In this article, I try to explore to what extent queer lives, expressions and representation have been obscured in Galicia by the mainstream narrative of ‘atraso’ (backwardness), applied not only to the economy, but also to social structures. After I situate myself in the discussion, I will explore the way Galicia as a nation has been constructed as a place where queer lives are at risk or simply do not exist. The narrative of ‘atraso’ will be unveiled as a tool to assimilate diverse identities to a single Spanish one, especially when we analyse the facts, traces and gaps through which diverse sexual/gender identities have expressed themselves in Galician culture(s). I will finally explore how literature has operated in this complex scenario as a way to reclaim queer lives on our own terms. I will present some historical background to then analyse current trends in the way queer readings are introduced in contemporary Galician literature.
{"title":"Backwards is forward: Reclaiming sexual and gender diversity in Galicia through literature","authors":"María Reimóndez","doi":"10.1386/ijis_00080_1","DOIUrl":"https://doi.org/10.1386/ijis_00080_1","url":null,"abstract":"In this article, I try to explore to what extent queer lives, expressions and representation have been obscured in Galicia by the mainstream narrative of ‘atraso’ (backwardness), applied not only to the economy, but also to social structures. After I situate myself in the discussion, I will explore the way Galicia as a nation has been constructed as a place where queer lives are at risk or simply do not exist. The narrative of ‘atraso’ will be unveiled as a tool to assimilate diverse identities to a single Spanish one, especially when we analyse the facts, traces and gaps through which diverse sexual/gender identities have expressed themselves in Galician culture(s). I will finally explore how literature has operated in this complex scenario as a way to reclaim queer lives on our own terms. I will present some historical background to then analyse current trends in the way queer readings are introduced in contemporary Galician literature.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79228158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article contrasts strategies of resistance to gender-based violence in two examples of audio-visual media which draw on or subvert the burgeoning genre of Galician noir; Season 1 of the TVG-Netflix hit O sabor das margaridas () directed by Miguel Conde and the women-centred grassroots feminist web series Monstras () directed by Eire García Cid. These divergent case studies muddy the binary of female victimhood and male aggression whilst drawing attention to the hegemonic sexual politics and socio-economic systems which facilitate and endorse violence against women and girls. Yet while Monstras stands as a paradigmatic example of a socially conscious, ideologically driven artistic response to patriarchal violence, the feminist attributes of O sabor das margaridas are largely trumped by commercial concerns, shown for example through the eroticization of violence. Though Galician noir has made a breakthrough on international streaming media by foregrounding women’s resistance to gender-based violence, this tends to be manipulated by the bid for viewer ratings. Fundamentally, it continues to be in alternative media where some of the most revolutionary conversations about women’s rights are taking place in the Galician cultural sphere.
本文对比了两个例子的视听媒体抵制性别暴力的策略，这两个例子利用或颠覆了新兴的加利西亚黑色流派;由米格尔·康德执导的TVG-Netflix热播剧《O sabor das margaridas》第一季，以及由Eire García Cid执导的以女性为中心的草根女权主义网络剧《Monstras》第一季。这些不同的案例研究混淆了女性受害者和男性侵略的二元性，同时提请注意霸权性政治和社会经济制度，这些制度促进和支持对妇女和女孩的暴力行为。然而，尽管《Monstras》是社会意识、意识形态驱动的艺术对父权暴力的回应的典范，但《O sabor das margaridas》的女权主义属性在很大程度上被商业关注所压倒，比如通过暴力的色情化。虽然加利西亚黑色电影通过突出女性对性别暴力的反抗，在国际流媒体上取得了突破，但这往往受到收视率的操纵。从根本上说，加利西亚文化圈中仍有一些关于妇女权利的最具革命性的对话发生在另类媒体上。
{"title":"Of monsters and women: Feminist response to gender-based violence in Galician noir","authors":"Catherine Barbour","doi":"10.1386/ijis_00082_1","DOIUrl":"https://doi.org/10.1386/ijis_00082_1","url":null,"abstract":"This article contrasts strategies of resistance to gender-based violence in two examples of audio-visual media which draw on or subvert the burgeoning genre of Galician noir; Season 1 of the TVG-Netflix hit O sabor das margaridas () directed by Miguel Conde and the women-centred grassroots feminist web series Monstras () directed by Eire García Cid. These divergent case studies muddy the binary of female victimhood and male aggression whilst drawing attention to the hegemonic sexual politics and socio-economic systems which facilitate and endorse violence against women and girls. Yet while Monstras stands as a paradigmatic example of a socially conscious, ideologically driven artistic response to patriarchal violence, the feminist attributes of O sabor das margaridas are largely trumped by commercial concerns, shown for example through the eroticization of violence. Though Galician noir has made a breakthrough on international streaming media by foregrounding women’s resistance to gender-based violence, this tends to be manipulated by the bid for viewer ratings. Fundamentally, it continues to be in alternative media where some of the most revolutionary conversations about women’s rights are taking place in the Galician cultural sphere.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80888749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Literary translation is an essential component of international exchanges and cultural diplomacy. For minority and minoritized languages, in particular, it is not only a window to other audiences but also a source of legitimacy among their own readerships. In this sense, governments and institutions often provide funding for translations to counter the difficulties that smaller literatures have to access the competitive global market and avail of its opportunities. This article explores the current state of the internationalization of contemporary Galician narrative to the anglophone world at a moment in which the latter is experiencing a period of increasing openness to translation driven mostly by independent presses. Why is it that, despite the institutional supports in place, most Galician narrative is struggling to find readerships in the English-speaking world?
{"title":"Institutional desires, individual endeavours: Contemporary Galician narrative in English translation","authors":"Laura Linares","doi":"10.1386/ijis_00084_7","DOIUrl":"https://doi.org/10.1386/ijis_00084_7","url":null,"abstract":"Literary translation is an essential component of international exchanges and cultural diplomacy. For minority and minoritized languages, in particular, it is not only a window to other audiences but also a source of legitimacy among their own readerships. In this sense, governments and institutions often provide funding for translations to counter the difficulties that smaller literatures have to access the competitive global market and avail of its opportunities. This article explores the current state of the internationalization of contemporary Galician narrative to the anglophone world at a moment in which the latter is experiencing a period of increasing openness to translation driven mostly by independent presses. Why is it that, despite the institutional supports in place, most Galician narrative is struggling to find readerships in the English-speaking world?","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76130982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Cruces de fronteras: globalización, transnacionalidad y poshispanismo, José Colmeiro (2021) Madrid: Iberoamericana, 376 pp., ISBN 978-8-49192-178-3, h/bk, €36.00 Frankfurt am Main: Vervuert, 376 pp., ISBN 978-3-96869-081-0, p/bk, €36.00 ISBN 978-3-96869-082-7, e-book, €36.00
Review of:边境口岸:全球化、跨国和poshispanismo jose Colmeiro(续约)马德里:伊比利亚-美洲,376 pp。ISBN 978-8-49192-178-3 h法€36.00 Frankfurt am Main: Vervuert、376 pp。ISBN 978-3-96869-081-0 p /法、€36.00 ISBN 978-3-96869-082-7 e-book、€36.00
{"title":"Cruces de fronteras: globalización, transnacionalidad y poshispanismo, José Colmeiro (2021)","authors":"Daniel J. Nappo","doi":"10.1386/ijis_00087_5","DOIUrl":"https://doi.org/10.1386/ijis_00087_5","url":null,"abstract":"Review of: Cruces de fronteras: globalización, transnacionalidad y poshispanismo, José Colmeiro (2021)\u0000 Madrid: Iberoamericana, 376 pp.,\u0000 ISBN 978-8-49192-178-3, h/bk, €36.00\u0000 Frankfurt am Main: Vervuert, 376 pp.,\u0000 ISBN 978-3-96869-081-0, p/bk, €36.00\u0000 ISBN 978-3-96869-082-7, e-book, €36.00","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75615964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Territorios in(di)visibles: Dilemas en las literaturas hispánicas actuales, Ken Benson and Juan Carlos Cruz Suárez (Eds) (2021) Madrid and Frankfurt: Iberoamericana and Vervuert, 302 pp. ISBN 978-8-49192-218-6, p/bk, €24.00 ISBN 978-3-96869-184-8, e-book, €24.00
Ken Benson和Juan Carlos Cruz suarez(编)(2021)Madrid and Frankfurt: Iberoamericana and Vervuert, 302 pp. ISBN 978-8-49192-218-6, p/bk，€24.00 ISBN 978-3-9 669 -184-8，电子书，€24.00
{"title":"Territorios in(di)visibles: Dilemas en las literaturas hispánicas actuales, Ken Benson and Juan Carlos Cruz Suárez (Eds) (2021)","authors":"Maite Usoz de la Fuente","doi":"10.1386/ijis_00088_5","DOIUrl":"https://doi.org/10.1386/ijis_00088_5","url":null,"abstract":"Review of: Territorios in(di)visibles: Dilemas en las literaturas hispánicas actuales, Ken Benson and Juan Carlos Cruz Suárez (Eds) (2021)\u0000 Madrid and Frankfurt: Iberoamericana and Vervuert, 302 pp.\u0000 ISBN 978-8-49192-218-6, p/bk, €24.00\u0000 ISBN 978-3-96869-184-8, e-book, €24.00","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75876895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Food metaphors and symbols are found everywhere in contemporary cultural production in Galicia, where food constitutes a key identity marker. Given the close connections between food and gender, the artistic representation of food is an excellent field to investigate Galician food femininities. This article examines two such examples. The play Santa Inés (), written and directed by Lorena Conde, and produced by A Feroz Teatro, is a feminist response, rich in food symbolism, to the Judeo-Christian metaphor of woman as sacrificial lamb. Drawing on the historical figure St Agnes of Rome (CE 291–304) and the childhood memories visiting a local convent of Inés Salvado, who plays the only characters onstage, the play discusses bodily autonomy and female mysticism. The film O que arde (2019) by Oliver Laxe, a key filmmaker of the Novo Cinema Galego, is a spiritually oriented work about middle-aged Amador who returns home to his elderly mother, Benedicta, after serving an arson sentence for burning a forest down. In the film, food, constantly present but in a subtle way, is both an earthly and a spiritual element that plays a key role in the construction of Benedicta’s gendered ageing identity.
在加利西亚的当代文化生产中，食物的隐喻和象征随处可见，在那里，食物构成了一个关键的身份标志。鉴于食物与性别之间的密切联系，食物的艺术表现是研究加利西亚食物女性主义的绝佳领域。本文研究了两个这样的例子。由罗蕾娜·康德编剧和导演，阿费罗兹剧院制作的戏剧《圣诞老人》是对女权主义的回应，充满了食物的象征意义，将犹太-基督教中的女性比喻为献祭的羔羊。该剧以历史人物罗马的圣阿格尼斯(公元291-304年)为原型，以及童年时访问当地修道院的记忆，舞台上唯一的角色都由萨尔瓦多饰演，该剧讨论了身体自主和女性神秘主义。新加莱戈电影公司(Novo Cinema Galego)的重要导演奥利弗·拉克斯(Oliver Laxe)执导的电影《O que arde》(2019)是一部以精神为导向的作品，讲述了中年的阿马多尔因纵火烧毁森林而服刑后回到家中年迈的母亲贝内迪克塔(Benedicta)身边的故事。在影片中，食物以一种微妙的方式不断出现，既是世俗的元素，也是精神的元素，在构建本尼迪克塔的性别老龄化身份中起着关键作用。
{"title":"Twenty-first-century Galician food femininities in Lorena Conde’s Santa Inés and Oliver Laxe’s O que arde","authors":"María Liñeira","doi":"10.1386/ijis_00081_1","DOIUrl":"https://doi.org/10.1386/ijis_00081_1","url":null,"abstract":"Food metaphors and symbols are found everywhere in contemporary cultural production in Galicia, where food constitutes a key identity marker. Given the close connections between food and gender, the artistic representation of food is an excellent field to investigate Galician food femininities. This article examines two such examples. The play Santa Inés (), written and directed by Lorena Conde, and produced by A Feroz Teatro, is a feminist response, rich in food symbolism, to the Judeo-Christian metaphor of woman as sacrificial lamb. Drawing on the historical figure St Agnes of Rome (CE 291–304) and the childhood memories visiting a local convent of Inés Salvado, who plays the only characters onstage, the play discusses bodily autonomy and female mysticism. The film O que arde (2019) by Oliver Laxe, a key filmmaker of the Novo Cinema Galego, is a spiritually oriented work about middle-aged Amador who returns home to his elderly mother, Benedicta, after serving an arson sentence for burning a forest down. In the film, food, constantly present but in a subtle way, is both an earthly and a spiritual element that plays a key role in the construction of Benedicta’s gendered ageing identity.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85712843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In spite of significant interest in British responses to the Spanish Civil War (1936‐39), the raft of eyewitness accounts which hitherto anonymous Britons relayed to the regional press during the opening months of the conflict are yet to receive systematic attention. By using Britons who were present in Catalonia between July and September 1936 as a case study, this article seeks to reconstruct the multifaceted process by which numerous eyewitness testimonies came into existence, as well as their subsequent relationship to broader debates about the Civil War in Britain. It argues that the lived encounters which were sustained between both tourists and long-term residents with the revolutionary events which took place in Catalonia following the military rising in July were fundamentally circumscribed by their status as foreigners, as well as their tendency to rationalize their experiences with the aid of pre-existing, culturally rooted stereotypes and assumptions. British reactions generated ‘on the ground’ in Spain were subsequently converted into supposedly authoritative first-hand testimonies in close cooperation with local journalists eager for sensational ‘human interest’ content, before going on to form an early input into the widespread attitude that the Spanish Civil War amounted to little more than incomprehensible anarchy.
{"title":"‘Emphatically not cricket’: British eyewitness testimonies of revolutionary Catalonia, 1936","authors":"Adrian Pole","doi":"10.1386/ijis_00071_1","DOIUrl":"https://doi.org/10.1386/ijis_00071_1","url":null,"abstract":"In spite of significant interest in British responses to the Spanish Civil War (1936‐39), the raft of eyewitness accounts which hitherto anonymous Britons relayed to the regional press during the opening months of the conflict are yet to receive systematic attention. By using\u0000 Britons who were present in Catalonia between July and September 1936 as a case study, this article seeks to reconstruct the multifaceted process by which numerous eyewitness testimonies came into existence, as well as their subsequent relationship to broader debates about the Civil War in\u0000 Britain. It argues that the lived encounters which were sustained between both tourists and long-term residents with the revolutionary events which took place in Catalonia following the military rising in July were fundamentally circumscribed by their status as foreigners, as well as their\u0000 tendency to rationalize their experiences with the aid of pre-existing, culturally rooted stereotypes and assumptions. British reactions generated ‘on the ground’ in Spain were subsequently converted into supposedly authoritative first-hand testimonies in close cooperation with\u0000 local journalists eager for sensational ‘human interest’ content, before going on to form an early input into the widespread attitude that the Spanish Civil War amounted to little more than incomprehensible anarchy.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80285173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In March 2022, the Spanish government, under socialist Prime Minister Pedro Sánchez, broke with five decades of neutrality on Western Sahara, a former Spanish colony. Sánchez sent a letter to Moroccan King Mohammed VI, supporting Morocco’s 2007 autonomy plan for Western Sahara within the Moroccan state. Madrid-based journalist, Eoghan Gilmartin, discusses Spain’s historical debt to Western Sahara, Spanish‐Moroccan relations, Spanish contemporary politics and the current energy crisis. Gilmartin’s work has appeared in publications including Jacobin Magazine, Tribune Magazine, Open Democracy, Novara Media and CTXT. He was interviewed on 20 May 2022 by Deirdre Kelly, a lecturer in Spanish at Technological University Dublin. The following transcript has been edited for length and clarity.
{"title":"Spain’s historical debt to Western Sahara: An interview with Eoghan Gilmartin","authors":"D. Kelly","doi":"10.1386/ijis_00073_7","DOIUrl":"https://doi.org/10.1386/ijis_00073_7","url":null,"abstract":"In March 2022, the Spanish government, under socialist Prime Minister Pedro Sánchez, broke with five decades of neutrality on Western Sahara, a former Spanish colony. Sánchez sent a letter to Moroccan King Mohammed VI, supporting Morocco’s 2007 autonomy plan for\u0000 Western Sahara within the Moroccan state. Madrid-based journalist, Eoghan Gilmartin, discusses Spain’s historical debt to Western Sahara, Spanish‐Moroccan relations, Spanish contemporary politics and the current energy crisis. Gilmartin’s work has appeared in publications\u0000 including Jacobin Magazine, Tribune Magazine, Open Democracy, Novara Media and CTXT. He was interviewed on 20 May 2022 by Deirdre Kelly, a lecturer in Spanish at Technological University Dublin. The following transcript has been edited for length and clarity.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85034137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the summer of 1965, several youths were arrested and publicly shamed by the Guarda Nacional Republicana (GNR) in Lagos, on the Algarve, for the ‘crime’ of homosexuality. Despite the silence of official and press channels on the events, the arrests were analysed by two foreign sources, one a German police science journal and the other a British volume on homosexuality in society. What the sources reveal is that rather than public opprobrium against the youths, indignation was expressed at the GNR’s actions. Sympathy for the young men was engendered in on-lookers in what this article terms an act of ‘emotional rescue’ and resistance against the norms, values and practices of the dictatorship. By means of the contextualization of the events as part of the rising tourist economy and recent queer theory, the article contributes an alternative understanding of LGBT history and resistance to authoritarian regimes.
{"title":"An act of ‘emotional rescue’: Homosexuality and resistance in Lagos, Portugal (1965)","authors":"R. Cleminson","doi":"10.1386/ijis_00069_1","DOIUrl":"https://doi.org/10.1386/ijis_00069_1","url":null,"abstract":"In the summer of 1965, several youths were arrested and publicly shamed by the Guarda Nacional Republicana (GNR) in Lagos, on the Algarve, for the ‘crime’ of homosexuality. Despite the silence of official and press channels on the events, the arrests were analysed by two\u0000 foreign sources, one a German police science journal and the other a British volume on homosexuality in society. What the sources reveal is that rather than public opprobrium against the youths, indignation was expressed at the GNR’s actions. Sympathy for the young men was engendered\u0000 in on-lookers in what this article terms an act of ‘emotional rescue’ and resistance against the norms, values and practices of the dictatorship. By means of the contextualization of the events as part of the rising tourist economy and recent queer theory, the article contributes\u0000 an alternative understanding of LGBT history and resistance to authoritarian regimes.","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84930696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Envejecimientos y cines ibéricos, Barbara Zecchi, Raquel Medina, Cristina Moreiras-Menor and María Pilar Rodríguez (eds) (2021)Valencia: Tirant Humanidades, 565 pp.,ISBN 978-8-41880-220-1, p/bk, €37.91, e-book, €24.00
回顾:Envejecimientos y cines, Barbara Zecchi, Raquel Medina, Cristina Moreiras-Menor and María Pilar Rodríguez(编辑)(2021)Valencia: Tirant Humanidades, 565页，ISBN 978-8-41880-220-1, p/bk, 37.91欧元，电子书，24.00欧元
{"title":"Envejecimientos y cines ibéricos, Barbara Zecchi, Raquel Medina, Cristina Moreiras-Menor and María Pilar Rodríguez (eds) (2021)","authors":"G. Miller","doi":"10.1386/ijis_00076_5","DOIUrl":"https://doi.org/10.1386/ijis_00076_5","url":null,"abstract":"Review of: Envejecimientos y cines ibéricos, Barbara Zecchi, Raquel Medina, Cristina Moreiras-Menor and María Pilar Rodríguez (eds) (2021)Valencia: Tirant Humanidades, 565 pp.,ISBN 978-8-41880-220-1, p/bk, €37.91, e-book, €24.00","PeriodicalId":41910,"journal":{"name":"INTERNATIONAL JOURNAL OF IBERIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76389516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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