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INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR最新文献

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Zwischen Geschichtswissenschaft, Volkskunde und ‚Philologie‘. Zur Protosoziologie der mittelhochdeutschen Literatur (1895–1930) Geschichtswissenschaft之间、民間傳說‚语言学. "中德文学主流社会学(1895 / 1930)
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0021
M. Benz
Abstract According to widespread prejudice, it was only about 1900 that the influence of society on literature became an important scholarly issue. On the contrary, it will be demonstrated that, since the beginnings of its literary history, the literature of the Middle Ages has been discussed within its social context. At the same time, it will be shown in this article that between 1895 and 1930 some exceptional figures, in particular, Paul Kluckhohn and Edward Schröder, though representing the intellectual atmosphere of their time, nonetheless contributed to the development of a method of correlating medieval society and literature that until today remains of more than historical interest.
根据普遍的偏见,直到1900年左右,社会对文学的影响才成为一个重要的学术问题。相反,它将证明,自其文学史的开始,中世纪文学一直在其社会背景下进行讨论。与此同时,本文将显示,在1895年至1930年之间,一些杰出的人物,特别是保罗·克鲁克霍恩和爱德华Schröder,虽然代表了他们那个时代的知识氛围,但仍然为将中世纪社会与文学联系起来的方法的发展做出了贡献,直到今天,这种方法仍然不仅仅具有历史意义。
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引用次数: 0
Die frühe Soziologie und die Literatur. Untersuchungen zur Soziologie von Max Weber 一开始社会学和文学他的社会学研究
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0027
Christian Steuerwald
Abstract The present study shows that in the sociology of Max Weber three ways of using literature can be observed: (1) literary sociological theses, (2) literature as reference, and (3) literature as illustration.
摘要本研究表明,在韦伯的社会学中,可以观察到三种使用文学的方式:(1)文学社会学论文,(2)文学作为参考,(3)文学作为例证。
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引用次数: 0
Geist oder Gesellschaft. Über die Konstruktion sozialer Akteure in der Literaturwissenschaft in der ersten Hälfte des 20. Jahrhunderts 是个鬼还是个伴儿?关于20世纪上半叶文学社会行动者的结构世纪
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0020
H. Dainat
Abstract In the first decades of the 20th century, literary studies in the history of ideas (Geistesgeschichte) experimented with sociological and socio-historical perspectives and concepts in search of a stable basis. In doing so, it reacts to the problems of historical-philological research that focuses on social aspects of literary change. In the competition for the sovereignty of interpretation, holistic(national, ethnic) concepts also prevail against empirical findings.
摘要在20世纪的前几十年,思想史上的文学研究(Geistesgeschichte)尝试了社会学和社会历史的视角和概念,以寻找稳定的基础。在这样做的过程中,它对历史文献学研究的问题做出了反应,这些问题侧重于文学变革的社会方面。在解释主权的竞争中,整体(民族、族裔)概念也战胜了实证结果。
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引用次数: 0
Editorial 编辑
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0019
A. Albrecht, C. Spoerhase, Tilman Venzl
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引用次数: 0
Verhandlungen über eine Soziologie der Literatur auf den Deutschen Soziologentagen 1926 und 1930: Hanna Meuter, Leopold von Wiese und Erich Rothacker 在德国社会学家院于1926和1930年进行关于文学社会学的谈判:汉娜•怀尔德、利奥波德•冯•韦塞尔和埃里希•罗扎克
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0029
Franziska Bomski
Abstract The article examines the relationship between young sociology and the approaches of a sociological contemplation of literature, which is constituted in a movement of delineation motivated not only in terms of content, but also in terms of discipline and institution. This is exemplified by selected contributions to the German Sociologists’ Days (Deutsche Soziologentage) in 1926 and 1930, which present innovative (Hanna Meuter), and central (Leopold von Wiese, Erich Rothacker) positions in the contemporary debate on the sociology of art.
摘要本文探讨了青年社会学与文学社会学沉思方法之间的关系,文学社会学思考方法是在一场描绘运动中形成的,不仅在内容上,而且在学科和制度上都有动机。这体现在1926年和1930年对德国社会学家日(Deutsche Soziologentage)的精选贡献中,这些贡献在当代艺术社会学辩论中提出了创新(Hanna Meuter)和核心(Leopold von Wiese,Erich Rothacker)的立场。
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引用次数: 0
„Ein Unbekanntes ist nur der Geschmack“. Zu Levin Ludwig Schückings literatursoziologischem Ansatz “未知只是品味。”论莱文·路德维希·舒克的文学社会学方法
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0022
Sandra Schell, Tilman Venzl
Abstract The article reconstructs Levin Ludwig Schücking’s History of Taste as a method of writing literary history. Moreover, it lays out, for the first time, the cultural and literary-political dimensions of his approach by considering the context of the history of literary studies comprehensively. The article demonstrates how Schücking refers to sociology in a twofold manner: as a way of scholarly thinking that is related to certain methodological techniques, and as a way to overcome the “crisis of modernity” manifested in the rift between authors and readers in literary life.
摘要本文重构了莱文·路德维希·舒克的《品味史》,将其作为文学史的写作方法。此外,它还首次通过全面考虑文学研究史的背景,阐述了他的方法的文化和文学政治层面。这篇文章展示了Schücking如何以双重方式提及社会学:作为一种与某些方法论技巧相关的学术思维方式,以及作为一种克服文学生活中作者和读者之间裂痕所表现出的“现代性危机”的方式。
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引用次数: 0
Frühe Literatursoziologie und Barockforschung: Arnold Hirschs Verbürgerlichungsthese und ihr wissenschaftsgeschichtlicher Kontext 早期文学社会学与巴洛克研究——阿诺德·赫希的公民身份及其科学史语境论文
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0023
Jan Behrs
Abstract To define more precisely what “literary sociology” means around 1930 (and what it is capable of), the article looks at one particular encounter of sociological theory and literary material: the scholarship on the baroque. Particularly two traits of this specific form of literary sociology are brought into focus: its relation to the antipositivist “Geistesgeschichte” that precedes it and its role in delineating a new form of literary history that delimits the role of the author. Particular attention is given to the writings of the scholar Arnold Hirsch (1901–1954) because they offer a particularly sophisticated reflection of the forms and functions of literary sociology.
摘要为了更准确地定义1930年前后“文学社会学”的含义(以及它的能力),本文着眼于社会学理论和文学材料的一个特殊遭遇:巴洛克时期的学术。特别是,这种特定形式的文学社会学有两个特点:它与之前的反实证主义者“Geistesgeschichte”的关系,以及它在描绘一种新的文学史形式中的作用,这种形式界定了作者的角色。学者阿诺德·赫希(1901–1954)的著作尤其受到关注,因为它们对文学社会学的形式和功能进行了特别复杂的反映。
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引用次数: 0
Literatursoziologie als Kunstsoziologie und die Rolle des Ästhetischen. Beobachtungen zur Disziplinentektonik im ersten Drittel des 20. Jahrhunderts, am Beispiel Heinz Sauermanns und René Königs 文学社会学作为一种艺术社会学和美学的作用。20世纪前三分之一的学科构造观测。Heinz Sauermann和RenéKönigs
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0030
Jørgen Sneis
Abstract This paper explores the sociology of art as a subfield of disciplines other than sociology in the first few decades of the 20th century. Special attention is paid to the so-called “allgemeine Kunstwissenschaft” as a conceptional framework for the sociology of art, as described by Heinz Sauermann and René König. It is argued that notions of the artwork’s aesthetic properties, traditionally subject to philosophical aesthetics, co-determine the scope and range of sociological approaches to art. This is also the case with the sociology of literature.
摘要本文探讨了20世纪前几十年艺术社会学作为社会学以外学科的一个分支领域。特别关注所谓的“艺术社会学的概念框架”,正如Heinz Sauermann和ren König所描述的那样。有人认为,艺术作品的美学属性的概念,传统上服从于哲学美学,共同决定了艺术的社会学方法的范围和范围。文学社会学也是如此。
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引用次数: 0
‚Arbeit an den Sachen selbst‘. Zu Praxis und Programmatik der Literatursoziologie Karl Viëtors ‚工作’的东西即使.实践和Programmatikë第六Literatursoziologie卡尔了
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-0025
C. Zelle
Abstract This article focuses on Karl Viëtor’s (1892–1951) literary-sociological oriented Baroque research and follows its development up to a generalized literary-sociological research program. Viëtor defines his stance on the sociology of literature by distancing himself from two strands of thought: on the one hand, from different versions of “Geistesgeschichte” (represented e. g. by Fritz Strich, Oskar Walzel, or Emil Ermatinger), and, on the other hand, from various materialistic positions based on the base/superstructure-model (such as those by Franz Mehring or Karl August Wittfogel). First, I will examine Viëtor’s unpublished lecture History of German Literature in the Age of Baroque (Geschichte der deutschen Literatur im Zeitalter des Barock, 1922/1923 until 1937), which is his repository for his baroque publications in the 1920 s, that also inspired in-depth research conducted by his students. Secondly, I will analyze Viëtor’s Program of a Sociology of Literature (Programm einer Literatursoziologie, 1934), a critical examination of relevant contributions by Erich Rothacker and others, both from bourgeois and Marxist backgrounds. In this text, Viëtor outlines the sociology of literature in two ways: as a sociology of literary life and as a sociology of literary works.
本文主要关注卡尔Viëtor(1892-1951)以文学社会学为导向的巴洛克研究,并跟踪其发展到一个广义的文学社会学研究计划。Viëtor通过远离两种思想来定义他在文学社会学上的立场:一方面,远离不同版本的“Geistesgeschichte”(如弗里茨·施特里希、奥斯卡·瓦尔泽尔或埃米尔·埃尔马廷格),另一方面,远离基于基础/上层建筑模型的各种唯物主义立场(如弗朗茨·梅林或卡尔·奥古斯特·维特福格尔)。首先,我将检查Viëtor未发表的讲座《巴洛克时代的德国文学史》(Geschichte der deutschen Literature im Zeitalter des Barock, 1922/1923至1937年),这是他在20世纪20年代巴洛克出版物的仓库,也激发了他的学生进行的深入研究。其次,我将分析Viëtor的《文学社会学纲领》(Programm einer Literatursoziologie, 1934),这是对埃里希·罗萨克(Erich Rothacker)等人在资产阶级和马克思主义背景下的相关贡献的批判性考察。在本文中,Viëtor从两个方面概述了文学社会学:作为文学生活的社会学和作为文学作品的社会学。
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引用次数: 0
Frontmatter Frontmatter
IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Pub Date : 2021-11-09 DOI: 10.1515/iasl-2021-frontmatter2
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INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR
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