们可以了解智利和阿根廷国家在被称为“占领Araucanía”和“沙漠战役”的历史时期开始其种族灭绝和掠夺过程的方式。
{"title":"Memoria oral mapuche a través de cantos tradicionales ülkantun: recordando la época de ocupación (siglos XIX y XX)","authors":"Gabriel Pozo Menares, Margarita Canio Llanquinao, José Velásquez Arce","doi":"10.7764/res.2019.45.3","DOIUrl":"https://doi.org/10.7764/res.2019.45.3","url":null,"abstract":"This paper shows the findings of a research aimed at analyzing the Mapuche memory in times of occupation and territorial reduction (late 19th century to early 20th centuries), taking as a reference some oral traditions, mainly the ül or ülkantun chants, which are used to convey the memories of those days. From a methodological point of view, a documentary review of primary sources (phonograms, manuscript files, and books) was carried out as well as an ethnographic field work with Andean communities. The compiled contents express the feelings and the suffering of people who were deported to Buenos Aires, La Plata, Martín García island; the territorial spoils, the deaths and the re-settlement on distant lands. Thus –from a Mapuche perspective and through the ül–, we can understand the way by which the Chilean and Argentinean States started their genocidal and pillaging processes during the historical periods known as “Occupation of the Araucanía” and “Desert Campaign”.","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82999100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Concurrencias documentales en torno a Carlos Guastavino y Gabriela Mistral","authors":"Silvina Luz Mansilla","doi":"10.7764/RES.2019.44.9","DOIUrl":"https://doi.org/10.7764/RES.2019.44.9","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90469133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pedrotti, Clarisa Eugenia. 2017. Pobres, negros y esclavos: Música religiosa en Córdoba del Tucumán. Córdoba: Editorial Brujas.","authors":"Laura Fahrenkrog","doi":"10.7764/res.2019.44.12","DOIUrl":"https://doi.org/10.7764/res.2019.44.12","url":null,"abstract":"","PeriodicalId":41600,"journal":{"name":"Resonancias","volume":"40 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77526466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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