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Impressions of a Brazilian in New Delhi 巴西人在新德里的印象
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2321
Fabio Durão
This text is a collection of 18 fragments written during a trip to New Delhi during February and March 2014. They can be seen as a discontinuous short travel diary which develops comparative cultural criticism between Brazil and India from ordinary experiences. As they try to develop concepts from everyday occurrences they also end up fusing academia and tourism in a way that both are eventually improved. [Article copies available for a fee from The Transformative Studies Institute. E-mail address: journal@transformativestudies.org Website: http://www.transformativestudies.org ©2023 by The Transformative Studies Institute. All rights reserved.]
这篇文字收集了 2014 年 2 月和 3 月间在新德里旅行期间写下的 18 个片段。这些片段可被视为不连续的短篇旅行日记，从普通经验出发，对巴西和印度的文化进行比较批评。他们试图从日常事件中发展概念，最终也将学术与旅游融合在一起，使两者都得到了改善。[文章副本可向转型研究学院有偿索取。电子邮件地址：journal@transformativestudies.org 网站：http://www.transformativestudies.org ©2023 by The Transformative Studies Institute.保留所有权利]。
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引用次数: 0
Quests for a Change of Territories: Forms of Dystopia and Transfiction in La autopista: the movie, by Jorge Enrique Lage 追求领土的改变：电影《La autopista》中的歇斯底里和转换形式，豪尔赫-恩里克-拉吉著
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2324
Nanne Timmer
The Cuban literary tradition is closely linked to the idea of a “national literature,” reducing narrative to a specific axis of space and time. The authors of the so-called Generación Zero (Generation Zero) experiment with the elements of this “national literature,” or, Literature-Nation (Aguilera 2002), and de-territorialize narrative while working with its tropes. Departing from the idea of ‘transfiction’ (Aguilera 2015) and the idea that utopia is not only referring to a time and space, but also to a genre, I will analyse the novel La autopista: the movie (2015), by Jorge Enrique Lage from that perspective. The novel stretches the binary between utopic and dystopic fiction articulating an ambiguous future that the present article explores through the narrative possibilities of the (trans)generic, (trans)spatial, and (trans)temporal. While easy to conceive of this novel as dystopic, futuristic, and apocalyptic text, it rejects the limits of space, time, and the dystopic genre. The article thus invites a re-thinking of the role of literature in the Cuban tradition as merely representative of territory or nation. [Article copies available for a fee from The Transformative Studies Institute. E-mail address: journal@transformativestudies.org Website: http://www.transformativestudies.org ©2023 by The Transformative Studies Institute. All rights reserved.]
古巴文学传统与 "民族文学 "的理念紧密相连，将叙事简化为特定的时空轴心。所谓的 "零一代"（Generación Zero）的作者们对这种 "民族文学 "或 "文学-民族"（阿吉莱拉，2002 年）的元素进行了实验，并在使用其套路的同时将叙事去地域化。从 "转移"（transfiction）（阿吉莱拉，2015 年）的观点出发，以及乌托邦不仅指时间和空间，也指一种体裁的观点，我将从这一角度分析豪尔赫-恩里克-拉格（Jorge Enrique Lage）的小说《La autopista: the movie》（2015 年）。这部小说拉伸了乌托邦小说和歇斯底里小说之间的二元对立，阐述了一个模棱两可的未来，本文将通过（跨）一般、（跨）空间和（跨）时间的叙事可能性对其进行探讨。虽然人们很容易将这部小说想象成末世、未来主义和世界末日的文本，但它拒绝了空间、时间和末世体裁的限制。因此，这篇文章促使人们重新思考古巴传统文学仅仅代表领土或民族的角色。[文章副本可向转型研究所索取。电子邮件地址：journal@transformativestudies.org 网站：http://www.transformativestudies.org ©2023 by The Transformative Studies Institute.保留所有权利]。
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引用次数: 0
Book Review: Justin Brooks, You Might Go to Prison, Even Though You’re Innocent. Oakland, CA: University of California Press. 2023. 书评：贾斯汀-布鲁克斯，《你可能会进监狱，尽管你是无辜的》。加利福尼亚州奥克兰市：加州大学出版社。2023.
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2331
Tighe Bontempo
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引用次数: 0
A Journey to the Self: The Quest for Identity in Clarice Lispector’s Fiction 自我之旅：克拉丽斯-李斯特佩克特小说中的身份追求
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2323
Rodica Grigore
One of the best representatives of Latin American literature, Clarice Lispector has always fascinated her readers. Her novels bring into question some major aesthetic and ideological issues, sometimes under the mask of elaborated textual games implying innovative narrative strategies and a new way of understanding fiction. The Hour of the Star (A hora da estrela, 1977) addresses the problem of identity and storytelling, as well as the complex relationships established among author, narrator, character and reader. The violence which the novel’s protagonist has to face and endure is also an expression of the force of literature. Therefore, the heroine’s death stands for the symbolic birth of fiction, her personal life being permanently mirrored by the metaphorical level of this extraordinary text. The novel progressively turns into an intricate and symbolic journey to the self, Lispector analysing the quest for personal (and artistic) identity and its hidden meanings. [Article copies available for a fee from The Transformative Studies Institute. E-mail address: journal@transformativestudies.org Website: http://www.transformativestudies.org ©2023 by The Transformative Studies Institute. All rights reserved.]
作为拉美文学的杰出代表之一，克拉丽斯-里斯佩克特一直吸引着她的读者。她的小说对一些重大的美学和意识形态问题提出了质疑，有时在精心设计的文本游戏的掩盖下，暗示着创新的叙事策略和理解小说的新方式。星辰时刻》（A hora da estrela，1977 年）探讨了身份和讲故事的问题，以及作者、叙述者、人物和读者之间的复杂关系。小说主人公不得不面对和忍受的暴力也是文学力量的一种体现。因此，女主人公的死亡代表着小说象征性的诞生，她的个人生活永远映射在这部非凡文本的隐喻层面上。小说逐渐变成了一个复杂而具有象征意义的自我之旅，李斯特佩克特分析了对个人（和艺术）身份的追求及其隐藏的意义。[文章副本可向转型研究学院付费索取。电子邮件地址：journal@transformativestudies.org 网站：http://www.transformativestudies.org ©2023 由变革研究学院版权所有。保留所有权利]。
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引用次数: 0
Go, Return, Stay or Three Forms of Inventing of the World 去、回、留或发明世界的三种形式
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2327
Rafael Herra
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引用次数: 0
Peripheral Orientalism and the Creation of Arab Literary Precursors in Quinteto de Mogador by Alberto Ruy Sánchez 阿尔贝托-鲁伊-桑切斯的《Quinteto de Mogador》中的外围东方主义和阿拉伯文学先驱的创作
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2322
I. López-Calvo
This essay explores the intentio operis in the use of transatlantic bridges that are sometimes real, other times rhetorical, and others imaginary that Alberto Ruy Sánchez draws between his country and Morocco. It also looks at the representation of Moroccan space and women, arguing that Ruy Sánchez falls into exoticizing Orientalism with tints of colonial nostalgia, particularly when portraying Moroccan women. Finally, it explores how the author creates his own precursors through the quotes and literary references in his five novels. Presenting himself as a reader of Arab erotic literature and Sufi sacred texts, Ruy Sánchez suggests that he is rewriting classic literary texts, thus creating his own literary lineage and diachronically situating his work within a literary tradition that remains on the margins of Mexican national coordinates to approach, instead, the canon of Arabic literature. [Article copies available for a fee from The Transformative Studies Institute. E-mail address: journal@transformativestudies.org Website: http://www.transformativestudies.org ©2023 by The Transformative Studies Institute. All rights reserved.]
这篇文章探讨了阿尔贝托-鲁伊-桑切斯（Alberto Ruy Sánchez）在其国家与摩洛哥之间使用跨大西洋桥梁的意图，这些桥梁有时是真实的，有时是修辞的，还有一些是想象的。报告还探讨了摩洛哥空间和妇女的代表性，认为鲁伊-桑切斯陷入了带有殖民怀旧色彩的东方异国情调，尤其是在描绘摩洛哥妇女时。最后，该书探讨了作者如何通过其五部小说中的引文和文学参考文献来创造自己的先驱。鲁伊-桑切斯自称是阿拉伯情色文学和苏菲圣典的读者，他认为自己是在重写经典文学文本，从而创造了自己的文学脉络，并将自己的作品置于墨西哥民族坐标边缘的文学传统中，转而接近阿拉伯文学典籍。[文章副本可向转型研究学院付费索取。电子邮件地址：journal@transformativestudies.org 网站：http://www.transformativestudies.org ©2023 by The Transformative Studies Institute.保留所有权利]。
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引用次数: 0
My Journey with Calvino 我与卡尔维诺的旅程
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2320
Rui Zink
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引用次数: 0
Introduction: Journeys and Quests 导言：旅程与任务
IF 0.1
Theory in Action
Pub Date : 2023-10-31 DOI: 10.3798/tia.1937-0237.2319
Rodica Grigore
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引用次数: 0
Death as a Hidden Gem in Mircea Eliade’s “The Trenches” 米尔恰·埃利亚德《战壕》中隐藏的死亡宝石
IF 0.1
Theory in Action
Pub Date : 2023-07-31 DOI: 10.3798/tia.1937-0237.2313
A. Zaidi
Mircea Eliade’s “The Trenches” (Şanţurile) is a World War Two story in which death is a reintegration into the divine. This Romanian language story is a variant of the legend in which Alexander found a gem that enabled him to see in darkness. In this venture into the fantastic, Romanian mountain villagers search for a hidden treasure at a juncture where legend momentarily demonstrates “the function of the unreal.” Affirming his belief in a Romanian nationalism that coalesces around a mythical Dacian past, Eliade belongs to a literary tradition that includes the poet Mihai Eminexcu and the playwright Vasile Alecsandri. [Article copies available for a fee from The Transformative Studies Institute. E-mail address: journal@transformativestudies.org Website: http://www.transformativestudies.org ©2023 by The Transformative Studies Institute. All rights reserved.]
Mircea Eliade的《战壕》（Şanţurile）是一个二战故事，在这个故事中，死亡是对神圣的重新融合。这个罗马尼亚语的故事是传说的变体，亚历山大在传说中发现了一颗宝石，使他能够在黑暗中看到。在这场进入奇幻世界的冒险中，罗马尼亚山区村民在传说瞬间展示“虚幻的功能”的时刻寻找隐藏的宝藏。埃利亚德坚定了他对罗马尼亚民族主义的信念，这种民族主义围绕着达契亚神话般的过去结合在一起，他属于一个文学传统，其中包括诗人米哈伊·埃米尼克库和剧作家瓦西里·阿莱克桑德里。[文章副本可从变革研究所免费获得。电子邮件地址：journal@transformativestudies.org网址：http://www.transformativestudies.org©2023，变革研究所。保留所有权利。]
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引用次数: 0
Book Review: Michael Fiddler, Theo Kindynis, Travis Linnemann, Ghost Criminology: The Afterlife of Crime and Punishment. 书评:Michael Fiddler, Theo Kindynis, Travis Linnemann，《幽灵犯罪学:罪与罚的来世》。
IF 0.1
Theory in Action
Pub Date : 2023-07-31 DOI: 10.3798/tia.1937-0237.2317
Sean Herp
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引用次数: 0
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