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Book Review: Max A. Greenberg, Twelve Weeks to Change a Life: At-Risk Youth in a Fractured State 书评:马克斯·a·格林伯格,《十二周改变人生:支离破碎状态下的高危青年》
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2232
Andrew B. Arnold
Drawing on three years of ethnographic interviews and observations in multiple violence reduction youth programs, Max Greenberg provides a critical examination of the important role they play. Greenberg offers a timely conceptualization of the ways these programs become an extension of the “ephemeral state” that does not provide long-term solutions for social ills, but rather relies on other social actors like not-for-profit community organizations to address such issues (2019, 5). The book offers five empirical chapters after the introduction. The epilogue provides practical policy suggestions in regard to youth programming. The empirical chapters are rich in detailed stories gathered while Greenberg collected data at Peace Over Violence in Los Angeles. Each chapter provides a different perspective of the dialectical relationship between program employees, youth participants, and the state. Moreover, the book is full of compelling stories and provides insight into the challenges faced by many youth of color in urban areas. However, instead of stigmatizing youth involvement in violence, Greenberg offers a humanizing framework for making sense of their actions.
马克斯·格林伯格(Max Greenberg)在多个减少暴力青年项目中进行了三年的人种学访谈和观察,对他们所扮演的重要角色进行了批判性的审视。格林伯格及时地概念化了这些计划如何成为“短暂状态”的延伸,这种状态不能为社会弊病提供长期解决方案,而是依赖于非营利社区组织等其他社会行动者来解决这些问题(2019,5)。在引言之后,该书提供了五个实证章节。结语部分就青年方案编制提供了切实可行的政策建议。经验主义的章节中有丰富的详细故事,而格林伯格收集数据在洛杉矶的和平暴力。每一章都提供了项目员工、青年参与者和国家之间辩证关系的不同视角。此外,这本书充满了引人入胜的故事,并提供了许多有色人种青年在城市地区所面临的挑战的见解。然而,格林伯格并没有将青少年参与暴力行为污名化,而是提供了一个人性化的框架来理解他们的行为。
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引用次数: 3
Country Life 乡村生活
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2223
Rui Zink
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引用次数: 0
Transatlantic Criticism at the Beginning of the 21st Century 21世纪初的跨大西洋批评
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2229
Julio Ortega
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引用次数: 0
Vegatations: Truth and Disguise from Bertolt Brecht to Paul Celan 素食主义:从布莱希特到塞兰的真相与伪装
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2227
Pedro Serrano
This essay works on the links and shifts between Paul Celan's poem "A Leaf. Treeless" and Bertolt Brecht's "To Those Born After" as displaced expressions of the simultaneous needs of assertion and perils of silencing faced by poetry in dark times. It works out the way in which both poets, in their particular ways and attending their own obstacles, present as a question what ideology tends to silence and display as a paradox the communal and individual claims to be alive through the action of poetry. It moves from T. S. Eliot's vegetal similes from his Virginia lectures of 1933 included in After Strange Gods, to Joseph Brodsky Nobel Prize lecture of 1987 in which he discusses Theodor Adorno's questioning of the relevance of poetry after Auschwitz. It also analyzes the way in which plants and human beings relate and interact based on their biological differences and equivalences both as individuals and as communities, and how this has been used both as metaphor and ideology, either to liberate, as it happens rhetorically in Brecht and Celan or to reinforce forbidences through ideological impositions, as it happens in Adorno. It goes back to T. S. Eliot's It traces the presence of plants as a metaphor for the human being in metaphors and ideology. KEYWORDS: Paul Celan, Bertolt Brecht, Poetry, Plants, Translations.
本文探讨了保罗·策兰的诗歌《无树之叶》和贝尔托尔特·布莱希特的《致后世》之间的联系和转变,它们取代了诗歌在黑暗时代同时面临的断言需求和沉默的危险。它揭示了两位诗人以各自独特的方式,并关注自己的障碍,将什么意识形态倾向于沉默作为一个问题,并将公共和个人声称通过诗歌的行动而存在的悖论表现出来。它从T·S·艾略特1933年在弗吉尼亚州的演讲《奇异的众神之后》中的植物比喻,到1987年约瑟夫·布罗德斯基的诺贝尔奖演讲,他在演讲中讨论了西奥多·阿多诺对奥斯威辛之后诗歌相关性的质疑。它还分析了植物和人类之间的联系和互动方式,基于它们作为个体和社区的生物学差异和对等性,以及这是如何被用作隐喻和意识形态的,或者是解放,就像布莱希特和策兰的修辞一样,或者是通过意识形态的强加来加强禁忌,就像阿多诺的修辞一样。它可以追溯到T·S·艾略特的《它追溯了植物的存在,作为隐喻和意识形态中人类的隐喻。关键词:保罗·策兰,贝尔托尔特·布莱希特,诗歌,植物,翻译。
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引用次数: 0
Book Review: David C. Pyrooz and Scott H. Decker, Competing for Control: Gangs and the Social Order of Prisons 书评:David C.Pyroz和Scott H.Decker,《争夺控制权:黑帮与监狱的社会秩序》
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2233
D. Mears
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引用次数: 3
Introduction: Masks and Identity 简介:面具与身份
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2222
Rodica Grigore
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引用次数: 0
Violence and the Masks of Monsters in José Donoso’s Fiction 何小说中的暴力与怪兽面具
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2225
Rodica Grigore
In his well-known novel The Obscene Bird of Night (El obsceno pájaro de la noche, 1970) Chilean writer José Donoso analyzed the progressive decay of the old and illustrious family of Jerónimo de Azcoitía, but also the general degradation of Chilean society. Nevertheless, the novel implies a symbolic and allegoric level as such: the author discusses, in a direct or subtextual manner, the implications of the masks within the modern world and the meanings of the monstrous creatures populating the hypnotic universe of Rinconada, imagined and made up by Jerónimo in order to shelter and hide his son, Boy. The monsters prove to be different versions of human identity and they also mark the process of modern alienation, expressing the terror determined by the violence in the Latin American world of the 20th century. KEYWORDS: Latin American Literature, Fiction, Identity, Mask, Monster, Violence.
智利作家若泽·多诺索(JoséDonoso)在其著名小说《夜之鸟》(El obsceno pájaro de la noche,1970)中分析了杰罗尼莫·德·阿兹科蒂亚(Jerónimo de Azcoitía)这个古老而显赫的家族的逐渐衰落,以及智利社会的普遍退化。尽管如此,这部小说还是暗示了一个象征性和寓言性的层面:作者以直接或潜台词的方式讨论了面具在现代世界中的含义,以及杰罗尼莫为了庇护和隐藏他的儿子男孩而想象和虚构的林科纳达催眠宇宙中的怪物的含义。这些怪物被证明是人类身份的不同版本,它们也标志着现代异化的过程,表达了20世纪拉丁美洲世界暴力所决定的恐怖。关键词:拉丁美洲文学,小说,身份,面具,怪物,暴力。
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引用次数: 0
Book Review: David J. Thomas, The State of American Policing: Psychology, Behavior, Problems, and Solutions 书评:大卫·托马斯,《美国警察现状:心理、行为、问题和解决方案》
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2234
Patryk Jaroszkiewicz
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引用次数: 0
The Animal Gaze in Julio Cortázar´s “Axolotl” 胡里奥·科塔扎尔的《蝾螈》中的动物凝视
IF 0.1 Pub Date : 2022-10-31 DOI: 10.3798/tia.1937-0237.2230
Fernando Valerio-Holguín
In his essay “Why Look at Animals?,” John Berger states that in the first encounter between a human and an animal, the latter's eyes are attentive and wary. The animal looks at the human from the abyss of incomprehension. The human becomes aware of himself by looking back at the animal, who is the radical Other. If the abyss of otherness between humans can be bridged through language, this is impossible between the human and the animal. The gaze is the only possibility for the human to “descend” to the animal. Julio Cortázar wrote “Axolotl,” which tells the story of a man who, fascinated by the axolotls, goes to the Jardin des Plantes aquarium in Paris every day to observe them and ends up becoming one of them. Already in the first paragraph of the story, the character-narrator states: “Now I am an axolotl.” Then he adds: “His eyes above all obsessed me. Next to them in the other aquariums, various fish showed me the simple stupidity of their beautiful eyes like ours. The eyes of the axolotls told me of the presence of a different life, of another way of looking.” The narrator manages to transcend the barrier of “space and time” through the gaze and, finally, becomes an axolotl. KEYWORDS: Cortázar, Animal Gaze, Axolotl, Metamorphosis, Transmigration, Radical Other.
约翰·伯杰在他的文章《为什么看动物?》中指出,在人类和动物的第一次相遇中,后者的眼睛是专注和警惕的。动物从无法理解的深渊中看着人类。人类通过回头看动物而意识到自己,动物是激进的他者。如果人类之间的另类深渊可以通过语言弥合,那么这在人类和动物之间是不可能的。凝视是人类“下降”到动物身上的唯一可能性。胡利奥·科尔塔扎(Julio Cortázar)写了《蝾螈》(Axolotl),这本书告诉了一个男人的故事,他对蝾螈着迷,每天都去巴黎的植物园水族馆观察它们,最后成为了它们中的一员。在故事的第一段中,角色叙述者就说:“现在我是一只蝾螈了。”然后他补充道:“他的眼睛首先让我着迷。在其他水族馆里,各种各样的鱼向我展示了它们美丽的眼睛的愚蠢,就像我们的眼睛一样。蝾螈的眼睛告诉我存在着不同的生命,还有另一种看待方式。”。叙述者通过凝视成功地跨越了“空间和时间”的障碍,最终成为了一只蝾螈。关键词:Cortázar,动物凝视,Axolotl,变形,迁移,激进其他。
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引用次数: 0
Book Review: Henry, J.S., Smoke but No Fire: Convicting the Innocent of Crimes that Never Happened. University of California Press. 2020 书评:亨利,j.s.,《烟无火:为从未发生过的罪行定罪》。加州大学出版社,2020
IF 0.1 Pub Date : 2022-07-31 DOI: 10.3798/tia.1937-0237.2219
R. Dale
There are myriad reasons why innocent people become the target of an investigation then charged and convicted of a crime, and ultimately sentenced to prison. Instances such as these stem from factors that include witness misidentifications, forensic errors, mislabeling of natural and accidental events like crimes, official misconduct resulting in false confessions, and innocents’ acceptance of plea-bargaining deals to circumvent the possibility of a much harsher prison sentence if convicted in a trial setting (Alschuler, 2015; Reichart, 2016; Shaw & Porter, 2015). These reasons are but a few of the mitigating factors that serve to convict the innocent or may even encourage them into accepting the blame for crimes that they did not commit; and at times, being charged with or accepting responsibility for crimes that never existed in the first place (Henry, 2020). In her book, Smoke but No Fire: Convicting the Innocent of Crimes that Never Happened, Jessica S. Henry expounds upon
无辜的人成为调查对象,然后被指控犯罪,最终被判入狱,原因有很多。诸如此类的情况源于以下因素,包括证人错认、法医错误、对犯罪等自然和意外事件的错误标记、官方不当行为导致虚假供词,以及无辜者接受辩诉交易协议,以避免在审判环境中被定罪后可能面临更严厉的监禁(Alschuler, 2015;Reichart, 2016;Shaw & Porter, 2015)。这些理由仅仅是一些减轻罪责的因素,这些因素可以给无辜的人定罪,甚至可能鼓励他们接受对他们没有犯下的罪行的指责;有时,被指控或承担根本不存在的罪行的责任(Henry, 2020)。杰西卡·s·亨利在她的书《烟无火:为从未发生过的罪行定罪》中阐述了这一点
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