Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19135
Marta Olivi
Two faces of the feminist dystopia in the United Kingdom: Sophie Mackintosh and Rebecca Ley A conversation with Sophie Mackintosh and Rebecca Ley by Marta Olivi
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Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19184
Ester Fuoco
If, by definition, the performing event could not do without the co-presence in space and time of spectators and actors (Brook 21), history has shown us how profound reflections on the possibility of shifting the fundamental axes of theater have nevertheless come about. The increasingly substantial presence of video within performances, even if filmed in real-time, is one example that has called into question the fundamental concept of hic et nunc. The creation of performances for a single spectator has altered the anthropological binomial community/ritual in addition to the "non-human" entity of the performer, from metal theater to cyborg performance (Schrum). The Royal Shakespeare Company's new production (2021) Dream will be analyzed to discuss the particular artistic experimentation that has become widespread in the Covid era. This production, which is a technological performance watched by more than 20,000 people worldwide in just three days, brings performance and gaming technology together to explore new ways for the audience, a remote spectator, to experience live theater (Aebischer 21). As live play performances and readings continually crowd virtual platforms, theater is undergoing a radical shift from stage to screen and cyberspace. However, will these new formats survive in the post-pandemic times?
如果从定义上讲，表演活动离不开观众和演员在空间和时间上的共同存在（Brook 21），那么历史已经向我们表明，尽管如此，对改变戏剧基本轴线的可能性的深刻反思还是产生了。视频在表演中越来越重要，即使是实时拍摄的，也是一个让人质疑hic et nunc基本概念的例子。除了表演者的“非人类”实体之外，为单个观众创造的表演改变了人类学的二项式社区/仪式，从金属剧院到半机械人表演（Schrum）。英国皇家莎士比亚剧团（Royal Shakespeare Company）的新作品《梦想》（2021）将被分析，以讨论在新冠肺炎时代广泛存在的特殊艺术实验。这部作品是一场在短短三天内有全球20000多人观看的技术表演，它将表演和游戏技术结合在一起，为观众（远程观众）探索体验现场戏剧的新方式（Aebischer 21）。随着现场戏剧表演和阅读不断涌入虚拟平台，剧院正在经历从舞台到屏幕和网络空间的彻底转变。然而，这些新形式会在后疫情时代幸存下来吗？
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Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19188
(a cura di) Sergio Di Benedetto, (a cura di) Luca Gallarini
Introduzione Sergio Di Benedetto e Luca Gallarini “La solitudine del rumore”: città rimosse e memorie campestri nelle prose di Giovanni Pascoli Laura Crippa lI concetto di ‘ruralità’ (e le sue traduzioni) nel Cristo si è fermato a Eboli di Carlo Levi Sara Sermini 1941: Guareschi scopre Milano Luca Gallarini “In città sarei come un capriolo allo zoo”: la città in Mario Rigoni Stern Sergio Di Benedetto Gender, Housework, and Urban Space in Armanda Guiducci’s Due donne da buttare Viviana Pezzullo
介绍塞尔吉奥·迪贝内德托和卢卡·加拉里尼“噪音的孤独”：Giovanni Pascoli Laura Crippa散文中去除的城市和乡村记忆《基督》中的“乡村”概念（及其翻译）在埃博利迪停止卡洛·莱维·萨拉·塞尔米尼1941年：瓜雷斯基发现米兰卢卡·加拉里尼“在城市里，我就像动物园里的一只鹿”：马里奥·里戈尼·斯特恩的城市塞尔吉奥·迪·贝内代托性别，家务，和城市空间在阿玛达·杜奇的《两个女人来扔薇薇安娜·佩祖洛》中
{"title":"Dossier - Spazi urbani e zone rurali nella modernità letteraria","authors":"(a cura di) Sergio Di Benedetto, (a cura di) Luca Gallarini","doi":"10.54103/2035-7680/19188","DOIUrl":"https://doi.org/10.54103/2035-7680/19188","url":null,"abstract":"Introduzione \u0000Sergio Di Benedetto e Luca Gallarini \u0000 \u0000“La solitudine del rumore”: città rimosse e memorie campestri nelle prose di Giovanni Pascoli \u0000Laura Crippa \u0000 \u0000lI concetto di ‘ruralità’ (e le sue traduzioni) nel Cristo si è fermato a Eboli di Carlo Levi \u0000Sara Sermini \u0000 \u00001941: Guareschi scopre Milano \u0000Luca Gallarini \u0000 \u0000“In città sarei come un capriolo allo zoo”: la città in Mario Rigoni Stern \u0000Sergio Di Benedetto \u0000 \u0000Gender, Housework, and Urban Space in Armanda Guiducci’s Due donne da buttare \u0000Viviana Pezzullo ","PeriodicalId":42544,"journal":{"name":"Altre Modernita-Rivista di Studi Letterari e Culturali","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47474417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Roberto Burgos Cantor, Lo Amador","authors":"Simone Ferrari","doi":"10.54103/2035-7680/19165","DOIUrl":"https://doi.org/10.54103/2035-7680/19165","url":null,"abstract":"Roberto Burgos Cantor, Lo Amador (Roma, Le Commari, 2022, 135 pp. ISBN 978-88-946672-1-9) \u0000di Simone Ferrari \u0000 ","PeriodicalId":42544,"journal":{"name":"Altre Modernita-Rivista di Studi Letterari e Culturali","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46932004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19137
Simone Ferrari
Martin Alonso Pomare Howard, El clamor de las islas. San Andrés y Providencia bajo el gobierno colombiano (Pittsburgh, Instituto Internacional de Literatura Iberoamericana, Universidad de Pittsburgh; Cali, Ofrenda Editorial, 2021, 294 pp. ISBN 978-958-49-3352-2) por Simone Ferrari
马丁·阿隆索·波马雷·霍华德，《岛屿的呼唤》。哥伦比亚政府的San andres和Providencia(匹兹堡，匹兹堡大学伊比利亚-美洲文学国际研究所;Cali, Ofrenda Editorial, 2021, 294 pp. ISBN 978-958-49-3352-2)， Simone Ferrari著
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Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19182
G. Mapelli
The voice of the President of the Government, Pedro Sánchez, and the voices of senior officials and experts (Salvador Illa and Fernando Simón), chosen by the Government, were the protagonists in the press and they had an enormous media impact during pandemic COVID-19. In the framework of the appraisal theory of Martin and White and of the communication of press, we consider that the use of reported speech is one of the keys to observe the presence of the actors in the written press. Moreover, for Charaudeau it is a tool to orient a particular interpretation of the facts, and to convey a certain image of a public character. In this paper, we analyse with a quantitative and qualitative approach the way in which journalists construct the image of government representatives through the use reporting verbs to introduce reported speech (Reyes 16-22) and the attitudes and emotions these verbs denote (Escribano, Voces 11). The corpus is constituted by news from the national newspapers El País, ABC, El Mundo published from March to June 2020, that is, during the proclamation of the first State of Alarm and the first phases of the de-escalation.
{"title":"El discurso referido en la prensa durante la primera ola de la pandemia por COVID-19: análisis de las voces de los representantes del Gobierno español","authors":"G. Mapelli","doi":"10.54103/2035-7680/19182","DOIUrl":"https://doi.org/10.54103/2035-7680/19182","url":null,"abstract":"The voice of the President of the Government, Pedro Sánchez, and the voices of senior officials and experts (Salvador Illa and Fernando Simón), chosen by the Government, were the protagonists in the press and they had an enormous media impact during pandemic COVID-19. \u0000In the framework of the appraisal theory of Martin and White and of the communication of press, we consider that the use of reported speech is one of the keys to observe the presence of the actors in the written press. Moreover, for Charaudeau it is a tool to orient a particular interpretation of the facts, and to convey a certain image of a public character. \u0000In this paper, we analyse with a quantitative and qualitative approach the way in which journalists construct the image of government representatives through the use reporting verbs to introduce reported speech (Reyes 16-22) and the attitudes and emotions these verbs denote (Escribano, Voces 11). The corpus is constituted by news from the national newspapers El País, ABC, El Mundo published from March to June 2020, that is, during the proclamation of the first State of Alarm and the first phases of the de-escalation.","PeriodicalId":42544,"journal":{"name":"Altre Modernita-Rivista di Studi Letterari e Culturali","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44762768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19112
Pietro Manzella
The outbreak of COVID-19 has produced serious consequences in social and economic terms. The speed at which this pandemic spread in the initial weeks led governments to take drastic measures in order to contain its devastating effects. To this end, lockdowns were imposed in many countries which lasted for months, affecting people’s lives in important respects. The way in which the general public was apprised of these restrictions deserves attention, as communication plays a major role at the time of implementing measures impacting on people’s freedoms. Based on these considerations, this paper provides a comparison of the rhetorical devices adopted by national governments to inform the public of the beginning of the lockdown. Specifically, the statements with which the Prime Ministers of Italy and the UK announced the implementation of lockdown measures will be examined, with a view to investigating their linguistic features in both Italian and English.
{"title":"Discourse and communication during COVID-19: a comparison of prime ministers’ statements announcing the first lockdown in Italy and the UK","authors":"Pietro Manzella","doi":"10.54103/2035-7680/19112","DOIUrl":"https://doi.org/10.54103/2035-7680/19112","url":null,"abstract":"The outbreak of COVID-19 has produced serious consequences in social and economic terms. The speed at which this pandemic spread in the initial weeks led governments to take drastic measures in order to contain its devastating effects. To this end, lockdowns were imposed in many countries which lasted for months, affecting people’s lives in important respects. The way in which the general public was apprised of these restrictions deserves attention, as communication plays a major role at the time of implementing measures impacting on people’s freedoms. Based on these considerations, this paper provides a comparison of the rhetorical devices adopted by national governments to inform the public of the beginning of the lockdown. Specifically, the statements with which the Prime Ministers of Italy and the UK announced the implementation of lockdown measures will be examined, with a view to investigating their linguistic features in both Italian and English.","PeriodicalId":42544,"journal":{"name":"Altre Modernita-Rivista di Studi Letterari e Culturali","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44603859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19189
Luizetta Falyushina
Nella vasta produzione letteraria di A. P. Čechov sono presenti testimonianze scritte durante il periodo della quinta ondata della pandemia di colera. Originatasi in India e in Asia Centrale nel 1883, arrivò in Russia negli anni 1892-1893, dove causò la morte di circa 400 000 persone. Čechov, in quanto medico di professione, nel 1892 si dedicò all’attività di dottore, fornendo cure ai contadini dei numerosi villaggi situati intorno alla sua tenuta di Melichovo, rifiutando qualsiasi compenso. Questa esperienza si riflette sia nei documenti relativi alla sua attività professionale, sia nella sua eredità epistolare, che viene considerata dagli studiosi parte integrante della sua prosa letteraria in quanto ne presenta le stesse caratteristiche stilistiche e narrative. Questo articolo analizza la rappresentazione di quei tragici eventi da una doppia prospettiva: da un lato dal punto di vista di Čechov-medico e dall’altro dal punto di vista di Čechov-scrittore. Si pone attenzione ai seguenti aspetti: 1) la descrizione del colera come un essere animato, tratto tipico del meccanismo di mitologizzazione della malattia nell’immaginario collettivo; 2) la rappresentazione degli umori apocalittici presenti nel popolo, che conferiscono all'epidemia lo status di punizione celeste; 3) la considerazione dei focolai dell’epidemia come ʻspazi mortiʼ.
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Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19163
Pisapia Carolina
Tlotlo Tsamaase, Silenziosa sfiorisce la pelle (Modena, Zona 42, 2022, 144 pp. ISBN 978-88-98950-96-6) di Carolina Pisapia
Tlotlo Tsamaase，Silenziosa sforice la pelle（摩德纳，Zona 422022，144页，ISBN 978-88-98950-96-6），Carolina Pispia著
{"title":"Tlotlo Tsamaase, Silenziosa sfiorisce la pelle","authors":"Pisapia Carolina","doi":"10.54103/2035-7680/19163","DOIUrl":"https://doi.org/10.54103/2035-7680/19163","url":null,"abstract":"Tlotlo Tsamaase, Silenziosa sfiorisce la pelle (Modena, Zona 42, 2022, 144 pp. ISBN 978-88-98950-96-6) \u0000di Carolina Pisapia \u0000 ","PeriodicalId":42544,"journal":{"name":"Altre Modernita-Rivista di Studi Letterari e Culturali","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48618867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.54103/2035-7680/19183
Serena Cello
Apparu vers la fin des années 1980 aux États-Unis et arrivé une décennie après en France, le slam est une pratique d’écriture et d'art oratoire mêlant poésie et spectacle vivant. Depuis deux décennies, c’est l’une des formes les plus émergentes de la littérature orale, une néo-orature (Bobillot, Quand 114) qui présente ses formes esthétiques, des règles et un contrat de communication spécifique. Après bref rappel historique, notre analyse se propose d’explorer ses modalités performatives nous focalisant en particulier sur les dynamiques de cocréation poétique qui naissent de l’influence entre slammeurs et public.
{"title":"Slammeurs et public : une coparticipation performative","authors":"Serena Cello","doi":"10.54103/2035-7680/19183","DOIUrl":"https://doi.org/10.54103/2035-7680/19183","url":null,"abstract":"Apparu vers la fin des années 1980 aux États-Unis et arrivé une décennie après en France, le slam est une pratique d’écriture et d'art oratoire mêlant poésie et spectacle vivant. \u0000Depuis deux décennies, c’est l’une des formes les plus émergentes de la littérature orale, une néo-orature (Bobillot, Quand 114) qui présente ses formes esthétiques, des règles et un contrat de communication spécifique. Après bref rappel historique, notre analyse se propose d’explorer ses modalités performatives nous focalisant en particulier sur les dynamiques de cocréation poétique qui naissent de l’influence entre slammeurs et public.","PeriodicalId":42544,"journal":{"name":"Altre Modernita-Rivista di Studi Letterari e Culturali","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46841953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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