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KronoScope-Journal for the Study of Time最新文献

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The Power of Time Perception, written by Jean Paul Zogby 《时间感知的力量》,作者让·保罗·佐格比
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341447
Paul Peigné
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引用次数: 0
Present-Tense Narration and Representing Trauma in Anne Enright’s The Gathering 安妮·恩莱特《聚会》的现在时叙事与创伤表征
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341443
Karen Mccarthy
In this article, I engage with the present-tense narration in Anne Enright’s novel, The Gathering. The narrator, Veronica Hegarty, is tasked with assembling her family for a wake after the suicide of her closest brother Liam. What his death unleashes in her is a compulsion to write down an “uncertain event,” which may or “may not have happened,” in which Liam was sexually assaulted as a child. The narrative suggests that Veronica witnessed this “event” and, in line with the aporetic nature of traumatic experience, did not register it as such. The narrative temporal strategy, as this article will demonstrate, is key to the author’s representation of the “event” which, due to its traumatic nature, is always of the present, and never successfully relegated to the past. I also explore the ways in which the novel suggests a healing which can be neither contained nor enacted within the confines of this overtly present-tense narrative.
在这篇文章中,我研究了安妮·恩莱特的小说《聚会》中的现在时叙述。叙述者维罗妮卡·赫加蒂的任务是在她最亲密的哥哥利亚姆自杀后召集她的家人守灵。他的死在她身上释放的是一种冲动,让她写下一件“不确定的事件”,这件事可能发生过,也可能没有发生过,比如利亚姆小时候被性侵犯过。叙述表明,维罗妮卡目睹了这一“事件”,与创伤经历的悲伤本质一致,她并没有把它记录下来。正如本文将展示的那样,叙事时间策略是作者对“事件”的表现的关键,由于其创伤性,“事件”始终是现在的,从未成功地降级到过去。我还探讨了小说中提出的一种治疗方法,这种方法既不能被包含,也不能在这种明显的现在时叙事的范围内实施。
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引用次数: 1
Introducing the Time and the Arts Special Edition: a Note from the Editor 介绍时间与艺术特别版:编辑的注释
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341438
Rose Harris-Birtill
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引用次数: 0
Re-Viewing Western U.S. Rephotography in the Anthropocene 人类世的美国西部再摄影
IF 0.7 Pub Date : 2019-09-24 DOI: 10.1163/15685241-12341441
W. R. Handley
In this paper, documentary and artistic pairings of nineteenth-century survey photographs with rephotographs from the 1970s-2000s of identical views of western U.S. sites are read within divergent temporal and historiographical paradigms about historical and geological change. Viewed and interpreted within the legacy of American technocratic “progress” and of debates about the “old” and “new” western histories, this juxtaposed work across a century speaks to shifts in historians’ paradigms about the meaning of western expansion, from optimism to tragedy, and to whether geologic and human history are continuous or discontinuous. The ecological rupture of the Anthropocene returns us to nineteenth-century debates, which in part motivated survey photographs, about whether changes in geological and life forms are gradual or catastrophic—or some uneasy combination of the two. What haunts these photographs today is both a lost ideological past and a precarious, humanly viable future that the Anthropocene exposes.
在本文中,将19世纪的调查照片与20世纪70年代至21世纪的美国西部遗址相同视图的重新拍摄照片进行文献和艺术配对,并在不同的时间和历史学范式中阅读历史和地质变化。在美国技术官僚“进步”的遗产和关于“旧”和“新”西方历史的争论中,这部并列的作品跨越一个世纪,讲述了历史学家关于西方扩张意义的范式的转变,从乐观到悲剧,以及地质和人类历史是连续的还是不连续的。人类世的生态破裂使我们回到了19世纪的争论,这在一定程度上激发了调查照片,关于地质和生命形式的变化是渐进的还是灾难性的,或者是两者的某种令人不安的结合。今天困扰着这些照片的,既是一种失落的意识形态的过去,也是人类世暴露出来的一个不稳定的、人类可以生存的未来。
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引用次数: 1
Nancy, Descartes, and Continuous Creation 南希、笛卡儿与持续创造
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341427
Khafiz Kerimov, Tapdyg K. Kerimov
The present article investigates the role of Descartes’ doctrine of continuous creation in Jean-Luc Nancy’s philosophy. While it is not customary to take Descartes as a thinker of plurality, his doctrine of continuous creation affords Nancy the philosophical resources for thinking the plurality of worlds. In the first section of the article, we present Descartes’ argument for continuous creation, in accordance with which creation occurs not just once but is repeated at each instant. Yet, in Descartes, this doctrine remains wedded to a concept of an immutable creator. In the second section of the article, we present the stakes of Nancy’s deconstruction of creation ex nihilo, which results in the suspension of God as an immutable ground. For Nancy, creation of the world happens at each moment of the world but without a pre-determined end or plan.
本文探讨笛卡尔主义的角色不断创新的jean - luc南希的哲学。虽然人们通常不把笛卡尔看作是一个多元的思想家,但他的持续创造学说为南希思考世界的多元性提供了哲学资源。在文章的第一部分,我们提出笛卡尔关于连续创造的论点,根据这个论点,创造不是只发生一次,而是在每个瞬间重复。然而,在笛卡尔那里,这一学说仍然与一个永恒的创造者的概念相结合。在文章的第二部分,我们展示了南希解构从无到有的创造的风险,这导致了上帝作为一个不变的基础的悬置。对南希来说,世界的创造发生在世界的每一个时刻,但没有预先确定的结局或计划。
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引用次数: 3
Of Time and Lamentation. Reflections on Transience, written by Raymond Tallis 时间与哀愁。《对短暂的反思》,作者雷蒙德·塔利斯
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341434
Irmtraud Huber
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引用次数: 0
Why Time Flies: A Mostly Scientific Investigation, written by Alan Burdick 艾伦·伯迪克的《光阴似箭:科学调查
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341435
M. Schmelzer
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引用次数: 4
Editors’ Introduction 编辑的介绍
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341426
A. Crabbe, P. Øhrstrøm
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引用次数: 0
Time in Literature, edited by Thomas M. Allen 托马斯·m·艾伦编辑的《文学时代》
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341430
Irmtraud Huber
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引用次数: 0
Marking Modern Times: A History of Clocks, Watches, and Other Timekeepers in American Life, written by Alexis McCrossen 《标记现代:美国生活中的钟表、手表和其他计时器的历史》,作者:亚历克西斯·麦克罗森
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341432
L. Strate
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引用次数: 0
期刊
KronoScope-Journal for the Study of Time
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