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‘Generative Traumatic Wounds’: Notes of a Female Artist – A Conversation with Chiara Lagani 生成性创伤":一位女艺术家的笔记--与基娅拉-拉加尼的对话
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-05-28 DOI: 10.1080/02639904.2024.2311513
Katrin Wehling-Giorgi
Published in Romance Studies (Vol. 41, No. 4, 2023)
发表于《浪漫研究》(第 41 卷第 4 期,2023 年)
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引用次数: 0
Comparative Approaches to Elena Ferrante: Traumas, Bodies, Languages 研究埃莱娜-费兰特的比较方法:创伤、身体、语言
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-05-28 DOI: 10.1080/02639904.2024.2311517
Katrin Wehling-Giorgi, Stiliana Milkova Rousseva
The introduction to this Special Issue lays out the rationale for analysing Elena Ferrante’s novels through a comparative perspective, in relation to works by Anglophone, French, and Italian author...
本特刊的导言阐述了通过比较视角分析埃莱娜-费兰特的小说,并将其与英语、法语和意大利语作家的作品联系起来的理由。
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引用次数: 0
Breaking Out of the Cage of Anthropocentrism: Ecofeminism in Elena Ferrante’s Neapolitan Quartet and Other Essays 冲破人类中心主义的牢笼:埃莱娜-费兰特《那不勒斯四重奏》中的生态女性主义及其他论文
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-05-28 DOI: 10.1080/02639904.2024.2311515
Carlotta Moro
This article examines the confluence of feminist and ecological concerns across Elena Ferrante’s literary corpus. After a discussion of Ferrante’s engagement with Giacomo Leopardi, this paper consi...
本文探讨了埃莱娜-费兰特的文学作品中女权主义与生态关注的交汇点。在讨论了费兰特与贾科莫-莱奥帕尔迪(Giacomo Leopardi)的交往之后,本文探讨了费兰特对生态问题的关注。
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引用次数: 0
Posthumanism and Trauma: The Non-Anthropocentric World of Grief and Objects in Elena Ferrante and Catherine Dunne 后人道主义与创伤:埃莱娜-费兰特和凯瑟琳-邓恩的非人类中心主义的悲伤世界和对象
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-05-28 DOI: 10.1080/02639904.2024.2311512
Enrica Maria Ferrara
A popular author in Italy since the late 1990s, Irish writer Catherine Dunne, like Elena Ferrante, has engaged with topics of female emancipation, resistance to patriarchal values, and the mother-d...
爱尔兰作家凯瑟琳-邓恩(Catherine Dunne)与埃琳娜-费兰特(Elena Ferrante)一样,自 20 世纪 90 年代末以来一直是意大利的热门作家,她的作品涉及女性解放、反抗父权价值观以及母亲与孩子之间的关系等主题。
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引用次数: 0
Unspeakable Things Spoken: Transgenerational Trauma, Fractured Bodies and Visual Tropes in Toni Morrison, Elsa Morante and Elena Ferrante’s Works 无法言说之物:托尼-莫里森、埃尔莎-莫兰特和埃莱娜-费兰特作品中的跨代创伤、支离破碎的身体和视觉特质
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-05-28 DOI: 10.1080/02639904.2024.2311516
Katrin Wehling-Giorgi
This article proposes to investigate a transnational lineage of female-authored trauma narratives that centre on how overarching power structures affect the lives of women. My line of inquiry trace...
本文拟对女性撰写的跨国创伤叙事进行调查,这些叙事的中心是总体权力结构如何影响妇女的生活。我的研究思路是追溯......
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引用次数: 0
The Weight of the Paternal: Authorship and Gustave Flaubert’s Legacy in Elena Ferrante’s The Lying Life of Adults 父权的重量:埃莱娜-费兰特的《成年人的谎言生活》中的作者身份与古斯塔夫-福楼拜的遗产
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-05-28 DOI: 10.1080/02639904.2024.2311511
Barbara Alfano
This essay discusses the metanarrative aspect of Elena Ferrante’s La vita bugiarda degli adulti (2019, The Lying Life of Adults 2020) as it relates to the legacy of fathers and at least one literar...
本文讨论了埃莱娜-费兰特(Elena Ferrante)的《成人的谎言生活》(La vita bugiarda degli adulti,2019,The Lying Life of Adults 2020)的元叙事方面,因为它与父亲的遗产以及至少一种文学形式有关。
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引用次数: 0
The Trauma of Language Learning and Self-Translation in Elena Ferrante and Jhumpa Lahiri 埃莱娜-费兰特和朱帕-拉希里的语言学习和自我翻译创伤
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-05-28 DOI: 10.1080/02639904.2024.2311514
Stiliana Milkova Rousseva
Elena Ferrante’s Neapolitan Quartet (2011–2014) and Jhumpa Lahiri’s first work in Italian, In altre parole (In Other Words, 2015) can both be read as ‘language memoirs’, for they both posit languag...
埃莱娜-费兰特(Elena Ferrante)的《那不勒斯四重奏》(2011-2014)和琼帕-拉希里(Jhumpa Lahiri)的第一部意大利语作品《In altre parole》(《In Other Words》,2015)都可以被解读为 "语言回忆录",因为它们都将语言作为...
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引用次数: 0
The First Lusophone Author: A Palimpsest Named António Feliciano De Castilho 第一位葡语作家一位名叫安东尼奥-费利西亚诺-德卡斯蒂略的古文字学家
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-02-14 DOI: 10.1080/02639904.2023.2283317
Duarte Drumond Braga
The poet António Feliciano de Castilho (1800–1875) sought to create a literary presence beyond the space of the Portuguese metropolis, sometimes in his own name, whereas on other occasions he resor...
诗人安东尼奥-费利西亚诺-德-卡斯蒂略(António Feliciano de Castilho,1800-1875 年)试图在葡萄牙大都市以外的地方创造文学存在,有时是以自己的名字,有时则是在其他地方。
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引用次数: 0
Las formas de la democracia: Cartoneros, creatividad y movilización en La Villa de César Aira 民主的形式:塞萨尔-艾拉笔下的 Cartoneros、创造力和 La Villa 的动员能力
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-02-01 DOI: 10.1080/02639904.2023.2283321
Lucy Bell
La incoherencia, lo informe o la carencia de forma son tropos dominantes en la crítica de la obra literaria de César Aira. El presente artículo propone una interpretación alternativa a través de la...
不连贯、无形式或缺乏形式是批评塞萨尔-艾拉文学作品的主要套路。本文通过对塞萨尔-艾拉文学作品的分析,提出了另一种解释。
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引用次数: 0
Do Japão a Portugal, por via de Espanha? Os Primeiros Romances Japoneses no Mercado Português 从日本到葡萄牙,途经西班牙?葡萄牙市场上的首批日本小说
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2024-02-01 DOI: 10.1080/02639904.2023.2283319
Marta Pacheco Pinto
The first Portuguese translations of Japanese novels date from 1906 and 1909, respectively: Nami-ko (Hototogisu) by Tokutomi Kenjirō (1868–1927) and Os 47 Capitães (Iroha Bunko) by Tamenaga Shunsui...
葡萄牙对日本小说的首次翻译分别是在 1906 年和 1909 年:分别是 Tokutomi Kenjirō(1868-1927 年)的《Nami-ko》(Hototogisu)和 Tamenaga Shunsui 的《Os 47 Capitães》(Iroha Bunko)。
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引用次数: 0
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Romance Studies
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