Abstract This essay discusses the German television series Tannbach (Line of Separation) to ask new questions about the representation of village life in German cinema and television. Though set during the Cold War, the series – I argue – invites us to rethink the conventional image of the village against the backdrop of twenty-first century perspectives on borders and migration, the commodification of technologies of seeing, and the Anthropocene’s impact on so-called natural habitats.
{"title":"Winter is Coming: Screen Villages and Cold War History","authors":"L. Koepnick","doi":"10.1515/iasl-2022-0024","DOIUrl":"https://doi.org/10.1515/iasl-2022-0024","url":null,"abstract":"Abstract This essay discusses the German television series Tannbach (Line of Separation) to ask new questions about the representation of village life in German cinema and television. Though set during the Cold War, the series – I argue – invites us to rethink the conventional image of the village against the backdrop of twenty-first century perspectives on borders and migration, the commodification of technologies of seeing, and the Anthropocene’s impact on so-called natural habitats.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"434 - 456"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41635105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Around 1900, a number of writers left big cities for small villages in the countryside in order to continue their literary work there. This essay illuminates the spatial and social conditions under which outstanding works of German literature of this time were created. The writers included are Wilhelm Bölsche, Bruno Wille, Laura Marholm, Rainer Maria Rilke, Carl and Gerhart Hauptmann, Richard Dehmel, Detlev von Liliencron, Hermann Hesse, Paul Heyse, and Franziska zu Reventlow. The places they chose over big cities like Berlin or Munich are Friedrichshagen, Schliersee, Worpswede, Schreiberhau, Agnetendorf, Blankenese, Alt-Rahlstedt, Gaienhofen, Gardone, and Ascona.
摘要1900年前后，许多作家离开大城市到农村的小村庄继续他们的文学工作。本文阐述了这一时期德国文学优秀作品创作的空间和社会条件。作家包括威廉·伯尔斯切、布鲁诺·威尔、劳拉·马尔霍姆、Rainer Maria Rilke、卡尔和格哈特·豪普特曼、Richard Dehmel、Detlev von Liliencron、赫尔曼·黑塞、保罗·海斯和Franziska zu Reventlow。与柏林或慕尼黑等大城市相比，他们选择的地方有弗里德里希沙根、施利耶、沃普斯维德、施赖伯豪、阿涅滕多夫、布兰肯内斯、阿尔特·拉尔施泰特、盖恩霍芬、加东和阿斯科纳。
{"title":"Zurück in die Zukunft:Schreiben auf dem Dorf","authors":"C. Vogel","doi":"10.1515/iasl-2022-0025","DOIUrl":"https://doi.org/10.1515/iasl-2022-0025","url":null,"abstract":"Abstract Around 1900, a number of writers left big cities for small villages in the countryside in order to continue their literary work there. This essay illuminates the spatial and social conditions under which outstanding works of German literature of this time were created. The writers included are Wilhelm Bölsche, Bruno Wille, Laura Marholm, Rainer Maria Rilke, Carl and Gerhart Hauptmann, Richard Dehmel, Detlev von Liliencron, Hermann Hesse, Paul Heyse, and Franziska zu Reventlow. The places they chose over big cities like Berlin or Munich are Friedrichshagen, Schliersee, Worpswede, Schreiberhau, Agnetendorf, Blankenese, Alt-Rahlstedt, Gaienhofen, Gardone, and Ascona.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"457 - 479"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49427945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial","authors":"Meike G. Werner","doi":"10.1515/iasl-2022-0018","DOIUrl":"https://doi.org/10.1515/iasl-2022-0018","url":null,"abstract":"","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"367 - 368"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43581181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This essay tries to contextualize a very popular nineteenth-century literary genre – Dorfgeschichten, village tales – from the standpoint of a historian.1 It considers two of the most widely read exemplars of the genre – Berthold Auerbach’s Schwarzwälder Dorfgeschichten and Alban Stolz’s Kalender für Zeit und Ewigkeit, and places them in relation to a third: Johann Peter Hebel’s Rheinisches Schatzkästlein. The essay argues that it makes sense to approach this genre from the early nineteenth-century context – temporal, spatial, and religious – that formed it rather than from problems, such as industrialization, encountered in a later time. It also argues for due consideration of historical concreteness over strict considerations of genre.
摘要本文试图从历史学家的角度，将19世纪一种非常流行的文学流派——乡村故事——置于语境中。1它考虑了该流派中两个最广为人知的例子——Berthold Auerbach的Schwarzwälder Dorfgeschichten和Alban Stolz的Kalender für Zeit und Ewigkeit，并将它们与第三个联系起来：约翰·彼得·赫贝尔的Rheinisches Schatzkästlein。这篇文章认为，从19世纪初形成这一流派的时间、空间和宗教背景来看，而不是从后来遇到的工业化等问题来看，这是有意义的。它还主张对历史具体性的适当考虑，而不是对类型的严格考虑。
{"title":"Time, Place, and Religion: Rethinking the Contexts of the Village Tales of Berthold Auerbach, Alban Stolz, and Johann Peter Hebel","authors":"H. W. Smith","doi":"10.1515/iasl-2022-0028","DOIUrl":"https://doi.org/10.1515/iasl-2022-0028","url":null,"abstract":"Abstract This essay tries to contextualize a very popular nineteenth-century literary genre – Dorfgeschichten, village tales – from the standpoint of a historian.1 It considers two of the most widely read exemplars of the genre – Berthold Auerbach’s Schwarzwälder Dorfgeschichten and Alban Stolz’s Kalender für Zeit und Ewigkeit, and places them in relation to a third: Johann Peter Hebel’s Rheinisches Schatzkästlein. The essay argues that it makes sense to approach this genre from the early nineteenth-century context – temporal, spatial, and religious – that formed it rather than from problems, such as industrialization, encountered in a later time. It also argues for due consideration of historical concreteness over strict considerations of genre.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"534 - 548"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49599427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The recent vogue of village stories comes rather unexpected in a time of ‘globalization’. Starting out from Marcus Twellmann’s seminal study on the history of this genre, the present article discusses some possible reasons for this development. The second part gives an outline of the relation between the village story and the tradition of georgic poetry.
{"title":"Die Dorfgeschichte in Zeiten von Globalisierung und Anthropozän","authors":"Robert Stockhammer","doi":"10.1515/iasl-2022-0022","DOIUrl":"https://doi.org/10.1515/iasl-2022-0022","url":null,"abstract":"Abstract The recent vogue of village stories comes rather unexpected in a time of ‘globalization’. Starting out from Marcus Twellmann’s seminal study on the history of this genre, the present article discusses some possible reasons for this development. The second part gives an outline of the relation between the village story and the tradition of georgic poetry.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"403 - 412"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42470589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Under the umbrella of the Free German Youth (FDJ), starting in the 1960 s, the GDR instituted a comprehensive development program to instruct and motivate young adults to write poetry. This paper outlines the history of this project as well as its political, pedagogical, and aesthetic contexts, and develops corresponding research questions.
{"title":"Jugendlyrik der DDR","authors":"Gregor Streim","doi":"10.1515/iasl-2022-0016","DOIUrl":"https://doi.org/10.1515/iasl-2022-0016","url":null,"abstract":"Abstract Under the umbrella of the Free German Youth (FDJ), starting in the 1960 s, the GDR instituted a comprehensive development program to instruct and motivate young adults to write poetry. This paper outlines the history of this project as well as its political, pedagogical, and aesthetic contexts, and develops corresponding research questions.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"338 - 366"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46863122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Berthold Auerbach’s Schwarzwälder Dorfgeschichten can be read as an early example of observations on the notion of time-space compression. In these provincial tales, the new technology of the railroad often functions as both a literary theme and a narrative device that links the microcosm of the village with the macrocosm of the world at large, thereby enabling a specific perspective on the processes of globalization in the 19th century.
{"title":"„Welch ein Wirrsal ist die Welt!“","authors":"Hendrik Nolde","doi":"10.1515/iasl-2022-0027","DOIUrl":"https://doi.org/10.1515/iasl-2022-0027","url":null,"abstract":"Abstract Berthold Auerbach’s Schwarzwälder Dorfgeschichten can be read as an early example of observations on the notion of time-space compression. In these provincial tales, the new technology of the railroad often functions as both a literary theme and a narrative device that links the microcosm of the village with the macrocosm of the world at large, thereby enabling a specific perspective on the processes of globalization in the 19th century.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"515 - 533"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46710725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The article cursorily examines conceptualizations of Dorf in contemporary German literature. Peter Kurzeck’s Vorabend (2011), Saša Stanišić’s Vor dem Fest (2014), Juli Zeh’s Unterleuten (2016), Katrin Seddig’s Das Dorf (2017), and Albina Herbing’s Niemand ist bei den Kälbern (2017) are examined and compared with regard to their representation of rural and urban life, and how they interplay with idealized, and sometimes stereotypical, expectations and concepts of life in the city vs. life in the village.
摘要本文粗略地考察了德国当代文学中多尔夫的概念化。Peter Kurzeck的《Vorabend》（2011）、Saša Stanišić的《Vor dem Fest》（2014）、Juli Zeh的《Unterleuten》（2016）、Katrin Seddig的《Das Dorf》（2017）和Albina Herbing的《Niemand ist bei den Kälbern》，城市生活与乡村生活的期望和概念。
{"title":"„Rückzug ins Überschaubare?“","authors":"Barbara Wahlster","doi":"10.1515/iasl-2022-0019","DOIUrl":"https://doi.org/10.1515/iasl-2022-0019","url":null,"abstract":"Abstract The article cursorily examines conceptualizations of Dorf in contemporary German literature. Peter Kurzeck’s Vorabend (2011), Saša Stanišić’s Vor dem Fest (2014), Juli Zeh’s Unterleuten (2016), Katrin Seddig’s Das Dorf (2017), and Albina Herbing’s Niemand ist bei den Kälbern (2017) are examined and compared with regard to their representation of rural and urban life, and how they interplay with idealized, and sometimes stereotypical, expectations and concepts of life in the city vs. life in the village.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"369 - 383"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48505871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Jeder von uns muss heute an seinem ‚Zuhause‘ arbeiten.“","authors":"Barbara Wahlster, Daniel Schreiber","doi":"10.1515/iasl-2022-0020","DOIUrl":"https://doi.org/10.1515/iasl-2022-0020","url":null,"abstract":"","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"384 - 390"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46982510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Texts that bear witness to the extremes of the 20th century, from the Shoah to imprisonment in camps, to the experience of torture, or the Gulag, describe the individual experience and, at the same time, a process that points beyond one’s own fate and has something to do with the essence of law. The authors describe a concrete and fundamental sense of the legal status of an individual. Simultaneously, the legal principle is touched, violated, and destroyed, on which selfhood, and with it, an interpersonal sense of being human is based.
{"title":"Entrechtung erfahren","authors":"Barbara Picht","doi":"10.1515/iasl-2022-0015","DOIUrl":"https://doi.org/10.1515/iasl-2022-0015","url":null,"abstract":"Abstract Texts that bear witness to the extremes of the 20th century, from the Shoah to imprisonment in camps, to the experience of torture, or the Gulag, describe the individual experience and, at the same time, a process that points beyond one’s own fate and has something to do with the essence of law. The authors describe a concrete and fundamental sense of the legal status of an individual. Simultaneously, the legal principle is touched, violated, and destroyed, on which selfhood, and with it, an interpersonal sense of being human is based.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"47 1","pages":"269 - 284"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49511287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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