Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2157150
Marion Anderson
This book is a timely treat! After the publication of Jung’s (2009) Red Book, painting from the unconscious and picture interpretation seemed to gain interest and momentum in the English-speaking world. Ingrid Riedel and Christa Henzler are training analysts and supervisors at the Jung Institute in Z€ urich, Switzerland, where picture interpretation is a mandatory course in the certification process to become a Jungian analyst, as is also the case at the Jung Institute in Stuttgart, Germany. This English translation of Painting Therapy fills some of the gap in books describing the practical application of painting and picture interpretation from the standpoint of Jung’s analytical psychology. Only a proportionally small number of books describing the clinical use of painted images emanating from the unconscious and their analytic understanding have been translated into English (p. xii), and this translation effort, supported by the C. G. Jung Foundation Z€ urich, intends to make important German language texts accessible to international students. The lack of translated material is surprising since the process of painting was important in Jung’s personal and clinical practice, as documented in The Red Book (Jung, 2009) and Memories, Dreams, Reflections (Jung, 1961/1989), as well as through thousands of images created by C. G. Jung’s and Jolande Jacobi’s clients, many of which are now archived in the Picture Archives held at the Jung Institute in Z€ urich. Another book by Ingrid Riedel, in collaboration with Ruth Ammann and Verena Kast about the images contained in the Picture Archives, will soon be released. Speaking from a personal standpoint, it is not an exaggeration to say this book changed my life. It reconnected me to my roots, helped me find my center, and brought me to where I am today. Painting and museum visits were regular activities when I was a child. When I was 18 years old, I read Jung’s (1964) Man and His Symbols. Little did I know that my first career path as a graphic designer would eventually lead to my second career as a psychologist and Jungian analyst, uniting concrete images with symbolic images of the psyche. During my last year of university in Brazil, two
这本书真是及时的款待!荣格的《红书》(2009)出版后，无意识绘画和图片解释似乎在英语世界获得了兴趣和动力。Ingrid Riedel和Christa Henzler是瑞士苏黎世荣格研究所的培训分析师和主管，在荣格研究所，图片解读是荣格分析师认证过程中的必修课程，德国斯图加特荣格研究所也是如此。这本《绘画疗法》的英译本填补了从荣格分析心理学的角度描述绘画的实际应用和图片解释的一些书籍的空白。只有一小部分描述从无意识中产生的绘画图像的临床应用及其分析理解的书籍被翻译成英语(第xii页)，这项翻译工作由C. G. Jung Foundation Z€urrich支持，旨在使国际学生能够访问重要的德语文本。由于绘画过程在荣格的个人和临床实践中很重要，因此缺乏翻译材料令人惊讶，正如《红皮书》(荣格，2009)和《回忆，梦想，反思》(荣格，1961/1989)中所记载的那样，以及C. G.荣格和约朗德·雅可比的客户创作的数千幅图像，其中许多现在存档在荣格研究所的图片档案馆中。英格丽德·里德尔与露丝·阿曼和维伦娜·卡斯特合作的另一本关于图片档案中包含的图像的书即将出版。就我个人而言，毫不夸张地说这本书改变了我的生活。它把我和我的根重新连接起来，帮助我找到我的中心，并把我带到今天的位置。当我还是个孩子的时候，画画和参观博物馆是我经常参加的活动。当我18岁的时候，我读了荣格的《人和他的象征》(1964)。我一点也不知道，我的第一份职业是平面设计师，最终会导致我的第二份职业是心理学家和荣格分析学家，将具体的图像与心理的象征性图像结合起来。我在巴西上大学的最后一年，有两个
{"title":"Book Review","authors":"Marion Anderson","doi":"10.1080/00332925.2022.2157150","DOIUrl":"https://doi.org/10.1080/00332925.2022.2157150","url":null,"abstract":"This book is a timely treat! After the publication of Jung’s (2009) Red Book, painting from the unconscious and picture interpretation seemed to gain interest and momentum in the English-speaking world. Ingrid Riedel and Christa Henzler are training analysts and supervisors at the Jung Institute in Z€ urich, Switzerland, where picture interpretation is a mandatory course in the certification process to become a Jungian analyst, as is also the case at the Jung Institute in Stuttgart, Germany. This English translation of Painting Therapy fills some of the gap in books describing the practical application of painting and picture interpretation from the standpoint of Jung’s analytical psychology. Only a proportionally small number of books describing the clinical use of painted images emanating from the unconscious and their analytic understanding have been translated into English (p. xii), and this translation effort, supported by the C. G. Jung Foundation Z€ urich, intends to make important German language texts accessible to international students. The lack of translated material is surprising since the process of painting was important in Jung’s personal and clinical practice, as documented in The Red Book (Jung, 2009) and Memories, Dreams, Reflections (Jung, 1961/1989), as well as through thousands of images created by C. G. Jung’s and Jolande Jacobi’s clients, many of which are now archived in the Picture Archives held at the Jung Institute in Z€ urich. Another book by Ingrid Riedel, in collaboration with Ruth Ammann and Verena Kast about the images contained in the Picture Archives, will soon be released. Speaking from a personal standpoint, it is not an exaggeration to say this book changed my life. It reconnected me to my roots, helped me find my center, and brought me to where I am today. Painting and museum visits were regular activities when I was a child. When I was 18 years old, I read Jung’s (1964) Man and His Symbols. Little did I know that my first career path as a graphic designer would eventually lead to my second career as a psychologist and Jungian analyst, uniting concrete images with symbolic images of the psyche. During my last year of university in Brazil, two","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"516 - 519"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48705043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2138216
S. Knittel
Following a spark ignited by witnessing a Sabar dancer and drummer as a young woman in Senegal, this first draft of a filmscript follows the author back to Senegal many decades later. She must get to the bottom of this initiatory eros experience. A synchronicity leads her to the same city where she worked a long time ago, now a guest of a well-known drummer family. She starts filming their traditional Sabar rehearsals as well as a Sabar in a circle for women only. But it does not satisfy the inner image ingrained in her psyche. An encounter at the village well brings her face-to-face with the dire situation of many women confronting a lack of water. Following more synchronistic events, she ends up filming experimental Sabar around a well in another town with a choreographer she hires, along with his drummers and dancers. The dance turns into a joy-filled start of the day for the girls before their Sunday washing, captured on camera.
{"title":"Approaching a Script for Essentials of Senegal, Fish, Dance, and Water","authors":"S. Knittel","doi":"10.1080/00332925.2022.2138216","DOIUrl":"https://doi.org/10.1080/00332925.2022.2138216","url":null,"abstract":"Following a spark ignited by witnessing a Sabar dancer and drummer as a young woman in Senegal, this first draft of a filmscript follows the author back to Senegal many decades later. She must get to the bottom of this initiatory eros experience. A synchronicity leads her to the same city where she worked a long time ago, now a guest of a well-known drummer family. She starts filming their traditional Sabar rehearsals as well as a Sabar in a circle for women only. But it does not satisfy the inner image ingrained in her psyche. An encounter at the village well brings her face-to-face with the dire situation of many women confronting a lack of water. Following more synchronistic events, she ends up filming experimental Sabar around a well in another town with a choreographer she hires, along with his drummers and dancers. The dance turns into a joy-filled start of the day for the girls before their Sunday washing, captured on camera.","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"391 - 396"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46023198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2153520
D. Merritt, Kevin Lu, Frazer Merritt
The publication of Robert Lewis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde in January of 1886 created a shock wave in the consciousness of its readers. It was an instant success in and beyond the literary world as people were confronted with the uneasy thought that evil originated within the individual and not from an external source like the Devil. This was nine years before Freud conducted his first psychoanalysis, and decades before Jung introduced the concept of the shadow. Stevenson was known as the author of Treasure Island and children’s poetry, but had long been looking for a vehicle to write about the strange “Other” he had been aware of since his childhood nightmares. The inspiration for Jekyll and Hyde came directly from a dream, and he attributed most of his literary success to help from the “Brownies,” the “little people,” in his interior world and dreamland. The novel can be viewed in relation to the love-hate relationship with his father, whom he depended upon for financial support during his lifelong struggles with severe respiratory illness, which led to drug addiction from his attempts to cope with the illness. For Stevenson, the Other was primarily the dark side of the strict Calvinistic religion of his father and proper late 19th century Scottish culture, yet the concept is even more relevant today as we face the evils of terrorism, racism, white-collar crime, Putin and rising authoritarianism, and intolerable levels of polarization in many modern societies.
{"title":"Dr. Jekyll and Mr. Hyde Revisited","authors":"D. Merritt, Kevin Lu, Frazer Merritt","doi":"10.1080/00332925.2022.2153520","DOIUrl":"https://doi.org/10.1080/00332925.2022.2153520","url":null,"abstract":"The publication of Robert Lewis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde in January of 1886 created a shock wave in the consciousness of its readers. It was an instant success in and beyond the literary world as people were confronted with the uneasy thought that evil originated within the individual and not from an external source like the Devil. This was nine years before Freud conducted his first psychoanalysis, and decades before Jung introduced the concept of the shadow. Stevenson was known as the author of Treasure Island and children’s poetry, but had long been looking for a vehicle to write about the strange “Other” he had been aware of since his childhood nightmares. The inspiration for Jekyll and Hyde came directly from a dream, and he attributed most of his literary success to help from the “Brownies,” the “little people,” in his interior world and dreamland. The novel can be viewed in relation to the love-hate relationship with his father, whom he depended upon for financial support during his lifelong struggles with severe respiratory illness, which led to drug addiction from his attempts to cope with the illness. For Stevenson, the Other was primarily the dark side of the strict Calvinistic religion of his father and proper late 19th century Scottish culture, yet the concept is even more relevant today as we face the evils of terrorism, racism, white-collar crime, Putin and rising authoritarianism, and intolerable levels of polarization in many modern societies.","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"350 - 359"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48116399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2154581
Naomi Ruth Lowinsky
In the wake of Margi Johnson-Gaddis’ sudden, unexpected death, I feel bleak—at the edge of a black hole—in an agony beyond words. When I ask Psyche to speak, she shows me a path into dark woods marked by the tombstones of dearly beloved friends who were on the Psychological Perspectives Editorial Board. Psyche Speaks: “This is the fourth death in as many years of people you’ve worked with for decades—Jungian kin, fellow devotees to the mission to be a journal of global consciousness integrating psyche, soul, and nature. First there was Margaret Ryan, loving editor, with her keen eye for language, her generous ear for poetry, her big heart, and skilled hands. Then Gilda Frantz, who, with Margi Johnson, was coeditor-in-chief from the mid 1990s until her retirement. Gilda was your soul sister. She called your husband Dan ‘cuz’ because their ancestors came from the same shtetel in what’s now Poland. You visited with her every time you were in L.A. You miss her deeply. Then, in the midst of the pandemic, you lost Robin Robertson. He had written many books about Jungian psychology and science, was a frequent contributor to Psychological Perspectives, and its general editor. He guided the journal’s development and was a good friend and support to the editors. He was your mentor—he believed in your writing even as your Sister from Below wandered the publishing wilderness for years.”
{"title":"Psyche Speaks: In Memoriam of Margaret Johnson-Gaddis","authors":"Naomi Ruth Lowinsky","doi":"10.1080/00332925.2022.2154581","DOIUrl":"https://doi.org/10.1080/00332925.2022.2154581","url":null,"abstract":"In the wake of Margi Johnson-Gaddis’ sudden, unexpected death, I feel bleak—at the edge of a black hole—in an agony beyond words. When I ask Psyche to speak, she shows me a path into dark woods marked by the tombstones of dearly beloved friends who were on the Psychological Perspectives Editorial Board. Psyche Speaks: “This is the fourth death in as many years of people you’ve worked with for decades—Jungian kin, fellow devotees to the mission to be a journal of global consciousness integrating psyche, soul, and nature. First there was Margaret Ryan, loving editor, with her keen eye for language, her generous ear for poetry, her big heart, and skilled hands. Then Gilda Frantz, who, with Margi Johnson, was coeditor-in-chief from the mid 1990s until her retirement. Gilda was your soul sister. She called your husband Dan ‘cuz’ because their ancestors came from the same shtetel in what’s now Poland. You visited with her every time you were in L.A. You miss her deeply. Then, in the midst of the pandemic, you lost Robin Robertson. He had written many books about Jungian psychology and science, was a frequent contributor to Psychological Perspectives, and its general editor. He guided the journal’s development and was a good friend and support to the editors. He was your mentor—he believed in your writing even as your Sister from Below wandered the publishing wilderness for years.”","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"299 - 312"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45053570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2154586
Thom F. Cavalli
Research is just that—looking back over and over again at material through fresh eyes. In preparing for a workshop, I was drawn once more to the ancient Sumerian myth of Inanna, especially her descent into the underworld where she is murdered and her skin flayed. This archetypal story represents an important dynamic in the individuation process that involves persona and shadow. The Egyptian myth of Osiris, God of the dead and regeneration, also shows how consciousness is processed in the making of an individuated personality. Osiris is not flayed but meets his demise by being killed and dismembered. Viewed through an alchemical lens, these myths portray two operations, solve et coagula (dissolution and reconstitution), that play a critical role in the individuation process. These processes go into the making of the One Thing, a term used by alchemists to symbolize the Philosopher’s Stone, and by Jungians to describe the individuated self.
{"title":"Inanna and Osiris: Alchemical Functions of the Individuation Process","authors":"Thom F. Cavalli","doi":"10.1080/00332925.2022.2154586","DOIUrl":"https://doi.org/10.1080/00332925.2022.2154586","url":null,"abstract":"Research is just that—looking back over and over again at material through fresh eyes. In preparing for a workshop, I was drawn once more to the ancient Sumerian myth of Inanna, especially her descent into the underworld where she is murdered and her skin flayed. This archetypal story represents an important dynamic in the individuation process that involves persona and shadow. The Egyptian myth of Osiris, God of the dead and regeneration, also shows how consciousness is processed in the making of an individuated personality. Osiris is not flayed but meets his demise by being killed and dismembered. Viewed through an alchemical lens, these myths portray two operations, solve et coagula (dissolution and reconstitution), that play a critical role in the individuation process. These processes go into the making of the One Thing, a term used by alchemists to symbolize the Philosopher’s Stone, and by Jungians to describe the individuated self.","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"461 - 466"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47530363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2157142
Russell C. Huff
This article considers images derived from the collective unconscious. It tells the story of a lifetime’s journey, which brought Russell B. Huff, an art teacher, into contact with Clifford Rollins, a man who had been institutionalized since childhood. Initially, it was the dynamic power of Clifford’s work that interested Huff, but over time he began to suspect the symbolism in Clifford’s paintings pointed to something much deeper. Photographs of some of the paintings were sent to Edward Edinger, who confirmed the collective unconscious as the source of this striking imagery. Following this contact, Huff began an extended period of study and reflection in his efforts to better understand Clifford’s work. He also organized public showings of the paintings, which Clifford attended. Their story is conveyed by Mr. Huff’s oldest son, Russell C. Huff, who relied on material contained in his father’s notebooks to tell their story.
这篇文章考虑了来自集体无意识的图像。它讲述了艺术老师罗素·b·赫夫(Russell B. Huff)与克利福德·罗林斯(Clifford Rollins)的一生之旅，后者从小就被收容在精神病院。最初，是克利福德作品的动态力量引起了赫夫的兴趣，但随着时间的推移，他开始怀疑克利福德画作中的象征主义指向了更深层次的东西。其中一些画作的照片被寄给了爱德华·艾丁格，他证实了集体无意识是这些惊人图像的来源。在这次接触之后，赫夫开始了一段时间的研究和反思，努力更好地理解克利福德的作品。他还组织了画展，克利福德也参加了。他们的故事是由赫夫的大儿子拉塞尔·c·赫夫(Russell C. Huff)讲述的，他依靠父亲笔记本上的材料讲述了他们的故事。
{"title":"Force and Image: The Story of the Paintings of Clifford Rollins","authors":"Russell C. Huff","doi":"10.1080/00332925.2022.2157142","DOIUrl":"https://doi.org/10.1080/00332925.2022.2157142","url":null,"abstract":"This article considers images derived from the collective unconscious. It tells the story of a lifetime’s journey, which brought Russell B. Huff, an art teacher, into contact with Clifford Rollins, a man who had been institutionalized since childhood. Initially, it was the dynamic power of Clifford’s work that interested Huff, but over time he began to suspect the symbolism in Clifford’s paintings pointed to something much deeper. Photographs of some of the paintings were sent to Edward Edinger, who confirmed the collective unconscious as the source of this striking imagery. Following this contact, Huff began an extended period of study and reflection in his efforts to better understand Clifford’s work. He also organized public showings of the paintings, which Clifford attended. Their story is conveyed by Mr. Huff’s oldest son, Russell C. Huff, who relied on material contained in his father’s notebooks to tell their story.","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"467 - 492"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47947237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2154587
Hina Khan
This essay recounts the author’s experience of growing up in a traditional Pakistani home, centered around a patriarchal culture in which men are the protectors and providers of the home and women are the caretakers. The reader is taken on a journey in which the writer moves to the United States, undergoes a drastic individuation process, and finds herself in a relationship with someone who embodies the shadow elements of the Dark Mother archetype. This relationship is crippling in many respects, and yet the writer triumphs by learning how to cook for herself—the alchemy of this act ultimately helps heal and nurture her soul as she finds her way back to Self.
{"title":"The Alchemy of Cooking","authors":"Hina Khan","doi":"10.1080/00332925.2022.2154587","DOIUrl":"https://doi.org/10.1080/00332925.2022.2154587","url":null,"abstract":"This essay recounts the author’s experience of growing up in a traditional Pakistani home, centered around a patriarchal culture in which men are the protectors and providers of the home and women are the caretakers. The reader is taken on a journey in which the writer moves to the United States, undergoes a drastic individuation process, and finds herself in a relationship with someone who embodies the shadow elements of the Dark Mother archetype. This relationship is crippling in many respects, and yet the writer triumphs by learning how to cook for herself—the alchemy of this act ultimately helps heal and nurture her soul as she finds her way back to Self.","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"404 - 409"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45712310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/00332925.2022.2154584
Naomi Ruth Lowinsky
There are stories long told that have never been understood… There are moments when the gold sun in Lisbon is gone. We see houses in our dreams that need to be repaired And horses that no one has fed for three weeks… –Robert Bly (1994, pp. 7–8)
{"title":"In Memoriam: Robert Bly","authors":"Naomi Ruth Lowinsky","doi":"10.1080/00332925.2022.2154584","DOIUrl":"https://doi.org/10.1080/00332925.2022.2154584","url":null,"abstract":"There are stories long told that have never been understood… There are moments when the gold sun in Lisbon is gone. We see houses in our dreams that need to be repaired And horses that no one has fed for three weeks… –Robert Bly (1994, pp. 7–8)","PeriodicalId":42460,"journal":{"name":"Psychological Perspectives-A Quarterly Journal of Jungian Thought","volume":"65 1","pages":"317 - 321"},"PeriodicalIF":0.1,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42717331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：