This article aims to follow the trail of some of the influences in the poetic works of José María Agirre, ‘Lizardi’ (1896–1933), and Esteban Urkiaga, ‘Lauaxeta’ (1905–37), both of whom are clearly connected to Symbolism through Spanish Modernism. They are considered the modernizers of Basque poetry and are the most frequently cited examples as paradigms of the Republican era. To this end, a double perspective will be followed. In the case of Lizardi, his literary affiliations will be addressed, relating him to Juan Ramón Jiménez (1881–1958) and José Ortega y Gasset (1883–1955). In order to approach the work of Lauaxeta, we will suggest a number of similarities to the poetry of Federico García Lorca (1898–1936), and to the music of Jesús Guridi (1886–1961) and his zarzuela, El Caserío (1926). We will also establish links between his work and some Impressionist and Symbolist painters, such as Darío Regoyos (1857–1913), Valentín de Zubiaurre (1879–1963) and Aurelio Arteta (1879–1940).
本文旨在追踪jos María Agirre，“Lizardi”(1896-1933)和Esteban Urkiaga，“Lauaxeta”(1905-37)的诗歌作品中的一些影响，他们两人都通过西班牙现代主义与象征主义有明显的联系。他们被认为是巴斯克诗歌的现代化推动者，是共和时代最常被引用的范例。为此，将采取双重视角。就利扎尔迪而言，他的文学背景将被讨论，将他与胡安Ramón吉米内斯(1881-1958)和何塞·奥尔特加·伊·加塞特(1883-1955)联系起来。为了接近劳阿克塞塔的作品，我们将提出与Federico García Lorca(1898-1936)的诗歌，Jesús Guridi(1886-1961)及其zarzuela El Caserío(1926)的音乐的一些相似之处。我们还将建立他的作品与一些印象派和象征主义画家之间的联系，如Darío Regoyos (1857-1913)， Valentín de Zubiaurre(1879-1963)和Aurelio Arteta(1879-1940)。
{"title":"The Basque poets during the Second Republic: José María Agirre, ‘Xabier Lizardi’, and Esteban Urkiaga, ‘Lauaxeta’, in their artistic context1","authors":"Jon Kortazar","doi":"10.1386/ijis_00099_1","DOIUrl":"https://doi.org/10.1386/ijis_00099_1","url":null,"abstract":"This article aims to follow the trail of some of the influences in the poetic works of José María Agirre, ‘Lizardi’ (1896–1933), and Esteban Urkiaga, ‘Lauaxeta’ (1905–37), both of whom are clearly connected to Symbolism through Spanish Modernism. They are considered the modernizers of Basque poetry and are the most frequently cited examples as paradigms of the Republican era. To this end, a double perspective will be followed. In the case of Lizardi, his literary affiliations will be addressed, relating him to Juan Ramón Jiménez (1881–1958) and José Ortega y Gasset (1883–1955). In order to approach the work of Lauaxeta, we will suggest a number of similarities to the poetry of Federico García Lorca (1898–1936), and to the music of Jesús Guridi (1886–1961) and his zarzuela, El Caserío (1926). We will also establish links between his work and some Impressionist and Symbolist painters, such as Darío Regoyos (1857–1913), Valentín de Zubiaurre (1879–1963) and Aurelio Arteta (1879–1940).","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In its third year of existence, Pleibéricos, an online platform focused on launching and promoting new books in the field of Iberian ṣtudies, held an event at the headquarters of the Cervantes Institute in Madrid on 24 October 2022. The aim of this first in-person meeting was to start conversations with other initiatives in the field that, like Pleibéricos, were founded during the COVID-19 pandemic or that had to move their operations online or adopt a hybrid format during that time. The founders and coordinators of the following six platforms talked about their projects: the online research seminar series Polibéricos, Edinburgh Spanish Film Festival (ESFF – to represent hybrid formats in the creative sector), the Spanish-language podcast New Books Network and the conferences Conversations on Iberian Studies: Challenges and Opportunities ( CISCO ) and Association for Contemporary Iberian Studies ( ACIS ). They placed special emphasis on the advantages and challenges of the online and hybrid formats and how to incorporate these new experiences, technologies and skills into a post-pandemic context. The event concluded with a roundtable discussion and some concluding remarks by a guest respondent. This meeting was made possible with the support of a Hispanex grant awarded by the Spanish Ministry of Culture and Sport.
{"title":"Estudios ibéricos online: El futuro de las iniciativas virtuales. Informe del encuentro en la sede del Instituto Cervantes (Madrid, 24 de octubre 2022)","authors":"Santiago Fouz-Hernández, Esther Gimeno Ugalde","doi":"10.1386/ijis_00100_7","DOIUrl":"https://doi.org/10.1386/ijis_00100_7","url":null,"abstract":"In its third year of existence, Pleibéricos, an online platform focused on launching and promoting new books in the field of Iberian ṣtudies, held an event at the headquarters of the Cervantes Institute in Madrid on 24 October 2022. The aim of this first in-person meeting was to start conversations with other initiatives in the field that, like Pleibéricos, were founded during the COVID-19 pandemic or that had to move their operations online or adopt a hybrid format during that time. The founders and coordinators of the following six platforms talked about their projects: the online research seminar series Polibéricos, Edinburgh Spanish Film Festival (ESFF – to represent hybrid formats in the creative sector), the Spanish-language podcast New Books Network and the conferences Conversations on Iberian Studies: Challenges and Opportunities ( CISCO ) and Association for Contemporary Iberian Studies ( ACIS ). They placed special emphasis on the advantages and challenges of the online and hybrid formats and how to incorporate these new experiences, technologies and skills into a post-pandemic context. The event concluded with a roundtable discussion and some concluding remarks by a guest respondent. This meeting was made possible with the support of a Hispanex grant awarded by the Spanish Ministry of Culture and Sport.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: España comparada: Literatura, lengua y política en la cultura contemporánea , Christian Claesson (ed.) (2022) Granada: Comares, 184 pp., ISBN 978-8-41369-296-8, p/bk, €19.00
评论：España comparada: Literatura, lengua y política en la cultura contemporánea , Christian Claesson (ed.) (2022) Granada: Comares, 184 pp.
{"title":"España comparada: Literatura, lengua y política en la cultura contemporánea, Christian Claesson (ed.) (2022)","authors":"Santiago Pérez Isasi","doi":"10.1386/ijis_00103_5","DOIUrl":"https://doi.org/10.1386/ijis_00103_5","url":null,"abstract":"Review of: España comparada: Literatura, lengua y política en la cultura contemporánea , Christian Claesson (ed.) (2022) Granada: Comares, 184 pp., ISBN 978-8-41369-296-8, p/bk, €19.00","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: A Companion to Spanish Environmental Cultural Studies , Luis I. Prádanos (ed.) (2023) Woodbridge: Tamesis, 330 pp., ISBN 978-1-85566-369-5, h/bk, £80.00 ISBN 978-1-80010-867-7, e-book, £24.99
回顾:西班牙环境文化研究的伴侣，路易斯·I. Prádanos(编)(2023)伍德布里奇:Tamesis, 330页，ISBN 978-1-85566-369-5, h/bk，£80.00 ISBN 978-1-80010-867-7，电子书，£24.99
{"title":"A Companion to Spanish Environmental Cultural Studies, Luis I. Prádanos (ed.) (2023)","authors":"Jesse Barker","doi":"10.1386/ijis_00102_5","DOIUrl":"https://doi.org/10.1386/ijis_00102_5","url":null,"abstract":"Review of: A Companion to Spanish Environmental Cultural Studies , Luis I. Prádanos (ed.) (2023) Woodbridge: Tamesis, 330 pp., ISBN 978-1-85566-369-5, h/bk, £80.00 ISBN 978-1-80010-867-7, e-book, £24.99","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Women in Iberian Filmic Culture: A Feminist Approach to the Cinemas of Portugal and Spain , Elena Cordero-Hoyo and Begoña Soto-Vázquez (eds) (2020) Bristol and Chicago, IL: Intellect, 222 pp., ISBN 978-1-78938-171-9, p/bk, £32.95 ISBN 978-1-78938-152-8, h/bk, £90.05 ISBN 978-1-78938-172-6, e-pub, £25.95 ISBN 978-1-78938-173-3, pdf, £25.95
回顾:伊比利亚电影文化中的女性:对葡萄牙和西班牙电影院的女权主义方法，Elena Cordero-Hoyo和Begoña Soto-Vázquez(编辑)(2020)布里斯托尔和芝加哥，IL:智力，222页，ISBN 978-1-78938-171-9, p/bk，£32.95 ISBN 978-1-78938-152-8, h/bk，£90.05 ISBN 978-1-78938-172-6，电子pub，£25.95 ISBN 978-1-78938-173-3, pdf，£25.95
{"title":"Women in Iberian Filmic Culture: A Feminist Approach to the Cinemas of Portugal and Spain, Elena Cordero-Hoyo and Begoña Soto-Vázquez (eds) (2020)","authors":"Mariana Liz","doi":"10.1386/ijis_00101_5","DOIUrl":"https://doi.org/10.1386/ijis_00101_5","url":null,"abstract":"Review of: Women in Iberian Filmic Culture: A Feminist Approach to the Cinemas of Portugal and Spain , Elena Cordero-Hoyo and Begoña Soto-Vázquez (eds) (2020) Bristol and Chicago, IL: Intellect, 222 pp., ISBN 978-1-78938-171-9, p/bk, £32.95 ISBN 978-1-78938-152-8, h/bk, £90.05 ISBN 978-1-78938-172-6, e-pub, £25.95 ISBN 978-1-78938-173-3, pdf, £25.95","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135143836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the Netflix series La casa de papel and Élite as examples of ‘media convergence’ in which content flows between several industries and creates synergies that cannot be fully explained by a television studies framework of analysis alone. By the same token, the methodological tools of traditional star studies may not provide the best lens for analysing how the actors of these series, most of them unknown until recently, have suddenly become global stars. I argue that these two series have made prominent the formation of a new paradigm of stardom, which I call ‘Insta-flix celebrity’, that compels us to develop new conceptual frameworks to theorize how multiple media – in this case Netflix, cinema, Instagram and fashion – participate in a transmedia ecology that has altered established relationships between production and consumption of media texts. Insta-flix celebrity is a phenomenon that affords audiences novel opportunities to interact with media content. With their active participation, consumers decide which stars to follow and which clothes to buy while also engaging with the series’ content and adding their own two cents – comments and social media discussion that can make or break a star, a show or a fashion brand.
本文考察了Netflix系列La casa de paper和Élite作为“媒体融合”的例子，其中内容在几个行业之间流动，并产生了无法单独用电视研究分析框架完全解释的协同效应。出于同样的原因，传统的明星研究方法工具可能无法提供最佳视角，来分析这些电视剧中的演员(其中大多数直到最近才为人所知)是如何突然成为全球明星的。我认为，这两部电视剧突出了明星新范式的形成，我称之为“Insta-flix名人”，这迫使我们开发新的概念框架，以理论化多种媒体——在这个例子中是Netflix、电影、Instagram和时尚——如何参与跨媒体生态，这种生态改变了媒体文本生产和消费之间的既定关系。“网飞明星”是一种现象，它为观众提供了与媒体内容互动的新机会。在他们的积极参与下，消费者可以决定追随哪些明星，购买哪些衣服，同时还可以参与到系列内容中，并加入自己的两分意见——评论和社交媒体讨论，这些评论和讨论可以成就或毁灭一个明星、一场秀或一个时尚品牌。
{"title":"Netflix, Instagram, celebrity and fashion: A brave new convergent world?","authors":"Jorge Pérez","doi":"10.1386/ijis_00098_1","DOIUrl":"https://doi.org/10.1386/ijis_00098_1","url":null,"abstract":"This article examines the Netflix series La casa de papel and Élite as examples of ‘media convergence’ in which content flows between several industries and creates synergies that cannot be fully explained by a television studies framework of analysis alone. By the same token, the methodological tools of traditional star studies may not provide the best lens for analysing how the actors of these series, most of them unknown until recently, have suddenly become global stars. I argue that these two series have made prominent the formation of a new paradigm of stardom, which I call ‘Insta-flix celebrity’, that compels us to develop new conceptual frameworks to theorize how multiple media – in this case Netflix, cinema, Instagram and fashion – participate in a transmedia ecology that has altered established relationships between production and consumption of media texts. Insta-flix celebrity is a phenomenon that affords audiences novel opportunities to interact with media content. With their active participation, consumers decide which stars to follow and which clothes to buy while also engaging with the series’ content and adding their own two cents – comments and social media discussion that can make or break a star, a show or a fashion brand.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77215179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article approaches the role of translation in Iberian literary modernity not as a question of importation of foreign models from Europe but rather as a question of the circulation of texts and cultural traditions within Iberia. It focuses on translation projects that originated within and among Iberian cultures in the nineteenth century, and that projected themselves outward. This study proposes a genealogy that links the revival and spread of floral games in Catalonia and across Spain beginning in the 1850s to translation practices in the Peninsula in the early twentieth century. After an analysis of the relationship between the spread of the floral games and the perception of their decadence in Catalan literary historiography, the article proposes an alternate understanding of the phenomenon that links the floral tradition to translingual cultural projects. Particular attention is paid to the ‘polyglot edition’ of Catalan poet Joaquim Rubió i Ors’ Lo Gayter del Llobregat (‘The piper of the Llobregat River’) (1888–1902). This publication, like the floral tradition that proliferated alongside it, reflects an effort to create a multilingual literary sphere anchored in the Iberian Peninsula that Spanish and Catalan literary histories have overlooked.
本文探讨翻译在伊比利亚文学现代性中的作用，不是从欧洲引进外国模式的问题，而是作为文本和文化传统在伊比利亚境内流通的问题。它侧重于翻译项目，起源于内部和之间的伊比利亚文化在19世纪，并向外投射自己。本研究提出了一个谱系，将19世纪50年代开始在加泰罗尼亚和整个西班牙的花卉游戏的复兴和传播与20世纪初半岛的翻译实践联系起来。在分析了花卉游戏的传播与加泰罗尼亚文学史对其衰落的感知之间的关系之后，本文提出了将花卉传统与翻译文化项目联系起来的现象的另一种理解。特别值得注意的是加泰罗尼亚诗人Joaquim Rubió i Ors ' Lo Gayter del Llobregat (' the piper of the Llobregat River ')(1888-1902)的“多语言版本”。这本出版物，就像随之而来的花卉传统一样，反映了一种努力，即创造一个扎根于伊比利亚半岛的多语言文学领域，这是西班牙和加泰罗尼亚文学史所忽视的。
{"title":"Transplanting the jocs florals: The floral tradition, translation and the imagining of a multilingual literary sphere in modern Iberia","authors":"Leslie J. Harkema","doi":"10.1386/ijis_00097_1","DOIUrl":"https://doi.org/10.1386/ijis_00097_1","url":null,"abstract":"This article approaches the role of translation in Iberian literary modernity not as a question of importation of foreign models from Europe but rather as a question of the circulation of texts and cultural traditions within Iberia. It focuses on translation projects that originated within and among Iberian cultures in the nineteenth century, and that projected themselves outward. This study proposes a genealogy that links the revival and spread of floral games in Catalonia and across Spain beginning in the 1850s to translation practices in the Peninsula in the early twentieth century. After an analysis of the relationship between the spread of the floral games and the perception of their decadence in Catalan literary historiography, the article proposes an alternate understanding of the phenomenon that links the floral tradition to translingual cultural projects. Particular attention is paid to the ‘polyglot edition’ of Catalan poet Joaquim Rubió i Ors’ Lo Gayter del Llobregat (‘The piper of the Llobregat River’) (1888–1902). This publication, like the floral tradition that proliferated alongside it, reflects an effort to create a multilingual literary sphere anchored in the Iberian Peninsula that Spanish and Catalan literary histories have overlooked.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74022006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Antonio Garrido Rubia, Antonia Martinez Rodríguez, Alberto Mora-Rodríguez
This article analyses the factors which affect trust in the Spanish monarchy and public preferences between monarchy and republic. In order to investigate these two factors, 9420 people were interviewed across Spain using a specially designed survey. The data show the extent to which the perception of the monarchy’s effectiveness affects trust in the institution and in the form of government. The answers to these two questions revealed a significant polarization in the Spanish society.
{"title":"Public opinion and forms of government: The monarchy–republic debate in Spain","authors":"Antonio Garrido Rubia, Antonia Martinez Rodríguez, Alberto Mora-Rodríguez","doi":"10.1386/ijis_00091_1","DOIUrl":"https://doi.org/10.1386/ijis_00091_1","url":null,"abstract":"This article analyses the factors which affect trust in the Spanish monarchy and public preferences between monarchy and republic. In order to investigate these two factors, 9420 people were interviewed across Spain using a specially designed survey. The data show the extent to which the perception of the monarchy’s effectiveness affects trust in the institution and in the form of government. The answers to these two questions revealed a significant polarization in the Spanish society.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90621435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A staunch advocate of socialist, feminist and Republican politics, Matilde de la Torre remains an enigmatic, elusive figure on the landscape of critical literature on Republican Spain. After winning a seat for Spain’s Socialist Party (PSOE) in the 1933 and 1936 elections, De la Torre dedicated her political career to defending trade unions, promoting women’s rights, denouncing war and fascism, and advocating for a democratic, Republican Spain. Throughout her lifetime, De la Torre published prolifically in the left-wing press and authored five book-length political commentaries, all of which dialogue with Spain’s tumultuous political structures and debates. The central themes of De la Torre’s career and output are outlined here, along with a discussion of recent scholarship.
作为社会主义、女权主义和共和党政治的坚定倡导者，玛蒂尔德·德拉·托雷在西班牙共和时期的批评文学中仍然是一个神秘莫测的人物。在1933年和1936年的选举中赢得西班牙社会党(PSOE)的席位后，德拉托雷将她的政治生涯奉献给了捍卫工会，促进妇女权利，谴责战争和法西斯主义，并倡导民主，共和的西班牙。在她的一生中，De la Torre在左翼媒体上发表了大量文章，并撰写了五本书长的政治评论，所有这些都与西班牙动荡的政治结构和辩论进行了对话。这里概述了德拉托雷职业生涯和作品的中心主题，以及对近期学术研究的讨论。
{"title":"Matilde de la Torre: A feminist socialist in Republican Spain","authors":"D. Madden","doi":"10.1386/ijis_00092_7","DOIUrl":"https://doi.org/10.1386/ijis_00092_7","url":null,"abstract":"A staunch advocate of socialist, feminist and Republican politics, Matilde de la Torre remains an enigmatic, elusive figure on the landscape of critical literature on Republican Spain. After winning a seat for Spain’s Socialist Party (PSOE) in the 1933 and 1936 elections, De la Torre dedicated her political career to defending trade unions, promoting women’s rights, denouncing war and fascism, and advocating for a democratic, Republican Spain. Throughout her lifetime, De la Torre published prolifically in the left-wing press and authored five book-length political commentaries, all of which dialogue with Spain’s tumultuous political structures and debates. The central themes of De la Torre’s career and output are outlined here, along with a discussion of recent scholarship.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87815847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Since the late 2000s, creators of cultural products have imagined a future Catalonia with its independent institutions as the result of a collective effort driven by the citizens, rather than just the elites. In this article, I posit that the representation of the Catalan republic as benign, horizontal and modern shows tensions and omissions in aspects such as coercion, economic freedom, social protection, bureaucracy, language policies and the handling of immigration. This articulation is exemplified in the journalistic fiction Crònica de la independència (2009) by Patrícia Gabancho, the documentary L’endemà (2014a) by Isona Passola and the essay La República possible (2017) by Antonio Baños. The unproblematic and contradictory depiction of the state reveals latent fears derived from the historical difficulty to fit this political institution into the complex reality of the nation. Moreover, the cultural products analysed show the need to stabilize the new meanings related to the signifiers state and republic in Catalan culture.
自2000年代末以来，文化产品的创造者们一直在想象一个未来的加泰罗尼亚，它拥有独立的机构，这是公民共同努力的结果，而不仅仅是精英。在这篇文章中，我认为对加泰罗尼亚共和国的描述是良性的、横向的和现代的，这表明在胁迫、经济自由、社会保护、官僚主义、语言政策和移民处理等方面存在紧张和遗漏。这种表达体现在Patrícia Gabancho的新闻小说Crònica de la independncia (2009)， Isona Passola的纪录片L ' endeme.com (2014a)和Antonio Baños的文章la República possible(2017)中。对国家的毫无疑问和矛盾的描述揭示了潜在的恐惧，这些恐惧来自于将这种政治制度融入国家复杂现实的历史困难。此外，分析的文化产品表明需要稳定加泰罗尼亚文化中与能指国家和共和国相关的新意义。
{"title":"Beyond the Minotaur: The construction of a benign state in three Catalan cultural products","authors":"Ernest Carranza Castelo","doi":"10.1386/ijis_00090_1","DOIUrl":"https://doi.org/10.1386/ijis_00090_1","url":null,"abstract":"Since the late 2000s, creators of cultural products have imagined a future Catalonia with its independent institutions as the result of a collective effort driven by the citizens, rather than just the elites. In this article, I posit that the representation of the Catalan republic as benign, horizontal and modern shows tensions and omissions in aspects such as coercion, economic freedom, social protection, bureaucracy, language policies and the handling of immigration. This articulation is exemplified in the journalistic fiction Crònica de la independència (2009) by Patrícia Gabancho, the documentary L’endemà (2014a) by Isona Passola and the essay La República possible (2017) by Antonio Baños. The unproblematic and contradictory depiction of the state reveals latent fears derived from the historical difficulty to fit this political institution into the complex reality of the nation. Moreover, the cultural products analysed show the need to stabilize the new meanings related to the signifiers state and republic in Catalan culture.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73607051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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