As part of the larger discussion about the persistent and worldwide problem of access to adequate housing, I examine in this article the effects of government-led rehousing efforts in Lisbon, Portugal, through the lens of filmic representations of those effects. Specifically, I look at how residents of both the self-built neighbourhoods (demolished or soon-to-be) and public housing responded to the Projeto Especial de Realojamento through an analysis of two films, the documentary Outros Bairros and the fictional short film Nada Fazi , which represent a sort of ‘before and after’ of those government efforts. The residents’ voices and stories are compared to each other and set against a backdrop of journalistic reporting and sociological studies.
{"title":"Mudado para Pior: Residents’ responses to Portugal’s ‘Special Rehousing Program’ as expressed in Outros Bairros and Nada Fazi","authors":"Emily Knudson-Vilaseca","doi":"10.1386/ijis_00089_1","DOIUrl":"https://doi.org/10.1386/ijis_00089_1","url":null,"abstract":"As part of the larger discussion about the persistent and worldwide problem of access to adequate housing, I examine in this article the effects of government-led rehousing efforts in Lisbon, Portugal, through the lens of filmic representations of those effects. Specifically, I look at how residents of both the self-built neighbourhoods (demolished or soon-to-be) and public housing responded to the Projeto Especial de Realojamento through an analysis of two films, the documentary Outros Bairros and the fictional short film Nada Fazi , which represent a sort of ‘before and after’ of those government efforts. The residents’ voices and stories are compared to each other and set against a backdrop of journalistic reporting and sociological studies.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80194701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Tinieblas: El franquismo en el cine español (1975–2000), Loscos Carmina Gustrán (2022) Madrid: Marcial Pons, 447 pp., ISBN 978-8-41875-219-3, p/bk, €34.20 ISBN 978-8-41875-262-9, e-book, €32.00
{"title":"Tinieblas: El franquismo en el cine español (1975–2000), Loscos Carmina Gustrán (2022)","authors":"Jordi Cornellà-Detrell","doi":"10.1386/ijis_00094_5","DOIUrl":"https://doi.org/10.1386/ijis_00094_5","url":null,"abstract":"Review of: Tinieblas: El franquismo en el cine español (1975–2000), Loscos Carmina Gustrán (2022)\u0000 Madrid: Marcial Pons, 447 pp.,\u0000 ISBN 978-8-41875-219-3, p/bk, €34.20\u0000 ISBN 978-8-41875-262-9, e-book, €32.00","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87471626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Transnational Portuguese Studies, Hilary Owens and Claire Williams (eds) (2020) Liverpool: Liverpool University Press, 416 pp., ISBN 978-1-78962-139-6, h/bk, £88.00 ISBN 978-1-78962-140-2, p/bk, £26.36 ISBN 978-1-78962-730-5, e-book, £26.36
{"title":"Transnational Portuguese Studies, Hilary Owens and Claire Williams (eds) (2020)","authors":"Joana Serrado","doi":"10.1386/ijis_00095_5","DOIUrl":"https://doi.org/10.1386/ijis_00095_5","url":null,"abstract":"Review of: Transnational Portuguese Studies, Hilary Owens and Claire Williams (eds) (2020)\u0000 Liverpool: Liverpool University Press, 416 pp.,\u0000 ISBN 978-1-78962-139-6, h/bk, £88.00\u0000 ISBN 978-1-78962-140-2, p/bk, £26.36\u0000 ISBN 978-1-78962-730-5, e-book, £26.36","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72710915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Catalonia: A New History, Andrew Dowling (2023) Abingdon: Routledge, 177 pp., ISBN 978-1-03211-191-9, h/bk, £130.00 ISBN 978-1-03211-192-6, p/bk, £35.99 ISBN 978-1-00321-879-1, e-book, £32.39
{"title":"Catalonia: A New History, Andrew Dowling (2023)","authors":"J. London","doi":"10.1386/ijis_00096_5","DOIUrl":"https://doi.org/10.1386/ijis_00096_5","url":null,"abstract":"Review of: Catalonia: A New History, Andrew Dowling (2023)\u0000 Abingdon: Routledge, 177 pp.,\u0000 ISBN 978-1-03211-191-9, h/bk, £130.00\u0000 ISBN 978-1-03211-192-6, p/bk, £35.99\u0000 ISBN 978-1-00321-879-1, e-book, £32.39","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74718871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article reassesses the debate around the meaning of ‘libertarian communism’ within the Spanish anarcho-syndicalist movement in the years prior to and during the Civil War. Drawing on recent historical and theoretical literature that argues for a non-pejorative and analytical understanding of utopia, it brings renewed attention to this aspect of Spanish anarcho-syndicalism. The article focuses on the proposals for a definition of libertarian communism that were debated in the run up to and during the National Confederation of Labour’s (CNT) Zaragoza Congress in May 1936. It argues that a utopian imagination was central to the movement’s self-understanding and concrete achievements, and not confined to its more idealist currents.
{"title":"Learning to live: Anarcho-syndicalism and utopia in Spain, 1931–37","authors":"D. Evans, E. Stainforth","doi":"10.1386/ijis_00078_1","DOIUrl":"https://doi.org/10.1386/ijis_00078_1","url":null,"abstract":"This article reassesses the debate around the meaning of ‘libertarian communism’ within the Spanish anarcho-syndicalist movement in the years prior to and during the Civil War. Drawing on recent historical and theoretical literature that argues for a non-pejorative and analytical understanding of utopia, it brings renewed attention to this aspect of Spanish anarcho-syndicalism. The article focuses on the proposals for a definition of libertarian communism that were debated in the run up to and during the National Confederation of Labour’s (CNT) Zaragoza Congress in May 1936. It argues that a utopian imagination was central to the movement’s self-understanding and concrete achievements, and not confined to its more idealist currents.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91259063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Spain and Its Achilles’ Heels: The Strong Foundations of a Country’s Weaknesses, Koldo Casla (2021) Lanham, MD, Boulder, CO, New York and London: Rowman and Littlefield, 219 pp., ISBN 978-1-53816-458-7, h/bk, £81.00 ISBN 978-1-53816-459-4, e-book, £35.00
{"title":"Spain and Its Achilles’ Heels: The Strong Foundations of a Country’s Weaknesses, Koldo Casla (2021)","authors":"Gregorio Alonso","doi":"10.1386/ijis_00086_5","DOIUrl":"https://doi.org/10.1386/ijis_00086_5","url":null,"abstract":"Review of: Spain and Its Achilles’ Heels: The Strong Foundations of a Country’s Weaknesses, Koldo Casla (2021)\u0000 Lanham, MD, Boulder, CO, New York and London: Rowman and Littlefield, 219 pp.,\u0000 ISBN 978-1-53816-458-7, h/bk, £81.00\u0000 ISBN 978-1-53816-459-4, e-book, £35.00","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72397338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Disidencia e hipernormalización: Ensayos sobre sexualidad y masculinidades, Alfredo Martínez Expósito (2021)","authors":"A. Mira","doi":"10.1386/ijis_00085_5","DOIUrl":"https://doi.org/10.1386/ijis_00085_5","url":null,"abstract":"Review of: Disidencia e hipernormalización: Ensayos sobre sexualidad y masculinidades, Alfredo Martínez Expósito (2021)\u0000 Barcelona: Icaria, 272 pp.,\u0000 ISBN 978-8-41882-629-0, p/bk, €22.00","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81870889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Anatomía dunha serea (‘Anatomy of a mermaid’) () is a documentary theatre play in which the Galician actor Iria Pinheiro shares the experiences of obstetric violence she went through during and after labour. I filmed Pinheiro’s creative process when putting the play together. As I was filming, I found Anatomía dunha serea presented a reality that is still debated in Spain, disrupting the performative image of the pregnant woman that has been perpetuated in cultural production within western patriarchal society. In this article, I address how I use video essay as a research form to analyse the subversive nature of the play, looking at how Pinheiro uses parody as a device to disrupt, and how she confronts us with the image of the pregnant woman typically portrayed in films. Furthermore, what started as an investigation into the actor’s creative process turned into a personal exploration to understand more about the pregnant woman who infiltrates the Galician and Spanish imaginary. By analysing to what extent the image we get from films has been framed by the depictions of the pregnant Virgin Mary and how subversive portrayals in films are sometimes made invisible, I intend to challenge how we present the pregnant woman on screen.
Anatomía dunha serea(“美人鱼的解剖”)是一部记录片戏剧，加利西亚演员Iria Pinheiro在其中分享了她在分娩期间和分娩后遭受的产科暴力的经历。我拍摄了皮涅罗创作剧本的过程。在拍摄过程中，我发现Anatomía dunha serea呈现了一个在西班牙仍有争议的现实，打破了西方父权社会文化生产中一直存在的孕妇表演形象。在这篇文章中，我将阐述我如何使用视频文章作为一种研究形式来分析戏剧的颠覆性，看看Pinheiro如何使用模仿作为一种破坏的手段，以及她如何面对电影中典型的孕妇形象。此外，从对演员创作过程的调查开始，变成了对深入了解加利西亚和西班牙想象中的孕妇的个人探索。通过分析我们从电影中获得的形象在多大程度上被怀孕的圣母玛利亚的描绘所框框，以及电影中颠覆性的描绘有时是如何被隐形的，我打算挑战我们在屏幕上呈现孕妇的方式。
{"title":"Shifting views on the pregnant body: Filming the play Anatomía dunha serea","authors":"Adriana Páramo Pérez","doi":"10.1386/ijis_00083_1","DOIUrl":"https://doi.org/10.1386/ijis_00083_1","url":null,"abstract":"\u0000 Anatomía dunha serea (‘Anatomy of a mermaid’) () is a documentary theatre play in which the Galician actor Iria Pinheiro shares the experiences of obstetric violence she went through during and after labour. I filmed Pinheiro’s creative process when putting the play together. As I was filming, I found Anatomía dunha serea presented a reality that is still debated in Spain, disrupting the performative image of the pregnant woman that has been perpetuated in cultural production within western patriarchal society. In this article, I address how I use video essay as a research form to analyse the subversive nature of the play, looking at how Pinheiro uses parody as a device to disrupt, and how she confronts us with the image of the pregnant woman typically portrayed in films. Furthermore, what started as an investigation into the actor’s creative process turned into a personal exploration to understand more about the pregnant woman who infiltrates the Galician and Spanish imaginary. By analysing to what extent the image we get from films has been framed by the depictions of the pregnant Virgin Mary and how subversive portrayals in films are sometimes made invisible, I intend to challenge how we present the pregnant woman on screen.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79397558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dynamic, multifaceted and multimodal feminist and woman-led artistic production has made its mark in the Galician cultural sphere in recent years. Non-canonical artistic formulations located on the fringes of, and often serving as a challenge to, mainstream Galician culture reveal new ways of thinking about gender from peripheral, non-hegemonic and decolonial positions. Galician women are engaging in creative and experimental forms of self-expression, self-production and consumption of culture by reconfiguring and ‘refashioning’ Galician feminisms and femininities within a global framework. Particularly timely in the wake of the #MeToo movement, 8M women’s strikes and the impact of the COVID-19 pandemic on gender equality, and with social media playing an ever more prominent role in the diffusion of grassroots feminist activism, contemporary Galician creative practice by, for and about women has much to teach us in how it challenges heteropatriarchal binaries and stereotypes.
{"title":"Feminisms at work: The (re)production of gender and culture in contemporary Galicia","authors":"Catherine Barbour, Danny Barreto","doi":"10.1386/ijis_00079_2","DOIUrl":"https://doi.org/10.1386/ijis_00079_2","url":null,"abstract":"Dynamic, multifaceted and multimodal feminist and woman-led artistic production has made its mark in the Galician cultural sphere in recent years. Non-canonical artistic formulations located on the fringes of, and often serving as a challenge to, mainstream Galician culture reveal new ways of thinking about gender from peripheral, non-hegemonic and decolonial positions. Galician women are engaging in creative and experimental forms of self-expression, self-production and consumption of culture by reconfiguring and ‘refashioning’ Galician feminisms and femininities within a global framework. Particularly timely in the wake of the #MeToo movement, 8M women’s strikes and the impact of the COVID-19 pandemic on gender equality, and with social media playing an ever more prominent role in the diffusion of grassroots feminist activism, contemporary Galician creative practice by, for and about women has much to teach us in how it challenges heteropatriarchal binaries and stereotypes.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80749646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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