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World War II memories and local media in the Russian North 第二次世界大战的记忆和俄罗斯北部的当地媒体
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-28 DOI: 10.4324/9781003144915-12
T. Zhurzhenko
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引用次数: 0
Performing memory and its limits 执行内存及其限制
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-28 DOI: 10.4324/9781003144915-15
Elizabeth A. Wood
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引用次数: 0
Holocaust discourse in Putin's Russia as a foreign policy tool 大屠杀话语在普京的俄罗斯作为一种外交政策工具
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-28 DOI: 10.4324/9781003144915-16
Anton Weiss-wendt
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引用次数: 1
Lend-Lease in war and Russian memory 战争中的租借法案和俄国人的记忆
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-28 DOI: 10.4324/9781003144915-10
O. Kucherenko
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引用次数: 0
Parades in Russian memory culture 俄罗斯记忆文化中的游行
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-28 DOI: 10.4324/9781003144915-13
Yvonne Pörzgen
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引用次数: 0
Article Cluster Introduction: Really Existing Soviet Subjects 文章群简介:真实存在的苏联主体
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-11 DOI: 10.30965/18763324-bja10035
Maike Lehmann, Alexandra Oberländer
Dieser Text wird unter einer Deposit-Lizenz (Keine Weiterverbreitung keine Bearbeitung) zur Verfügung gestellt. Gewährt wird ein nicht exklusives, nicht übertragbares, persönliches und beschränktes Recht auf Nutzung dieses Dokuments. Dieses Dokument ist ausschließlich für den persönlichen, nichtkommerziellen Gebrauch bestimmt. Auf sämtlichen Kopien dieses Dokuments müssen alle Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen Schutz beibehalten werden. Sie dürfen dieses Dokument nicht in irgendeiner Weise abändern, noch dürfen Sie dieses Dokument für öffentliche oder kommerzielle Zwecke vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. Terms of use:
这篇文章将会在存款执照下提供,这样的话既可以使用,也可以用来操作。授予非专属、不可转让、个人和有限类型使用本文件的权利。本文仅供个人或非商业用途。所有复印件必须保留所有版权说明和其他法律保护规定。他们不得任何形式修改该文件,也不得为公共或商业目的复制、公开发行、表演、分发或其他使用该文件。批准使用该文档条件:
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引用次数: 0
Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia, written by Rico Isaacs 哈萨克斯坦的电影与身份:中亚的苏联与后苏联文化,作者:里科·艾萨克斯
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-11 DOI: 10.30965/18763324-bja10033
Emek Yıldırım-Şahin
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引用次数: 0
Glasnost in the Mailroom: The Soviet Subject in Gorbachev’s Perestroika, 1985–1988 收发室的公开性:戈尔巴乔夫改革中的苏联主题,1985-1988
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-11 DOI: 10.30965/18763324-bja10034
Courtney Doucette
This article examines letters on glasnost sent to the Central Committee of the Soviet Communist Party in 1987 and compiled by the Central Committee’s Letter Department in a booklet for the Politburo in 1988. Contextualized by other sources from the archive of this Letter Department and others, these sources begin to illuminate how the Central Committee’s Letter Department functioned and how it evolved during Perestroika. These letters also allow us to begin to incorporate more ordinary citizens’ conceptions of glasnost into the history of this concept. These sources show at least four definitions of glasnost that circulated in the first years of reform. None of these definitions coincided with the liberal concept of “freedom of speech”. The conversation about glasnost in these letters challenges the common liberal teleology of studies of Perestroika, highlighting the distinctly Soviet nature of those who wrote letters and the concepts they wrote about.
本文考察了1987年寄给苏联共产党中央委员会的关于公开性的信件,这些信件由中央委员会信书部于1988年编撰成一本给政治局的小册子。在本信电部和其他档案资料的背景下,这些资料开始阐明中央委员会信电部是如何运作的,以及它在改革期间是如何演变的。这些信件也让我们开始将更多普通公民对公开性的概念纳入这一概念的历史中。这些资料显示,在改革的头几年里,至少流传着四种关于公开性的定义。这些定义都不符合自由主义的“言论自由”概念。这些信件中关于公开性的对话挑战了研究改革的一般自由主义目的论,突出了那些写信的人和他们所写的概念的明显的苏联性质。
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引用次数: 1
Working Faces, Facing Work: Portraying Workers at Work and the Search for the Soviet Individual 工作的面孔,面对工作:描绘工作中的工人和寻找苏联个人
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-11 DOI: 10.1163/18763324-BJA10027
Alexandra Oberländer
Images of workers were ubiquitous in Soviet visual culture. Other than in capitalist countries, the Soviet visual regime was inextricably linked to the faces of working people; workers were elevated to the ‘status of icons’ in newspapers, journals and movies alike. According to Soviet ideology, every worker contributed to socialism, which is why everyone was worthy of portrayal. The article traces the discussion among professionals and readers in Soviet journals about how to portray working people both in their professions and their everyday lives. In the 1960s, Soviet photographers actively propagated a shift from portraying the profession to portraying the individual. A close reading of photographs published mostly in Sovetskoe foto details how Soviet photo-graphers aimed at capturing individuality in the first place, how photography helped establish typical and un-typical notions of individuality and work, and to which extent the a-typical became the new typical.
工人的形象在苏联的视觉文化中无处不在。与资本主义国家不同,苏联的视觉政权与劳动人民的面孔有着千丝万缕的联系;工人们在报纸、杂志和电影中被提升到“偶像的地位”。根据苏联的意识形态,每个工人都为社会主义做出了贡献,这就是为什么每个人都值得描绘。这篇文章追溯了苏联期刊上的专业人士和读者之间关于如何在职业和日常生活中描绘劳动人民的讨论。在20世纪60年代,苏联摄影师积极宣传从描绘职业到描绘个人的转变。仔细阅读主要发表在Sovetskoe摄影杂志上的照片,你会发现苏联摄影师最初是如何致力于捕捉个性的,摄影是如何帮助建立个性和工作的典型和非典型概念的,以及在何种程度上典型变成了新的典型。
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引用次数: 2
Young Minds – Young Bodies: The Emotional and the Physical in the Late Soviet Discourse on Aging 年轻的心灵——年轻的身体:苏联晚期老龄化话语中的情感与身体
IF 0.6 Q1 Arts and Humanities Pub Date : 2021-06-11 DOI: 10.30965/18763324-bja10028
Alissa Klots, M. Romashova
This article analyzes the turn to the emotional in advice literature on aging and its reception in the 1950s–1960s. “Positive emotions” were proclaimed a decisive factor in remaining healthy while old and being a productive member of the society. Yet, a close reading of the multiple narratives of aging written by a retired professional propagandist Tatiana Ivanova (1898–1968) reveals a tension between the prescribed “positive emotions” and feelings of sadness and uselessness caused by retirement, unfulfilled promises of the Soviet welfare system and particularly health problems that did not quite fit with the approved repertoire of an aging communist. This article seeks to enrich our understanding of late Soviet subjectivity by focusing not on just “speaking” or “thinking” but also “feeling” Soviet.
本文分析了20世纪50年代至60年代老龄化咨询文学的情感转向及其接受。“积极的情绪”被宣布为在年老时保持健康和成为社会中富有成效的一员的决定性因素。然而,仔细阅读退休的专业宣传员塔蒂亚娜·伊万诺娃(Tatiana Ivanova,1898-1968)撰写的关于衰老的多重叙事,可以发现规定的“积极情绪”与退休引起的悲伤和无用感之间的紧张关系,苏联福利制度的未兑现承诺,尤其是健康问题,这些问题不太符合一个上了年纪的共产主义者的认可曲目。本文试图通过不仅关注“说”或“想”,而且关注“感觉”苏联,来丰富我们对后苏联主体性的理解。
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引用次数: 1
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