Pub Date : 2020-01-02DOI: 10.1080/0147037X.2020.1735825
Aurelia Campbell
Wen-shing Chou's first book, Mount Wutai: Visions of a Sacred Buddhist Mountain, provides a stimulating account of the cultural, religious, and political engagements of Inner Asian Buddhists with M...
{"title":"Mount Wutai: Visions of a Sacred Buddhist Mountain","authors":"Aurelia Campbell","doi":"10.1080/0147037X.2020.1735825","DOIUrl":"https://doi.org/10.1080/0147037X.2020.1735825","url":null,"abstract":"Wen-shing Chou's first book, Mount Wutai: Visions of a Sacred Buddhist Mountain, provides a stimulating account of the cultural, religious, and political engagements of Inner Asian Buddhists with M...","PeriodicalId":41737,"journal":{"name":"Ming Studies","volume":"2020 1","pages":"91 - 94"},"PeriodicalIF":0.3,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/0147037X.2020.1735825","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42210948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-02DOI: 10.1080/0147037x.2020.1739384
Li Yang
Q1: To what extent do you see yourself as a Ming scholar? How would you describe yourself?WP: I have thought of myself, almost from the beginning, more as a seventeenth-century historian rather tha...
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Pub Date : 2020-01-02DOI: 10.1080/0147037X.2020.1741906
Yongtao Du
The geographical scale of locality has never been clearly defined in the recent “localist turn” scholarship on late imperial China: “the local” there could refer to a county, a prefecture, and occasionally a region that contains more than one prefecture. One cause of this scalar inexactitude can be found in the intellectual trajectory of the local history orientation in Chinese studies. Another, probably more important cause is that historical actors themselves in the late imperial period kept the scale of locality fluid in their performances of local identity and their practices of local activism. Behind this fluidity may hide some crucial yet unexplored issues of both locality and localism in late imperial China. This article takes as an example the controversy over the “head tax on silk” (rending sijuan, 人丁絲捐) that broke out in the Huizhou (徽州) Prefecture in 1577 to illuminate the flexibility of scale in local identity formation, as well as the poverty of locality as a source of political loyalty.
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Pub Date : 2020-01-02DOI: 10.1080/0147037X.2020.1747848
Ming News, D. Schäfer
“This exhibition illustrates a transitory time range in the 17th century, a period that was both intriguing and full of various possibilities. From the perspective of the modern material culture studies, not only we can glance into the story of adventurers that explored new water channels through hardships, under the scope of the East and West exchanges, but also from the viewpoint of the district Jiangnan, to understand the seemingly ordinary, but in fact detail-oriented quality of the literati families’ daily rituals. The curatorial focus concentrates on the ‘calligraphy and painting’ and ‘objects,’ the two chapters extracted from ‘Treatise on Superfluous Things’ that was written by the modest literati Wen Zhenheng (1586–1645) in the 17th century. In addition to rediscover the cultural contexts embedded by the museum’s collection, it is also the purpose to explore the fine elements of the ancients’ appreciation towards the objects. Along the process, the picture of related social network is built up and the gradual trend to admire the antiquarian style, which had placed influence on general home accessories is also clarified. The purpose is unfolded by examining the ancient mindsets about one’s belongings and then look into the relationship between human and objects in the modern days.” [From the webpage. See https://www.npm.gov.tw/en/Article.aspx?sNo=04010912]
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Pub Date : 2019-11-01DOI: 10.7861/clinmed.2019.0241
Anne-Marie Bougeard, John Moore
In 2016, NHS England set up 10 integrated care systems (ICSs) which aim to devolve some responsibility for delivery of health and social care services to local healthcare providers in partnership with local government, social care, primary care networks, and voluntary and charitable organisations. These are new ways of working and provide an opportunity to better integrate perioperative care across the entire pathway from the moment of contemplation of surgery through to recovery at home. This review describes the ways in which the aims of many ICS plans can be met with good perioperative care, and how clinicians can use this opportunity to make significant progress in improving outcomes for patients. We describe examples of initiatives in cancer pathways which are already proving successful and have caught the imagination of the local community at all levels, as well as examples of integrated perioperative care across the country which can be applied to other systems. We hope to demonstrate ways in which perioperative care can add value to a local health population given the right support and chance to deliver it.
{"title":"Delivering perioperative care in integrated care systems.","authors":"Anne-Marie Bougeard, John Moore","doi":"10.7861/clinmed.2019.0241","DOIUrl":"10.7861/clinmed.2019.0241","url":null,"abstract":"<p><p>In 2016, NHS England set up 10 integrated care systems (ICSs) which aim to devolve some responsibility for delivery of health and social care services to local healthcare providers in partnership with local government, social care, primary care networks, and voluntary and charitable organisations. These are new ways of working and provide an opportunity to better integrate perioperative care across the entire pathway from the moment of contemplation of surgery through to recovery at home. This review describes the ways in which the aims of many ICS plans can be met with good perioperative care, and how clinicians can use this opportunity to make significant progress in improving outcomes for patients. We describe examples of initiatives in cancer pathways which are already proving successful and have caught the imagination of the local community at all levels, as well as examples of integrated perioperative care across the country which can be applied to other systems. We hope to demonstrate ways in which perioperative care can add value to a local health population given the right support and chance to deliver it.</p>","PeriodicalId":41737,"journal":{"name":"Ming Studies","volume":"2018 1","pages":"450-453"},"PeriodicalIF":4.4,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6899245/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87204773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/0147037X.2019.1656436
Ying Zhang
The title of Maria Franca Sibau’s book, Reading for the Moral, encapsulates the author’s multiple analytical agendas. First, it reflects Sibau’s insight that late-Ming short fictions integrated com...
Maria Franca Sibau的书名《为道德而阅读》概括了作者的多重分析议程。其一，反映了西伯对晚明短篇小说整合社会文化的深刻认识。。。
{"title":"Reading for the Moral: Exemplarity and the Confucian Moral Imagination in Seventeenth-Century Chinese Short Fiction","authors":"Ying Zhang","doi":"10.1080/0147037X.2019.1656436","DOIUrl":"https://doi.org/10.1080/0147037X.2019.1656436","url":null,"abstract":"The title of Maria Franca Sibau’s book, Reading for the Moral, encapsulates the author’s multiple analytical agendas. First, it reflects Sibau’s insight that late-Ming short fictions integrated com...","PeriodicalId":41737,"journal":{"name":"Ming Studies","volume":"2019 1","pages":"75 - 77"},"PeriodicalIF":0.3,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/0147037X.2019.1656436","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44576568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/0147037X.2019.1668183
Yenna Wu
{"title":"Reconsidering the Innovation and Ambiguity in Idle Talk under the Bean Arbor (Doupeng xianhua 豆棚閒話)","authors":"Yenna Wu","doi":"10.1080/0147037X.2019.1668183","DOIUrl":"https://doi.org/10.1080/0147037X.2019.1668183","url":null,"abstract":"","PeriodicalId":41737,"journal":{"name":"Ming Studies","volume":"2019 1","pages":"48 - 75"},"PeriodicalIF":0.3,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/0147037X.2019.1668183","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44049130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/0147037X.2019.1640506
R. Zhang
Literary studies on the aesthetics of performance in the late Ming have paid scant attention to critics’ poetic writings as a form to express their thoughts and feelings toward performance. This paper examines poems by Zang Maoxun (1550–1620), collected in Fubao tang ji, as well as poems by his social coterie in Jinling and Wuxing, that focus on the social and poetic aspects of performance. In recent scholarly discourse, Zang Maoxun’s role as editor and publisher of Yuan performative texts has been well covered, but neither his status as a poet nor the poetic exchanges within his social network have been properly investigated as sources for information on Chinese theater. This paper focuses on non-dramatic forms of literature, poetry in particular, in order to unveil the social occasions that precipitated his poetic compositions and the treatment of musical performance in his poetry.
{"title":"Shaking Dust and Stopping Clouds: the Aesthetics of Performance in Two Sets of Poems by Zang Maoxun and Wu Mengyang","authors":"R. Zhang","doi":"10.1080/0147037X.2019.1640506","DOIUrl":"https://doi.org/10.1080/0147037X.2019.1640506","url":null,"abstract":"Literary studies on the aesthetics of performance in the late Ming have paid scant attention to critics’ poetic writings as a form to express their thoughts and feelings toward performance. This paper examines poems by Zang Maoxun (1550–1620), collected in Fubao tang ji, as well as poems by his social coterie in Jinling and Wuxing, that focus on the social and poetic aspects of performance. In recent scholarly discourse, Zang Maoxun’s role as editor and publisher of Yuan performative texts has been well covered, but neither his status as a poet nor the poetic exchanges within his social network have been properly investigated as sources for information on Chinese theater. This paper focuses on non-dramatic forms of literature, poetry in particular, in order to unveil the social occasions that precipitated his poetic compositions and the treatment of musical performance in his poetry.","PeriodicalId":41737,"journal":{"name":"Ming Studies","volume":"2019 1","pages":"31 - 47"},"PeriodicalIF":0.3,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/0147037X.2019.1640506","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44979241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/0147037x.2019.1661725
Ming News, Shaobo Sun
“Many of the powerful emperors of China’s last dynasties— the Ming (1368–1644) and Qing (1644–1912) — were patrons, collectors, and casual practitioners of the arts. They used art to legitimize and glorify their rule. It served many functions: for state rituals, for expressing piety, to dazzle palace visitors, to build diplomatic relations, and for personal pleasure. The emperors’ officials oversaw the palace painting academy, imperial porcelain factory, and numerous other workshops. Their artists creatively reworked earlier traditions, which bolstered the emperors’ legitimacy by showing their command of China’s long history. Many emperors supported international trade with Japan and Korea, Southeast Asia, the Himalayas, and the Indian subcontinent as well as the Islamic world and Europe. These exchanges helped shape the development of Chinese art, especially in the early fifteenth-century and eighteenth-century courts emphasized in this gallery. While the Ming and Qing courts followed many of the same practices in government and art, the Ming emperors were native Chinese, and the Qing rulers were not. Heirs of Manchu chieftains who swept into China on horseback from the north, the Qing emperors embraced all things Chinese, but also steadfastly maintained their own traditions.” From the exhibition description, https://www.freersackler.si.edu/exhibition/ looking-out-looking-in/
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